The Ghetto IV

Lola Ridge (1873–1941) · 1918

iambic trimeter · 127 lines · from The Ghetto, and Other Poems

Calicoes and furs,Pocket-books and scarfs,Razor strops and knives(Patterns in check...)

Olive hands and russet head,Pickles red and coppery,Green pickles, brown pickles,(Patterns in tapestry...)

Coral beads, blue beads,Beads of pearl and amber,Gewgaws, beauty pins--Bijoutry for chits--Darting rays of violet,Amethyst and jade...All the colors out to play,Jumbled iridescently...(Patterns in stained glassShivered into bits!)

Nooses of gay ribbonTugging at one's sleeve,Dainty little gartersHanging out their sign...Here a pout of frilly things--There a sonsy feather...(White beards, black beardsLike knots in the weave...)

And ah, the little babies--Shiny black-eyed babies--(Half a million pink toesWriggling altogether.)Baskets full of babiesLike grapes on a vine.

Mothers waddling in and out,Making all things right--Picking up the slipped threadsIn Grand street at night--Grand street like a great bazaar,Crowded like a float,Bulging like a crazy quiltStretched on a line.

But nearer seenThis litter of the EastTakes on a garbled majesty.

The herded stallsIn dissolute array...The glitter and the jumbled fineryAnd strangely juxtaposedCans, paper, ragsAnd colors decomposing,Faded like old hair,With flashes of barbaric huesAnd eyes of mystery...FlungLike an ancient tapestry of motley weaveUpon the open wall of this new land.

Here, a tawny-headed girl...Lemons in a greenish brothAnd a huge earthen bowlBy a bronzed merchantWith a tall black lamb's wool cap upon his head...He has no glance for her.His thrifty eyesBend--glittering, intentTheir hoarded looksUpon his merchandise,As though it were some splendid clothOr sumptuous raimentStitched in gold and red...

He seldom talksSave of the goods he spreads--The meager cotton with its dismal flower--But with his skinny handsThat hover like two hawksAbove some luscious meat,He fingers lovingly each calico,As though it were a gorgeous shawl,Or costly vestureWrought in silken thread,Or strange bright carpetMade for sandaled feet...

Here an old grey scholar stands.His brooding eyes--That hold long vistas without endOf caravans and trees and roads,And cities dwindling in remembrance--Bend mostly on his tapes and thread.

What if they tweak his beard--These raw young seed of IsraelWho have no backward vision in their eyes--And mock him as he swaysAbove the sunken arches of his feet--They find no peg to hang their taunts upon.His soul is like a rockThat bears a front worn smoothBy the coarse friction of the sea,And, unperturbed, he keeps his bitter peace.

What if a rigid arm and stuffed blue shape,Backed by a nickel starDoes prod him on,Taking his proud patience for humility...All gutters are as oneTo that old race that has been thrustFrom off the curbstones of the world...And he smiles with the pale ironyOf one who holdsThe wisdom of the Talmud stored awayIn his mind's lavender.

But this young trader,Born to trade as to a caul,Peddles the notions of the hour.The gestures of the craft are hisAnd all the loreAs when to hold, withdraw, persuade, advance...And be it gum or flags,Or clean-all or the newest thing in tags,Demand goes to him as the bee to flower.And he--appraisingAll who come and goWith his amazingSlight-of-mind and glanceAnd nimble thoughtAnd nature balanced like the scales at nought--Looks Westward where the trade-lights glow,And sees his vision rise--A tape-ruled vision,Circumscribed in stone--Some fifty stories to the skies.

Words in this poem 21
coppery a.
Mixed with copper; containing copper, or made of copper; like copper.
bijoutry n.
Small articles of virtu, as jewelry, trinkets, etc. [F. bijouterie. See Bijou.]
amethyst
A variety of crystallized quartz, of a purple or bluish violet color, of different shades. It is much used as a jeweler's stone. [F. ametiste, amatiste, F. améthyste, L. amethystus, fr. Gr. Mead.]
dainty n.
Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
sonsy a.
Lucky; fortunate; thriving; plump. [Scot. sonce, sons, prosperity, happiness, fr. Gael. & Ir. sonas.]
shiny a.
Bright; luminous; clear; unclouded.
altogether adv.
All together; conjointly. [OE. altogedere; al all + togedere together. See Together.]
bazaar n.
In the East, an exchange, marketplace, or assemblage of shops where goods are exposed for sale. [Per. bazar market.]
dissolute a.
With nerves unstrung; weak. [L. dissolutus, p. p. of dissolvere: cf. F. dissolu. See Dissolve.]
finery n.
Fineness; beauty.
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
barbaric a.
Of, or from, barbarian nations; foreign; -- often with reference to barbarous nations of east. [L. barbaricus foreign, barbaric, Gr. .]
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
skinny a.
Consisting, or chiefly consisting, of skin; wanting flesh.
hover n.
A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
luscious a.
Sweet; delicious; very grateful to the taste; toothsome; excessively sweet or rich. [Prob. for lustious, fr. lusty, or perh. a corruption of luxurious. Cf. Lush, Lusty.]
lovingly adv.
With love; affectionately.
gorgeous a.
Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
sandaled a.
Wearing sandals.
craft n.
Strength; might; secret power. [AS. cr strength, skill, art, cunning; akin to OS., G., Sw., & Dan. kraft strength, D. kracht, Icel. kraptr; perh. originally, a drawing together, stretching, fr]
amazing a.
Causing amazement; very wonderful; as, amazing grace.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Ghetto IV is in the public domain. This text is taken from The Ghetto, and Other Poems, Project Gutenberg ebook #4332; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lola Ridge, The Ghetto IV, in The Ghetto, and Other Poems (1918), text of Project Gutenberg ebook #4332, Laurel, https://laurelpoetry.com/poem/ridge-ghetto/the-ghetto-iv.html, id L20865.

Form and metre

The Ghetto IV is 127 lines in 14 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 3 ---A-----A beads · amber · pins · chitsA · violet · jade · play · iridescently · glass · bitsA
  2. 4 AB-A---B ribbonA · sleeveB · garters · signA · things · feather · beards · weaveB
  3. 5 AAA-A- babiesA · babiesA · toesA · altogether · babiesA · vine
  4. 6 -A-A---- out · rightA · threads · nightA · bazaar · float · quilt · line
  5. 8 -----A---A-- stalls · array · finery · juxtaposed · rags · decomposingA · hair · hues · mystery · flungA · weave · land
  6. 9 -A-BC-DB-DABC girl · brothA · bowl · merchantB · headC · her · eyesD · intentB · looks · merchandiseD · clothA · raimentB · redC
  7. 10 A---AB----BB talksA · spreads · flower · hands · hawksA · meatB · calico · shawl · vesture · thread · carpetB · feetB
  8. 14 --A--BCCADEDBFFEGHHG trader · caul · hourA · his · lore · advanceB · flagsC · tagsC · flowerA · appraisingD · goE · amazingD · glanceB · thoughtF · noughtF · glowE · riseG · visionH · stoneH · skiesG
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
Calicoes and furs,5/˘···
Pocket-books and scarfs,5/˘···
Razor strops and knives5/˘···
(Patterns in check...)4/˘··
Olive hands and russet head,7/˘··/˘·
Pickles red and coppery,7/˘··/˘˘
Green pickles, brown pickles,6·/˘·/˘
(Patterns in tapestry...)6/˘·/˘˘
Coral beads, blue beads,5/˘···
Beads of pearl and amber,6····/˘
Gewgaws, beauty pins--5/˘/˘·
Bijoutry for chits--5˘/˘··
Darting rays of violet,7/˘··/˘˘
Amethyst and jade...5/˘˘··
All the colors out to play,7··/˘···
Jumbled iridescently...7/˘·····
(Patterns in stained glass5/˘···
Shivered into bits!)5/˘···
Nooses of gay ribbon6/˘··/˘
Tugging at one's sleeve,5/˘···
Dainty little garters6/˘/˘/˘
Hanging out their sign...5/˘···
Here a pout of frilly things--7····/˘·
There a sonsy feather...6··/˘/˘
(White beards, black beards4····
Like knots in the weave...)5·····
And ah, the little babies--7···/˘/˘
Shiny black-eyed babies--6/˘··/˘
(Half a million pink toes6··/˘··
Wriggling altogether.)7/˘˘·˘/˘
Baskets full of babies6/˘··/˘
Like grapes on a vine.5·····
Mothers waddling in and out,8/˘/˘˘···
Making all things right--5/˘···
Picking up the slipped threads6/˘····
In Grand street at night--5·····
Grand street like a great bazaar,7·····˘/
Crowded like a float,5/˘···
Bulging like a crazy quilt7/˘··/˘·
Stretched on a line.4····
But nearer seen4·/˘·
This litter of the East6·/˘···
Takes on a garbled majesty.8···/˘/˘˘
The herded stalls4·/˘·
In dissolute array...6·/˘˘˘/
The glitter and the jumbled finery10·/˘··/˘/˘˘
And strangely juxtaposed6·/˘·˘/
Cans, paper, rags4·/˘·
And colors decomposing,7·/˘·˘/˘
Faded like old hair,5/˘···
With flashes of barbaric hues8·/˘·˘/˘·
And eyes of mystery...6···/˘˘
Flung1·
Like an ancient tapestry of motley weave11··/˘/˘˘·/˘·
Upon the open wall of this new land.10···/˘·····
Here, a tawny-headed girl...7··/˘/˘·
Lemons in a greenish broth7/˘··/˘·
And a huge earthen bowl6···/˘·
By a bronzed merchant5···/˘
With a tall black lamb's wool cap upon his head...11···········
He has no glance for her.6······
His thrifty eyes4·/˘·
Bend--glittering, intent6·/˘˘˘/
Their hoarded looks4·/˘·
Upon his merchandise,6···/˘·
As though it were some splendid cloth8·····/˘·
Or sumptuous raiment5·/˘/˘
Stitched in gold and red...5·····
He seldom talks4·/˘·
Save of the goods he spreads--6······
The meager cotton with its dismal flower--11·/˘/˘··/˘/˘
But with his skinny hands6···/˘·
That hover like two hawks6·/˘···
Above some luscious meat,6···/˘·
He fingers lovingly each calico,10·/˘/˘˘·/˘·
As though it were a gorgeous shawl,8·····/˘·
Or costly vesture5·/˘/˘
Wrought in silken thread,5··/˘·
Or strange bright carpet5···/˘
Made for sandaled feet...5··/˘·
Here an old grey scholar stands.7····/˘·
His brooding eyes--4·/˘·
That hold long vistas without end8···/˘···
Of caravans and trees and roads,8·/˘·····
And cities dwindling in remembrance--10·/˘/˘˘·˘/˘
Bend mostly on his tapes and thread.8·/˘·····
What if they tweak his beard--6······
These raw young seed of Israel8·····/˘˘
Who have no backward vision in their eyes--10···/˘/˘···
And mock him as he sways6······
Above the sunken arches of his feet--10···/˘/˘···
They find no peg to hang their taunts upon.10··········
His soul is like a rock6······
That bears a front worn smooth6······
By the coarse friction of the sea,8···/˘···
And, unperturbed, he keeps his bitter peace.10··˘/···/˘·
What if a rigid arm and stuffed blue shape,10···/˘·····
Backed by a nickel star6···/˘·
Does prod him on,4····
Taking his proud patience for humility...11/˘··/˘·˘/˘˘
All gutters are as one6·/˘···
To that old race that has been thrust8········
From off the curbstones of the world...8···/····
And he smiles with the pale irony9······/˘˘
Of one who holds4····
The wisdom of the Talmud stored away10·/˘··/˘·˘/
In his mind's lavender.6···/˘˘
But this young trader,5···/˘
Born to trade as to a caul,7·······
Peddles the notions of the hour.9/˘·/˘··/˘
The gestures of the craft are his8·/˘·····
And all the lore4····
As when to hold, withdraw, persuade, advance...10····˘/˘/˘/
And be it gum or flags,6······
Or clean-all or the newest thing in tags,10·····/˘···
Demand goes to him as the bee to flower.11˘/·······/˘
And he--appraising5··˘/˘
All who come and go5·····
With his amazing5··˘/˘
Slight-of-mind and glance5·····
And nimble thought4·/˘·
And nature balanced like the scales at nought--10·/˘/˘·····
Looks Westward where the trade-lights glow,8·/˘·····
And sees his vision rise--6···/˘·
A tape-ruled vision,5···/˘
Circumscribed in stone--5·˘/··
Some fifty stories to the skies.8·/˘/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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