Canto First: The Chase
Harp of the North! that mouldering long hast hungOn the witch-elm that shades Saint Fillan's springAnd down the fitful breeze thy numbers flung,Till envious ivy did around thee cling,Muffling with verdant ringlet every string,--O Minstrel Harp, still must thine accents sleep?Mid rustling leaves and fountains murmuring,Still must thy sweeter sounds their silence keep,Nor bid a warrior smile, nor teach a maid to weep?
Not thus, in ancient days of Caledon,Was thy voice mute amid the festal crowd,When lay of hopeless love, or glory won,Aroused the fearful or subdued the proud.At each according pause was heard aloudThine ardent symphony sublime and high!Fair dames and crested chiefs attention bowed;For still the burden of thy minstrelsyWas Knighthood's dauntless deed, and Beauty's matchless eye.
O, wake once more! how rude soe'er the handThat ventures o'er thy magic maze to stray;O, wake once more! though scarce my skill commandSome feeble echoing of thine earlier lay:Though harsh and faint, and soon to die away,And all unworthy of thy nobler strain,Yet if one heart throb higher at its sway,The wizard note has not been touched in vain.Then silent be no more! Enchantress, wake again!
The stag at eve had drunk his fill,Where danced the moon on Monan's rill,And deep his midnight lair had madeIn lone Glenartney's hazel shade;But when the sun his beacon redHad kindled on Benvoirlich's head,The deep-mouthed bloodhound's heavy bayResounded up the rocky way,And faint, from farther distance borne,Were heard the clanging hoof and horn.
As Chief, who hears his warder call,'To arms! the foemen storm the wall,'The antlered monarch of the wasteSprung from his heathery couch in haste.But ere his fleet career he took,The dew-drops from his flanks he shook;Like crested leader proud and highTossed his beamed frontlet to the sky;A moment gazed adown the dale,A moment snuffed the tainted gale,A moment listened to the cry,That thickened as the chase drew nigh;Then, as the headmost foes appeared,With one brave bound the copse he cleared,And, stretching forward free and far,Sought the wild heaths of Uam-Var.
Yelled on the view the opening pack;Rock, glen, and cavern paid them back;To many a mingled sound at onceThe awakened mountain gave response.A hundred dogs bayed deep and strong,Clattered a hundred steeds along,Their peal the merry horns rung out,A hundred voices joined the shout;With hark and whoop and wild halloo,No rest Benvoirlich's echoes knew.Far from the tumult fled the roe,Close in her covert cowered the doe,The falcon, from her cairn on high,Cast on the rout a wondering eye,Till far beyond her piercing kenThe hurricane had swept the glen.Faint, and more faint, its failing dinReturned from cavern, cliff, and linn,And silence settled, wide and still,On the lone wood and mighty hill.
Less loud the sounds of sylvan warDisturbed the heights of Uam-Var,And roused the cavern where, 't is told,A giant made his den of old;For ere that steep ascent was won,High in his pathway hung the sun,And many a gallant, stayed perforce,Was fain to breathe his faltering horse,And of the trackers of the deerScarce half the lessening pack was near;So shrewdly on the mountain-sideHad the bold burst their mettle tried.
The noble stag was pausing nowUpon the mountain's southern brow,Where broad extended, far beneath,The varied realms of fair Menteith.With anxious eye he wandered o'erMountain and meadow, moss and moor,And pondered refuge from his toil,By far Lochard or Aberfoyle.But nearer was the copsewood grayThat waved and wept on Loch Achray,And mingled with the pine-trees blueOn the bold cliffs of Benvenue.Fresh vigor with the hope returned,With flying foot the heath he spurned,Held westward with unwearied race,And left behind the panting chase.
'T were long to tell what steeds gave o'er,As swept the hunt through Cambusmore;What reins were tightened in despair,When rose Benledi's ridge in air;Who flagged upon Bochastle's heath,Who shunned to stem the flooded Teith,--For twice that day, from shore to shore,The gallant stag swam stoutly o'er.Few were the stragglers, following far,That reached the lake of Vennachar;And when the Brigg of Turk was won,The headmost horseman rode alone.
Alone, but with unbated zeal,That horseman plied the scourge and steel;For jaded now, and spent with toil,Embossed with foam, and dark with soil,While every gasp with sobs he drew,The laboring stag strained full in view.Two dogs of black Saint Hubert's breed,Unmatched for courage, breath, and speed,Fast on his flying traces came,And all but won that desperate game;For, scarce a spear's length from his haunch,Vindictive toiled the bloodhounds stanch;Nor nearer might the dogs attain,Nor farther might the quarry strainThus up the margin of the lake,Between the precipice and brake,O'er stock and rock their race they take.
The Hunter marked that mountain high,The lone lake's western boundary,And deemed the stag must turn to bay,Where that huge rampart barred the way;Already glorying in the prize,Measured his antlers with his eyes;For the death-wound and death-hallooMustered his breath, his whinyard drew:--But thundering as he came prepared,With ready arm and weapon bared,The wily quarry shunned the shock,And turned him from the opposing rock;Then, dashing down a darksome glen,Soon lost to hound and Hunter's ken,In the deep Trosachs' wildest nookHis solitary refuge took.There, while close couched the thicket shedCold dews and wild flowers on his head,He heard the baffled dogs in vainRave through the hollow pass amain,Chiding the rocks that yelled again.
Close on the hounds the Hunter came,To cheer them on the vanished game;But, stumbling in the rugged dell,The gallant horse exhausted fell.The impatient rider strove in vainTo rouse him with the spur and rein,For the good steed, his labors o'er,Stretched his stiff limbs, to rise no more;Then, touched with pity and remorse,He sorrowed o'er the expiring horse.'I little thought, when first thy reinI slacked upon the banks of Seine,That Highland eagle e'er should feedOn thy fleet limbs, my matchless steed!Woe worth the chase, woe worth the day,That costs thy life, my gallant gray!'
Then through the dell his horn resounds,From vain pursuit to call the hounds.Back limped, with slow and crippled pace,The sulky leaders of the chase;Close to their master's side they pressed,With drooping tail and humbled crest;But still the dingle's hollow throatProlonged the swelling bugle-note.The owlets started from their dream,The eagles answered with their scream,Round and around the sounds were cast,Till echo seemed an answering blast;And on the Hunter tried his way,To join some comrades of the day,Yet often paused, so strange the road,So wondrous were the scenes it showed.
The western waves of ebbing dayRolled o'er the glen their level way;Each purple peak, each flinty spire,Was bathed in floods of living fire.But not a setting beam could glowWithin the dark ravines below,Where twined the path in shadow hid,Round many a rocky pyramid,Shooting abruptly from the dellIts thunder-splintered pinnacle;Round many an insulated mass,The native bulwarks of the pass,Huge as the tower which builders vainPresumptuous piled on Shinar's plain.The rocky summits, split and rent,Formed turret, dome, or battlement.Or seemed fantastically setWith cupola or minaret,Wild crests as pagod ever decked,Or mosque of Eastern architect.Nor were these earth-born castles bare,Nor lacked they many a banner fair;For, from their shivered brows displayed,Far o'er the unfathomable glade,All twinkling with the dewdrop sheen,The briar-rose fell in streamers green,kind creeping shrubs of thousand dyesWaved in the west-wind's summer sighs.
Boon nature scattered, free and wild,Each plant or flower, the mountain's child.Here eglantine embalmed the air,Hawthorn and hazel mingled there;The primrose pale and violet flowerFound in each cliff a narrow bower;Foxglove and nightshade, side by side,Emblems of punishment and pride,Grouped their dark hues with every stainThe weather-beaten crags retain.With boughs that quaked at every breath,Gray birch and aspen wept beneath;Aloft, the ash and warrior oakCast anchor in the rifted rock;And, higher yet, the pine-tree hungHis shattered trunk, and frequent flung,Where seemed the cliffs to meet on high,His boughs athwart the narrowed sky.Highest of all, where white peaks glanced,Where glistening streamers waved and danced,The wanderer's eye could barely viewThe summer heaven's delicious blue;So wondrous wild, the whole might seemThe scenery of a fairy dream.
Onward, amid the copse 'gan peepA narrow inlet, still and deep,Affording scarce such breadth of brimAs served the wild duck's brood to swim.Lost for a space, through thickets veering,But broader when again appearing,Tall rocks and tufted knolls their faceCould on the dark-blue mirror trace;And farther as the Hunter strayed,Still broader sweep its channels made.The shaggy mounds no longer stood,Emerging from entangled wood,But, wave-encircled, seemed to float,Like castle girdled with its moat;Yet broader floods extending stillDivide them from their parent hill,Till each, retiring, claims to beAn islet in an inland sea.
And now, to issue from the glen,No pathway meets the wanderer's ken,Unless he climb with footing niceA far-projecting precipice.The broom's tough roots his ladder made,The hazel saplings lent their aid;And thus an airy point he won,Where, gleaming with the setting sun,One burnished sheet of living gold,Loch Katrine lay beneath him rolled,In all her length far winding lay,With promontory, creek, and bay,And islands that, empurpled bright,Floated amid the livelier light,And mountains that like giants standTo sentinel enchanted land.High on the south, huge BenvenueDown to the lake in masses threwCrags, knolls, and mounds, confusedly hurled,The fragments of an earlier world;A wildering forest feathered o'erHis ruined sides and summit hoar,While on the north, through middle air,Ben-an heaved high his forehead bare.
From the steep promontory gazedThe stranger, raptured and amazed,And, 'What a scene were here,' he cried,'For princely pomp or churchman's pride!On this bold brow, a lordly tower;In that soft vale, a lady's bower;On yonder meadow far away,The turrets of a cloister gray;How blithely might the bugle-hornChide on the lake the lingering morn!How sweet at eve the lover's luteChime when the groves were still and mute!And when the midnight moon should laveHer forehead in the silver wave,How solemn on the ear would comeThe holy matins' distant hum,While the deep peal's commanding toneShould wake, in yonder islet lone,A sainted hermit from his cell,To drop a bead with every knell!And bugle, lute, and bell, and all,Should each bewildered stranger callTo friendly feast and lighted hall.
'Blithe were it then to wander here!But now--beshrew yon nimble deer--Like that same hermit's, thin and spare,The copse must give my evening fare;Some mossy bank my couch must be,Some rustling oak my canopy.Yet pass we that; the war and chaseGive little choice of resting-place;--A summer night in greenwood spentWere but to-morrow's merriment:But hosts may in these wilds abound,Such as are better missed than found;To meet with Highland plunderers hereWere worse than loss of steed or deer.--I am alone;--my bugle-strainMay call some straggler of the train;Or, fall the worst that may betide,Ere now this falchion has been tried.'
But scarce again his horn he wound,When lo! forth starting at the sound,From underneath an aged oakThat slanted from the islet rock,A damsel guider of its way,A little skiff shot to the bay,That round the promontory steepLed its deep line in graceful sweep,Eddying, in almost viewless wave,The weeping willow twig to rave,And kiss, with whispering sound and slow,The beach of pebbles bright as snow.The boat had touched this silver strandJust as the Hunter left his stand,And stood concealed amid the brake,To view this Lady of the Lake.The maiden paused, as if againShe thought to catch the distant strain.With head upraised, and look intent,And eye and ear attentive bent,And locks flung back, and lips apart,Like monument of Grecian art,In listening mood, she seemed to stand,The guardian Naiad of the strand.
And ne'er did Grecian chisel traceA Nymph, a Naiad, or a Grace,Of finer form or lovelier face!What though the sun, with ardent frown,Had slightly tinged her cheek with brown,--The sportive toil, which, short and lightHad dyed her glowing hue so bright,Served too in hastier swell to showShort glimpses of a breast of snow:What though no rule of courtly graceTo measured mood had trained her pace,--A foot more light, a step more true,Ne'er from the heath-flower dashed the dew;E'en the slight harebell raised its head,Elastic from her airy tread:What though upon her speech there hungThe accents of the mountain tongue,---Those silver sounds, so soft, so dear,The listener held his breath to hear!
A chieftain's daughter seemed the maid;Her satin snood, her silken plaid,Her golden brooch, such birth betrayed.And seldom was a snood amidSuch wild luxuriant ringlets hid,Whose glossy black to shame might bringThe plumage of the raven's wing;And seldom o'er a breast so fairMantled a plaid with modest care,And never brooch the folds combinedAbove a heart more good and kind.Her kindness and her worth to spy,You need but gaze on Ellen's eye;Not Katrine in her mirror blueGives back the shaggy banks more true,Than every free-born glance confessedThe guileless movements of her breast;Whether joy danced in her dark eye,Or woe or pity claimed a sigh,Or filial love was glowing there,Or meek devotion poured a prayer,Or tale of injury called forthThe indignant spirit of the North.One only passion unrevealedWith maiden pride the maid concealed,Yet not less purely felt the flame;--O, need I tell that passion's name?
Impatient of the silent horn,Now on the gale her voice was borne:--'Father!' she cried; the rocks aroundLoved to prolong the gentle sound.Awhile she paused, no answer came;--'Malcolm, was thine the blast?' the nameLess resolutely uttered fell,The echoes could not catch the swell.'A stranger I,' the Huntsman said,Advancing from the hazel shade.The maid, alarmed, with hasty oarPushed her light shallop from the shore,And when a space was gained between,Closer she drew her bosom's screen;--So forth the startled swan would swing,So turn to prune his ruffled wing.Then safe, though fluttered and amazed,She paused, and on the stranger gazed.Not his the form, nor his the eye,That youthful maidens wont to fly.
On his bold visage middle ageHad slightly pressed its signet sage,Yet had not quenched the open truthAnd fiery vehemence of youth;Forward and frolic glee was there,The will to do, the soul to dare,The sparkling glance, soon blown to fire,Of hasty love or headlong ire.His limbs were cast in manly couldFor hardy sports or contest bold;And though in peaceful garb arrayed,And weaponless except his blade,His stately mien as well impliedA high-born heart, a martial pride,As if a baron's crest he wore,And sheathed in armor bode the shore.Slighting the petty need he showed,He told of his benighted road;His ready speech flowed fair and free,In phrase of gentlest courtesy,Yet seemed that tone and gesture blandLess used to sue than to command.
Awhile the maid the stranger eyed,And, reassured, at length replied,That Highland halls were open stillTo wildered wanderers of the hill.'Nor think you unexpected comeTo yon lone isle, our desert home;Before the heath had lost the dew,This morn, a couch was pulled for you;On yonder mountain's purple headHave ptarmigan and heath-cock bled,And our broad nets have swept the mere,To furnish forth your evening cheer.'--'Now, by the rood, my lovely maid,Your courtesy has erred,' he said;'No right have I to claim, misplaced,The welcome of expected guest.A wanderer, here by fortune toss,My way, my friends, my courser lost,I ne'er before, believe me, fair,Have ever drawn your mountain air,Till on this lake's romantic strandI found a fey in fairy land!'--
'I well believe,' the maid replied,As her light skiff approached the side,--'I well believe, that ne'er beforeYour foot has trod Loch Katrine's shoreBut yet, as far as yesternight,Old Allan-bane foretold your plight,--A gray-haired sire, whose eye intentWas on the visioned future bent.He saw your steed, a dappled gray,Lie dead beneath the birchen way;Painted exact your form and mien,Your hunting-suit of Lincoln green,That tasselled horn so gayly gilt,That falchion's crooked blade and hilt,That cap with heron plumage trim,And yon two hounds so dark and grim.He bade that all should ready beTo grace a guest of fair degree;But light I held his prophecy,And deemed it was my father's hornWhose echoes o'er the lake were borne.'
The stranger smiled:--'Since to your homeA destined errant-knight I come,Announced by prophet sooth and old,Doomed, doubtless, for achievement bold,I 'll lightly front each high empriseFor one kind glance of those bright eyes.Permit me first the task to guideYour fairy frigate o'er the tide.'The maid, with smile suppressed and sly,The toil unwonted saw him try;For seldom, sure, if e'er before,His noble hand had grasped an oar:Yet with main strength his strokes he drew,And o'er the lake the shallop flew;With heads erect and whimpering cry,The hounds behind their passage ply.Nor frequent does the bright oar breakThe darkening mirror of the lake,Until the rocky isle they reach,And moor their shallop on the beach.
The stranger viewed the shore around;'T was all so close with copsewood bound,Nor track nor pathway might declareThat human foot frequented there,Until the mountain maiden showedA clambering unsuspected road,That winded through the tangled screen,And opened on a narrow green,Where weeping birch and willow roundWith their long fibres swept the ground.Here, for retreat in dangerous hour,Some chief had framed a rustic bower.
It was a lodge of ample size,But strange of structure and device;Of such materials as aroundThe workman's hand had readiest found.Lopped of their boughs, their hoar trunks bared,And by the hatchet rudely squared,To give the walls their destined height,The sturdy oak and ash unite;While moss and clay and leaves combinedTo fence each crevice from the wind.The lighter pine-trees overheadTheir slender length for rafters spread,And withered heath and rushes drySupplied a russet canopy.Due westward, fronting to the green,A rural portico was seen,Aloft on native pillars borne,Of mountain fir with bark unshornWhere Ellen's hand had taught to twineThe ivy and Idaean vine,The clematis, the favored flowerWhich boasts the name of virgin-bower,And every hardy plant could bearLoch Katrine's keen and searching air.An instant in this porch she stayed,And gayly to the stranger said:'On heaven and on thy lady call,And enter the enchanted hall!'
'My hope, my heaven, my trust must be,My gentle guide, in following thee!'--He crossed the threshold,--and a clangOf angry steel that instant rang.To his bold brow his spirit rushed,But soon for vain alarm he blushedWhen on the floor he saw displayed,Cause of the din, a naked bladeDropped from the sheath, that careless flungUpon a stag's huge antlers swung;For all around, the walls to grace,Hung trophies of the fight or chase:A target there, a bugle here,A battle-axe, a hunting-spear,And broadswords, bows, and arrows store,With the tusked trophies of the boar.Here grins the wolf as when he died,And there the wild-cat's brindled hideThe frontlet of the elk adorns,Or mantles o'er the bison's horns;Pennons and flags defaced and stained,That blackening streaks of blood retained,And deer-skins, dappled, dun, and white,With otter's fur and seal's unite,In rude and uncouth tapestry all,To garnish forth the sylvan hall.
The wondering stranger round him gazed,And next the fallen weapon raised:--Few were the arms whose sinewy strengthSufficed to stretch it forth at length.And as the brand he poised and swayed,'I never knew but one,' he said,'Whose stalwart arm might brook to wieldA blade like this in battle-field.'She sighed, then smiled and took the word:'You see the guardian champion's sword;As light it trembles in his handAs in my grasp a hazel wand:My sire's tall form might grace the partOf Ferragus or Ascabart,But in the absent giant's holdAre women now, and menials old.'
The mistress of the mansion came,Mature of age, a graceful dame,Whose easy step and stately portHad well become a princely court,To whom, though more than kindred knew,Young Ellen gave a mother's due.Meet welcome to her guest she made,And every courteous rite was paidThat hospitality could claim,Though all unasked his birth and name.Such then the reverence to a guest,That fellest foe might join the feast,And from his deadliest foeman's doorUnquestioned turn the banquet o'erAt length his rank the stranger names,'The Knight of Snowdoun, James Fitz-James;Lord of a barren heritage,Which his brave sires, from age to age,By their good swords had held with toil;His sire had fallen in such turmoil,And he, God wot, was forced to standOft for his right with blade in hand.This morning with Lord Moray's trainHe chased a stalwart stag in vain,Outstripped his comrades, missed the deer,Lost his good steed, and wandered here.'
Fain would the Knight in turn requireThe name and state of Ellen's sire.Well showed the elder lady's mienThat courts and cities she had seen;Ellen, though more her looks displayedThe simple grace of sylvan maid,In speech and gesture, form and face,Showed she was come of gentle race.'T were strange in ruder rank to findSuch looks, such manners, and such mind.Each hint the Knight of Snowdoun gave,Dame Margaret heard with silence grave;Or Ellen, innocently gay,Turned all inquiry light away:--'Weird women we! by dale and downWe dwell, afar from tower and town.We stem the flood, we ride the blast,On wandering knights our spells we cast;While viewless minstrels touch the string,'Tis thus our charmed rhymes we sing.'She sung, and still a harp unseenFilled up the symphony between.
Soldier, rest! thy warfare o'er,Sleep the sleep that knows not breaking;Dream of battled fields no more,Days of danger, nights of waking.In our isle's enchanted hall,Hands unseen thy couch are strewing,Fairy strains of music fall,Every sense in slumber dewing.Soldier, rest! thy warfare o'er,Dream of fighting fields no more;Sleep the sleep that knows not breaking,Morn of toil, nor night of waking.
'No rude sound shall reach thine ear,Armor's clang or war-steed champingTrump nor pibroch summon hereMustering clan or squadron tramping.Yet the lark's shrill fife may comeAt the daybreak from the fallow,And the bittern sound his drumBooming from the sedgy shallow.Ruder sounds shall none be near,Guards nor warders challenge here,Here's no war-steed's neigh and champing,Shouting clans or squadrons stamping.'
She paused,--then, blushing, led the lay,To grace the stranger of the day.Her mellow notes awhile prolongThe cadence of the flowing song,Till to her lips in measured frameThe minstrel verse spontaneous came.
Not faster o'er thy heathery braesBalquidder, speeds the midnight blaze,Rushing in conflagration strongThy deep ravines and dells along,Wrapping thy cliffs in purple glow,And reddening the dark lakes below;Nor faster speeds it, nor so far,As o'er thy heaths the voice of war.The signal roused to martial coilThe sullen margin of Loch Voil,Waked still Loch Doine, and to the sourceAlarmed, Balvaig, thy swampy course;Thence southward turned its rapid roadAdown Strath-Gartney's valley broadTill rose in arms each man might claimA portion in Clan-Alpine's name,From the gray sire, whose trembling handCould hardly buckle on his brand,To the raw boy, whose shaft and bowWere yet scarce terror to the crow.Each valley, each sequestered glen,Mustered its little horde of menThat met as torrents from the heightIn Highland dales their streams uniteStill gathering, as they pour along,A voice more loud, a tide more strong,Till at the rendezvous they stoodBy hundreds prompt for blows and blood,Each trained to arms since life began,Owning no tie but to his clan,No oath but by his chieftain's hand,No law but Roderick Dhu's command.
That summer morn had Roderick DhuSurveyed the skirts of Benvenue,And sent his scouts o'er hill and heath,To view the frontiers of Menteith.All backward came with news of truce;Still lay each martial Graeme and Bruce,In Rednock courts no horsemen wait,No banner waved on Cardross gate,On Duchray's towers no beacon shone,Nor scared the herons from Loch Con;All seemed at peace.--Now wot ye wilyThe Chieftain with such anxious eye,Ere to the muster he repair,This western frontier scanned with care?--In Benvenue's most darksome cleft,A fair though cruel pledge was left;For Douglas, to his promise true,That morning from the isle withdrew,And in a deep sequestered dellHad sought a low and lonely cell.By many a bard in Celtic tongueHas Coir-nan-Uriskin been sungA softer name the Saxons gave,And called the grot the Goblin Cave.
It was a wild and strange retreat,As e'er was trod by outlaw's feet.The dell, upon the mountain's crest,Yawned like a gash on warrior's breast;Its trench had stayed full many a rock,Hurled by primeval earthquake shockFrom Benvenue's gray summit wild,And here, in random ruin piled,They frowned incumbent o'er the spotAnd formed the rugged sylvan "rot.The oak and birch with mingled shadeAt noontide there a twilight made,Unless when short and sudden shoneSome straggling beam on cliff or stone,With such a glimpse as prophet's eyeGains on thy depth, Futurity.No murmur waked the solemn still,Save tinkling of a fountain rill;But when the wind chafed with the lake,A sullen sound would upward break,With dashing hollow voice, that spokeThe incessant war of wave and rock.Suspended cliffs with hideous swaySeemed nodding o'er the cavern gray.From such a den the wolf had sprung,In such the wild-cat leaves her young;Yet Douglas and his daughter fairSought for a space their safety there.Gray Superstition's whisper dreadDebarred the spot to vulgar tread;For there, she said, did fays resort,And satyrs hold their sylvan court,By moonlight tread their mystic maze,And blast the rash beholder's gaze.
Now eve, with western shadows long,Floated on Katrine bright and strong,When Roderick with a chosen fewRepassed the heights of Benvenue.Above the Goblin Cave they go,Through the wild pass of Beal-nam-bo;The prompt retainers speed before,To launch the shallop from the shore,For 'cross Loch Katrine lies his wayTo view the passes of Achray,And place his clansmen in array.Yet lags the Chief in musing mind,Unwonted sight, his men behind.A single page, to bear his sword,Alone attended on his lord;The rest their way through thickets break,And soon await him by the lake.It was a fair and gallant sightTo view them from the neighboring height,By the low-levelled sunbeam's light!For strength and stature, from the clanEach warrior was a chosen man,As even afar might well be seen,By their proud step and martial mien.Their feathers dance, their tartars float,Their targets gleam, as by the boatA wild and warlike group they stand,That well became such mountain-strand.
Their Chief with step reluctant stillWas lingering on the craggy hill,Hard by where turned apart the roadTo Douglas's obscure abode.It was but with that dawning mornThat Roderick Dhu had proudly swornTo drown his love in war's wild roar,Nor think of Ellen Douglas more;But he who stems a stream with sand,And fetters flame with flaxen band,Has yet a harder task to prove,--By firm resolve to conquer love!Eve finds the Chief, like restless ghost,Still hovering near his treasure lost;For though his haughty heart denyA parting meeting to his eyeStill fondly strains his anxious earThe accents of her voice to hear,And inly did he curse the breezeThat waked to sound the rustling trees.But hark! what mingles in the strain?It is the harp of Allan-bane,That wakes its measure slow and high,Attuned to sacred minstrelsy.What melting voice attends the strings?'Tis Ellen, or an angel, sings.
'Who is this maid? what means her lay?She hovers o'er the hollow way,And flutters wide her mantle gray,As the lone heron spreads his wing,By twilight, o'er a haunted spring.'''Tis Blanche of Devan,' Murdoch said,'A crazed and captive Lowland maid,Ta'en on the morn she was a bride,When Roderick forayed Devan-side.The gay bridegroom resistance made,And felt our Chief's unconquered blade.I marvel she is now at large,But oft she 'scapes from Maudlin's charge.--Hence, brain-sick fool!'--He raised his bow:--'Now, if thou strik'st her but one blow,I'll pitch thee from the cliff as farAs ever peasant pitched a bar!''Thanks, champion, thanks' the Maniac cried,And pressed her to Fitz-James's side.'See the gray pennons I prepare,To seek my true love through the air!I will not lend that savage groom,To break his fall, one downy plume!No!--deep amid disjointed stones,The wolves shall batten on his bones,And then shall his detested plaid,By bush and brier in mid-air stayed,Wave forth a banner fail and free,Meet signal for their revelry.'
'Hush thee, poor maiden, and be still!''O! thou look'st kindly, and I will.Mine eye has dried and wasted been,But still it loves the Lincoln green;And, though mine ear is all unstrung,Still, still it loves the Lowland tongue.
'For O my sweet William was forester true,He stole poor Blanche's heart away!His coat it was all of the greenwood hue,And so blithely he trilled the Lowland lay!
'It was not that I meant to tell...But thou art wise and guessest well.'Then, in a low and broken tone,And hurried note, the song went on.Still on the Clansman fearfullyShe fixed her apprehensive eye,Then turned it on the Knight, and thenHer look glanced wildly o'er the glen.
'The toils are pitched, and the stakes are set,--Ever sing merrily, merrily;The bows they bend, and the knives they whet,Hunters live so cheerily.
It was a stag, a stag of ten,Bearing its branches sturdily;He came stately down the glen,--Ever sing hardily, hardily.
'It was there he met with a wounded doe,She was bleeding deathfully;She warned him of the toils below,O. so faithfully, faithfully!
'He had an eye, and he could heed,--Ever sing warily, warily;He had a foot, and he could speed,--Hunters watch so narrowly.'
Fitz-James's mind was passion-tossed,When Ellen's hints and fears were lost;But Murdoch's shout suspicion wrought,And Blanche's song conviction brought.Not like a stag that spies the snare,But lion of the hunt aware,He waved at once his blade on high,'Disclose thy treachery, or die!'Forth at hell speed the Clansman flew,But in his race his bow he drew.The shaft just grazed Fitz-James's crest,And thrilled in Blanche's faded breast.--Murdoch of Alpine! prove thy speed,For ne'er had Alpine's son such need;With heart of fire, and foot of wind,The fierce avenger is behind!Fate judges of the rapid strife--The forfeit death--the prize is life;Thy kindred ambush lies before,Close couched upon the heathery moor;Them couldst thou reach!--it may not beThine ambushed kin thou ne'er shalt see,The fiery Saxon gains on thee!--Resistless speeds the deadly thrust,As lightning strikes the pine to dust;With foot and hand Fitz-James must strainEre he can win his blade again.Bent o'er the fallen with falcon eye,He grimly smiled to see him die,Then slower wended back his way,Where the poor maiden bleeding lay.
She sat beneath the birchen tree,Her elbow resting on her knee;She had withdrawn the fatal shaft,And gazed on it, and feebly laughed;Her wreath of broom and feathers gray,Daggled with blood, beside her lay.The Knight to stanch the life-stream tried,--'Stranger, it is in vain!' she cried.'This hour of death has given me moreOf reason's power than years before;For, as these ebbing veins decay,My frenzied visions fade away.A helpless injured wretch I die,And something tells me in thine eyeThat thou wert mine avenger born.Seest thou this tress?--O. still I 've wornThis little tress of yellow hair,Through danger, frenzy, and despair!It once was bright and clear as thine,But blood and tears have dimmed its shine.I will not tell thee when 't was shred,Nor from what guiltless victim's head,--My brain would turn!--but it shall waveLike plumage on thy helmet brave,Till sun and wind shall bleach the stain,And thou wilt bring it me again.I waver still.--O God! more brightLet reason beam her parting light!--O. by thy knighthood's honored sign,And for thy life preserved by mine,When thou shalt see a darksome man,Who boasts him Chief of Alpine's Clan,With tartars broad and shadowy plume,And hand of blood, and brow of gloomBe thy heart bold, thy weapon strong,And wreak poor Blanche of Devan's wrong!--They watch for thee by pass and fell...Avoid the path... O God!... farewell.'
A kindly heart had brave Fitz-James;Fast poured his eyes at pity's claims;And now, with mingled grief and ire,He saw the murdered maid expire.'God, in my need, be my relief,As I wreak this on yonder Chief!'A lock from Blanche's tresses fairHe blended with her bridegroom's hair;The mingled braid in blood he dyed,And placed it on his bonnet-side:'By Him whose word is truth, I swear,No other favour will I wear,Till this sad token I imbrueIn the best blood of Roderick Dhu!--But hark! what means yon faint halloo?The chase is up,--but they shall know,The stag at bay 's a dangerous foe.'Barred from the known but guarded way,Through copse and cliffs Fitz-James must stray,And oft must change his desperate track,By stream and precipice turned back.Heartless, fatigued, and faint, at length,From lack of food and loss of strengthHe couched him in a thicket hoarAnd thought his toils and perils o'er:--'Of all my rash adventures past,This frantic feat must prove the last!Who e'er so mad but might have guessedThat all this Highland hornet's nestWould muster up in swarms so soonAs e'er they heard of bands at Doune?--Like bloodhounds now they search me out,--Hark, to the whistle and the shout!--If farther through the wilds I go,I only fall upon the foe:I'll couch me here till evening gray,Then darkling try my dangerous way.'
The shades of eve come slowly down,The woods are wrapt in deeper brown,The owl awakens from her dell,The fox is heard upon the fell;Enough remains of glimmering lightTo guide the wanderer's steps aright,Yet not enough from far to showHis figure to the watchful foe.With cautious step and ear awake,He climbs the crag and threads the brake;And not the summer solstice thereTempered the midnight mountain air,But every breeze that swept the woldBenumbed his drenched limbs with cold.In dread, in danger, and alone,Famished and chilled, through ways unknown,Tangled and steep, he journeyed on;Till, as a rock's huge point he turned,A watch-fire close before him burned.
Beside its embers red and clearBasked in his plaid a mountaineer;And up he sprung with sword in hand,--'Thy name and purpose! Saxon, stand!''A stranger.' 'What dost thou require?''Rest and a guide, and food and fireMy life's beset, my path is lost,The gale has chilled my limbs with frost.''Art thou a friend to Roderick?' 'No.''Thou dar'st not call thyself a foe?''I dare! to him and all the bandHe brings to aid his murderous hand.''Bold words!--but, though the beast of gameThe privilege of chase may claim,Though space and law the stag we lendEre hound we slip or bow we bendWho ever recked, where, how, or when,The prowling fox was trapped or slain?Thus treacherous scouts,--yet sure they lieWho say thou cam'st a secret spy!'--'They do, by heaven!--come Roderick DhuAnd of his clan the boldest twoAnd let me but till morning rest,I write the falsehood on their crest.'If by the blaze I mark arightThou bear'st the belt and spur of Knight.''Then by these tokens mayst thou knowEach proud oppressor's mortal foe.''Enough, enough; sit down and shareA soldier's couch, a soldier's fare.'
He gave him of his Highland cheer,The hardened flesh of mountain deer;Dry fuel on the fire he laid,And bade the Saxon share his plaid.He tended him like welcome guest,Then thus his further speech addressed:--'Stranger, I am to Roderick DhuA clansman born, a kinsman true;Each word against his honour spokeDemands of me avenging stroke;Yet more,--upon thy fate, 'tis said,A mighty augury is laid.It rests with me to wind my horn,--Thou art with numbers overborne;It rests with me, here, brand to brand,Worn as thou art, to bid thee stand:But, not for clan, nor kindred's cause,Will I depart from honour's laws;To assail a wearied man were shame,And stranger is a holy name;Guidance and rest, and food and fire,In vain he never must require.Then rest thee here till dawn of day;Myself will guide thee on the way,O'er stock and stone, through watch and ward,Till past Clan-Alpine's outmost guard,As far as Coilantogle's ford;From thence thy warrant is thy sword.''I take thy courtesy, by heaven,As freely as 'tis nobly given!'Well, rest thee; for the bittern's crySings us the lake's wild lullaby.'With that he shook the gathered heath,And spread his plaid upon the wreath;And the brave foemen, side by side,Lay peaceful down like brothers tried,And slept until the dawning beamPurpled the mountain and the stream.
'Huntsman, rest! thy chase is done;While our slumbrous spells assail ye,Dream not, with the rising sun,Bugles here shall sound reveille.Sleep! the deer is in his den;Sleep! thy hounds are by thee lying;Sleep! nor dream in yonder glenHow thy gallant steed lay dying.Huntsman, rest! thy chase is done;Think not of the rising sun,For at dawning to assail yeHere no bugles sound reveille.'
The hall was cleared,--the stranger's bed,Was there of mountain heather spread,Where oft a hundred guests had lain,And dreamed their forest sports again.But vainly did the heath-flower shedIts moorland fragrance round his head;Not Ellen's spell had lulled to restThe fever of his troubled breast.In broken dreams the image roseOf varied perils, pains, and woes:His steed now flounders in the brake,Now sinks his barge upon the lake;Now leader of a broken host,His standard falls, his honor's lost.Then,--from my couch may heavenly mightChase that worst phantom of the night!--Again returned the scenes of youth,Of confident, undoubting truth;Again his soul he interchangedWith friends whose hearts were long estranged.They come, in dim procession led,The cold, the faithless, and the dead;As warm each hand, each brow as gay,As if they parted yesterday.And doubt distracts him at the view,--O were his senses false or true?Dreamed he of death or broken vow,Or is it all a vision now?
At length, with Ellen in a groveHe seemed to walk and speak of love;She listened with a blush and sigh,His suit was warm, his hopes were high.He sought her yielded hand to clasp,And a cold gauntlet met his grasp:The phantom's sex was changed and gone,Upon its head a helmet shone;Slowly enlarged to giant size,With darkened cheek and threatening eyes,The grisly visage, stern and hoar,To Ellen still a likeness bore.--He woke, and, panting with affright,Recalled the vision of the night.The hearth's decaying brands were redAnd deep and dusky lustre shed,Half showing, half concealing, allThe uncouth trophies of the hall.Mid those the stranger fixed his eyeWhere that huge falchion hung on high,And thoughts on thoughts, a countless throng,Rushed, chasing countless thoughts along,Until, the giddy whirl to cure,He rose and sought the moonshine pure.
The wild rose, eglantine, and broomWasted around their rich perfume;The birch-trees wept in fragrant balm;The aspens slept beneath the calm;The silver light, with quivering glance,Played on the water's still expanse,--Wild were the heart whose passion's swayCould rage beneath the sober ray!He felt its calm, that warrior guest,While thus he communed with his breast:--'Why is it, at each turn I traceSome memory of that exiled race?Can I not mountain maiden spy,But she must bear the Douglas eye?Can I not view a Highland brand,But it must match the Douglas hand?Can I not frame a fevered dream,But still the Douglas is the theme?I'll dream no more,--by manly mindNot even in sleep is will resigned.My midnight orisons said o'er,I'll turn to rest, and dream no more.'His midnight orisons he told,A prayer with every bead of gold,Consigned to heaven his cares and woes,And sunk in undisturbed repose,Until the heath-cock shrilly crew,And morning dawned on Benvenue.
As died the sounds upon the tide,The shallop reached the mainland side,And ere his onward way he took,The stranger cast a lingering look,Where easily his eye might reachThe Harper on the islet beach,Reclined against a blighted tree,As wasted, gray, and worn as he.To minstrel meditation given,His reverend brow was raised to heaven,As from the rising sun to claimA sparkle of inspiring flame.His hand, reclined upon the wire,Seemed watching the awakening fire;So still he sat as those who waitTill judgment speak the doom of fate;So still, as if no breeze might dareTo lift one lock of hoary hair;So still, as life itself were fledIn the last sound his harp had sped.
Upon a rock with lichens wild,Beside him Ellen sat and smiled.--Smiled she to see the stately drakeLead forth his fleet upon the lake,While her vexed spaniel from the beachBayed at the prize beyond his reach?Yet tell me, then, the maid who knows,Why deepened on her cheek the rose?--Forgive, forgive, Fidelity!Perchance the maiden smiled to seeYon parting lingerer wave adieu,And stop and turn to wave anew;And, lovely ladies, ere your ireCondemn the heroine of my lyre,Show me the fair would scorn to spyAnd prize such conquest of her eve!
While yet he loitered on the spot,It seemed as Ellen marked him not;But when he turned him to the glade,One courteous parting sign she made;And after, oft the knight would say,That not when prize of festal dayWas dealt him by the brightest fairWho e'er wore jewel in her hair,So highly did his bosom swellAs at that simple mute farewell.Now with a trusty mountain-guide,And his dark stag-hounds by his side,He parts,--the maid, unconscious still,Watched him wind slowly round the hill;But when his stately form was hid,The guardian in her bosom chid,--'Thy Malcolm! vain and selfish maid!''T was thus upbraiding conscience said,--'Not so had Malcolm idly hungOn the smooth phrase of Southern tongue;Not so had Malcolm strained his eyeAnother step than thine to spy.'--'Wake, Allan-bane,' aloud she criedTo the old minstrel by her side,--'Arouse thee from thy moody dream!I 'll give thy harp heroic theme,And warm thee with a noble name;Pour forth the glory of the Graeme!'Scarce from her lip the word had rushed,When deep the conscious maiden blushed;For of his clan, in hall and bower,Young Malcolm Graeme was held the flower.
The minstrel waked his harp,--three timesArose the well-known martial chimes,And thrice their high heroic prideIn melancholy murmurs died.'Vainly thou bidst, O noble maid,'Clasping his withered hands, he said,'Vainly thou bidst me wake the strain,Though all unwont to bid in vain.Alas! than mine a mightier handHas tuned my harp, my strings has spanned!I touch the chords of joy, but lowAnd mournful answer notes of woe;And the proud march which victors treadSinks in the wailing for the dead.O, well for me, if mine aloneThat dirge's deep prophetic tone!If, as my tuneful fathers said,This harp, which erst Saint Modan swayed,Can thus its master's fate foretell,Then welcome be the minstrel's knell.'
'But ah! dear lady, thus it sighed,The eve thy sainted mother died;And such the sounds which, while I stroveTo wake a lay of war or love,Came marring all the festal mirth,Appalling me who gave them birth,And, disobedient to my call,Wailed loud through Bothwell's bannered hall.Ere Douglases, to ruin driven,Were exiled from their native heaven.--O! if yet worse mishap and woeMy master's house must undergo,Or aught but weal to Ellen fairBrood in these accents of despair,No future bard, sad Harp! shall flingTriumph or rapture from thy string;One short, one final strain shall flow,Fraught with unutterable woe,Then shivered shall thy fragments lie,Thy master cast him down and die!'
Soothing she answered him: 'Assuage,Mine honored friend, the fears of age;All melodies to thee are knownThat harp has rung or pipe has blown,In Lowland vale or Highland glen,From Tweed to Spey--what marvel, then,At times unbidden notes should rise,Confusedly bound in memory's ties,Entangling, as they rush along,The war-march with the funeral song?--Small ground is now for boding fear;Obscure, but safe, we rest us here.My sire, in native virtue great,Resigning lordship, lands, and state,Not then to fortune more resignedThan yonder oak might give the wind;The graceful foliage storms may reeve,'Fine noble stem they cannot grieve.For me'--she stooped, and, looking round,Plucked a blue harebell from the ground,--'For me, whose memory scarce conveysAn image of more splendid days,This little flower that loves the leaMay well my simple emblem be;It drinks heaven's dew as blithe as roseThat in the King's own garden grows;And when I place it in my hair,Allan, a bard is bound to swearHe ne'er saw coronet so fair.'Then playfully the chaplet wildShe wreathed in her dark locks, and smiled.
Her smile, her speech, with winning swayWiled the old Harper's mood away.With such a look as hermits throw,When angels stoop to soothe their woeHe gazed, till fond regret and prideThrilled to a tear, then thus replied:'Loveliest and best! thou little know'stThe rank, the honors, thou hast lost!O. might I live to see thee grace,In Scotland's court, thy birthright place,To see my favorite's step advanceThe lightest in the courtly dance,The cause of every gallant's sigh,And leading star of every eye,And theme of every minstrel's art,The Lady of the Bleeding Heart!'
'Fair dreams are these,' the maiden cried,--Light was her accent, yet she sighed,--'Yet is this mossy rock to meWorth splendid chair and canopy;Nor would my footstep spring more gayIn courtly dance than blithe strathspey,Nor half so pleased mine ear inclineTo royal minstrel's lay as thine.And then for suitors proud and high,To bend before my conquering eye,--Thou, flattering bard! thyself wilt say,That grim Sir Roderick owns its sway.The Saxon scourge, Clan-Alpine's pride,The terror of Loch Lomond's side,Would, at my suit, thou know'st, delayA Lennox foray--for a day.'--
The ancient bard her glee repressed:'Ill hast thou chosen theme for jest!For who, through all this western wild,Named Black Sir Roderick e'er, and smiled?In Holy-Rood a knight he slew;I saw, when back the dirk he drew,Courtiers give place before the strideOf the undaunted homicide;And since, though outlawed, hath his handFull sternly kept his mountain land.
Who else dared give--ah! woe the day,That I such hated truth should say!--The Douglas, like a stricken deer,Disowned by every noble peer,Even the rude refuge we have here?Alas, this wild maraudingChief Alone might hazard our relief,And now thy maiden charms expand,Looks for his guerdon in thy hand;Full soon may dispensation sought,To back his suit, from Rome be brought.Then, though an exile on the hill,Thy father, as the Douglas, stillBe held in reverence and fear;And though to Roderick thou'rt so dearThat thou mightst guide with silken thread.Slave of thy will, this chieftain dread,Yet, O loved maid, thy mirth refrain!Thy hand is on a lion's mane.'--
Minstrel,' the maid replied, and highHer father's soul glanced from her eye,'My debts to Roderick's house I know:All that a mother could bestowTo Lady Margaret's care I owe,Since first an orphan in the wildShe sorrowed o'er her sister's child;To her brave chieftain son, from ireOf Scotland's king who shrouds my sire,A deeper, holier debt is owed;And, could I pay it with my blood, Allan!Sir Roderick should commandMy blood, my life,--but not my hand.Rather will Ellen Douglas dwellA votaress in Maronnan's cell;Rather through realms beyond the sea,Seeking the world's cold charityWhere ne'er was spoke a Scottish word,And ne'er the name of Douglas heardAn outcast pilgrim will she rove,Than wed the man she cannot love.
'Thou shak'st, good friend, thy tresses gray,--That pleading look, what can it sayBut what I own?--I grant him brave,But wild as Bracklinn's thundering wave;And generous,--save vindictive moodOr jealous transport chafe his blood:I grant him true to friendly band,As his claymore is to his hand;But O! that very blade of steelMore mercy for a foe would feel:I grant him liberal, to flingAmong his clan the wealth they bring,When back by lake and glen they wind,And in the Lowland leave behind,Where once some pleasant hamlet stood,A mass of ashes slaked with blood.The hand that for my father foughtI honor, as his daughter ought;But can I clasp it reeking redFrom peasants slaughtered in their shed?No! wildly while his virtues gleam,They make his passions darker seem,And flash along his spirit high,Like lightning o'er the midnight sky.While yet a child,--and children know,Instinctive taught, the friend and foe,--I shuddered at his brow of gloom,His shadowy plaid and sable plume;A maiden grown, I ill could bearHis haughty mien and lordly air:But, if thou join'st a suitor's claim,In serious mood, to Roderick's name.I thrill with anguish! or, if e'erA Douglas knew the word, with fear.To change such odious theme were best,--What think'st thou of our stranger guest? '--
'What think I of him?--woe the whileThat brought such wanderer to our isle!Thy father's battle-brand, of yoreFor Tine-man forged by fairy lore,What time he leagued, no longer foesHis Border spears with Hotspur's bows,Did, self-unscabbarded, foreshowThe footstep of a secret foe.If courtly spy hath harbored here,What may we for the Douglas fear?What for this island, deemed of oldClan-Alpine's last and surest hold?If neither spy nor foe, I prayWhat yet may jealous Roderick say?--Nay, wave not thy disdainful head!Bethink thee of the discord dreadThat kindled when at Beltane gameThou least the dance with Malcolm Graeme;Still, though thy sire the peace renewedSmoulders in Roderick's breast the feud:Beware!--But hark! what sounds are these?My dull ears catch no faltering breezeNo weeping birch nor aspens wake,Nor breath is dimpling in the lake;Still is the canna's hoary beard,Yet, by my minstrel faith, I heard--And hark again! some pipe of warSends the hold pibroch from afar.'
Far up the lengthened lake were spiedFour darkening specks upon the tide,That, slow enlarging on the view,Four manned and massed barges grew,And, bearing downwards from Glengyle,Steered full upon the lonely isle;The point of Brianchoil they passed,And, to the windward as they cast,Against the sun they gave to shineThe bold Sir Roderick's bannered Pine.Nearer and nearer as they bear,Spears, pikes, and axes flash in air.Now might you see the tartars brave,And plaids and plumage dance and wave:Now see the bonnets sink and rise,As his tough oar the rower plies;See, flashing at each sturdy stroke,The wave ascending into smoke;See the proud pipers on the bow,And mark the gaudy streamers flowFrom their loud chanters down, and sweepThe furrowed bosom of the deep,As, rushing through the lake amain,They plied the ancient Highland strain.
Ever, as on they bore, more loudAnd louder rung the pibroch proud.At first the sounds, by distance tame,Mellowed along the waters came,And, lingering long by cape and bay,Wailed every harsher note away,Then bursting bolder on the ear,The clan's shrill Gathering they could hear,Those thrilling sounds that call the mightOf old Clan-Alpine to the fight.Thick beat the rapid notes, as whenThe mustering hundreds shake the glen,And hurrying at the signal dread,'Fine battered earth returns their tread.Then prelude light, of livelier tone,Expressed their merry marching on,Ere peal of closing battle rose,With mingled outcry, shrieks, and blows;And mimic din of stroke and ward,As broadsword upon target jarred;And groaning pause, ere yet again,Condensed, the battle yelled amain:The rapid charge, the rallying shout,Retreat borne headlong into rout,And bursts of triumph, to declareClan-Alpine's congest--all were there.Nor ended thus the strain, but slowSunk in a moan prolonged and low,And changed the conquering clarion swellFor wild lament o'er those that fell.
The war-pipes ceased, but lake and hillWere busy with their echoes still;And, when they slept, a vocal strainBade their hoarse chorus wake again,While loud a hundred clansmen raiseTheir voices in their Chieftain's praise.Each boatman, bending to his oar,With measured sweep the burden bore,In such wild cadence as the breezeMakes through December's leafless trees.The chorus first could Allan know,'Roderick Vich Alpine, ho! fro!'And near, and nearer as they rowed,Distinct the martial ditty flowed.
Words in this poem 265
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- fitful a.
- Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
- envious a.
- Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]
- ringlet n.
- A small ring; a small circle; specifically, a fairy ring. [Ring + -let.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- festal a.
- Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
- aloud adv.
- With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
- symphony n.
- A consonance or harmony of sounds, agreeable to the ear, whether the sounds are vocal or instrumental, or both. [F. symphonie (cf. It. sinfonia), L. symphonia, Gr. Phonetic.]
- minstrelsy n.
- The arts and occupation of minstrels; the singing and playing of a minstrel.
- dauntless a.
- Incapable of being daunted; undaunted; bold; fearless; intrepid.
- maze n.
- A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- throb v. i.
- To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
- enchantress n.
- A woman versed in magical arts; a sorceress; also, a woman who fascinates. [Cf. F. enchanteresse.]
- rill n.
- A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
- lair n.
- A place in which to lie or rest; especially, the bed or couch of a wild beast. [OE. leir, AS. leger; akin to D. leger, G. lager couch, lair, OHG. laga, Goth. ligrs, and to E. lie. See Lie to be prostrate, and cf. Layer, Leaguer.]
- lone n.
- A lane. See Loanin.
- warder n.
- One who wards or keeps; a keeper; a guard.
- antlered a.
- Furnished with antlers.
- heathery a.
- Heathy; abounding in heather; of the nature of heath.
- career n.
- A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]
- shook v. t.
- To pack, as staves, in a shook.
- beamed a.
- Furnished with beams, as the head of a stag.
- frontlet n.
- A frontal or brow band; a fillet or band worn on the forehead. [OF. frontelet brow band, dim. of frontel, frontal. See Frontal, n.]
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- headmost a.
- Most advanced; most forward; as, the headmost ship in a fleet.
- copse n.
- A wood of small growth; a thicket of brushwood. See Coppice. [Contr. from coppice.]
- bayed a.
- Having a bay or bays.
- peal v. i.
- To appeal. Spencer.
- rung n.
- A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
- cairn n.
- A rounded or conical heap of stones erected by early inhabitants of the British Isles, apparently as a sepulchral monument. [Gael. carn, gen. cairn, a heap: cf. Ir. & W. carn.]
- pathway n.
- A footpath; a beaten track; any path or course. Also used figuratively.
- stayed a.
- Staid; fixed; settled; sober; -- now written staid. See Staid.
- perforce v. t.
- To force; to compel.
- fain v. t.
- To be glad ; to wish or desire.
- faltering a.
- Hesitating; trembling.
- copsewood n.
- Brushwood; coppice.
- loch n.
- A lake; a bay or arm of the sea. [Gael. & Olr. loch. See Lake of water.]
- unwearied a.
- Not wearied; not fatigued or tired; hence, persistent; not tiring or wearying; indefatigable.
- stoutly adv.
- In a stout manner; lustily; boldly; obstinately; as, he stoutly defended himself.
- brigg n.
- A bridge. Burns.
- turk n.
- A member of any of numerous Tartar tribes of Central Asia, etc.; esp., one of the dominant race in Turkey. [Per. Turk; probably of Tartar origin: cf. F. Turc.]
- rode n.
- Redness; complexion. [See Rud.]
- scourge n.
- A lash; a strap or cord; especially, a lash used to inflict pain or punishment; an instrument of punishment or discipline; a whip. [F. escourgée, fr. L. excoriata (sc. scutica) a stripped off (lash or whip), fr. excoriate to strip, to skin. See Excoriate.]
- gasp v. i.
- To open the mouth wide in catching the breath, or in laborious respiration; to labor for breath; to respire convulsively; to pant violently. [OE. gaspen, gaispen, to yawn, gasp, Icel. geispa to yawn; akin to Sw. gäspa, Dan. gispe to gasp.]
- laboring a.
- That labors; performing labor; esp., performing coarse, heavy work, not requiring skill also, set apart for labor; as, laboring days.
- desperate a.
- Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
- haunch n.
- The hip; the projecting region of the lateral parts of the pelvis and the hip joint; the hind part. [F. hanche, of German origin; cf. OD. hancke, hencke, and also OHG. ancha; prob. not akin to E. ankle.]
- vindictive a.
- Disposed to revenge; prompted or characterized by revenge; revengeful. [For vindicative, confused with L. vindicta revenge, punishment, fr. vindicare to vindicate. Cf. Vindicative.]
- precipice n.
- A sudden or headlong fall. Fuller. [F. précipice, L. praecipitium, fr. praeceps, - cipitis, headlong; prae before + caput, capitis, the head. See Pre-, and Chief.]
- whinyard n.
- A sword, or hanger. [Cf. Prov. E. & Scot. whingar, whinger; perhaps from AS. winn contention, war + geard, gyrd, a staff, rod, yard; or cf. AS. hwinan to whistle, E. whine.]
- thundering a.
- Emitting thunder.
- darksome a.
- Dark; gloomy; obscure; shaded; cheerless.
- nook n.
- A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
- amain adv.
- With might; with full force; vigorously; violently; exceedingly. [Pref. a- + main. See 2d Main, n.]
- dell n.
- A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
- steed n.
- A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
- sorrowed a.
- Accompanied with sorrow; sorrowful.
- expiring a.
- Breathing out air from the lungs; emitting fluid or volatile matter; exhaling; breathing the last breath; dying; ending; terminating.
- crippled a.
- Lamed; lame; disabled; impeded.
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- pinnacle n.
- An architectural member, upright, and generally ending in a small spire, -- used to finish a buttress, to constitute a part in a proportion, as where pinnacles flank a gable or spire, and the like. [OE. pinacle, F. pinacle, L. pinnaculum, fr. pinna pinnacle, feather. See Pin a peg.]
- piled a.
- Having a pile or point; pointed. [From 2d Pile.]
- cupola n.
- A roof having a rounded form, hemispherical or nearly so; also, a celing having the same form. When on a large scale it is usually called dome. [It. cupola, LL. cupula, cuppula (cf. L. cupula little tub). fr. cupa, cuppa, cup; cf. L. cupa tub. So called on account of its resemblance to a cup turned over.]
- minaret n.
- A slender, lofty tower attached to a mosque and surrounded by one or more projecting balconies, from which the summon to prayer is cried by the muezzin. [Sp. minarete, Ar. manarat lamp, lantern, lighthouse, turret, fr. nar to shine.]
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- twinkling n.
- The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
- sheen v. i.
- To shine; to glisten.
- boon n.
- A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
- islet n.
- A little island. [OF. islette (cf. F. îlot), dim. of isle.]
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- wildering n.
- A plant growing in a state of nature; especially, one which has run wild, or escaped from cultivation.
- hoar v. t.
- To become moldy or musty. [AS. harian to grow gray.]
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- blithely adv.
- In a blithe manner.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- chime n.
- The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
- lave v. t.
- To lade, dip, or pour out. [OE. laven. See Lavish.]
- sainted a.
- Consecrated; sacred; holy; pious.
- greenwood n.
- A forest as it appears is spring and summer.
- straggler n.
- One who straggles, or departs from the direct or proper course, or from the company to which he belongs; one who falls behind the rest; one who rambles without any settled direction.
- betide v. t.
- To happen to; to befall; to come to ; as, woe betide the wanderer. [OE. bitiden; pref. bi-, be- + tiden, fr. AS. tidan, to happen, fr. tid time. See Tide.]
- falchion n.
- A broad-bladed sword, slightly curved, shorter and lighter than the ordinary sword; -- used in the Middle Ages. [OE. fauchon, OF. fauchon, LL. fälcio, fr. L. falx, falcis, a sickle, cf. Gr. falcon; cf. It. falcione. Cf. Defalcation.]
- damsel n.
- A young person, either male or female, of noble or gentle extraction; as, Damsel Pepin; Damsel Richard, Prince of Wales. [OE. damosel, damesel, damisel, damsel, fr. OF. damoisele, damisele, gentlewoman, F. demoiselle young lady; cf. OF. damoisel young nobleman, F. damoiseau; fr. LL]
- guider n.
- A guide; a director.
- skiff n.
- A small, light boat. [F. esquif, fr. OHG. skif, G. schiff. See Ship.]
- viewless a.
- Not perceivable by the eye; invisible; unseen.
- naiad n.
- A water nymph; one of the lower female divinities, fabled to preside over some body of fresh water, as a lake, river, brook, or fountain. [L. naias, -adis, naïs, -idis, a water nymph, Gr naïade. Cf. Naid.]
- courtly a.
- Relating or belonging to a court. [From Court.]
- harebell n.
- A small, slender, branching plant (Campanula rotundifolia), having blue bell-shaped flowers; also, Scilla nutans, which has similar flowers; -- called also bluebell.
- snood n.
- The fillet which binds the hair of a young unmarried woman, and is emblematic of her maiden character. [AS. sn. Cf. Snare.]
- guileless a.
- Free from guile; artless.
- filial a.
- Of or pertaining to a son or daughter; becoming to a child in relation to his parents; as, filial obedience. [L. filialis, fr. filius son, filia daughter; akin to e. female, feminine. Cf. Fitz.]
- indignant a.
- Affected with indignation; wrathful; passionate; irate; feeling wrath, as when a person is exasperated by unworthy or unjust treatment, by a mean action, or by a degrading accusation. [L. indignans, -antis, p. pr. of indignari to be indignant, disdain. See Indign.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- resolutely adv.
- In a resolute manner; with fixed purpose; boldly; firmly; steadily; with perseverance.
- huntsman n.
- One who hunts, or who practices hunting.
- closer n.
- One who, or that which, closes; specifically, a boot closer. See under Boot.
- visage n.
- The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
- signet n.
- A seal; especially, in England, the seal used by the sovereign in sealing private letters and grants that pass by bill under the sign manual; -- called also privy signet. [OF. signet a signet, F., a bookmark, dim. of signe. See Sign, n., and cf. Sennet.]
- glee n.
- Music; minstrelsy; entertainment.
- garb n.
- External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
- weaponless a.
- Having no weapon.
- bode n.
- An omen; a foreshadowing.
- slighting a.
- Characterized by neglect or disregard.
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- ptarmigan n.
- Any grouse of the genus Lagopus, of which numerous species are known. The feet are completely feathered. Most of the species are brown in summer, but turn white, or nearly white, in winter. [Gael. tarmachan; cf. Ir. tarmochan, tarmonach.]
- rood n.
- A representation in sculpture or in painting of the cross with Christ hanging on it. [AS. rr, D. roede rod, G. ruthe, rute, OHG. ruota. CF. Rod a measure.]
- courser n.
- One who courses or hunts. [F. coursier.]
- yesternight n.
- The last night; the night last past.
- plight v. t.
- To weave; to braid; to fold; to plait. [OE. pliten; probably through Old French, fr. LL. plectare, L. plectere. See Plait, Ply.]
- sire n.
- A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
- visioned a.
- Having the power of seeing visions; inspired; also, seen in visions. Shelley.
- dappled a.
- Marked with spots of different shades of color; spotted; variegated; as, a dapple horse.
- birchen a.
- Of or relating to birch.
- gayly adv.
- With mirth and frolic; merrily; blithely; gleefully.
- bade
- A form of the pat tense of Bid.
- errant n.
- One who wanders about. Fuller.
- sooth a.
- True; faithful; trustworthy. [OE. soth, AS. s, for san; akin to OS. s, OHG. sand, Icel. sannr, Sw. sann, Dan. sand, Skr. sat, sant, real, genuine, present, being; properly p. pr. from a root]
- doubtless a.
- Free from fear or suspicion.
- emprise n.
- An enterprise; endeavor; adventure. [OF. emprise, fr. emprendre to undertake; pref. em- (L. in) + F. prendre to take, L. prehendere, prendere; prae before + a verb akin to E. get. See Get, and cf. ]
- unwonted a.
- Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
- clematis n.
- A genus of flowering plants, of many species, mostly climbers, having feathery styles, which greatly enlarge in the fruit; -- called also virgin's bower.
- clang v. t.
- To strike together so as to produce a ringing metallic sound. [L. clangere; akin to Gr. clank.]
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- rushed a.
- Abounding or covered with rushes.
- tusked a.
- Furnished with tusks.
- brindled a.
- Having dark streaks or spots on a gray or tawny ground; brinded. [A dim. form of brinded.]
- garnish v. t.
- To decorate with ornamental appendages; to set off; to adorn; to embellish. [OE. garnischen, garnissen, OF. garnir to provide, strengthen, prepare, garnish, warn, F. garnir to provide, furnish, garnish, -- of German origin; cf. OHG. warn]
- swayed a.
- Bent down, and hollow in the back; sway-backed; -- said of a horse.
- stalwart a.
- Brave; bold; strong; redoubted; daring; vehement; violent. [OE. stalworth, AS. stælwyrth serviceable, probably originally, good at stealing, or worth stealing or taking, and afterwards extended to other causes of estimat]
- wield v. t.
- To govern; to rule; to keep, or have in charge; also, to possess. [OE. welden to govern, to have power over, to possess, AS. geweldan, gewyldan, from wealdan; akin to OS. waldan, OFries. walda, G. walten, OHG. waltan, Icel. val]
- mansion n.
- A dwelling place, -- whether a part or whole of a house or other shelter. [OF. mansion, F. maison, fr. L. mansio a staying, remaining, a dwelling, habitation, fr. manere, mansum, to stay, dwell; akin to Gr. Manse, Manor, Menagerie, Men]
- dame n.
- A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
- unquestioned a.
- Not called in question; not doubted.
- heritage a.
- That which is inherited, or passes from heir to heir; inheritance. [OE. heritage, eritage, OF. heritage, eritage, F. héritage, fr. hériter to inherit, LL. heriditare. See Hereditable.]
- turmoil v. t.
- To harass with commotion; to disquiet; to worry.
- innocently adv.
- In an innocent manner.
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- unseen a.
- Not seen or discovered.
- strewing n.
- The act of scattering or spreading.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- squadron n.
- Primarily, a square; hence, a square body of troops; a body of troops drawn up in a square. [F. escadron, formerly also esquadron, or It. squadrone. See Squad.]
- daybreak n.
- The time of the first appearance of light in the morning.
- sedgy a.
- Overgrown with sedge.
- conflagration n.
- A fire extending to many objects, or over a large space; a general burning.
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- swampy a.
- Consisting of swamp; like a swamp; low, wet, and spongy; as, swampy land.
- strath n.
- A valley of considerable size, through which a river runs; a valley bottom; -- often used in composition with the name of the river; as, Strath Spey, Strathdon, Strathmore. [Gael. srath.]
- horde n.
- A wandering troop or gang; especially, a clan or tribe of a nomadic people migrating from place to place for the sake of pasturage, plunder, etc.; a predatory multitude. Thomson. [F. horde (cf. G. horde), fr. Turk. ord, ordi, camp; of Tartar origin.]
- rendezvous n.
- A place appointed for a meeting, or at which persons customarily meet.
- muster n.
- Something shown for imitation; a pattern. [OE. moustre, OF. mostre, moustre, F. montre, LL. monstra. See Muster, v. t.]
- noontide n.
- The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
- straggling a.
- from Straggle, v.
- futurity n.
- State of being that is yet to come; future state.
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- beal n.
- A small inflammatory tumor; a pustule. [See Boil a tumor.]
- await v. t.
- To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913; the first 160 of 265 words.
About this text
Canto First: The Chase is in the public domain. This text is taken from The Lady of the Lake, Project Gutenberg ebook #3011; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Walter Scott, Canto First: The Chase, in The Lady of the Lake (1810), text of Project Gutenberg ebook #3011, Laurel, https://laurelpoetry.com/poem/scott-lady-of-the-lake/canto-first-the-chase.html, id L06641.
Form and metre
Canto First: The Chase is 1498 lines in 75 verse paragraphs. It is in rhyming couplets, 80% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 75 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABBCACC hungA · springB · flungA · clingB · stringB · sleepC · murmuringA · keepC · weepC
- 2 -A-AABA-B caledon · crowdA · won · proudA · aloudA · highB · bowedA · minstrelsy · eyeB
- 3 ABABBCBCC handA · strayB · commandA · layB · awayB · strainC · swayB · vainC · againC
- 4 AABBCCDDEE fillA · rillA · madeB · shadeB · redC · headC · bayD · wayD · borneE · hornE
- 5 AABBCCDDEEDDFFGG callA · wallA · wasteB · hasteB · tookC · shookC · highD · skyD · daleE · galeE · cryD · nighD · appearedF · clearedF · farG · varG
- 6 AA--BBCCDDEEFFGGHHII packA · backA · once · response · strongB · alongB · outC · shoutC · hallooD · knewD · roeE · doeE · highF · eyeF · kenG · glenG · dinH · linnH · stillI · hillI
- 7 --AABBCCDDEE war · var · toldA · oldA · wonB · sunB · perforceC · horseC · deerD · nearD · sideE · triedE
- 8 AABB----CC--DDEE nowA · browA · beneathB · menteithB · o'er · moor · toil · aberfoyle · grayC · achrayC · blue · benvenue · returnedD · spurnedD · raceE · chaseE
- 9 A-BBCC-A---- o'erA · cambusmore · despairB · airB · heathC · teithC · shore · o'erA · far · vennachar · won · alone
- 10 AABBCCDDEEFFGGHHH zealA · steelA · toilB · soilB · drewC · viewC · breedD · speedD · cameE · gameE · haunchF · stanchF · attainG · strainG · lakeH · brakeH · takeH
- 11 --AABBCCDDEEFFGGHHIIF high · boundary · bayA · wayA · prizeB · eyesB · hallooC · drewC · preparedD · baredD · shockE · rockE · glenF · kenF · nookG · tookG · shedH · headH · vainI · amainI · againF
- 12 AABBCC--DDC-EEFF cameA · gameA · dellB · fellB · vainC · reinC · o'er · more · remorseD · horseD · reinC · seine · feedE · steedE · dayF · grayF
- 13 AABBCCDDEEFFGGHH resoundsA · houndsA · paceB · chaseB · pressedC · crestC · throatD · noteD · dreamE · screamE · castF · blastF · wayG · dayG · roadH · showedH
- 14 AABBCCDDEEFFGGHHIIJJKKLLMMNN dayA · wayA · spireB · fireB · glowC · belowC · hidD · pyramidD · dellE · pinnacleE · massF · passF · vainG · plainG · rentH · battlementH · setI · minaretI · deckedJ · architectJ · bareK · fairK · displayedL · gladeL · sheenM · greenM · dyesN · sighsN
- 15 AABBCCDDEE----FFGGHHIIJJ wildA · childA · airB · thereB · flowerC · bowerC · sideD · prideD · stainE · retainE · breath · beneath · oak · rock · hungF · flungF · highG · skyG · glancedH · dancedH · viewI · blueI · seemJ · dreamJ
- 16 AABBCCDDEEFFGGHHII peepA · deepA · brimB · swimB · veeringC · appearingC · faceD · traceD · strayedE · madeE · stoodF · woodF · floatG · moatG · stillH · hillH · beI · seaI
- 17 AABBCCDDEEFFGGHH--II--JJ glenA · kenA · niceB · precipiceB · madeC · aidC · wonD · sunD · goldE · rolledE · layF · bayF · brightG · lightG · standH · landH · benvenue · threw · hurledI · worldI · o'er · hoar · airJ · bareJ
- 18 AABBCCDDEEFFGGHHIIJJKKK gazedA · amazedA · criedB · prideB · towerC · bowerC · awayD · grayD · hornE · mornE · luteF · muteF · laveG · waveG · comeH · humH · toneI · loneI · cellJ · knellJ · allK · callK · hallK
- 19 AABB--CCDDEEAAFFGG hereA · deerA · spareB · fareB · be · canopy · chaseC · placeC · spentD · merrimentD · aboundE · foundE · hereA · deerA · strainF · trainF · betideG · triedG
- 20 AA--BBCCDDEEFFGGHHIIJJFF woundA · soundA · oak · rock · wayB · bayB · steepC · sweepC · waveD · raveD · slowE · snowE · strandF · standF · brakeG · lakeG · againH · strainH · intentI · bentI · apartJ · artJ · standF · strandF
- 21 AAABBCCDDAAEEFFGGHH traceA · graceA · faceA · frownB · brownB · lightC · brightC · showD · snowD · graceA · paceA · trueE · dewE · headF · treadF · hungG · tongueG · dearH · hearH
- 22 A-ABBCCDDEEFFGGHHFFDDIIJJKK maidA · plaid · betrayedA · amidB · hidB · bringC · wingC · fairD · careD · combinedE · kindE · spyF · eyeF · blueG · trueG · confessedH · breastH · eyeF · sighF · thereD · prayerD · forthI · northI · unrevealedJ · concealedJ · flameK · nameK
- 23 AABBCCDD--EEFFGGHHII hornA · borneA · aroundB · soundB · cameC · nameC · fellD · swellD · said · shade · oarE · shoreE · betweenF · screenF · swingG · wingG · amazedH · gazedH · eyeI · flyI
- 24 AABBCCDD--EEFFGGHH--II ageA · sageA · truthB · youthB · thereC · dareC · fireD · ireD · could · bold · arrayedE · bladeE · impliedF · prideF · woreG · shoreG · showedH · roadH · free · courtesy · blandI · commandI
- 25 AABBCCDDEEFF-E----GGHH eyedA · repliedA · stillB · hillB · comeC · homeC · dewD · youD · headE · bledE · mereF · cheerF · maid · saidE · misplaced · guest · toss · lost · fairG · airG · strandH · landH
- 26 AABBCCDDEEFFGGHHII-JJ repliedA · sideA · beforeB · shoreB · yesternightC · plightC · intentD · bentD · grayE · wayE · mienF · greenF · giltG · hiltG · trimH · grimH · beI · degreeI · prophecy · hornJ · borneJ
- 27 AABBCCDDEEFFGGEEHHII homeA · comeA · oldB · boldB · empriseC · eyesC · guideD · tideD · slyE · tryE · beforeF · oarF · drewG · flewG · cryE · plyE · breakH · lakeH · reachI · beachI
- 28 AABBCCDDAAEE aroundA · boundA · declareB · thereB · showedC · roadC · screenD · greenD · roundA · groundA · hourE · bowerE
- 29 --AABBCCDDEE--FFGGHHIIJJ-EKK size · device · aroundA · foundA · baredB · squaredB · heightC · uniteC · combinedD · windD · overheadE · spreadE · dry · canopy · greenF · seenF · borneG · unshornG · twineH · vineH · flowerI · bowerI · bearJ · airJ · stayed · saidE · callK · hallK
- 30 AABBCCDDEEFFGGHHIIJJKKLLMM beA · theeA · clangB · rangB · rushedC · blushedC · displayedD · bladeD · flungE · swungE · graceF · chaseF · hereG · spearG · storeH · boarH · diedI · hideI · adornsJ · hornsJ · stainedK · retainedK · whiteL · uniteL · allM · hallM
- 31 AABB--CC----DDEE gazedA · raisedA · strengthB · lengthB · swayed · said · wieldC · fieldC · word · sword · hand · wand · partD · ascabartD · holdE · oldE
- 32 AABBCCDDAA----EEFFGGHHIIJJ cameA · dameA · portB · courtB · knewC · dueC · madeD · paidD · claimA · nameA · guest · feast · door · o'er · namesE · jamesE · heritageF · ageF · toilG · turmoilG · standH · handH · trainI · vainI · deerJ · hereJ
- 33 AABBCCDDEEFFGGHHIIJJBB requireA · sireA · mienB · seenB · displayedC · maidC · faceD · raceD · findE · mindE · gaveF · graveF · gayG · awayG · downH · townH · blastI · castI · stringJ · singJ · unseenB · betweenB
- 34 ABCBDEDEACBB o'erA · breakingB · moreC · wakingB · hallD · strewingE · fallD · dewingE · o'erA · moreC · breakingB · wakingB
- 35 ABABC-C-AABB earA · champingB · hereA · trampingB · comeC · fallow · drumC · shallow · nearA · hereA · champingB · stampingB
- 36 AABBCC layA · dayA · prolongB · songB · frameC · cameC
- 37 AABBCC--DDEE--FFGG--HHIIJJKKLLMM braesA · blazeA · strongB · alongB · glowC · belowC · far · war · coilD · voilD · sourceE · courseE · road · broad · claimF · nameF · handG · brandG · bow · crow · glenH · menH · heightI · uniteI · alongJ · strongJ · stoodK · bloodK · beganL · clanL · handM · commandM
- 38 --AABBCC----DDEEFFGGHHII dhu · benvenue · heathA · menteithA · truceB · bruceB · waitC · gateC · shone · con · wily · eye · repairD · careD · cleftE · leftE · trueF · withdrewF · dellG · cellG · tongueH · sungH · gaveI · caveI
- 39 AABBCCDDEEFFGG--HHII--JJKKLLMMNNOO retreatA · feetA · crestB · breastB · rockC · shockC · wildD · piledD · spotE · rotE · shadeF · madeF · shoneG · stoneG · eye · futurity · stillH · rillH · lakeI · breakI · spoke · rock · swayJ · grayJ · sprungK · youngK · fairL · thereL · dreadM · treadM · resortN · courtN · mazeO · gazeO
- 40 AA--BBCCDDDEEFFGGHHHIIJJKKLL longA · strongA · few · benvenue · goB · boB · beforeC · shoreC · wayD · achrayD · arrayD · mindE · behindE · swordF · lordF · breakG · lakeG · sightH · heightH · lightH · clanI · manI · seenJ · mienJ · floatK · boatK · standL · strandL
- 41 AABBCCDDEEFF--GGHHIIJJG-KK stillA · hillA · roadB · abodeB · mornC · swornC · roarD · moreD · sandE · bandE · proveF · loveF · ghost · lost · denyG · eyeG · earH · hearH · breezeI · treesI · strainJ · baneJ · highG · minstrelsy · stringsK · singsK
- 42 AAABB-CDDCCEEFFGGDDHHIIJJ-C-- layA · wayA · grayA · wingB · springB · said · maidC · brideD · sideD · madeC · bladeC · largeE · chargeE · bowF · blowF · farG · barG · criedD · sideD · prepareH · airH · groomI · plumeI · stonesJ · bonesJ · plaid · stayedC · free · revelry
- 43 AA--BB stillA · willA · been · green · unstrungB · tongueB
- 44 ABAB trueA · awayB · hueA · layB
- 45 AA----BB tellA · wellA · tone · on · fearfully · eye · thenB · glenB
- 46 A-A- setA · merrily · whetA · cheerily
- 47 ABAB tenA · sturdilyB · glenA · hardilyB
- 48 ABAB doeA · deathfullyB · belowA · faithfullyB
- 49 A-A- heedA · warily · speedA · narrowly
- 50 AABBCCDDEEFFGGHHII--JJJKK--LLMM tossedA · lostA · wroughtB · broughtB · snareC · awareC · highD · dieD · flewE · drewE · crestF · breastF · speedG · needG · windH · behindH · strifeI · lifeI · before · moor · beJ · seeJ · theeJ · thrustK · dustK · strain · again · eyeL · dieL · wayM · layM
- 51 AABBCCDDEEFFGGHHIIJJKKLL--MMNNOOPPQQRR treeA · kneeA · shaftB · laughedB · grayC · layC · triedD · criedD · moreE · beforeE · decayF · awayF · dieG · eyeG · bornH · wornH · hairI · despairI · thineJ · shineJ · shredK · headK · waveL · braveL · stain · again · brightM · lightM · signN · mineN · manO · clanO · plumeP · gloomP · strongQ · wrongQ · fellR · farewellR
- 52 AABBCCDDEEDDF-FGGHHIIJJ--KKLLMMNNOOPP jamesA · claimsA · ireB · expireB · reliefC · chiefC · fairD · hairD · dyedE · sideE · swearD · wearD · imbrueF · dhu · hallooF · knowG · foeG · wayH · strayH · trackI · backI · lengthJ · strengthJ · hoar · o'er · pastK · lastK · guessedL · nestL · soonM · douneM · outN · shoutN · goO · foeO · grayP · wayP
- 53 AABBCCDDEEFFGGHH-II downA · brownA · dellB · fellB · lightC · arightC · showD · foeD · awakeE · brakeE · thereF · airF · woldG · coldG · aloneH · unknownH · on · turnedI · burnedI
- 54 AABBCCDDEEBBFFGG--HH--IIJJEEKK clearA · mountaineerA · handB · standB · requireC · fireC · lostD · frostD · noE · foeE · bandB · handB · gameF · claimF · lendG · bendG · when · slain · lieH · spyH · dhu · two · restI · crestI · arightJ · knightJ · knowE · foeE · shareK · fareK
- 55 AA--BB--CC--DDEE--FFGGHHI-II--JJKKLLMM cheerA · deerA · laid · plaid · guestB · addressedB · dhu · true · spokeC · strokeC · said · laid · hornD · overborneD · brandE · standE · cause · laws · shameF · nameF · fireG · requireG · dayH · wayH · wardI · guard · fordI · swordI · heaven · given · cryJ · lullabyJ · heathK · wreathK · sideL · triedL · beamM · streamM
- 56 ABACDEDEAABC doneA · yeB · sunA · reveilleC · denD · lyingE · glenD · dyingE · doneA · sunA · yeB · reveilleC
- 57 AABBAACCDDEE--FFGGHHAAIIJJKK bedA · spreadA · lainB · againB · shedA · headA · restC · breastC · roseD · woesD · brakeE · lakeE · host · lost · mightF · nightF · youthG · truthG · interchangedH · estrangedH · ledA · deadA · gayI · yesterdayI · viewJ · trueJ · vowK · nowK
- 58 --AABB--CCDDEEFFGGAAHHII grove · love · sighA · highA · claspB · graspB · gone · shone · sizeC · eyesC · hoarD · boreD · affrightE · nightE · redF · shedF · allG · hallG · eyeA · highA · throngH · alongH · cureI · pureI
- 59 AABBCCDDEEFFGGHHIIJJ--KKLL-- broomA · perfumeA · balmB · calmB · glanceC · expanseC · swayD · rayD · guestE · breastE · traceF · raceF · spyG · eyeG · brandH · handH · dreamI · themeI · mindJ · resignedJ · o'er · more · toldK · goldK · woesL · reposeL · crew · benvenue
- 60 AABBCCDD--EEFFGGHHII tideA · sideA · tookB · lookB · reachC · beachC · treeD · heD · given · heaven · claimE · flameE · wireF · fireF · waitG · fateG · dareH · hairH · fledI · spedI
- 61 AABBCCDD--EEFF-- wildA · smiledA · drakeB · lakeB · beachC · reachC · knowsD · roseD · fidelity · see · adieuE · anewE · ireF · lyreF · spy · eve
- 62 AABBCCDDEEFFGG----HHIIJJKKLLMMNN spotA · notA · gladeB · madeB · sayC · dayC · fairD · hairD · swellE · farewellE · guideF · sideF · stillG · hillG · hid · chid · maid · said · hungH · tongueH · eyeI · spyI · criedJ · sideJ · dreamK · themeK · nameL · graemeL · rushedM · blushedM · bowerN · flowerN
- 63 AABBCDEEFFGGDDHHDCII timesA · chimesA · prideB · diedB · maidC · saidD · strainE · vainE · handF · spannedF · lowG · woeG · treadD · deadD · aloneH · toneH · saidD · swayedC · foretellI · knellI
- 64 AA--BBCC--DDEEFFDDGG sighedA · diedA · strove · love · mirthB · birthB · callC · hallC · driven · heaven · woeD · undergoD · fairE · despairE · flingF · stringF · flowD · woeD · lieG · dieG
- 65 AABBCCDDEEFFGGHHIIJJKKLLMMNNNOO assuageA · ageA · knownB · blownB · glenC · thenC · riseD · tiesD · alongE · songE · fearF · hereF · greatG · stateG · resignedH · windH · reeveI · grieveI · roundJ · groundJ · conveysK · daysK · leaL · beL · roseM · growsM · hairN · swearN · fairN · wildO · smiledO
- 66 AABBCC--DDEEFFGG swayA · awayA · throwB · woeB · prideC · repliedC · know'st · lost · graceD · placeD · advanceE · danceE · sighF · eyeF · artG · heartG
- 67 AA--B-CCDDBBAABB criedA · sighedA · me · canopy · gayB · strathspey · inclineC · thineC · highD · eyeD · sayB · swayB · prideA · sideA · delayB · dayB
- 68 AABBCCDDEE repressedA · jestA · wildB · smiledB · slewC · drewC · strideD · homicideD · handE · landE
- 69 AABBB--CCDDEEBBFFGG dayA · sayA · deerB · peerB · hereB · marauding · relief · expandC · handC · soughtD · broughtD · hillE · stillE · fearB · dearB · threadF · dreadF · refrainG · maneG
- 70 AABBBCC----DDEE--FF-- highA · eyeA · knowB · bestowB · oweB · wildC · childC · ire · sire · owed · allan · commandD · handD · dwellE · cellE · sea · charity · wordF · heardF · rove · love
- 71 AABB--CCDDEEFFGGHHIIJJKKLLMMNNOONNPP grayA · sayA · braveB · waveB · mood · blood · bandC · handC · steelD · feelD · flingE · bringE · windF · behindF · stoodG · bloodG · foughtH · oughtH · redI · shedI · gleamJ · seemJ · highK · skyK · knowL · foeL · gloomM · plumeM · bearN · airN · claimO · nameO · e'erN · fearN · bestP · guestP
- 72 AABBCCDDEEFFGGHHIIJJKKLL--B- whileA · isleA · yoreB · loreB · foesC · bowsC · foreshowD · foeD · hereE · fearE · oldF · holdF · prayG · sayG · headH · dreadH · gameI · graemeI · renewedJ · feudJ · theseK · breezeK · wakeL · lakeL · beard · heard · warB · afar
- 73 AABBCCDDEEFFGGHHIIJJKKLL spiedA · tideA · viewB · grewB · glengyleC · isleC · passedD · castD · shineE · pineE · bearF · airF · braveG · waveG · riseH · pliesH · strokeI · smokeI · bowJ · flowJ · sweepK · deepK · amainL · strainL
- 74 AABBCCDDEEFFGG--HH--FFIIJJKKLL loudA · proudA · tameB · cameB · bayC · awayC · earD · hearD · mightE · fightE · whenF · glenF · dreadG · treadG · tone · on · roseH · blowsH · ward · jarred · againF · amainF · shoutI · routI · declareJ · thereJ · slowK · lowK · swellL · fellL
- 75 AABBCCDDEEFFGG hillA · stillA · strainB · againB · raiseC · praiseC · oarD · boreD · breezeE · treesE · knowF · froF · rowedG · flowedG
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Harp of the North! that mouldering long hast hung | 10 | ·····/˘··· |
| On the witch-elm that shades Saint Fillan's spring | 10 | ·········· |
| And down the fitful breeze thy numbers flung, | 10 | ···/˘··/˘· |
| Till envious ivy did around thee cling, | 10 | ·/˘/˘····· |
| Muffling with verdant ringlet every string,-- | 10 | /˘·/˘/˘/˘· |
| O Minstrel Harp, still must thine accents sleep? | 10 | ·/˘····/˘· |
| Mid rustling leaves and fountains murmuring, | 9 | ·/˘··/˘/˘ |
| Still must thy sweeter sounds their silence keep, | 10 | ···/˘··/˘· |
| Nor bid a warrior smile, nor teach a maid to weep? | 12 | ···/˘······· |
| Not thus, in ancient days of Caledon, | 10 | ···/˘····· |
| Was thy voice mute amid the festal crowd, | 10 | ····˘/·/˘· |
| When lay of hopeless love, or glory won, | 10 | ···/˘··/˘· |
| Aroused the fearful or subdued the proud. | 10 | ˘/·/˘·˘/·· |
| At each according pause was heard aloud | 10 | ··˘/˘···˘/ |
| Thine ardent symphony sublime and high! | 9 | ·/˘/˘˘/·· |
| Fair dames and crested chiefs attention bowed; | 10 | ···/˘·˘/˘· |
| For still the burden of thy minstrelsy | 10 | ···/˘··/˘˘ |
| Was Knighthood's dauntless deed, and Beauty's matchless eye. | 12 | ·/·/˘··/˘/˘· |
| O, wake once more! how rude soe'er the hand | 9 | ········· |
| That ventures o'er thy magic maze to stray; | 10 | ·/˘··/˘··· |
| O, wake once more! though scarce my skill command | 10 | ········˘/ |
| Some feeble echoing of thine earlier lay: | 10 | ·/˘/˘··/˘· |
| Though harsh and faint, and soon to die away, | 10 | ········˘/ |
| And all unworthy of thy nobler strain, | 10 | ··˘/˘··/˘· |
| Yet if one heart throb higher at its sway, | 9 | ·····/··· |
| The wizard note has not been touched in vain. | 10 | ·/˘······· |
| Then silent be no more! Enchantress, wake again! | 12 | ·/˘···˘/˘·˘/ |
| The stag at eve had drunk his fill, | 8 | ········ |
| Where danced the moon on Monan's rill, | 8 | ········ |
| And deep his midnight lair had made | 8 | ···/···· |
| In lone Glenartney's hazel shade; | 8 | ·····/˘· |
| But when the sun his beacon red | 8 | ·····/˘· |
| Had kindled on Benvoirlich's head, | 8 | ·/˘····· |
| The deep-mouthed bloodhound's heavy bay | 8 | ···/˘/˘· |
| Resounded up the rocky way, | 8 | ·/˘··/˘· |
| And faint, from farther distance borne, | 8 | ···/˘/˘· |
| Were heard the clanging hoof and horn. | 8 | ···/˘··· |
| As Chief, who hears his warder call, | 8 | ·····/˘· |
| 'To arms! the foemen storm the wall,' | 8 | ········ |
| The antlered monarch of the waste | 8 | ·/˘/···· |
| Sprung from his heathery couch in haste. | 9 | ···/˘˘··· |
| But ere his fleet career he took, | 8 | ····˘/·· |
| The dew-drops from his flanks he shook; | 8 | ········ |
| Like crested leader proud and high | 8 | ·/˘/˘··· |
| Tossed his beamed frontlet to the sky; | 8 | ···/˘··· |
| A moment gazed adown the dale, | 8 | ·/˘·˘/·· |
| A moment snuffed the tainted gale, | 8 | ·/˘··/˘· |
| A moment listened to the cry, | 8 | ·/˘/˘··· |
| That thickened as the chase drew nigh; | 8 | ·/˘····· |
| Then, as the headmost foes appeared, | 8 | ···/˘·˘/ |
| With one brave bound the copse he cleared, | 8 | ········ |
| And, stretching forward free and far, | 8 | ·/˘/˘··· |
| Sought the wild heaths of Uam-Var. | 7 | ······· |
| Yelled on the view the opening pack; | 8 | ·····/˘· |
| Rock, glen, and cavern paid them back; | 8 | ···/˘··· |
| To many a mingled sound at once | 8 | ·/·/˘··· |
| The awakened mountain gave response. | 9 | ·˘/˘/˘·˘/ |
| A hundred dogs bayed deep and strong, | 8 | ·/˘····· |
| Clattered a hundred steeds along, | 8 | /˘·/˘·˘/ |
| Their peal the merry horns rung out, | 8 | ···/˘··· |
| A hundred voices joined the shout; | 8 | ·/˘/˘··· |
| With hark and whoop and wild halloo, | 8 | ······˘/ |
| No rest Benvoirlich's echoes knew. | 8 | ·····/˘· |
| Far from the tumult fled the roe, | 8 | ···/˘··· |
| Close in her covert cowered the doe, | 8 | ···/˘/·· |
| The falcon, from her cairn on high, | 8 | ·/˘····· |
| Cast on the rout a wondering eye, | 8 | ·····/˘· |
| Till far beyond her piercing ken | 8 | ·····/˘· |
| The hurricane had swept the glen. | 8 | ·/˘····· |
| Faint, and more faint, its failing din | 8 | ·····/˘· |
| Returned from cavern, cliff, and linn, | 8 | ˘/·/˘··· |
| And silence settled, wide and still, | 8 | ·/˘/˘··· |
| On the lone wood and mighty hill. | 8 | ·····/˘· |
| Less loud the sounds of sylvan war | 8 | ·····/˘· |
| Disturbed the heights of Uam-Var, | 8 | ˘/˘····· |
| And roused the cavern where, 't is told, | 9 | ···/˘···· |
| A giant made his den of old; | 8 | ·/˘····· |
| For ere that steep ascent was won, | 8 | ····˘/·· |
| High in his pathway hung the sun, | 8 | ···/···· |
| And many a gallant, stayed perforce, | 8 | ·/·/˘·˘/ |
| Was fain to breathe his faltering horse, | 8 | ·····/˘· |
| And of the trackers of the deer | 8 | ···/˘··· |
| Scarce half the lessening pack was near; | 8 | ···/˘··· |
| So shrewdly on the mountain-side | 8 | ·/˘··/˘· |
| Had the bold burst their mettle tried. | 8 | ·····/˘· |
| The noble stag was pausing now | 8 | ·/˘··/˘· |
| Upon the mountain's southern brow, | 8 | ···/˘/˘· |
| Where broad extended, far beneath, | 8 | ··˘/˘··· |
| The varied realms of fair Menteith. | 8 | ·/˘····· |
| With anxious eye he wandered o'er | 8 | ·/˘··/˘· |
| Mountain and meadow, moss and moor, | 8 | /˘·/···· |
| And pondered refuge from his toil, | 8 | ·/˘/˘··· |
| By far Lochard or Aberfoyle. | 9 | ········· |
| But nearer was the copsewood gray | 8 | ·/˘··/˘· |
| That waved and wept on Loch Achray, | 8 | ········ |
| And mingled with the pine-trees blue | 8 | ·/˘····· |
| On the bold cliffs of Benvenue. | 8 | ········ |
| Fresh vigor with the hope returned, | 8 | ·/˘···˘/ |
| With flying foot the heath he spurned, | 8 | ·/˘····· |
| Held westward with unwearied race, | 8 | ·/˘·˘/˘· |
| And left behind the panting chase. | 8 | ·····/˘· |
| 'T were long to tell what steeds gave o'er, | 9 | ········· |
| As swept the hunt through Cambusmore; | 8 | ········ |
| What reins were tightened in despair, | 8 | ···/˘·˘/ |
| When rose Benledi's ridge in air; | 8 | ········ |
| Who flagged upon Bochastle's heath, | 8 | ··˘····· |
| Who shunned to stem the flooded Teith,-- | 8 | ·····/˘· |
| For twice that day, from shore to shore, | 8 | ········ |
| The gallant stag swam stoutly o'er. | 8 | ·/˘··/˘· |
| Few were the stragglers, following far, | 8 | ···/˘/˘· |
| That reached the lake of Vennachar; | 8 | ········ |
| And when the Brigg of Turk was won, | 8 | ········ |
| The headmost horseman rode alone. | 8 | ·/˘/˘·˘/ |
| Alone, but with unbated zeal, | 8 | ˘/······ |
| That horseman plied the scourge and steel; | 8 | ·/˘····· |
| For jaded now, and spent with toil, | 8 | ·/˘····· |
| Embossed with foam, and dark with soil, | 8 | ˘/······ |
| While every gasp with sobs he drew, | 8 | ·/˘····· |
| The laboring stag strained full in view. | 8 | ·/˘····· |
| Two dogs of black Saint Hubert's breed, | 8 | ·····/˘· |
| Unmatched for courage, breath, and speed, | 8 | ˘/·/˘··· |
| Fast on his flying traces came, | 8 | ···/˘/˘· |
| And all but won that desperate game; | 8 | ·····/˘· |
| For, scarce a spear's length from his haunch, | 8 | ········ |
| Vindictive toiled the bloodhounds stanch; | 8 | ˘/˘··/˘· |
| Nor nearer might the dogs attain, | 8 | ·/˘···˘/ |
| Nor farther might the quarry strain | 8 | ·/˘··/˘· |
| Thus up the margin of the lake, | 8 | ···/˘··· |
| Between the precipice and brake, | 8 | ···/˘˘·· |
| O'er stock and rock their race they take. | 8 | ········ |
| The Hunter marked that mountain high, | 8 | ·/˘··/˘· |
| The lone lake's western boundary, | 8 | ···/˘/˘˘ |
| And deemed the stag must turn to bay, | 8 | ········ |
| Where that huge rampart barred the way; | 8 | ···/˘··· |
| Already glorying in the prize, | 8 | ˘/˘/˘··· |
| Measured his antlers with his eyes; | 8 | /˘·/˘··· |
| For the death-wound and death-halloo | 8 | ······˘/ |
| Mustered his breath, his whinyard drew:-- | 8 | /˘···/˘· |
| But thundering as he came prepared, | 8 | ·/˘···˘/ |
| With ready arm and weapon bared, | 8 | ·/˘··/˘· |
| The wily quarry shunned the shock, | 8 | ·/˘/˘··· |
| And turned him from the opposing rock; | 9 | ·····˘/˘· |
| Then, dashing down a darksome glen, | 8 | ·/˘··/˘· |
| Soon lost to hound and Hunter's ken, | 8 | ·····/˘· |
| In the deep Trosachs' wildest nook | 8 | ·····/˘· |
| His solitary refuge took. | 8 | ·/˘·˘/˘· |
| There, while close couched the thicket shed | 8 | ·····/˘· |
| Cold dews and wild flowers on his head, | 8 | ····/··· |
| He heard the baffled dogs in vain | 8 | ···/˘··· |
| Rave through the hollow pass amain, | 8 | ···/˘·˘/ |
| Chiding the rocks that yelled again. | 8 | /˘····˘/ |
| Close on the hounds the Hunter came, | 8 | ·····/˘· |
| To cheer them on the vanished game; | 8 | ·····/˘· |
| But, stumbling in the rugged dell, | 8 | ·/˘··/˘· |
| The gallant horse exhausted fell. | 8 | ·/˘·˘/˘· |
| The impatient rider strove in vain | 8 | ·˘/˘/··· |
| To rouse him with the spur and rein, | 8 | ········ |
| For the good steed, his labors o'er, | 8 | ·····/˘· |
| Stretched his stiff limbs, to rise no more; | 8 | ········ |
| Then, touched with pity and remorse, | 8 | ···/˘·˘/ |
| He sorrowed o'er the expiring horse. | 9 | ·/˘··˘/˘· |
| 'I little thought, when first thy rein | 8 | ·/˘····· |
| I slacked upon the banks of Seine, | 9 | ·······/˘ |
| That Highland eagle e'er should feed | 8 | ·/˘/˘··· |
| On thy fleet limbs, my matchless steed! | 8 | ·····/˘· |
| Woe worth the chase, woe worth the day, | 8 | ········ |
| That costs thy life, my gallant gray!' | 8 | ·····/˘· |
| Then through the dell his horn resounds, | 8 | ·······/ |
| From vain pursuit to call the hounds. | 8 | ··˘/···· |
| Back limped, with slow and crippled pace, | 8 | ·····/˘· |
| The sulky leaders of the chase; | 8 | ·/˘/˘··· |
| Close to their master's side they pressed, | 8 | ···/˘··· |
| With drooping tail and humbled crest; | 8 | ·/˘··/˘· |
| But still the dingle's hollow throat | 8 | ···/˘/˘· |
| Prolonged the swelling bugle-note. | 8 | ˘/·/˘/˘· |
| The owlets started from their dream, | 8 | ···/˘··· |
| The eagles answered with their scream, | 8 | ·/˘/˘··· |
| Round and around the sounds were cast, | 8 | ········ |
| Till echo seemed an answering blast; | 8 | ·/˘··/˘· |
| And on the Hunter tried his way, | 8 | ···/˘··· |
| To join some comrades of the day, | 8 | ···/···· |
| Yet often paused, so strange the road, | 8 | ·/˘····· |
| So wondrous were the scenes it showed. | 8 | ·/˘····· |
| The western waves of ebbing day | 8 | ·/˘··/˘· |
| Rolled o'er the glen their level way; | 8 | ·····/˘· |
| Each purple peak, each flinty spire, | 8 | ·/˘··/˘· |
| Was bathed in floods of living fire. | 9 | ·····/˘/˘ |
| But not a setting beam could glow | 8 | ···/˘··· |
| Within the dark ravines below, | 8 | ····˘/·· |
| Where twined the path in shadow hid, | 8 | ·····/·· |
| Round many a rocky pyramid, | 9 | ·/˘·/˘/˘˘ |
| Shooting abruptly from the dell | 8 | /˘˘/˘··· |
| Its thunder-splintered pinnacle; | 8 | ·/˘/˘/˘˘ |
| Round many an insulated mass, | 8 | ·/·/˘·˘· |
| The native bulwarks of the pass, | 8 | ·/˘/˘··· |
| Huge as the tower which builders vain | 8 | ···/·/˘· |
| Presumptuous piled on Shinar's plain. | 8 | ˘/˘····· |
| The rocky summits, split and rent, | 8 | ·/˘/˘··· |
| Formed turret, dome, or battlement. | 8 | ·/˘··/˘˘ |
| Or seemed fantastically set | 8 | ··˘˘/˘˘· |
| With cupola or minaret, | 8 | ·˘/˘··˘/ |
| Wild crests as pagod ever decked, | 8 | ···/˘/˘· |
| Or mosque of Eastern architect. | 8 | ···/˘/˘· |
| Nor were these earth-born castles bare, | 8 | ·····/˘· |
| Nor lacked they many a banner fair; | 8 | ···/·/˘· |
| For, from their shivered brows displayed, | 8 | ···/˘·˘/ |
| Far o'er the unfathomable glade, | 8 | ···˘/˘˘· |
| All twinkling with the dewdrop sheen, | 8 | ·/˘··/˘· |
| The briar-rose fell in streamers green, | 8 | ·/···/˘· |
| kind creeping shrubs of thousand dyes | 8 | ·/˘··/˘· |
| Waved in the west-wind's summer sighs. | 8 | ·····/˘· |
| Boon nature scattered, free and wild, | 8 | ·/˘/˘··· |
| Each plant or flower, the mountain's child. | 8 | ···/·/˘· |
| Here eglantine embalmed the air, | 8 | ·/˘·˘/·· |
| Hawthorn and hazel mingled there; | 8 | /··/˘/˘· |
| The primrose pale and violet flower | 9 | ·/···/˘/˘ |
| Found in each cliff a narrow bower; | 9 | ·····/˘/˘ |
| Foxglove and nightshade, side by side, | 8 | /··/···· |
| Emblems of punishment and pride, | 8 | /˘·/˘˘·· |
| Grouped their dark hues with every stain | 8 | ·····/˘· |
| The weather-beaten crags retain. | 8 | ·/˘/˘·˘/ |
| With boughs that quaked at every breath, | 8 | ·····/˘· |
| Gray birch and aspen wept beneath; | 8 | ···/˘··· |
| Aloft, the ash and warrior oak | 8 | ˘/···/˘· |
| Cast anchor in the rifted rock; | 8 | ·/˘··/˘· |
| And, higher yet, the pine-tree hung | 8 | ·/˘····· |
| His shattered trunk, and frequent flung, | 8 | ·/˘··/˘· |
| Where seemed the cliffs to meet on high, | 8 | ········ |
| His boughs athwart the narrowed sky. | 8 | ··˘/·/˘· |
| Highest of all, where white peaks glanced, | 8 | /˘······ |
| Where glistening streamers waved and danced, | 8 | ·/˘/˘··· |
| The wanderer's eye could barely view | 8 | ·/˘··/˘· |
| The summer heaven's delicious blue; | 9 | ·/˘/˘˘/˘· |
| So wondrous wild, the whole might seem | 8 | ·/˘····· |
| The scenery of a fairy dream. | 8 | ·/˘··/˘· |
| Onward, amid the copse 'gan peep | 8 | /˘˘/···· |
| A narrow inlet, still and deep, | 8 | ·/˘/···· |
| Affording scarce such breadth of brim | 8 | ˘/˘····· |
| As served the wild duck's brood to swim. | 8 | ········ |
| Lost for a space, through thickets veering, | 9 | ·····/˘/˘ |
| But broader when again appearing, | 9 | ·/˘·˘/˘/˘ |
| Tall rocks and tufted knolls their face | 8 | ···/˘··· |
| Could on the dark-blue mirror trace; | 8 | ·····/˘· |
| And farther as the Hunter strayed, | 8 | ·/˘··/˘· |
| Still broader sweep its channels made. | 8 | ·/˘··/˘· |
| The shaggy mounds no longer stood, | 8 | ·/˘··/˘· |
| Emerging from entangled wood, | 8 | ˘/˘·˘/˘· |
| But, wave-encircled, seemed to float, | 8 | ··˘/˘··· |
| Like castle girdled with its moat; | 8 | ·/˘/˘··· |
| Yet broader floods extending still | 8 | ·/˘·˘/˘· |
| Divide them from their parent hill, | 8 | ˘/···/˘· |
| Till each, retiring, claims to be | 8 | ··˘/˘··· |
| An islet in an inland sea. | 8 | ·/˘··/·· |
| And now, to issue from the glen, | 8 | ···/˘··· |
| No pathway meets the wanderer's ken, | 8 | ·/···/˘· |
| Unless he climb with footing nice | 8 | ·····/˘· |
| A far-projecting precipice. | 8 | ··˘/˘/˘˘ |
| The broom's tough roots his ladder made, | 8 | ·····/˘· |
| The hazel saplings lent their aid; | 8 | ·/˘/˘··· |
| And thus an airy point he won, | 8 | ···/˘··· |
| Where, gleaming with the setting sun, | 8 | ·/˘··/˘· |
| One burnished sheet of living gold, | 8 | ·/˘··/˘· |
| Loch Katrine lay beneath him rolled, | 8 | ········ |
| In all her length far winding lay, | 8 | ·····/˘· |
| With promontory, creek, and bay, | 8 | ·/˘˘˘··· |
| And islands that, empurpled bright, | 8 | ·/˘···˘· |
| Floated amid the livelier light, | 8 | /˘˘/·/˘· |
| And mountains that like giants stand | 8 | ·/˘··/˘· |
| To sentinel enchanted land. | 8 | ·/˘˘˘/˘· |
| High on the south, huge Benvenue | 8 | ········ |
| Down to the lake in masses threw | 8 | ·····/˘· |
| Crags, knolls, and mounds, confusedly hurled, | 9 | ····˘/˘˘· |
| The fragments of an earlier world; | 8 | ·/˘··/˘· |
| A wildering forest feathered o'er | 8 | ·/˘/˘/˘· |
| His ruined sides and summit hoar, | 8 | ·/˘··/˘· |
| While on the north, through middle air, | 8 | ·····/˘· |
| Ben-an heaved high his forehead bare. | 8 | ·····/˘· |
| From the steep promontory gazed | 8 | ···/˘˘˘· |
| The stranger, raptured and amazed, | 8 | ·/˘/˘·˘/ |
| And, 'What a scene were here,' he cried, | 8 | ········ |
| 'For princely pomp or churchman's pride! | 8 | ·/˘··/˘· |
| On this bold brow, a lordly tower; | 9 | ·····/˘/˘ |
| In that soft vale, a lady's bower; | 9 | ·····/˘/˘ |
| On yonder meadow far away, | 8 | ·/˘/··˘/ |
| The turrets of a cloister gray; | 8 | ·/˘··/˘· |
| How blithely might the bugle-horn | 8 | ·/˘··/˘· |
| Chide on the lake the lingering morn! | 8 | ·····/˘· |
| How sweet at eve the lover's lute | 8 | ·····/˘· |
| Chime when the groves were still and mute! | 8 | ········ |
| And when the midnight moon should lave | 8 | ···/···· |
| Her forehead in the silver wave, | 8 | ·/˘··/˘· |
| How solemn on the ear would come | 8 | ·/˘····· |
| The holy matins' distant hum, | 8 | ·/˘··/˘· |
| While the deep peal's commanding tone | 8 | ····˘/˘· |
| Should wake, in yonder islet lone, | 8 | ···/˘/˘· |
| A sainted hermit from his cell, | 8 | ·/˘/˘··· |
| To drop a bead with every knell! | 8 | ·····/˘· |
| And bugle, lute, and bell, and all, | 8 | ·/˘····· |
| Should each bewildered stranger call | 8 | ··˘/˘/˘· |
| To friendly feast and lighted hall. | 8 | ·/˘··/˘· |
| 'Blithe were it then to wander here! | 8 | ·····/˘· |
| But now--beshrew yon nimble deer-- | 8 | ··˘/·/˘· |
| Like that same hermit's, thin and spare, | 8 | ···/˘··· |
| The copse must give my evening fare; | 8 | ·····/˘· |
| Some mossy bank my couch must be, | 8 | ·/˘····· |
| Some rustling oak my canopy. | 8 | ·/˘··/˘˘ |
| Yet pass we that; the war and chase | 8 | ········ |
| Give little choice of resting-place;-- | 8 | ·/˘··/˘· |
| A summer night in greenwood spent | 8 | ·/˘··/·· |
| Were but to-morrow's merriment: | 8 | ···/˘/˘˘ |
| But hosts may in these wilds abound, | 8 | ······˘/ |
| Such as are better missed than found; | 8 | ···/˘··· |
| To meet with Highland plunderers here | 9 | ···/˘···· |
| Were worse than loss of steed or deer.-- | 8 | ········ |
| I am alone;--my bugle-strain | 8 | ··˘/·/˘· |
| May call some straggler of the train; | 8 | ···/˘··· |
| Or, fall the worst that may betide, | 8 | ······˘/ |
| Ere now this falchion has been tried.' | 8 | ···/˘··· |
| But scarce again his horn he wound, | 8 | ··˘/···· |
| When lo! forth starting at the sound, | 8 | ···/˘··· |
| From underneath an aged oak | 7 | ··˘/··· |
| That slanted from the islet rock, | 8 | ·/˘··/˘· |
| A damsel guider of its way, | 8 | ·/˘/˘··· |
| A little skiff shot to the bay, | 8 | ·/˘····· |
| That round the promontory steep | 8 | ···/˘˘˘· |
| Led its deep line in graceful sweep, | 8 | ·····/˘· |
| Eddying, in almost viewless wave, | 8 | /˘·/·/˘· |
| The weeping willow twig to rave, | 8 | ·/˘/···· |
| And kiss, with whispering sound and slow, | 8 | ···/˘··· |
| The beach of pebbles bright as snow. | 8 | ···/˘··· |
| The boat had touched this silver strand | 8 | ·····/˘· |
| Just as the Hunter left his stand, | 8 | ···/˘··· |
| And stood concealed amid the brake, | 8 | ··˘/˘/·· |
| To view this Lady of the Lake. | 8 | ···/˘··· |
| The maiden paused, as if again | 8 | ·/˘···˘/ |
| She thought to catch the distant strain. | 8 | ·····/˘· |
| With head upraised, and look intent, | 8 | ······˘/ |
| And eye and ear attentive bent, | 8 | ····˘/˘· |
| And locks flung back, and lips apart, | 8 | ······˘/ |
| Like monument of Grecian art, | 8 | ·/˘˘·/˘· |
| In listening mood, she seemed to stand, | 8 | ·/˘····· |
| The guardian Naiad of the strand. | 8 | ·/˘/˘··· |
| And ne'er did Grecian chisel trace | 8 | ···/˘/˘· |
| A Nymph, a Naiad, or a Grace, | 8 | ···/˘··· |
| Of finer form or lovelier face! | 8 | ·/······ |
| What though the sun, with ardent frown, | 8 | ·····/˘· |
| Had slightly tinged her cheek with brown,-- | 8 | ·/˘····· |
| The sportive toil, which, short and light | 8 | ·/˘····· |
| Had dyed her glowing hue so bright, | 8 | ···/˘··· |
| Served too in hastier swell to show | 8 | ········ |
| Short glimpses of a breast of snow: | 8 | ·/˘····· |
| What though no rule of courtly grace | 8 | ·····/˘· |
| To measured mood had trained her pace,-- | 8 | ·/˘····· |
| A foot more light, a step more true, | 8 | ········ |
| Ne'er from the heath-flower dashed the dew; | 8 | ····/··· |
| E'en the slight harebell raised its head, | 8 | ···/˘··· |
| Elastic from her airy tread: | 8 | ˘/˘··/˘· |
| What though upon her speech there hung | 8 | ········ |
| The accents of the mountain tongue,--- | 8 | ·/˘··/˘· |
| Those silver sounds, so soft, so dear, | 8 | ·/˘····· |
| The listener held his breath to hear! | 8 | ·/˘····· |
| A chieftain's daughter seemed the maid; | 8 | ·/˘/˘··· |
| Her satin snood, her silken plaid, | 8 | ·/˘··/˘· |
| Her golden brooch, such birth betrayed. | 8 | ·/˘···˘/ |
| And seldom was a snood amid | 8 | ·/˘···˘/ |
| Such wild luxuriant ringlets hid, | 8 | ··˘/˘··· |
| Whose glossy black to shame might bring | 8 | ·/˘····· |
| The plumage of the raven's wing; | 8 | ·/˘··/˘· |
| And seldom o'er a breast so fair | 8 | ·/˘····· |
| Mantled a plaid with modest care, | 8 | /˘···/˘· |
| And never brooch the folds combined | 8 | ·/˘···˘/ |
| Above a heart more good and kind. | 8 | ········ |
| Her kindness and her worth to spy, | 8 | ·/˘····· |
| You need but gaze on Ellen's eye; | 8 | ·····/˘· |
| Not Katrine in her mirror blue | 8 | ·····/˘· |
| Gives back the shaggy banks more true, | 8 | ···/˘··· |
| Than every free-born glance confessed | 8 | ·/˘···˘/ |
| The guileless movements of her breast; | 8 | ·/˘/˘··· |
| Whether joy danced in her dark eye, | 8 | ········ |
| Or woe or pity claimed a sigh, | 8 | ···/˘··· |
| Or filial love was glowing there, | 8 | ·/˘··/˘· |
| Or meek devotion poured a prayer, | 8 | ··˘/˘··· |
| Or tale of injury called forth | 8 | ···/˘˘·· |
| The indignant spirit of the North. | 8 | ·˘/˘/··· |
| One only passion unrevealed | 8 | ·/˘/˘··· |
| With maiden pride the maid concealed, | 8 | ·/˘···˘/ |
| Yet not less purely felt the flame;-- | 8 | ···/˘··· |
| O, need I tell that passion's name? | 8 | ·····/˘· |
| Impatient of the silent horn, | 8 | ˘/˘··/˘· |
| Now on the gale her voice was borne:-- | 8 | ········ |
| 'Father!' she cried; the rocks around | 8 | /˘······ |
| Loved to prolong the gentle sound. | 8 | ··˘/·/˘· |
| Awhile she paused, no answer came;-- | 8 | ˘/···/˘· |
| 'Malcolm, was thine the blast?' the name | 8 | /˘······ |
| Less resolutely uttered fell, | 8 | ·/˘·˘/˘· |
| The echoes could not catch the swell. | 8 | ·/˘····· |
| 'A stranger I,' the Huntsman said, | 8 | ·/˘··/˘· |
| Advancing from the hazel shade. | 8 | ˘/˘··/˘· |
| The maid, alarmed, with hasty oar | 8 | ··˘/·/˘· |
| Pushed her light shallop from the shore, | 8 | ···/˘··· |
The first 400 of 1498 lines; the reader marks them all.
On this poem
Notes from the edition 155
Notes from The Lady of the Lake (Project Gutenberg #3011).
- Stanza 1, line 2 Witch-elm. The broad-leaved or wych elm (Ulmus montana), indigenous to Scotland. Forked branches of the tree were used in the olden time as divining-rods, and riding switches from it were supposed to insure good luck on a journey. In the closing stanzas of the poem (vi. 846) it is called the "wizard elm." Tennyson (In Memoriam, 89) refers to "Witch-elms that counterchange the floor Of this flat lawn with dusk and bright." Saint Fillan was a Scotch abbot of the seventh century who became famous as a saint. He had two springs, which appear to be confounded by some editors of the poem. One was at the eastern end of Loch Earn, where the pretty modern village of St. Fillans now stands, under the shadow of Dun Fillan, or St. Fillan's Hills, six hundred feet high, on the top of which the saint used to say his prayers, as the marks of his knees in the rock still testify to the credulous. The other spring is at another village called St. Fillans, nearly thirty miles to the westward, just outside the limits of our map, on the road to Tyndrum. In this Holy Pool, as it is called, insane folk were dipped with certain ceremonies, and then left bound all night in the open air. If they were found loose the next morning, they were supposed to have been cured. This treatment was practised as late as 1790, according to Pennant, who adds that the patients were generally found in the morning relieved of their troubles--by death. Another writer, in 1843, says that the pool is still visited, not by people of the vicinity, who have no faith in its virtue, but by those from distant places. Scott alludes to this spring in Marmion, i. 29: "Thence to Saint Fillan's blessed well, Whose springs can frenzied dreams dispel, And the crazed brain restore."
- Stanza 1, line 3 And down the fitful breeze, etc. The original MS. reads: "And on the fitful breeze thy numbers flung, Till envious ivy, with her verdant ring, Mantled and muffled each melodious string,-- O Wizard Harp, still must thine accents sleep?"
- Stanza 2, line 1 Caledon. Caledonia, the Roman name of Scotland.
- Stanza 2, line 5 Each according pause. That is, each pause in the singing. In Marmion, ii. 11, according is used of music that fills the intervals of other music: "Soon as they neared his turrets strong, The maidens raised Saint Hilda's song, And with the sea-wave and the wind Their voices, sweetly shrill, combined, And made harmonious close; Then, answering from the sandy shore, Half-drowned amid the breakers' roar, According chorus rose." The MS. reads here: "At each according pause thou spokest aloud Thine ardent sympathy sublime and high."
- Stanza 4, line 1 The stag at eve had drunk his fill. The metre of the poem proper is iambic, that is, with the accent on the even syllables, and octosyllabic, or eight syllables to the line.
- Stanza 4, line 2 Monan's rill. St. Monan was a Scotch martyr of the fourth century. We can find no mention of any rill named for him.
- Stanza 4, line 4 Glenartney. A valley to the north-east of Callander, with Benvoirlich (which rises to the height of 3180 feet) on the north, and Uam-Var (see 53 below) on the south, separating it from the valley of the Teith. It takes its name from the Artney, the stream flowing through it.
- Stanza 4, line 5 His beacon red. The figure is an appropriate one in describing this region, where fires on the hill-tops were so often used as signals in the olden time. Cf. the Lay, iii. 379: "And soon a score of fires, I ween, From height, and hill, and cliff, were seen, Each with warlike tidings fraught; Each from each the signal caught," etc.
- Stanza 4, line 7 Deep-mouthed. Cf. Shakespeare, 1 Hen. VI. ii. 4. 12: "Between two dogs, which hath the deeper mouth;" and T. of S. ind. 1. 18: "the deep-mouthed brach" (that is, hound). The MS. reads: "The bloodhound's notes of heavy bass Resounded hoarsely up the pass."
- Stanza 4, line 8 Resounded... rocky. The poet often avails himself of "apt alliteration's artful aid," as here, and in the next two lines; most frequently in pairs of words.
- Stanza 5, line 1 As Chief, etc. Note here, as often, the simile put BEFORE that which it illustrates,--an effective rhetorical, though not the logical, arrangement.
- Stanza 5, line 8 Beamed frontlet. Antlered forehead.
- Stanza 5, line 9 Adown. An instance of a purely poetical word, not admissible in prose.
- Stanza 5, line 12 Chase. Here put for those engaged in the chase; as in 101 and 171, below. One of its regular meanings is the OBJECT of the chase, or the animal pursued.
- Stanza 5, line 16 Uam-Var. "Ua-Var, as the name is pronounced, or more properly Uaigh-mor, is a mountain to the north-east of the village of Callander, in Menteith, deriving its name, which signifies the great den, or cavern, from a sort of retreat among the rocks on the south side, said, by tradition, to have been the abode of a giant. In latter times, it was the refuge of robbers and banditti, who have been only extirpated within these forty or fifty years. Strictly speaking, this stronghold is not a cave, as the name would imply, but a sort of small enclosure, or recess, surrounded with large rocks and open above head. It may have been originally designed as a toil for deer, who might get in from the outside, but would find it difficult to return. This opinion prevails among the old sportsmen and deer-stalkers in the neighborhood" (Scott).
- Stanza 6, line 1 Yelled. Note the emphatic force of the inversion, as in 59 below. Cf. 38 above. Opening. That is, barking on view or scent of the game; a hunting term. Cf. Shakespeare, M. W. iv. 2. 209: "If I bark out thus upon no trail never trust me when I open again." The description of the echo which follows is very spirited.
- Stanza 6, line 13 Cairn. Literally, a heap of stones; here put poetically for the rocky point which the falcon takes as a look-out.
- Stanza 6, line 16 Hurricane. A metaphor for the wild rush of the hunt.
- Stanza 6, line 18 Linn. Literally, a deep pool; but often cataract, as in Bracklinn, ii. 270 below (cf. vi. 488), and sometimes precipice.
- Stanza 6, line 20 On the lone wood. Note the musical variation in the measure here; the 1st, 3d, and 4th syllables being accented instead of the 2d and 4th. It is occasionally introduced into iambic metre with admirable effect. Cf. 85 and 97 below.
- Stanza 7, line 3 The cavern, etc. See on 53 above.
- Stanza 7, line 7 Perforce. A poetical word. See on 46 above.
- Stanza 7, line 11 Shrewdly. Severely, keenly; a sense now obsolete. Shrewd originally meant evil, mischievous. Cf. Shakespeare, A. Y. L. v. 4. 179, where it is said that those "That have endur'd shrewd days and nights with us Shall share the good of our returned fortune." In Chaucer (Tale of Melibocus) we find, "The prophete saith: Flee shrewdnesse, and do goodnesse" (referring to Ps. xxxiv. 14).
- Stanza 8, line 4 Menteith. The district in the southwestern part of Perthshire, watered by the Teith.
- Stanza 8, line 6 Mountain and meadow, etc. See on 35 above. Moss is used in the North-of-England sense of a boggy or peaty district, like the famous Chat Moss between Liverpool and Manchester.
- Stanza 8, line 8 Lochard. Loch Ard is a beautiful lakelet, about five miles south of Loch Katrine. On its eastern side is the scene of Helen Macgregor's skirmish with the King's troops in Rob Roy; and near its head, on the northern side, is a waterfall, which is the original of Flora MacIvor's favorite retreat in Waverley. Aberfoyle is a village about a mile and a half to the east of the lake.
- Stanza 8, line 10 Loch Achray. A lake between Loch Katrine and Loch Vennachar, lying just beyond the pass of the Trosachs.
- Stanza 8, line 12 Benvenue. A mountain, 2386 feet in height, on the southern side of Loch Katrine.
- Stanza 8, line 13 With the hope. The MS. has "with the THOUGHT," and "flying HOOF" in the next line.
- Stanza 9, line 1 'Twere. It would be. Cf. Shakespeare, Macb. ii. 2. 73: "To know my deed, 't were best not know myself."
- Stanza 9, line 2 Cambusmore. The estate of a family named Buchanan, whom Scott frequently visited in his younger days. It is about two miles from Callander, on the wooded banks of the Keltie, a tributary of the Teith.
- Stanza 9, line 4 Benledi. A mountain, 2882 feet high, northwest from Callander. The name is said to mean "Mountain of God."
- Stanza 9, line 5 Bochastle's heath. A moor between the east end of Loch Vennachar and Callander. See also on v. 298 below.
- Stanza 9, line 6 The flooded Teith. The Teith is formed by streams from Loch Voil and from Loch Katrine (by way of Loch Achray and Loch Vennachar), which unite at Callander. It joins the Forth near Stirling.
- Stanza 9, line 10 Vennachar. As the map shows, this "Lake of the Fair Valley" is the most eastern of the three lakes around which the scenery of the poem lies. It is about five miles long and a mile and a half wide.
- Stanza 9, line 11 The Brigg of Turk. This brig, or bridge (cf. Burns's poem of The Brigs of Ayr), is over a stream that comes down from Glenfinlas and flows into the one connecting Lochs Achray and Vennachar. According to Graham, it is "the scene of the death of a wild boar famous in Celtic tradition."
- Stanza 10, line 1 Unbated. Cf. Shakespeare, M. of V. ii. 6. 11: "Where is the horse that doth untread again His tedious measures with the unbated fire That he did pace them first?"
- Stanza 10, line 2 Scourge and steel. Whip and spur. Steel is often used for the sword (as in v. 239 below: "foeman worthy of their steel"), the figure being of the same sort as here--"the material put for the thing made of it." Cf. v. 479 below.
- Stanza 10, line 4 Embossed. An old hunting term. George Turbervile, in his Noble Art of Venerie or Hunting (A.D. 1576), says: "When the hart is foamy at the mouth, we say, that he is emboss'd." Cf. Shakespeare, T. of S. ind. 1. 17: "Brach Merriman, the poor cur, is emboss'd;" and A. and C. iv. 13. 3: "the boar of Thessaly Was never so emboss'd."
- Stanza 10, line 7 Saint Hubert's breed. Scott quotes Turbervile here: "The hounds which we call Saint Hubert's hounds are commonly all blacke, yet neuertheless, the race is so mingled at these days, that we find them of all colours. These are the hounds which the abbots of St. Hubert haue always kept some of their race or kind, in honour or remembrance of the saint, which was a hunter with S. Eustace. Whereupon we may conceiue that (by the grace of God) all good huntsmen shall follow them into paradise."
- Stanza 10, line 14 Quarry. The animal hunted; another technical term. Shakespeare uses it in the sense of a heap of slaughtered game; as in Cor. i. 1. 202: "Would the nobility lay aside their ruth, And let me use my sword, I'd make a quarry With thousands of these quarter'd slaves," etc. Cf. Longfellow, Hiawatha: "Seldom stoops the soaring vulture O'er his quarry in the desert."
- Stanza 10, line 17 Stock. Tree-stump. Cf. Job, xiv. 8.
- Stanza 11, line 3 Turn to bay. Like stand at bay, etc., a term used when the stag, driven to extremity, turns round and faces his pursuers. Cf. Shakespeare, 1. Hen. VI. iv. 2. 52, where it is used figuratively (as in vi. 525 below): "Turn on the bloody hounds with heads of steel, And make the cowards stand aloof at bay;" and T. of S. v. 2. 56: "'T is thought your deer does hold you at a bay," etc.
- Stanza 11, line 7 For the death-wound, etc. Scott has the following note here: "When the stag turned to bay, the ancient hunter had the perilous task of going in upon, and killing or disabling, the desperate animal. At certain times of the year this was held particularly dangerous, a wound received from a stag's horn being then deemed poisonous, and more dangerous than one from the tusks of a boar, as the old rhyme testifies: 'If thou be hurt with hart, it bring thee to thy bier, But barber's hand will boar's hurt heal, therefore thou need'st not fear.' At all times, however, the task was dangerous, and to be adventured upon wisely and warily, either by getting behind the stag while he was gazing on the hounds, or by watching an opportunity to gallop roundly in upon him, and kill him with the sword. See many directions to this purpose in the Booke of Hunting, chap. 41. Wilson, the historian, has recorded a providential escape which befell him in the hazardous sport, while a youth, and follower of the Earl of Essex: 'Sir Peter Lee, of Lime, in Cheshire, invited my lord one summer to hunt the stagg. And having a great stagg in chase, and many gentlemen in the pursuit, the stag took soyle. And divers, whereof I was one, alighted, and stood with swords drawne, to have a cut at him, at his coming out of the water. The staggs there being wonderfully fierce and dangerous, made us youths more eager to be at him. But he escaped us all. And it was my misfortune to be hindered of my coming nere him, the way being sliperie, by a falle; which gave occasion to some, who did not know mee, to speak as if I had falne for feare. Which being told mee, I left the stagg, and followed the gentleman who [first] spake it. But I found him of that cold temper, that it seems his words made an escape from him; as by his denial and repentance it appeared. But this made mee more violent in the pursuit of the stagg, to recover my reputation. And I happened to be the only horseman in, when the dogs sett him up at bay; and approaching near him on horsebacke, he broke through the dogs, and run at mee, and tore my horse's side with his hornes, close by my thigh. Then I quitted my horse, and grew more cunning (for the dogs had sette him up againe), stealing behind him with my sword, and cut his hamstrings; and then got upon his back, and cut his throate; which, as I was doing, the company came in, and blamed my rashness for running such a hazard' (Peck's Desiderata Curiosa, ii. 464)."
- Stanza 11, line 8 Whinyard. A short stout sword or knife; the same as the whinger of the Lay of Last Minstrel, v. 7: "And whingers, now in friendship bare The social meal to part and share, Had found a bloody sheath."
- Stanza 11, line 12 Turned him. In Elizabethan, and still more in earlier English, personal pronouns were often used reflexively; and this, like many other old constructions, is still used in poetry.
- Stanza 11, line 15 Trosachs. "The rough or bristled territory" (Graham); the wild district between Lochs Katrine and Vennachar. The name is now especially applied to the pass between Lochs Katrine and Achray.
- Stanza 11, line 17 Close couched. That is, as he lay close couched, or hidden. Such ellipses are common in poetry.
- Stanza 11, line 20 Amain. With main, or full force. We still say "with might and main."
- Stanza 11, line 21 Chiding. Not a mere figurative use of chide as we now understand it (cf. 287 below), but an example of the old sense of the word as applied to any oft-repeated noise. Shakespeare uses it of the barking of dogs in M. N. D. iv. 1. 120: "never did I hear Such gallant chiding;" of the wind, as in A. Y. L. ii. 1. 7: "And churlish chiding of the winter's wind;" and of the sea, as in 1 Hen. IV. iii. 1. 45: "the sea That chides the banks of England;" and Hen. VIII. iii. 2. 197: "the chiding flood."
- Stanza 12, line 12 The banks of Seine. James visited France in 1536, and sued for the hand of Magdalen, daughter of Francis I. He married her the following spring, but she died a few months later. He then married Mary of Guise, whom he had doubtless seen while in France.
- Stanza 12, line 15 Woe worth the chase. That is, woe be to it. This worth is from the A. S. weorthan, to become. Cf. Spenser, F. Q. ii. 6. 32: "Wo worth the man, That first did teach the cursed steele to bight In his owne flesh, and make way to the living spright!" See also Ezek. xxx. 2.
- Stanza 13, line 13 And on the hunter, etc. The MS. reads: "And on the hunter hied his pace, To meet some comrades of the chase;" and the 1st ed. retains "pace" and "chase."
- Stanza 14, line 1 The western waves, etc. This description of the Trosachs was written amid the scenery it delineates, in the summer of 1809. The Quarterly Review (May, 1810) says of the poet: "He sees everything with a painter's eye. Whatever he represents has a character of individuality, and is drawn with an accuracy and minuteness of discrimination which we are not accustomed to expect from mere verbal description. It is because Mr. Scott usually delineates those objects with which he is perfectly familiar that his touch is so easy, correct, and animated. The rocks, the ravines, and the torrents which he exhibits are not the imperfect sketches of a hurried traveller, but the finished studies of a resident artist." See also on 278 below. Ruskin (Modern Painters, iii. 278) refers to "the love of color" as a leading element in Scott's love of beauty. He might have quoted the present passage among the illustrations he adds.
- Stanza 14, line 12 The native bulwarks, etc. The MS. has "The mimic castles of the pass."
- Stanza 14, line 13 The tower, etc. Cf. Gen. xi. 1-9.
- Stanza 14, line 15 The rocky. The 1st ed. has "Their rocky," etc.
- Stanza 14, line 21 Nor were, etc. The MS. reads: "Nor were these mighty bulwarks bare."
- Stanza 14, line 25 Dewdrop sheen. Not "dewdrops sheen," or "dewdrops' sheen," as sometimes printed. Sheen = shining, bright; as in v. 10 below. Cf. Spenser, F. Q. ii. 1. 10: "So faire and sheene;" Id. iii. 4. 51: "in top of heaven sheene," etc. See Wb. The MS. has here: "Bright glistening with the dewdrop sheen."
- Stanza 15, line 1 Boon. Bountiful. Cf. Milton, P. L. iv. 242: "Flowers worthy of Paradise, which not nice art In beds and curious knots, but nature boon Pour'd forth profuse on hill, and dale, and plain." See also P. L. ix. 793: "jocund and boon."
- Stanza 15, line 6 Bower. In the old sense of chamber, lodging-place; as in iv. 413 and vi. 218 below. Cf. Spenser, F. Q. iii. 1. 58: "Eftesoones long waxen torches weren light Unto their bowres to guyden every guest." For clift (= cleft), the reading of the 1st ed. and unquestionably what Scott wrote, every other edition that we have seen reads "cliff."
- Stanza 15, line 8 Emblems of punishment and pride. See on iii. 19 below. 222, 223. Note the imperfect rhyme in breath and beneath. Cf. 224-25, 256-57, 435-36, 445-46 below. Such instances are comparatively rare in Scott's poetry. Some rhymes that appear to be imperfect are to be explained by peculiarities of Scottish pronunciation. See on 363 below.
- Stanza 15, line 16 Shaltered. The MS. has "scathed;" also "rugged arms athwart the sky" in 229, and "twinkling" for glistening in 231. The 1st ed. has "scattered" for shattered; corrected in the Errata.
- Stanza 15, line 20 Streamers. Of ivy or other vines.
- Stanza 16, line 3 Affording, etc. The MS. reads: "Affording scarce such breadth of flood As served to float the wild-duck's brood."
- Stanza 16, line 12 Emerging, etc. The MS. has "Emerging dry-shod from the wood."
- Stanza 17, line 1 And now, to issue from the glen, etc. "Until the present road was made through the romantic pass which I have presumptuously attempted to describe in the preceding stanzas, there was no mode of issuing out of the defile called the Trosachs, excepting by a sort of ladder, composed of the branches and roots of trees" (Scott).
- Stanza 17, line 10 Loch Katrine. In a note to The Fair Maid of Perth, Scott derives the name from the Catterans, or Highland robbers, that once infested the shores of the lake. Others make it "the Lake of the Battle," in memory of some prehistoric conflict.
- Stanza 17, line 14 Livelier. Because in motion; like living gold above.
- Stanza 17, line 17 Benvenue. See on 97 above.
- Stanza 17, line 18 Down to. Most editions misprint "down on."
- Stanza 17, line 19 Confusedly. A trisyllable; as in ii. 161 below, and in the Lay, iii. 337: "And helms and plumes, confusedly tossed."
- Stanza 17, line 21 Wildering. Bewildering. Cf. Dryden, Aurungzebe, i. 1: "wilder'd in the way," etc. See also 434 and v. 22 below.
- Stanza 17, line 22 His ruined sides, etc. The MS. reads: "His ruined sides and fragments hoar, While on the north to middle air."
- Stanza 17, line 24 Ben-an. This mountain, 1800 feet high, is north of the Trosachs, separating that pass from Glenfinlas.
- Stanza 18, line 1 From the steep, etc. The MS. reads: "From the high promontory gazed The stranger, awe-struck and amazed." The Critical Review (Aug. 1820) remarks of this portion of the poem (184 fol.): "Perhaps the art of landscape-painting in poetry has never been displayed in higher perfection than in these stanzas, to which rigid criticism might possibly object that the picture is somewhat too minute, and that the contemplation of it detains the traveller somewhat too long from the main purpose of his pilgrimage, but which it would be an act of the greatest injustice to break into fragments and present by piecemeal. Not so the magnificent scene which bursts upon the bewildered hunter as he emerges at length from the dell, and commands at one view the beautiful expanse of Loch Katrine."
- Stanza 18, line 4 Churchman. In its old sense of one holding high office in the church. Cf. Shakespeare, 2 Hen. VI. i. 3. 72, where Cardinal Beaufort is called "the imperious churchman," etc.
- Stanza 18, line 8 Cloister. Monastery; originally, the covered walk around the inner court of the building.
- Stanza 18, line 10 Chide. Here, figuratively, in the modern sense. See in 151 above.
- Stanza 18, line 13 Should lave. The 1st ed. has "did lave," which is perhaps to be preferred.
- Stanza 18, line 17 While the deep peal's. For the measure, see on 73 above.
- Stanza 18, line 23 To friendly feast, etc. The MS. has "To hospitable feast and hall."
- Stanza 19, line 2 Beshrew. May evil befall (see on shrewdly, 84 above); a mild imprecation, often used playfully and even tenderly. Cf. Shakespeare, 2 Hen. IV. ii. 3. 45: "Beshrew your heart, Fair daughter, you do draw my spirits from me With new lamenting ancient oversights!"
- Stanza 19, line 5 Some mossy bank, etc. The MS. reads: "And hollow trunk of some old tree My chamber for the night must be."
- Stanza 19, line 13 Highland plunderers. "The clans who inhabited the romantic regions in the neighborhood of Loch Katrine were, even until a late period, much addicted to predatory excursions upon their Lowland neighbors" (Scott).
- Stanza 19, line 17 Fall the worst. If the worst befall that can happen. Cf. Shakespeare, M. of V. i. 2. 96: "an the worst fall that ever fell, I hope I shall make shift to go without him."
- Stanza 20, line 1 But scarce again, etc. The MS. reads: "The bugle shrill again he wound, And lo! forth starting at the sound;" and below: "A little skiff shot to the bay. The hunter left his airy stand, And when the boat had touched the sand, Concealed he stood amid the brake, To view this Lady of the Lake."
- Stanza 20, line 18 Strain. The 1st ed. has a comma after strain, and a period after art in 340. The ed. of 1821 points as in the text.
- Stanza 20, line 24 Naiad. Water nymph.
- Stanza 21, line 1 And ne'er did Grecian chisel, etc. The MS. reads: "A finer form, a fairer face, Had never marble Nymph or Grace, That boasts the Grecian chisel's trace;" and in 359 below, "a stranger tongue."
- Stanza 21, line 11 Measured mood. The formal manner required by court etiquette.
- Stanza 21, line 18 Dear. This is the reading of the 1st ed. and almost every other that we have seen. We are inclined, however, to believe that Scott wrote "clear." The facsimiles of his handwriting show that his d's and cl's might easily be confounded by a compositor.
- Stanza 22, line 2 Snood. The fillet or ribbon with which the Scotch maidens bound their hair. See on iii. 114 below. It is the rich materials of snood, plaid, and brooch that betray her birth. The rhyme of plaid with maid and betrayed is not imperfect, the Scottish pronunciation of plaid being like our played.
- Stanza 22, line 24 One only. For the inversion, cf. Shakespeare, J. C. i. 2. 157: "When there is in it but one only man;" Goldsmith, D. V. 39: "One only master grasps the whole domain," etc.
- Stanza 23, line 5 Awhile she paused, etc. The MS. reads: "A space she paused, no answer came,-- 'Alpine, was thine the blast?' the name Less resolutely uttered fell, The echoes could not catch the swell. 'Nor foe nor friend,' the stranger said, Advancing from the hazel shade. The startled maid, with hasty oar, Pushed her light shallop from the shore." and just below: "So o'er the lake the swan would spring, Then turn to prune its ruffled wing."
- Stanza 23, line 16 Prune. Pick out damaged feathers and arrange the plumage with the bill. Cf. Shakespeare, Cymb. v. 4. 118: "his royal bird Prunes the immortal wing," etc.
- Stanza 23, line 20 Wont. Are wont, or accustomed; now used only in the participle. The form here is the past tense of the obsolete won, or wone, to dwell. The present is found in Milton, P. L. vii. 457: "As from his lair the wild beast, where he wons In forest wild, in thicket, brake, or den." Cf. Spenser, Virgil's Gnat: "Of Poets Prince, whether we woon beside Faire Xanthus sprincled with Chimaeras blood, Or in the woods of Astery abide;" and Colin Clouts Come Home Againe: "I weened sure he was out God alone, And only woond in fields and forests here." See also iv. 278 and 298 below.
- Stanza 24, line 1 Middle age. As James died at the age of thirty (in 1542), this is not strictly true, but the portrait in other respects is quite accurate. He was fond of going about disguised, and some of his freaks of this kind are pleasantly related in Scott's Tales of a Grandfather. See on vi. 740 below.
- Stanza 24, line 17 Slighting, etc. "Treating lightly his need of food and shelter."
- Stanza 25, line 2 At length. The 1st ed. has "at last."
- Stanza 25, line 3 That Highland halls were, etc. The MS. has "Her father's hall was," etc.
- Stanza 25, line 4 Wildered. See on 274 above.
- Stanza 25, line 8 A couch. That is, the heather for it. Cf. 666 below.
- Stanza 25, line 11 Mere. Lake; as in Windermere, etc.
- Stanza 25, line 13 Rood. Cross, or crucifix. By the rood was a common oath; so by the holy rood, as in Shakespeare, Rich. III. iii. 2. 77, iv. 4. 165. Cf. the name of Holyrood Palace in Edinburgh. See ii. 221 below.
- Stanza 25, line 21 Romantic. The MS. has "enchanting."
- Stanza 26, line 5 Yesternight. We have lost this word, though we retain yesterday. Cf. yester-morn in v. 104 below. As far = as far back as.
- Stanza 26, line 8 Was on, etc. The MS. reads: "Is often on the future bent." If force of evidence could authorize us to believe facts inconsistent with the general laws of nature, enough might be produced in favor of the existence of the second-sight. It is called in Gaelic Taishitaraugh, from Taish, an unreal or shadowy appearance; and those possessed of the faculty are called Taishatrin, which may be aptly translated visionaries. Martin, a steady believer in the second-sight, gives the following account of it:-- 'The second-sight is a singular faculty of seeing an otherwise invisible object without any previous means used by the person that uses if for that end: the vision makes such a lively impression upon the seers, that they neither see nor think of any thing else, except the vision, as long as it continues; and then they appear pensive or jovial, according to the object that was represented to them. 'At the sight of a vision, the eyelids of the person are erected, and the eyes continue staring until the object vanish. This is obvious to others who are by when the persons happen to see a vision, and occurred more than once to my own observation, and to others that were with me.... 'If a woman is seen standing at a man's left hand, it is a presage that she will be his wife, whether they be married to others, or unmarried at the time of the apparition. 'To see a spark of fire fall upon one's arm or breast is a forerunner of a dead child to be seen in the arms of those persons; of which there are several fresh instances.... 'To see a seat empty at the time of one's sitting in it, is a presage of that person's death soon after' (Martin's Description of the Western Islands, 1716, 8vo, p. 300, et seq.). "To these particulars innumerable examples might be added, all attested by grave and credible authors. But, in despite of evidence which neither Bacon, Boyle, nor Johnson were able to resist, the Taish, with all its visionary properties, seems to be now universally abandoned to the use of poetry. The exquisitely beautiful poem of Lochiel will at once occur to the recollection of every reader" (Scott).
- Stanza 26, line 10 Birchen. Shaded by birches. Cf. Milton's "cedarn alleys" in Comus, 990.
- Stanza 26, line 12 Lincoln green. A cloth made in Lincoln, much worn by hunters.
- Stanza 26, line 15 Heron. The early eds. have "heron's."
- Stanza 27, line 2 Errant-knight. Knight-errant.
- Stanza 27, line 3 Sooth. True. We find soothest in Milton, Comus, 823. The noun sooth (truth) is more common, and still survives in soothsayer (teller of hidden truth). Cf. v. 64 below.
- Stanza 27, line 5 Emprise. Enterprise. Cf. Spenser, F. Q. ii. 7. 39: "But give me leave to follow my emprise," etc.
- Stanza 27, line 12 His noble hand. The MS. has "This gentle hand;" and in the next line, "the oars he drew."
- Stanza 27, line 17 Frequent. Often; one of the many instances of the adjective used adverbially in the poem.
- Stanza 27, line 19 The rocky isle. It is still known as Ellen's Isle. "It is rather high, and irregularly pyramidal. It is mostly composed of dark-gray rocks, mottled with pale and gray lichens, peeping out here and there amid trees that mantle them,--chiefly light, graceful birches, intermingled with red-berried mountain ashes and a few dark-green, spiry pines. The landing is beneath an aged oak; and, as did the Lady and the Knight, the traveller now ascends 'a clambering unsuspected road,' by rude steps, to the small irregular summit of the island. A more poetic, romantic retreat could hardly be imagined: it is unique. It is completely hidden, not only by the trees, but also by an undergrowth of beautiful and abundant ferns and the loveliest of heather" (Hunnewell's Lands of Scott).
- Stanza 28, line 7 Winded. Wound; used for the sake of the measure, as in v. 22 below. We find the participle winded in Much Ado, i. 1. 243; but it is = blown. The verb in that sense is derived from the noun wind (air in motion), and has no connection with wind, to turn. Cf. Wb.
- Stanza 28, line 11 Here for retreat, etc. Scott has the following note here: "The Celtic chieftains, whose lives were continually exposed to peril, had usually, in the most retired spot of their domains, some place of retreat for the hour of necessity, which, as circumstances would admit, was a tower, a cavern, or a rustic hut, in a strong and secluded situation. One of these last gave refuge to the unfortunate Charles Edward, in his perilous wanderings after the battle of Culloden. "It was situated in the face of a very rough, high, and rocky mountain, called Letternilichk, still a part of Benalder, full of great stones and crevices, and some scattered wood interspersed. The habitation called the Cage, in the face of that mountain, was within a small thick bush of wood. There were first some rows of trees laid down, in order to level the floor for a habitation; and as the place was steep, this raised the lower side to an equal height with the other: and these trees, in the way of joists or planks, were levelled with earth and gravel. There were betwixt the trees, growing naturally on their own roots, some stakes fixed in the earth, which, with the trees, were interwoven with ropes, made of heath and birch twigs, up to the top of the Cage, it being of a round or rather oval shape; and the whole thatched and covered over with fog. The whole fabric hung, as it were, by a large tree, which reclined from the one end, all along the roof, to the other, and which gave it the name of the Cage; and by chance there happened to be two stones at a small distance from one another, in the side next the precipice, resembling the pillars of a chimney, where the fire was placed. The smoke had its vent out here, all along the fall of the rock, which was so much of the same color, that one could discover no difference in the clearest day' (Home's History of the Rebellion, Lond. 1802, 4to, p. 381)."
- Stanza 29, line 20 Idoean vine. Some have taken this to refer to the "red whortleberry," the botanical name of which is Vaccinium vitis Idoea; but as that is not a climber, it is more probably that the common vine is here meant. Idoean is from Ida, a mountain near ancient Troy (there was another in Crete), famous for its vines.
- Stanza 29, line 21 Clematis. The Climatis vitalba, one of the popular English names of which is virgin-bower.
- Stanza 29, line 23 And every favored plant could bear. That is, which could endure. This ellipsis of the relative was very common in Elizabethan English. Cf. Shakespeare, M. for M. ii. 2. 23: "I have a brother is condemned to die;" Rich. II. ii. 2. 128: "The hate of those love not the king," etc. See also John, iii. 11, etc.
- Stanza 29, line 27 On heaven and on thy lady call. This is said gayly, or sportively, as keeping up the idea of a knight-errant. Cf. 475 above.
- Stanza 30, line 9 Careless. See on 490 above.
- Stanza 30, line 13 Target. Buckler; the targe of iii. 445, etc. See Scott's note on v. 380 below.
- Stanza 30, line 15 Store. Stored, laid up; an obsolete adjective. Cf. iii. 3 below, and see also on vi. 124.
- Stanza 30, line 18 And there the wild-cat's, etc. The MS. reads: "There hung the wild-cat's brindled hide, Above the elk's branched brow and skull, And frontlet of the forest bull."
- Stanza 30, line 26 Garnish forth. Cf. furnish forth in 442 above.
- Stanza 31, line 7 Brook. Bear, endure; now seldom used except with reference to what is endured against one's will or inclination. It seems to be a favorite word with Scott.
- Stanza 31, line 14 Ferragus or Ascabart. "These two sons of Anak flourished in romantic fable. The first is well known to the admirers of Ariosto by the name of Ferrau. He was an antagonist of Orlando, and was at length slain by him in single combat.... Ascapart, or Ascabart, makes a very material figure in the History of Bevis of Hampton, by whom he was conquered. His effigies may be seen guarding one side of the gate at Southampton, while the other is occupied by Bevis himself" (Scott).
- Stanza 32, line 5 To whom, though more than kindred knew. The MS. reads: "To whom, though more remote her claim, Young Ellen gave a mother's name." She was the maternal aunt of Ellen, but was loved as a mother by her, or more than (such) kindred (usually) knew (in way of affection).
- Stanza 32, line 10 Though all unasked, etc. "The Highlanders, who carried hospitality to a punctilious excess, are said to have considered it as churlish to ask a stranger his name or lineage before he had taken refreshment. Feuds were so frequent among them, that a contrary rule would in many cases have produced the discovery of some circumstance which might have excluded the guest from the benefit of the assistance he stood in need of" (Scott).
- Stanza 32, line 16 Snowdoun. An old name of Stirling Castle. See vi. 789 below.
- Stanza 32, line 17 Lord of a barren heritage. "By the misfortunes of the earlier Jameses, and the internal feuds of the Scottish chiefs, the kingly power had become little more than a name. Each chief was a petty king in his own district, and gave just so much obedience to the king's authority as suited his convenience" (Taylor).
- Stanza 32, line 21 Wot. Knows; the present of the obsolete wit (the infinitive to wit is still use in legal forms), not of weet, as generally stated. See Matzner, Eng. Gram. i. 382. Cf. Shakespeare, Rich. III. ii. 3. 18: "No, no, good friends, God wot." He also uses wots (as in Hen. V. iv. 1. 299) and a participle wotting (in W. T. iii. 2. 77).
- Stanza 33, line 1 Require. Request, ask; as in Elizanethan English. Cf. Shakespeare, Hen. VIII. ii. 4. 144: "In humblest manner I require your highness," etc.
- Stanza 33, line 3 The elder lady's mien. The MS. has "the mother's easy mien."
- Stanza 33, line 5 Ellen, though more, etc. The MS. reads: "Ellen, though more her looks betrayed The simple heart of mountain maid, In speech and gesture, form and grace, Showed she was come of gentle race; 'T was strange, in birth so rude, to find Such face, such manners, and such mind. Each anxious hint the stranger gave, The mother heard with silence grave."
- Stanza 33, line 15 Weird women we, etc. See on 35 above. Weird here skilled in witchcraft; like the "weird sisters" of Macbeth. Down hill (the Gaelic dun).
- Stanza 33, line 21 A harp unseen. Scott has the following note here: "'"They [the Highlanders] delight much in musicke, but chiefly in harps and clairschoes of their own fashion. The strings of the clairschoes are made of brasse wire, and the strings of the harps of sinews; which strings they strike either with their nayles, growing long, or else with an instrument appointed for that use. They take great pleasure to decke their harps and clairschoes with silver and precious stones; the poore ones that cannot attayne hereunto, decke them with christall. They sing verses prettily compound, contayning (for the most part) prayses of valiant men. There is not almost any other argument, whereof their rhymes intreat. They speak the ancient French language, altered a little." [6] "The harp and chairschoes are now only heard of in the Highlands in ancient song. At what period these instruments ceased to be used, is not on record; and tradition is silent on this head. But, as Irish harpers occasionally visited the Highlands and Western Isles till lately, the harp might have been extant so late as the middle of the present century. Thus far we know, that from remote times down to the present, harpers were received as welcome guests, particularly in the Highlands of Scotland; and so late as the latter end of the sixteenth century, as appears by the above quotations, the harp was in common use among the natives of the Western Isles. How it happened that the noisy and inharmonious bagpipe banished the soft and expressive harp, we cannot say; but certain it is, that the bagpipe is now the only instrument that obtains universally in the Highland districts' (Campbell's Journey through North Britain. London, 1808, 4to, i. 175). "Mr. Gunn, of Edinburgh, has lately published a curious Essay upon the Harp and Harp Music of the Highlands of Scotland. That the instrument was once in common use there, is most certain. Cleland numbers an acquaintance with it among the few accomplishments which his satire allows to the Highlanders:-- 'In nothing they're accounted sharp, Except in bagpipe or in harm.'"
- Stanza 34, line 1 Soldier, rest! etc. The metre of this song is trochaic; that is, the accents fall regularly on the odd syllables.
- Stanza 34, line 8 In slumber dewing. That is, bedewing. For the metaphor, cf. Shakespeare, Rich. III. iv. 1. 84: "the golden dew of sleep;" and J. C. ii. 1. 230: "the honey-heavy dew of slumber."
- Stanza 34, line 12 Morn of toil, etc. The MS. has "noon of hunger, night of waking;" and in the next line, "rouse" for reach.
- Stanza 35, line 3 Pibroch. "A Highland air, suited to the particular passion which the musician would either excite or assuage; generally applied to those airs that are played on the bagpipe before the Highlanders when they go out to battle" (Jamieson). Here it is put for the bagpipe itself. See also on ii. 363 below.
- Stanza 35, line 7 And the bittern sound his drum. Goldsmith (D. V. 44) calls the bird "the hollow-sounding bittern;" and in his Animated Nature, he says that of all the notes of waterfowl "there is none so dismally hollow as the booming of the bittern."
- Stanza 36, line 1 She paused, etc. The MS. has "She paused--but waked again the lay."
- Stanza 37, line 2 The MS. reads: "Slumber sweet our spells shall deal ye;" and in 657: "Let our slumbrous spells| avail ye | beguile ye."
- Stanza 37, line 4 Reveille. The call to rouse troops or huntsmen in the morning.
- Stanza 37, line 16 Forest sports. The MS. has "mountain chase."
- Stanza 37, line 19 Not Ellens' spell. That is, not even Ellen's spell. On the passage, cf. Rokeby, i. 2: "Sleep came at length, but with a train Of feelings true and fancies vain, Mingling, in wild disorder cast, The expected future with the past."
- Stanza 38, line 8 Or is it all a vision now? Lockhart quotes here Thomson's Castle of Indolence: "Ye guardian spirits, to whom man is dear, From these foul demons shield the midnight gloom: Angels of fancy and love, be near. And o'er the blank of sleep diffuse a bloom: Evoke the sacred shades of Greece and Rome, And let them virtue with a look impart; But chief, awhile, O! lend us from the tomb Those long-lost friends for whom in love we smart, and fill with pious awe and joy-mixt woe the heart. "Or are you sportive?--bid the morn of youth Rise to new light, and beam afresh the days Of innocence, simplicity, and truth; To cares estranged, and manhood's thorny ways. What transport, to retrace our boyish plays, Our easy bliss, when each thing joy supplied; The woods, the mountains, and the warbling maze Of the wild books!" The Critical Review says of the following stanza (xxxiv): "Such a strange and romantic dream as may be naturally expected to flow from the extraordinary events of the day. It might, perhaps, be quoted as one of Mr. Scott's most successful efforts in descriptive poetry. Some few lines of it are indeed unrivalled for delicacy and melancholy tenderness."
- Stanza 38, line 19 Grisly. Grim, horrible; an obsolete word, much used in old poetry. Cf. Spenser, F. Q. i. 5. 30: "her darke griesly looke;" Shakespeare, 1 Hen. VI. i. 4. 47: "My grisly countenance made others fly," etc. See also iv. 322, etc. below.
- Stanza 39, line 14 Played, etc. The MS. reads: "Played on/ the bosoms of the lake, / Lock Katrine's still expanse; The birch, the wild rose, and the broom Wasted around their rich perfume... The birch-trees wept in balmy dew; The aspen slept on Benvenue; Wild were the heart whose passions' power Defied the influence of the hour."
- Stanza 39, line 15 Passion's. The reading of the 1st ed. and that of 1821; some recent eds. have "passions'."
- Stanza 39, line 29 Orisons. The 1st ed. has "orison" both here and in 740 (the ed. of 1821 only in the latter); but the word is almost invariably plural, both in poetry and prose--always in Shakespeare and Milton.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.