To Jane: The Recollection

Percy Bysshe Shelley (1792–1822) · 1816–1819

iambic tetrameter · 88 lines · from Ode to the West Wind, and Other Poems

Now the last day of many days,All beautiful and bright as thou,The loveliest and the last, is dead,Rise, Memory, and write its praise!Up,--to thy wonted work! come, traceThe epitaph of glory fled,--For now the Earth has changed its face,A frown is on the Heaven's brow.

We wandered to the Pine ForestThat skirts the Ocean's foam,The lightest wind was in its nest,The tempest in its home.The whispering waves were half asleep,The clouds were gone to play,And on the bosom of the deepThe smile of Heaven lay;It seemed as if the hour were oneSent from beyond the skies,Which scattered from above the sunA light of Paradise.

We paused amid the pines that stoodThe giants of the waste,Tortured by storms to shapes as rudeAs serpents interlaced;And, soothed by every azure breath,That under Heaven is blown,To harmonies and hues beneath,As tender as its own,Now all the tree-tops lay asleep,Like green waves on the sea,As still as in the silent deepThe ocean woods may be.

How calm it was!--the silence thereBy such a chain was boundThat even the busy woodpeckerMade stiller by her soundThe inviolable quietness;The breath of peace we drewWith its soft motion made not lessThe calm that round us grew.There seemed from the remotest seatOf the white mountain waste,To the soft flower beneath our feet,A magic circle traced,--A spirit interfused aroundA thrilling, silent life,--To momentary peace it boundOur mortal nature's strife;And still I felt the centre ofThe magic circle thereWas one fair form that filled with loveThe lifeless atmosphere.

We paused beside the pools that lieUnder the forest bough,--Each seemed as 'twere a little skyGulfed in a world below;A firmament of purple lightWhich in the dark earth lay,More boundless than the depth of night,And purer than the day--In which the lovely forests grew,As in the upper air,More perfect both in shape and hueThan any spreading there.There lay the glade and neighbouring lawn,And through the dark green woodThe white sun twinkling like the dawnOut of a speckled cloud.Sweet views which in our world aboveCan never well be seen,Were imaged by the water's loveOf that fair forest green.And all was interfused beneathWith an Elysian glow,An atmosphere without a breath,A softer day below.Like one beloved the scene had lentTo the dark water's breast,Its every leaf and lineamentWith more than truth expressed;Until an envious wind crept by,Like an unwelcome thought,Which from the mind's too faithful eyeBlots one dear image out.Though thou art ever fair and kind,The forests ever green,Less oft is peace in Shelley's mind,Than calm in waters, seen.

Words in this poem

wonted a.
Accustomed; customary; usual.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
stiller n.
One who stills, or quiets.
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
centre v. i.
To be placed in a center; to be central.
firmament n.
Fixed foundation; established basis. [L. firmamentum, fr. firmare to make firm: cf. F. firmament. See Firm, v. & a.]
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
neighbouring a.
Living or being near; adjacent; as, the neighboring nations or countries.
twinkling n.
The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
elysian a.
Pertaining, or the abode of the blessed after death; hence, yielding the highest pleasures; exceedingly delightful; beatific. [L. Elysius, fr. Elysium.]
lineament n.
One of the outlines, exterior features, or distinctive marks, of a body or figure, particularly of the face; feature; form; mark; - - usually in the plural. [L. lineamentum, fr. linea line: cf. F. linéament. See 3d Line.]
envious a.
Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Jane: The Recollection is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 2, Project Gutenberg ebook #4798; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Percy Bysshe Shelley, To Jane: The Recollection, in Ode to the West Wind, and Other Poems (1816–1819), text of Project Gutenberg ebook #4798, Laurel, https://laurelpoetry.com/poem/shelley-later-poems/to-jane-the-recollection.html, id L16481.

Form and metre

To Jane: The Recollection is 88 lines in 5 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 7.4 syllables. 4 lines end on an unstressed syllable, a feminine ending. 36% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABCADCDB daysA · thouB · deadC · praiseA · traceD · fledC · faceD · browB
  2. 2 ABABCDCDE-E- forestA · foamB · nestA · homeB · asleepC · playD · deepC · layD · oneE · skies · sunE · paradise
  3. 3 -A-A-B-BCDCD stood · wasteA · rude · interlacedA · breath · blownB · beneath · ownB · asleepC · seaD · deepC · beD
  4. 4 AB-BCDCDEFEFBGBGHAHA thereA · boundB · woodpecker · soundB · quietnessC · drewD · lessC · grewD · seatE · wasteF · feetE · tracedF · aroundB · lifeG · boundB · strifeG · ofH · thereA · loveH · atmosphereA
  5. 5 A-A-BCBCDEDEF-F-GHGH-I-IJKJKL-L-MNMN lieA · bough · skyA · below · lightB · layC · nightB · dayC · grewD · airE · hueD · thereE · lawnF · wood · dawnF · cloud · aboveG · seenH · loveG · greenH · beneath · glowI · breath · belowI · lentJ · breastK · lineamentJ · expressedK · byL · thought · eyeL · out · kindM · greenN · mindM · seenN
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Now the last day of many days,8·····/˘·
All beautiful and bright as thou,8·/˘˘····
The loveliest and the last, is dead,9·········
Rise, Memory, and write its praise!8·/˘˘····
Up,--to thy wonted work! come, trace8···/˘···
The epitaph of glory fled,--8·/˘··/˘·
For now the Earth has changed its face,8········
A frown is on the Heaven's brow.8·····/˘·
We wandered to the Pine Forest8·/˘···/˘
That skirts the Ocean's foam,6···/˘·
The lightest wind was in its nest,8·/˘·····
The tempest in its home.6·/˘···
The whispering waves were half asleep,9·/˘˘···˘/
The clouds were gone to play,6······
And on the bosom of the deep8···/˘···
The smile of Heaven lay;6···/˘·
It seemed as if the hour were one9·····/˘··
Sent from beyond the skies,6······
Which scattered from above the sun8·/˘·····
A light of Paradise.6···/˘·
We paused amid the pines that stood8··˘/····
The giants of the waste,6·/˘···
Tortured by storms to shapes as rude8/˘······
As serpents interlaced;6·/˘·˘/
And, soothed by every azure breath,9···/˘˘/˘·
That under Heaven is blown,7···/˘··
To harmonies and hues beneath,8·/˘˘····
As tender as its own,6·/˘···
Now all the tree-tops lay asleep,8······˘/
Like green waves on the sea,6······
As still as in the silent deep8·····/˘·
The ocean woods may be.6·/˘···
How calm it was!--the silence there8·····/˘·
By such a chain was bound6······
That even the busy woodpecker9·/˘·/˘/·˘
Made stiller by her sound6·/˘···
The inviolable quietness;9·˘/˘˘˘/˘˘
The breath of peace we drew6······
With its soft motion made not less8···/˘···
The calm that round us grew.6······
There seemed from the remotest seat8····˘/˘·
Of the white mountain waste,6···/˘·
To the soft flower beneath our feet,10···/˘··/˘·
A magic circle traced,--6·/˘/˘·
A spirit interfused around8·/˘·····
A thrilling, silent life,--6·/˘/˘·
To momentary peace it bound8·/˘·˘···
Our mortal nature's strife;7/˘/˘/˘·
And still I felt the centre of8·····/˘·
The magic circle there6·/˘/˘·
Was one fair form that filled with love8········
The lifeless atmosphere.6·/˘/˘·
We paused beside the pools that lie8··˘/····
Under the forest bough,--6···/˘·
Each seemed as 'twere a little sky8·····/˘·
Gulfed in a world below;6······
A firmament of purple light8·/˘˘·/˘·
Which in the dark earth lay,6······
More boundless than the depth of night,8·/˘·····
And purer than the day--6·/˘···
In which the lovely forests grew,8···/˘/˘·
As in the upper air,6···/˘·
More perfect both in shape and hue8·˘/·····
Than any spreading there.6·/˘/˘·
There lay the glade and neighbouring lawn,9·····/˘˘·
And through the dark green wood6······
The white sun twinkling like the dawn9···/˘˘···
Out of a speckled cloud.6···/˘·
Sweet views which in our world above9····/˘···
Can never well be seen,6·/˘···
Were imaged by the water's love8·/˘··/˘·
Of that fair forest green.6···/˘·
And all was interfused beneath8········
With an Elysian glow,6··˘/˘·
An atmosphere without a breath,8·/˘·····
A softer day below.6·/˘···
Like one beloved the scene had lent8··˘/····
To the dark water's breast,6···/˘·
Its every leaf and lineament10·/˘˘··/˘˘˘
With more than truth expressed;6····˘/
Until an envious wind crept by,9···/˘˘···
Like an unwelcome thought,6··˘/˘·
Which from the mind's too faithful eye8·····/˘·
Blots one dear image out.6···/˘·
Though thou art ever fair and kind,8···/˘···
The forests ever green,6·/˘/˘·
Less oft is peace in Shelley's mind,8·····/˘·
Than calm in waters, seen.6···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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