The Ghetto VI

Lola Ridge (1873–1941) · 1918

Free verse · 44 lines · from The Ghetto, and Other Poems

In this dingy cafeThe old men sit muffled in woollens.Everything is faded, shabby, colorless, old...The chairs, loose-jointed,Creaking like old bones--The tables, the waiters, the walls,Whose mottled plasterBlends in one tone with the old flesh.

Young life and young thought are alike barred,And no unheralded noises jolt old nerves,And old wheezy breathsPass around old thoughts, dry as snuff,And there is no divergence and no frictionBecause life is flattened and ground as by many mills.

And it is here the Committee--Sweet-breathed and smooth of skinAnd supple of spine and knee,With shining unpouched eyesAnd the blood, high-powered,Leaping in flexible arteries--The insolent, young, enthusiastic, undiscriminating Committee,Who would placard tombstonesAnd scatter leaflets even in graves,Comes trampling with sacrilegious feet!

The old men turn stiffly,Mumbling to each other.They are gentle and torpid and busy with eating.But one lifts a face of clayish pallor,There is a dull fury in his eyes, like little rusty grates.He rises slowly,Trembling in his many swathings like an awakened mummy,Ridiculous yet terrible.--And the Committee flings him a waste glance,Dropping a leaflet by his plate.

A lone fire flickers in the dusty eyes.The lips chant inaudibly.The warped shrunken body straightens like a tree.And he curses...With uplifted arms and perished fingers,Claw-like, clutching...So centuries agoThe old men cursed Acosta,When they, prophetic, heard upon their sepulchresThose feet that may not halt nor turn aside for ancient things.

Words in this poem

cafe n.
A coffeehouse; a restaurant; also, a room in a hotel or restaurant where coffee and liquors are served. [F. See Coffee.]
shabby a.
Torn or worn to rage; poor; mean; ragged. [See Shab, n., Scabby, and Scab.]
wheezy a.
Breathing with difficulty and with a wheeze; wheezing. Used also figuratively.
enthusiastic n.
An enthusiast; a zealot.
sacrilegious a.
Violating sacred things; polluted with sacrilege; involving sacrilege; profane; impious. [From sacrilege: cf. L. sacrilegus.]
stiffly adv.
In a stiff manner.
mumbling a.
Low; indistinct; inarticulate.
clayish a.
Partaking of the nature of clay, or containing particles of it.
pallor n.
Paleness; want of color; pallidity; as, pallor of the complexion. Jer. Taylor. [L., fr. pallere to be or look pale. See Pale, a.]
lone n.
A lane. See Loanin.
cursed a.
Deserving a curse; execrable; hateful; detestable; abominable.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Ghetto VI is in the public domain. This text is taken from The Ghetto, and Other Poems, Project Gutenberg ebook #4332; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lola Ridge, The Ghetto VI, in The Ghetto, and Other Poems (1918), text of Project Gutenberg ebook #4332, Laurel, https://laurelpoetry.com/poem/ridge-ghetto/the-ghetto-vi.html, id L20867.

Form and metre

The Ghetto VI is 44 lines in 5 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A--A--- cafe · woollensA · old · jointed · bonesA · walls · plaster · flesh
  2. 3 A--B-BA--- committeeA · skin · knee · eyesB · powered · arteriesB · committeeA · tombstones · graves · feet
  3. 5 A--AA----- eyesA · inaudibly · tree · cursesA · fingersA · clutching · ago · acosta · sepulchres · things
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
In this dingy cafe6··/˘˘/
The old men sit muffled in woollens.9····/˘·/˘
Everything is faded, shabby, colorless, old...12/˘··/˘/˘/˘˘·
The chairs, loose-jointed,5···/˘
Creaking like old bones--5/˘···
The tables, the waiters, the walls,8·/˘·/˘··
Whose mottled plaster5·/˘/˘
Blends in one tone with the old flesh.8········
Young life and young thought are alike barred,9······˘/·
And no unheralded noises jolt old nerves,11··˘/˘˘/˘···
And old wheezy breaths5··/˘·
Pass around old thoughts, dry as snuff,8········
And there is no divergence and no friction11····˘/˘··/˘
Because life is flattened and ground as by many mills.13····/˘····/˘·
And it is here the Committee--8·····˘/˘
Sweet-breathed and smooth of skin6······
And supple of spine and knee,7·/˘····
With shining unpouched eyes6·/˘···
And the blood, high-powered,6····/˘
Leaping in flexible arteries--9/˘·/˘˘/˘˘
The insolent, young, enthusiastic, undiscriminating Committee,19·/˘˘·˘·˘/˘······˘/˘
Who would placard tombstones6··/˘/·
And scatter leaflets even in graves,9·/˘/˘/˘··
Comes trampling with sacrilegious feet!9·/˘··˘/˘·
The old men turn stiffly,6····/˘
Mumbling to each other.7/˘˘··/˘
They are gentle and torpid and busy with eating.13··/˘·/˘·/˘·/˘
But one lifts a face of clayish pallor,10······/˘/˘
There is a dull fury in his eyes, like little rusty grates.15····/˘····/˘/˘·
He rises slowly,5·/˘/˘
Trembling in his many swathings like an awakened mummy,16/˘˘··/˘····˘/˘/˘
Ridiculous yet terrible.8˘/˘˘·/˘˘
--And the Committee flings him a waste glance,10··˘/˘·····
Dropping a leaflet by his plate.8/˘·/˘···
A lone fire flickers in the dusty eyes.11··/˘/˘··/˘·
The lips chant inaudibly.7···˘/˘˘
The warped shrunken body straightens like a tree.11··/˘/˘/˘···
And he curses...4··/˘
With uplifted arms and perished fingers,10·/˘˘··/˘/˘
Claw-like, clutching...4··/˘
So centuries ago6·/˘˘˘/
The old men cursed Acosta,7····˘/˘
When they, prophetic, heard upon their sepulchres11··˘/˘······
Those feet that may not halt nor turn aside for ancient things.14········˘/·/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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