Daughters of War
Space beats the ruddy freedom of their limbs,Their naked dances with man’s spirit nakedBy the root side of the tree of life(The under side of thingsAnd shut from earth’s profoundest eyes).
I saw in prophetic gleamsThese mighty daughters in their dancesBeckon each soul aghast from its crimson corpseTo mix in their glittering dances:I heard the mighty daughters’ giant sighsIn sleepless passion for the sons of valourAnd envy of the days of flesh,Barring their love with mortal boughs across—The mortal boughs, the mortal tree of life.The old bark burnt with iron warsThey blow to a live flameTo char the young green daysAnd reach the occult soul; they have no softer lure,No softer lure than the savage ways of death.
We were satisfied of our lords the moon and the sunTo take our wage of sleep and bread and warmth—These maidens came—these strong everliving Amazons,And in an easy might their wristsOf night’s sway and noon’s sway the sceptres brake,Clouding the wild, the soft lustres of our eyes.
Clouding the wild lustres, the clinging tender lights;Driving the darkness into the flame of dayWith the Amazonian wind of themOver our corroding facesThat must be broken—broken for evermore,So the soul can leap outInto their huge embraces.Though there are human facesBest sculptures of Deity,And sinews lusted afterBy the Archangels tall,Even these must leap to the love-heat of these maidensFrom the flame of terrene days,Leaving grey ashes to the wind—to the wind.
One (whose great lifted face,Where wisdom’s strength and beauty’s strengthAnd the thewed strength of large beastsMoved and merged, gloomed and lit)Was speaking, surely, as the earth-men’s earth fell away;Whose new hearing drank the soundWhere pictures, lutes, and mountains mixedWith the loosed spirit of a thought,Essenced to language thus—
“My sisters force their malesFrom the doomed earth, from the doomed gleeAnd hankering of hearts.Frail hands gleam up through the human quagmire, and lips of ashSeem to wail, as in sad faded paintingsFar-sunken and strange.My sisters have their malesClean of the dust of old daysThat clings about those white handsAnd yearns in those voices sad:But these shall not see them,Or think of them in any days or years;They are my sisters’ lovers in other days and years.”
Words in this poem
- beckon v. t.
- To make a significant sign to; hence, to summon, as by a motion of the hand.
- corpse n.
- A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
- sleepless a.
- Having no sleep; wakeful.
- wage v. i.
- To bind one's self; to engage.
- everliving a.
- Living always; immoral; eternal; as, the everliving God.
- clouding n.
- A mottled appearance given to ribbons and silks in the process of dyeing.
- amazonian a.
- Pertaining to or resembling an Amazon; of masculine manners; warlike.
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- terrene n.
- A tureen. Walpole.
- thewed a.
- Furnished with thews or muscles; as, a well-thewed limb.
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- glee n.
- Music; minstrelsy; entertainment.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Daughters of War is in the public domain. This text is taken from Poems by Isaac Rosenberg, Project Gutenberg ebook #66889; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Isaac Rosenberg, Daughters of War, in Poems (1922), text of Project Gutenberg ebook #66889, Laurel, https://laurelpoetry.com/poem/rosenberg-poems/daughters-of-war.html, id L02486.
Form and metre
Daughters of War is 61 lines in 6 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 90% of its stressed syllables fall where the metre puts the beat. The lines average 8.6 syllables. 10 lines end on an unstressed syllable, a feminine ending. 51% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 -A-AA--------- gleams · dancesA · corpse · dancesA · sighsA · valour · flesh · across · life · wars · flame · days · lure · death
- 4 ---A--AA------ lights · day · them · facesA · evermore · out · embracesA · facesA · deity · after · tall · maidens · days · wind
- 6 A-----A----BB malesA · glee · hearts · ash · paintings · strange · malesA · days · hands · sad · them · yearsB · yearsB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Space beats the ruddy freedom of their limbs, | 10 | ···/˘/˘··· |
| Their naked dances with man’s spirit naked | 10 | ·/˘/˘··//˘ |
| By the root side of the tree of life | 9 | ········· |
| (The under side of things | 6 | ······ |
| And shut from earth’s profoundest eyes). | 8 | ····˘/˘· |
| I saw in prophetic gleams | 7 | ···˘/˘· |
| These mighty daughters in their dances | 9 | ·/˘/˘··/˘ |
| Beckon each soul aghast from its crimson corpse | 11 | /˘··˘/··/˘· |
| To mix in their glittering dances: | 8 | ····/˘/˘ |
| I heard the mighty daughters’ giant sighs | 10 | ···/˘/˘/˘· |
| In sleepless passion for the sons of valour | 11 | ·/˘/˘····/˘ |
| And envy of the days of flesh, | 8 | ·/˘····· |
| Barring their love with mortal boughs across— | 10 | /˘···/˘·˘/ |
| The mortal boughs, the mortal tree of life. | 10 | ·/˘··/˘··· |
| The old bark burnt with iron wars | 7 | ·····/· |
| They blow to a live flame | 6 | ······ |
| To char the young green days | 6 | ······ |
| And reach the occult soul; they have no softer lure, | 12 | ···˘/····/˘· |
| No softer lure than the savage ways of death. | 11 | ·/˘···/˘··· |
| We were satisfied of our lords the moon and the sun | 13 | ··/˘··/······ |
| To take our wage of sleep and bread and warmth— | 10 | ··/······· |
| These maidens came—these strong everliving Amazons, | 13 | ·/˘·······/˘· |
| And in an easy might their wrists | 8 | ···/˘··· |
| Of night’s sway and noon’s sway the sceptres brake, | 10 | ·······/˘· |
| Clouding the wild, the soft lustres of our eyes. | 11 | /˘····/˘·/· |
| Clouding the wild lustres, the clinging tender lights; | 12 | /˘··/˘·/˘/˘· |
| Driving the darkness into the flame of day | 11 | /˘·/˘······ |
| With the Amazonian wind of them | 9 | ···˘/˘··· |
| Over our corroding faces | 7 | ·/˘/˘/˘ |
| That must be broken—broken for evermore, | 11 | ···/˘/˘·/˘· |
| So the soul can leap out | 6 | ······ |
| Into their huge embraces. | 7 | ····˘/˘ |
| Though there are human faces | 7 | ···/˘/˘ |
| Best sculptures of Deity, | 7 | ·/˘·/˘˘ |
| And sinews lusted after | 7 | ···/˘·· |
| By the Archangels tall, | 6 | ···/˘· |
| Even these must leap to the love-heat of these maidens | 12 | /·········/˘ |
| From the flame of terrene days, | 7 | ····˘/· |
| Leaving grey ashes to the wind—to the wind. | 11 | /˘·/˘······ |
| One (whose great lifted face, | 6 | ···/˘· |
| Where wisdom’s strength and beauty’s strength | 8 | ·/˘··/˘· |
| And the thewed strength of large beasts | 7 | ······· |
| Moved and merged, gloomed and lit) | 6 | ······ |
| Was speaking, surely, as the earth-men’s earth fell away; | 13 | ·/˘/˘······˘/ |
| Whose new hearing drank the sound | 7 | ··/˘··· |
| Where pictures, lutes, and mountains mixed | 8 | ·/˘··/˘· |
| With the loosed spirit of a thought, | 7 | ···/··· |
| Essenced to language thus— | 6 | /˘·/˘· |
| “My sisters force their males | 6 | ·/˘··· |
| From the doomed earth, from the doomed glee | 8 | ········ |
| And hankering of hearts. | 6 | ·/˘˘·· |
| Frail hands gleam up through the human quagmire, and lips of ash | 14 | ······/˘/˘···· |
| Seem to wail, as in sad faded paintings | 10 | ······/˘/˘ |
| Far-sunken and strange. | 5 | ·/˘·· |
| My sisters have their males | 6 | ·/˘··· |
| Clean of the dust of old days | 7 | ······· |
| That clings about those white hands | 7 | ······· |
| And yearns in those voices sad: | 7 | ····/˘· |
| But these shall not see them, | 6 | ······ |
| Or think of them in any days or years; | 10 | ·····/˘··· |
| They are my sisters’ lovers in other days and years.” | 13 | ···/˘/˘·/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.