The Pine Forest of the Cascine Near Pisa
Dearest, best and brightest,Come away,To the woods and to the fields!Dearer than this fairest dayWhich, like thee to those in sorrow,Comes to bid a sweet good-morrowTo the rough Year just awakeIn its cradle in the brake.The eldest of the Hours of Spring,Into the Winter wandering,Looks upon the leafless wood,And the banks all bare and rude;Found, it seems, this halcyon MornIn February's bosom born,Bending from Heaven, in azure mirth,Kissed the cold forehead of the Earth,And smiled upon the silent sea,And bade the frozen streams be free;And waked to music all the fountains,And breathed upon the rigid mountains,And made the wintry world appearLike one on whom thou smilest, Dear.
Radiant Sister of the Day,Awake! arise! and come away!To the wild woods and the plains,To the pools where winter rainsImage all the roof of leaves,Where the pine its garland weavesSapless, gray, and ivy dunRound stems that never kiss the sun--To the sandhills of the sea,Where the earliest violets be.
Now the last day of many days,All beautiful and bright as thou,The loveliest and the last, is dead,Rise, Memory, and write its praise!And do thy wonted work and traceThe epitaph of glory fled;For now the Earth has changed its face,A frown is on the Heaven's brow.
We wandered to the Pine ForestThat skirts the Ocean's foam,The lightest wind was in its nest,The tempest in its home.
The whispering waves were half asleep,The clouds were gone to play,And on the woods, and on the deepThe smile of Heaven lay.
It seemed as if the day were oneSent from beyond the skies,Which shed to earth above the sunA light of Paradise.
We paused amid the pines that stood,The giants of the waste,Tortured by storms to shapes as rudeWith stems like serpents interlaced.
How calm it was--the silence thereBy such a chain was bound,That even the busy woodpeckerMade stiller by her sound
The inviolable quietness;The breath of peace we drewWith its soft motion made not lessThe calm that round us grew.
It seemed that from the remotest seatOf the white mountain's wasteTo the bright flower beneath our feet,A magic circle traced;--
A spirit interfused around,A thinking, silent life;To momentary peace it boundOur mortal nature's strife;--
And still, it seemed, the centre ofThe magic circle there,Was one whose being filled with loveThe breathless atmosphere.
Were not the crocuses that grewUnder that ilex-treeAs beautiful in scent and hueAs ever fed the bee?
We stood beneath the pools that lieUnder the forest bough,And each seemed like a skyGulfed in a world below;
A purple firmament of lightWhich in the dark earth lay,More boundless than the depth of night,And clearer than the day--
In which the massy forests grewAs in the upper air,More perfect both in shape and hueThan any waving there.
Like one beloved the scene had lentTo the dark water's breastIts every leaf and lineamentWith that clear truth expressed;
There lay far glades and neighbouring lawn,And through the dark green crowdThe white sun twinkling like the dawnUnder a speckled cloud.
Sweet views, which in our world aboveCan never well be seen,Were imaged by the water's loveOf that fair forest green.
And all was interfused beneathWith an Elysian air,An atmosphere without a breath,A silence sleeping there.
Until a wandering wind crept by,Like an unwelcome thought,Which from my mind's too faithful eyeBlots thy bright image out.
For thou art good and dear and kind,The forest ever green,But less of peace in S--'s mind,Than calm in waters, seen. 116.
Words in this poem 17
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- bade
- A form of the pat tense of Bid.
- wintry a.
- Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
- sapless a.
- Destitute of sap; not juicy.
- wonted a.
- Accustomed; customary; usual.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- stiller n.
- One who stills, or quiets.
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- centre v. i.
- To be placed in a center; to be central.
- breathless a.
- Spent with labor or violent action; out of breath.
- firmament n.
- Fixed foundation; established basis. [L. firmamentum, fr. firmare to make firm: cf. F. firmament. See Firm, v. & a.]
- clearer n.
- One who, or that which, clears.
- massy a.
- Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
- lineament n.
- One of the outlines, exterior features, or distinctive marks, of a body or figure, particularly of the face; feature; form; mark; - - usually in the plural. [L. lineamentum, fr. linea line: cf. F. linéament. See 3d Line.]
- neighbouring a.
- Living or being near; adjacent; as, the neighboring nations or countries.
- twinkling n.
- The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
- elysian a.
- Pertaining, or the abode of the blessed after death; hence, yielding the highest pleasures; exceedingly delightful; beatific. [L. Elysius, fr. Elysium.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Pine Forest of the Cascine Near Pisa is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 2, Project Gutenberg ebook #4798; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Percy Bysshe Shelley, The Pine Forest of the Cascine Near Pisa, in The Complete Poetical Works, Volume II (1816–1819), text of Project Gutenberg ebook #4798, Laurel, https://laurelpoetry.com/poem/shelley-later-poems/the-pine-forest-of-the-cascine-near-pisa.html, id L16482.
Form and metre
The Pine Forest of the Cascine Near Pisa is 116 lines in 22 stanzas. The rhyme scheme is ABAB, complete in 12 of its 22 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 89%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 7.5 syllables. 11 lines end on an unstressed syllable, a feminine ending. 35% of the lines run on without a stop at the line end.
See other poems in common measure.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-ABBCCDD--EEFFGGHHII brightest · awayA · fields · dayA · sorrowB · morrowB · awakeC · brakeC · springD · wanderingD · wood · rude · mornE · bornE · mirthF · earthF · seaG · freeG · fountainsH · mountainsH · appearI · dearI
- 2 AABBCCDDEE dayA · awayA · plainsB · rainsB · leavesC · weavesC · dunD · sunD · seaE · beE
- 3 ABCADCDB daysA · thouB · deadC · praiseA · traceD · fledC · faceD · browB
- 4 ABAB forestA · foamB · nestA · homeB
- 5 ABAB asleepA · playB · deepA · layB
- 6 A-A- oneA · skies · sunA · paradise
- 7 -A-A stood · wasteA · rude · interlacedA
- 8 -A-A there · boundA · woodpecker · soundA
- 9 ABAB quietnessA · drewB · lessA · grewB
- 10 ABAB seatA · wasteB · feetA · tracedB
- 11 ABAB aroundA · lifeB · boundA · strifeB
- 12 ABAB ofA · thereB · loveA · atmosphereB
- 13 ABAB grewA · treeB · hueA · beeB
- 14 A-A- lieA · bough · skyA · below
- 15 ABAB lightA · layB · nightA · dayB
- 16 ABAB grewA · airB · hueA · thereB
- 17 ABAB lentA · breastB · lineamentA · expressedB
- 18 ABAB lawnA · crowdB · dawnA · cloudB
- 19 ABAB aboveA · seenB · loveA · greenB
- 20 -A-A beneath · airA · breath · thereA
- 21 A-A- byA · thought · eyeA · out
- 22 A-A- kindA · green · mindA · —
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Dearest, best and brightest, | 6 | /˘··/˘ |
| Come away, | 3 | ·˘/ |
| To the woods and to the fields! | 7 | ······· |
| Dearer than this fairest day | 7 | /˘··/˘· |
| Which, like thee to those in sorrow, | 8 | ······/˘ |
| Comes to bid a sweet good-morrow | 8 | ······/˘ |
| To the rough Year just awake | 7 | ·····˘/ |
| In its cradle in the brake. | 7 | ··/˘··· |
| The eldest of the Hours of Spring, | 9 | ·/˘··/˘·· |
| Into the Winter wandering, | 8 | ···/˘/˘˘ |
| Looks upon the leafless wood, | 7 | ····/˘· |
| And the banks all bare and rude; | 7 | ······· |
| Found, it seems, this halcyon Morn | 8 | ····/˘˘· |
| In February's bosom born, | 8 | ·/˘·˘/˘· |
| Bending from Heaven, in azure mirth, | 9 | /˘·/˘·/˘· |
| Kissed the cold forehead of the Earth, | 9 | ·˘··/˘··· |
| And smiled upon the silent sea, | 9 | ··˘···/˘· |
| And bade the frozen streams be free; | 8 | ···/˘··· |
| And waked to music all the fountains, | 10 | ··˘·/˘··/˘ |
| And breathed upon the rigid mountains, | 10 | ··˘···/˘/˘ |
| And made the wintry world appear | 8 | ···/˘·˘/ |
| Like one on whom thou smilest, Dear. | 8 | ·····/˘· |
| Radiant Sister of the Day, | 8 | /˘˘/˘··· |
| Awake! arise! and come away! | 8 | ˘/˘/··˘/ |
| To the wild woods and the plains, | 7 | ······· |
| To the pools where winter rains | 7 | ····/˘· |
| Image all the roof of leaves, | 7 | /˘····· |
| Where the pine its garland weaves | 7 | ····/˘· |
| Sapless, gray, and ivy dun | 7 | /˘··/˘· |
| Round stems that never kiss the sun-- | 8 | ···/˘··· |
| To the sandhills of the sea, | 7 | ··/···· |
| Where the earliest violets be. | 9 | ··/˘˘/˘˘· |
| Now the last day of many days, | 8 | ·····/˘· |
| All beautiful and bright as thou, | 8 | ·/˘˘···· |
| The loveliest and the last, is dead, | 9 | ········· |
| Rise, Memory, and write its praise! | 8 | ·/˘˘···· |
| And do thy wonted work and trace | 8 | ···/˘··· |
| The epitaph of glory fled; | 8 | ·/˘··/˘· |
| For now the Earth has changed its face, | 9 | ······˘·· |
| A frown is on the Heaven's brow. | 8 | ·····/˘· |
| We wandered to the Pine Forest | 9 | ·/˘˘···/˘ |
| That skirts the Ocean's foam, | 6 | ···/˘· |
| The lightest wind was in its nest, | 8 | ·/˘····· |
| The tempest in its home. | 6 | ·/˘··· |
| The whispering waves were half asleep, | 9 | ·/˘˘···˘/ |
| The clouds were gone to play, | 6 | ······ |
| And on the woods, and on the deep | 8 | ········ |
| The smile of Heaven lay. | 6 | ···/˘· |
| It seemed as if the day were one | 9 | ··˘······ |
| Sent from beyond the skies, | 6 | ······ |
| Which shed to earth above the sun | 8 | ········ |
| A light of Paradise. | 6 | ···/˘· |
| We paused amid the pines that stood, | 9 | ··˘˘/···· |
| The giants of the waste, | 6 | ·/˘··· |
| Tortured by storms to shapes as rude | 9 | /˘˘······ |
| With stems like serpents interlaced. | 9 | ···/˘·˘/˘ |
| How calm it was--the silence there | 8 | ·····/˘· |
| By such a chain was bound, | 6 | ······ |
| That even the busy woodpecker | 9 | ·/˘·/˘/·˘ |
| Made stiller by her sound | 6 | ·/˘··· |
| The inviolable quietness; | 9 | ·˘/˘˘˘/˘˘ |
| The breath of peace we drew | 6 | ······ |
| With its soft motion made not less | 8 | ···/˘··· |
| The calm that round us grew. | 6 | ······ |
| It seemed that from the remotest seat | 10 | ··˘···˘/˘· |
| Of the white mountain's waste | 6 | ···/˘· |
| To the bright flower beneath our feet, | 10 | ···/˘··/˘· |
| A magic circle traced;-- | 6 | ·/˘/˘· |
| A spirit interfused around, | 9 | ·/˘···˘·· |
| A thinking, silent life; | 6 | ·/˘/˘· |
| To momentary peace it bound | 8 | ·/˘·˘··· |
| Our mortal nature's strife;-- | 7 | /˘/˘/˘· |
| And still, it seemed, the centre of | 9 | ····˘·/˘· |
| The magic circle there, | 6 | ·/˘/˘· |
| Was one whose being filled with love | 9 | ···/˘·˘·· |
| The breathless atmosphere. | 6 | ·/˘/˘· |
| Were not the crocuses that grew | 8 | ···/˘˘·· |
| Under that ilex-tree | 6 | ···/˘· |
| As beautiful in scent and hue | 8 | ·/˘˘···· |
| As ever fed the bee? | 6 | ·/˘··· |
| We stood beneath the pools that lie | 8 | ········ |
| Under the forest bough, | 6 | ···/˘· |
| And each seemed like a sky | 6 | ······ |
| Gulfed in a world below; | 6 | ······ |
| A purple firmament of light | 8 | ·/˘/˘˘·· |
| Which in the dark earth lay, | 6 | ······ |
| More boundless than the depth of night, | 8 | ·/˘····· |
| And clearer than the day-- | 6 | ·/˘··· |
| In which the massy forests grew | 8 | ···/˘/˘· |
| As in the upper air, | 6 | ···/˘· |
| More perfect both in shape and hue | 8 | ·˘/····· |
| Than any waving there. | 6 | ·/˘/˘· |
| Like one beloved the scene had lent | 9 | ··˘/˘···· |
| To the dark water's breast | 6 | ···/˘· |
| Its every leaf and lineament | 10 | ·/˘˘··/˘˘˘ |
| With that clear truth expressed; | 6 | ····˘/ |
| There lay far glades and neighbouring lawn, | 9 | ·····/˘˘· |
| And through the dark green crowd | 6 | ······ |
| The white sun twinkling like the dawn | 9 | ···/˘˘··· |
| Under a speckled cloud. | 6 | ···/˘· |
| Sweet views, which in our world above | 9 | ····/˘··· |
| Can never well be seen, | 6 | ·/˘··· |
| Were imaged by the water's love | 9 | ·/˘˘··/˘· |
| Of that fair forest green. | 6 | ···/˘· |
| And all was interfused beneath | 9 | ······˘·· |
| With an Elysian air, | 6 | ··˘/˘· |
| An atmosphere without a breath, | 8 | ·/˘····· |
| A silence sleeping there. | 6 | ·/˘/˘· |
| Until a wandering wind crept by, | 9 | ···/˘˘··· |
| Like an unwelcome thought, | 6 | ··˘/˘· |
| Which from my mind's too faithful eye | 8 | ·····/˘· |
| Blots thy bright image out. | 6 | ···/˘· |
| For thou art good and dear and kind, | 8 | ········ |
| The forest ever green, | 6 | ·/˘/˘· |
| But less of peace in S--'s mind, | 8 | ········ |
| Than calm in waters, seen. 116. | 6 | ···/˘· |
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