Fragment 94, tr. Edwin Arnold (1869)
Pines she like to the hyacinth out on the path by the hill top;Shepherds tread it aside, and its purples lie lost on the herbage.
About this text
Fragment 94, tr. Edwin Arnold (1869) is in the public domain. This text is taken from Sappho: Memoir, Text, Selected Renderings, and a Literal Translation (ed. Henry Thornton Wharton, John Lane, 1908, fifth edition), Project Gutenberg ebook #57390, the Various (ed. H. T. Wharton) translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Sappho, Fragment 94, tr. Edwin Arnold (1869), in Sappho: Selected Renderings (1908), text of Project Gutenberg ebook #57390, Laurel, https://laurelpoetry.com/poem/sappho-wharton/fr-94.html, id L29198.
Form and metre
Fragment 94, tr. Edwin Arnold (1869) is 2 lines in a single stanza. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Pines she like to the hyacinth out on the path by the hill top; | 16 | ·····/˘········· |
| Shepherds tread it aside, and its purples lie lost on the herbage. | 16 | /˘··˘/··/˘····/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.