Act V: Scene I
SALOMITH.Dear Zachariah, well! what have you learnt?
ZACHARIAH.Redouble to the Lord your fervent prayers:Perhaps we are approaching our last hour;The order's given for the horrid conflict.
SALOMITH.What is Joas doing?
ZACHARIAH.He has just been crowned:On him the high-priest's poured the holy oil.O heaven, what joy was seen in every eye,Beholding him, the ransomed from the tomb!My sisters, still is seen the dagger's scar.Also his faithful nurse appeared to us,Who guarding that dear charge has had no eyeTo note her cares but God's and Josabet's.Our Levites wept with joy and tenderness,%And mixed their sobs with shouts of ecstacy.He, midst those transports, courteous, without pride,To one his hand, to others gave his look,And swore to govern by their frank advice,Naming them all his brothers or his sires.
SALOMITH.Think you this secret's spread beyond these walls?
ZACHARIAH.This secret to the temple's still confined;The band of Levi's race, distributed,Have placed themselves all silent at the doors;All are to rush together on the foe,And for the signal cry, "Long live King Joas!"My father wills that Zachariah guardThe king, forbidden to expose himself.Meanwhile the queen, with poniard in her hand,Laughs at the feeble check of our brass gates.To crush them she attends the fatal engines,Breathing, in short, but blood and devastation.Some priests, my sister, at the first proposed,That in a secret cave, our fathers' dug,The precious ark at least should be concealed."O base insulting fear my father cried,The ark which caused so many gorgeous towersTo fall, and forced the Jordan's backward course;So many times triumphant o'er the godsOf nations, must it flee at the approachOf insolent woman?" My mother, nearThe king, in deadly trouble, now her eyeBeing on the altar, and now turned on him,Silent, and sinking 'neath the weight of dread,Would have extorted tears from eyes of brass.The king from time to time embracing herConsoled her: then she said, "my sisters dear,All follow me, and if our king to-dayMust perish, let one fate unite ourselvesWith him."
SALOMITH.What rugged hand knocks with repeated blows?Why those disordered Levites put to flight?And what precaution makes them hide their arms?Is the temple stormed?
ZACHARIAH.Disperse your fears, God sends us Abner.
Words in this poem
- redouble v. t.
- To double again or repeatedly; to increase by continued or repeated additions; to augment greatly; to multiply. [Pref. re- + double: cf. F. redoubler. Cf. Reduplicate.]
- fervent a.
- Hot; glowing; boiling; burning; as, a fervent summer. [F. fervent, L. fervens, -entis. p.pr. of fervere o the boiling hot, to boil, glow.]
- horrid a.
- Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
- beholding a.
- Obliged; beholden.
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- gorgeous a.
- Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
- precaution n.
- Previous caution or care; caution previously employed to prevent mischief or secure good; as, his life was saved by precaution. [F. précation, L. praecautio, fr. praecavere, praecautum, to guard against beforehand; prae before + cavere be on one's guard. See Pre-, and Caution.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act V: Scene I is in the public domain. This text is taken from Athaliah: A Tragedy, Project Gutenberg ebook #21967, the J. Donkersley translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jean Racine, Act V: Scene I, in Athaliah: A Tragedy (1873), text of Project Gutenberg ebook #21967, Laurel, https://laurelpoetry.com/poem/racine-athaliah/act-v-scene-i.html, id L26976.
Form and metre
Act V: Scene I is 62 lines in 8 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 4 ---A--BA-B---B- zachariah · crowned · oil · eyeA · tomb · scar · usB · eyeA · josabet's · tenderness,%B · ecstacy · pride · look · adviceB · sires
- 6 --------------------A-B---ACCB zachariah · confined · distributed · doors · foe · joas · guard · himself · hand · gates · engines · devastation · proposed · dug · concealed · cried · towers · course · gods · approach · nearA · eye · himB · dread · brass · her · dearA · dayC · ourselvesC · himB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| SALOMITH. | 3 | ··· |
| Dear Zachariah, well! what have you learnt? | 10 | ··˘/˘····· |
| ZACHARIAH. | 4 | ·˘/˘ |
| Redouble to the Lord your fervent prayers: | 10 | ˘/˘····/˘· |
| Perhaps we are approaching our last hour; | 11 | ˘/··˘/˘/·/˘ |
| The order's given for the horrid conflict. | 11 | ·/˘/˘··/˘/˘ |
| SALOMITH. | 3 | ··· |
| What is Joas doing? | 5 | ···/˘ |
| ZACHARIAH. | 4 | ·˘/˘ |
| He has just been crowned: | 5 | ····· |
| On him the high-priest's poured the holy oil. | 10 | ·······/˘· |
| O heaven, what joy was seen in every eye, | 10 | ·/·····/˘· |
| Beholding him, the ransomed from the tomb! | 10 | ˘/˘··/˘··· |
| My sisters, still is seen the dagger's scar. | 10 | ·/˘····/˘· |
| Also his faithful nurse appeared to us, | 10 | /˘·/˘·˘/·· |
| Who guarding that dear charge has had no eye | 10 | ·/˘······· |
| To note her cares but God's and Josabet's. | 10 | ·········· |
| Our Levites wept with joy and tenderness,% | 11 | /˘/˘····/˘˘ |
| And mixed their sobs with shouts of ecstacy. | 10 | ·········· |
| He, midst those transports, courteous, without pride, | 10 | ···/˘/˘··· |
| To one his hand, to others gave his look, | 10 | ·····/˘··· |
| And swore to govern by their frank advice, | 10 | ···/˘···˘/ |
| Naming them all his brothers or his sires. | 10 | /˘···/˘··· |
| SALOMITH. | 3 | ··· |
| Think you this secret's spread beyond these walls? | 10 | ···/˘····· |
| ZACHARIAH. | 4 | ·˘/˘ |
| This secret to the temple's still confined; | 10 | ·/˘··/˘·˘/ |
| The band of Levi's race, distributed, | 10 | ···/˘·˘/˘˘ |
| Have placed themselves all silent at the doors; | 10 | ··˘/·/˘··· |
| All are to rush together on the foe, | 10 | ····˘/˘··· |
| And for the signal cry, "Long live King Joas!" | 10 | ···/˘····· |
| My father wills that Zachariah guard | 10 | ·/˘···˘/˘· |
| The king, forbidden to expose himself. | 10 | ··˘/˘·˘/˘/ |
| Meanwhile the queen, with poniard in her hand, | 10 | /····/˘··· |
| Laughs at the feeble check of our brass gates. | 10 | ···/˘··/·· |
| To crush them she attends the fatal engines, | 11 | ····˘/·/˘/˘ |
| Breathing, in short, but blood and devastation. | 11 | /˘······˘/˘ |
| Some priests, my sister, at the first proposed, | 10 | ···/˘···˘/ |
| That in a secret cave, our fathers' dug, | 10 | ···/˘·//˘· |
| The precious ark at least should be concealed. | 10 | ·/˘·····˘/ |
| "O base insulting fear my father cried, | 10 | ··˘/˘··/˘· |
| The ark which caused so many gorgeous towers | 11 | ·····/˘/˘/˘ |
| To fall, and forced the Jordan's backward course; | 10 | ·····/˘/˘· |
| So many times triumphant o'er the gods | 10 | ·/˘·˘/˘··· |
| Of nations, must it flee at the approach | 10 | ·/˘·····˘/ |
| Of insolent woman?" My mother, near | 10 | ·/˘˘/˘·/˘· |
| The king, in deadly trouble, now her eye | 10 | ···/˘/˘··· |
| Being on the altar, and now turned on him, | 10 | /··/˘····· |
| Silent, and sinking 'neath the weight of dread, | 10 | /˘·/˘····· |
| Would have extorted tears from eyes of brass. | 10 | ··˘/˘····· |
| The king from time to time embracing her | 10 | ······˘/˘· |
| Consoled her: then she said, "my sisters dear, | 10 | ˘/·····/˘· |
| All follow me, and if our king to-day | 10 | ·/˘···/··· |
| Must perish, let one fate unite ourselves | 10 | ·/˘···/·˘/ |
| With him." | 2 | ·· |
| SALOMITH. | 3 | ··· |
| What rugged hand knocks with repeated blows? | 10 | ·/˘···˘/˘· |
| Why those disordered Levites put to flight? | 10 | ··˘/˘/˘··· |
| And what precaution makes them hide their arms? | 10 | ··˘/˘····· |
| Is the temple stormed? | 5 | ··/˘· |
| ZACHARIAH. | 4 | ·˘/˘ |
| Disperse your fears, God sends us Abner. | 9 | ˘/·····/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.