The Ghetto V

Lola Ridge (1873–1941) · 1918

iambic trimeter · 56 lines · from The Ghetto, and Other Poems

As I sit in my little fifth-floor room--Bare,Save for bed and chair,And coppery stainsLeft by seeping rainsOn the low ceilingAnd green plaster walls,Where when night fallsGolden lady-bugsCome out of their holes,And roaches, sepia-brown, consort...I hear bells pealingOut of the gray church at Rutgers street,Holding its high-flung cross above the Ghetto,And, one floor down across the court,The parrot screaming:Vorwärts... Vorwärts...

The parrot frowsy-white,Everlastingly swingingOn its iron bar.

A little old woman,With a wig of smooth black hairGummed about her shrunken brows,Comes sometimes on the fire escape.An old stooped mother,The left shoulder lowWith that uneven droopiness that women knowWho have suckled many young...Yet I have seen no other than the parrot there.

I watch her mornings as she shakes her rugsFeebly, with futile reachAnd fingers without clutch.Her thews are slackAnd curved the ruined backAnd flesh empurpled like old meat,Yet each conspiresTo feed those guttering firesWith which her eyes are quick.

On Friday nightsHer candles signalInfinite fine raysTo other windows,Coupling other lights,Linking the tenementsLike an endless prayer.

She seems less lonely than the birdThat day by day about the dismal houseScreams out his frenzied word...That night by night--If a dog yelpsOr a cat yawlsOr a sick child whines,Or a door screaks on its hinges,Or a man and woman fight--Sends his cry above the huddled roofs:Vorwärts... Vorwärts...

Words in this poem

coppery a.
Mixed with copper; containing copper, or made of copper; like copper.
ghetto n.
The Jews'quarter in an Italian town or city. [It.]
screaming a.
Uttering screams; shrieking.
everlastingly adv.
In an everlasting manner.
futile a.
Talkative; loquacious; tattling. [L. futilis that easily pours out, that easily lets loose, vain, worthless, from the root of fundere to pour out: cf. F. futile. See Fuse, v. t.]
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Ghetto V is in the public domain. This text is taken from The Ghetto, and Other Poems, Project Gutenberg ebook #4332; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lola Ridge, The Ghetto V, in The Ghetto, and Other Poems (1918), text of Project Gutenberg ebook #4332, Laurel, https://laurelpoetry.com/poem/ridge-ghetto/the-ghetto-v.html, id L20866.

Form and metre

The Ghetto V is 56 lines in 6 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -AABBCDD--EC--E-- room · bareA · chairA · stainsB · rainsB · ceilingC · wallsD · fallsD · bugs · holes · consortE · pealingC · street · ghetto · courtE · screaming · vorwärts
  2. 3 -A---BB-A woman · hairA · brows · escape · mother · lowB · knowB · young · thereA
  3. 4 ---AA-BB- rugs · reach · clutch · slackA · backA · meat · conspiresB · firesB · quick
  4. 5 A-BBA-- nightsA · signal · raysB · windowsB · lightsA · tenements · prayer
  5. 6 A-AB----B-- birdA · house · wordA · nightB · yelps · yawls · whines · hinges · fightB · roofs · vorwärts
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
As I sit in my little fifth-floor room--10·····/˘···
Bare,1·
Save for bed and chair,5·····
And coppery stains5·/˘˘·
Left by seeping rains5··/˘·
On the low ceiling5···/˘
And green plaster walls,5··/˘·
Where when night falls4····
Golden lady-bugs5/˘/˘·
Come out of their holes,5·····
And roaches, sepia-brown, consort...9·/˘/˘˘·˘/
I hear bells pealing5···/˘
Out of the gray church at Rutgers street,9······/˘·
Holding its high-flung cross above the Ghetto,11/˘·······/˘
And, one floor down across the court,8····˘/··
The parrot screaming:5·/˘/˘
Vorwärts... Vorwärts...4····
The parrot frowsy-white,6·/˘···
Everlastingly swinging7·····/˘
On its iron bar.5··/˘·
A little old woman,6·/˘·/˘
With a wig of smooth black hair7·······
Gummed about her shrunken brows,7····/˘·
Comes sometimes on the fire escape.9·˘/··/˘˘/
An old stooped mother,5···/˘
The left shoulder low5··/˘·
With that uneven droopiness that women know12··˘/˘····/˘·
Who have suckled many young...7··/˘/˘·
Yet I have seen no other than the parrot there.12·····/˘··/˘·
I watch her mornings as she shakes her rugs10···/˘·····
Feebly, with futile reach6/˘·/˘·
And fingers without clutch.6·/˘···
Her thews are slack4····
And curved the ruined back6···/˘·
And flesh empurpled like old meat,7·······
Yet each conspires5··˘/˘
To feed those guttering fires8···/˘˘/˘
With which her eyes are quick.6······
On Friday nights4·/˘·
Her candles signal5·/˘/˘
Infinite fine rays5/˘˘··
To other windows,5·/˘/˘
Coupling other lights,5/˘/˘·
Linking the tenements6/˘·/˘˘
Like an endless prayer.5··/˘·
She seems less lonely than the bird8···/˘···
That day by day about the dismal house10·······/˘·
Screams out his frenzied word...6···/˘·
That night by night--4····
If a dog yelps4····
Or a cat yawls4····
Or a sick child whines,5·····
Or a door screaks on its hinges,8······/˘
Or a man and woman fight--7····/˘·
Sends his cry above the huddled roofs:9······/˘·
Vorwärts... Vorwärts...4····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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