Act III: Scene VII
JOAD.Well, Azariah, is the temple closed?
AZARIAH.The gates have all been made before my eyes
JOAD.Your saintly troops and you alone remain?
AZARIAH.Twice I have walked around the sacred courts,And all are fled; dispersed without return,Scattered in fear--a miserable crew!God by His holy tribe's no longer served:--E'er since that people Pharoah's steps escaped,An equal panic has not seized on them.
JOAD.A people in performance loose, and bornFor slavery--bold against God alone!Let us pursue our work. But who retainsThese children, even in our midst?
One of the daughters of the choirAlas, could we, sire, part ourselves from you?In the Lord's temple are we aliens?Around you are our fathers and our sires.
Another.Ha! if to avenge the shame of IsraelOur hands may not as Jael's, formerly,Have power to pierce God's impious enemies' head,Yet we at least may give our lives to Him.Whilst you are fighting for His temple stormed,We may, at least, invoke Him with our tears.
JOAD.Eternal Wisdom, in Thy quarrel armedHere, then, are Thine avengers--priests and children!But Thou sustaining, who can cast us down?From death Thou canst recall us when Thou wilt!Thou strikest and Thou healest, Thou destroyestAnd Thou resuscitatest. We relyNot on our own deserts, but on Thy name,Invoked so frequently, and on Thy oathSworn to the most devout of all our kings,Within this temple made Thy holy dwelling,And which the sun's duration is to last.But whence this sacred thrilling of my soul?Am I transported by the Holy Spirit?It is so: it inflames me: speaks to me:My eyes are opened, and the times obscureUnveil themselves before me! Levites, lendYour harmony of sounds, and by their swellSupport my ecstacy!
The Choir sing to the sound of every symphony of the instruments.O let the voice of God be heard,And to our hearts, His oracle divine,Be as the freshness of the mornIs to the tender grass in spring.
JOAD.Heaven, hear my voice. Earth, lend thine ear.No more, O Jacob, say thy God doth slumber,O sinners disappear; the Lord's awake.
How into worthless lead pure gold is changed!Who is that priest slain in the holy place?Weep, weep Jerusalem, perfidious city,Wretched destroyer of the sacred seers;God of His love for thee divests Himself;Thy incense in His eyes is incense foul.Where do you take those children and those wives?The queen of cities God has overthrown:Her priests are captives, and her kings disowned.Temple be overthrown! Cedars cast your flames!Jerusalem, thou object of my grief,Who in one day has ravished all thy charms?O who will change, to weep thy miseries,Mine eyes to two fountains of tears?
AZARIAH.O holy temple!
JOSABET.O David!
THE CHOIR.Restore, O God of Sion, O restore,Thy ancient benefactions in her favour.
The symphonies resume, and immediately after Joad continues.What new Jerusalem arises fromThe desert's depths in dazzling splendour,And bears upon her brow a stamp immortal?
JOAD.Sing, people of the earth,Jerusalem reborn more grand and beautiful!Whence on all sides repair to herThe progeny not fostered in her bosom?Lift high, Jerusalem, lift high thy head!Look on those monarchs of thy marvellous glory:The kings of nations are before thee prostrate,Kissing the dust of thy feet:The people in thy light walk emulous.Blest, who for Sion with a holy fervourDoth feel his soul expanded!Heavens scatter your dew, and let the earthBring forth its Saviour!
JOSABET.Alas! from whence this signal benefaction?If kings from whom Messiah's to descend--
JOAD.Let Josabet prepare the diademWhich David's self bore on his sacred brow.
Here the symphonies are resumed, and Joad instantly continues.(To the Levites.)And you, attend me to the place to armYourselves, where is concealed from strangers' eyesThat formidable heap of swords and lances,Which ever in Philistine's blood were drenched;And which triumphant David, full of yearsAnd honours, caused to be unto the GodThat had protected him made consecrate.Could we employ them in a nobler cause %Follow, I will myself distribute them.
Words in this poem
- saintly a.
- Like a saint; becoming a holy person.
- sire n.
- A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
- unveil v. t.
- To remove a veil from; to divest of a veil; to uncover; to disclose to view; to reveal; as, she unveiled her face. [1st pref. un- + veil.]
- symphony n.
- A consonance or harmony of sounds, agreeable to the ear, whether the sounds are vocal or instrumental, or both. [F. symphonie (cf. It. sinfonia), L. symphonia, Gr. Phonetic.]
- oracle v. i.
- To utter oracles.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- favour n.
- Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
- resume n.
- A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- fervour n.
- Heat; excessive warmth. [OF. fervor, fervour, F. ferveur, L. fervor, fr. fervere. See Fervent.]
- saviour n.
- One who saves, preserves, or delivers from destruction or danger. [OE. saveour, OF. salveor, F. sauveur, fr. L. salvator to save. See Save, v.]
- benefaction n.
- The act of conferring a benefit. Johnson. [L. benefactio, fr. benefacere to do good to one; bene well + facere to do. See Benefit.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act III: Scene VII is in the public domain. This text is taken from Athaliah: A Tragedy, Project Gutenberg ebook #21967, the J. Donkersley translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jean Racine, Act III: Scene VII, in Athaliah: A Tragedy (1873), text of Project Gutenberg ebook #21967, Laurel, https://laurelpoetry.com/poem/racine-athaliah/act-iii-scene-vii.html, id L26969.
Form and metre
Act III: Scene VII is 113 lines in 19 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 8 --AA--------------- joad · armed · childrenA · downA · wilt · destroyest · rely · name · oath · kings · dwelling · last · soul · spirit · me · obscure · lend · swell · ecstacy
- 11 ---A---------A changed · place · city · seersA · himself · foul · wives · overthrown · disowned · flames · grief · charms · miseries · tearsA
- 16 -A-----BB---A- joad · earthA · beautiful · her · bosom · head · glory · prostrateB · feetB · emulous · fervour · expanded · earthA · saviour
- 19 A--AA------ continuesA · levites · arm · eyesA · lancesA · drenched · years · god · consecrate · — · them
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| JOAD. | 1 | · |
| Well, Azariah, is the temple closed? | 10 | ······/˘·˘ |
| AZARIAH. | 3 | ··· |
| The gates have all been made before my eyes | 10 | ·········· |
| JOAD. | 1 | · |
| Your saintly troops and you alone remain? | 10 | ·/˘···˘/˘/ |
| AZARIAH. | 3 | ··· |
| Twice I have walked around the sacred courts, | 10 | ·······/˘· |
| And all are fled; dispersed without return, | 10 | ····˘/··˘/ |
| Scattered in fear--a miserable crew! | 10 | /˘···/˘˘˘· |
| God by His holy tribe's no longer served:-- | 10 | ···/˘··/˘· |
| E'er since that people Pharoah's steps escaped, | 10 | ···/˘/˘·˘/ |
| An equal panic has not seized on them. | 10 | ·/˘/˘····· |
| JOAD. | 1 | · |
| A people in performance loose, and born | 10 | ·/˘·˘/˘··· |
| For slavery--bold against God alone! | 10 | ·/˘˘····˘/ |
| Let us pursue our work. But who retains | 10 | ··˘//···˘/ |
| These children, even in our midst? | 9 | ·/˘/˘·/˘· |
| One of the daughters of the choir | 9 | ···/˘··/˘ |
| Alas, could we, sire, part ourselves from you? | 10 | ˘/··/·˘/·· |
| In the Lord's temple are we aliens? | 10 | ···/˘··/˘˘ |
| Around you are our fathers and our sires. | 10 | ····//˘·/· |
| Another. | 3 | ˘/˘ |
| Ha! if to avenge the shame of Israel | 11 | ···˘/···/˘˘ |
| Our hands may not as Jael's, formerly, | 10 | /˘·····/˘˘ |
| Have power to pierce God's impious enemies' head, | 11 | ·/···˘/˘/˘· |
| Yet we at least may give our lives to Him. | 10 | ······/··· |
| Whilst you are fighting for His temple stormed, | 10 | ···/˘··/˘· |
| We may, at least, invoke Him with our tears. | 10 | ····˘/··/· |
| JOAD. | 1 | · |
| Eternal Wisdom, in Thy quarrel armed | 10 | ˘/˘/˘··/˘· |
| Here, then, are Thine avengers--priests and children! | 11 | ····˘/˘··/˘ |
| But Thou sustaining, who can cast us down? | 10 | ··˘/˘····· |
| From death Thou canst recall us when Thou wilt! | 10 | ····/····· |
| Thou strikest and Thou healest, Thou destroyest | 11 | ·/˘··/˘·˘/˘ |
| And Thou resuscitatest. We rely | 10 | ··˘/˘·˘·˘/ |
| Not on our own deserts, but on Thy name, | 10 | ··/·/˘···· |
| Invoked so frequently, and on Thy oath | 10 | ˘/·/˘˘···· |
| Sworn to the most devout of all our kings, | 10 | ····˘/··/· |
| Within this temple made Thy holy dwelling, | 11 | ···/˘··/˘/˘ |
| And which the sun's duration is to last. | 10 | ····//˘··· |
| But whence this sacred thrilling of my soul? | 10 | ···/˘/˘··· |
| Am I transported by the Holy Spirit? | 11 | ··˘/˘··/˘/˘ |
| It is so: it inflames me: speaks to me: | 10 | ····˘/···· |
| My eyes are opened, and the times obscure | 10 | ···/˘···˘/ |
| Unveil themselves before me! Levites, lend | 10 | ˘/˘/···/˘· |
| Your harmony of sounds, and by their swell | 10 | ·/˘˘······ |
| Support my ecstacy! | 6 | ˘/···· |
| The Choir sing to the sound of every symphony of the instruments. | 15 | ·/·····/˘/˘··/˘ |
| O let the voice of God be heard, | 8 | ········ |
| And to our hearts, His oracle divine, | 10 | ··/··/˘˘˘/ |
| Be as the freshness of the morn | 8 | ···/˘··· |
| Is to the tender grass in spring. | 8 | ···/˘··· |
| JOAD. | 1 | · |
| Heaven, hear my voice. Earth, lend thine ear. | 9 | /˘······· |
| No more, O Jacob, say thy God doth slumber, | 11 | ···/˘····/˘ |
| O sinners disappear; the Lord's awake. | 10 | ·/˘·˘/··˘/ |
| How into worthless lead pure gold is changed! | 10 | ···/˘····· |
| Who is that priest slain in the holy place? | 10 | ·······/˘· |
| Weep, weep Jerusalem, perfidious city, | 11 | ··˘/˘˘/˘˘/˘ |
| Wretched destroyer of the sacred seers; | 10 | /˘˘/˘··/˘· |
| God of His love for thee divests Himself; | 10 | ······˘/˘/ |
| Thy incense in His eyes is incense foul. | 10 | ·˘/····˘/· |
| Where do you take those children and those wives? | 10 | ·····/˘··· |
| The queen of cities God has overthrown: | 10 | ···/˘···˘/ |
| Her priests are captives, and her kings disowned. | 10 | ···/˘···˘/ |
| Temple be overthrown! Cedars cast your flames! | 11 | /˘··˘//˘··· |
| Jerusalem, thou object of my grief, | 10 | ˘/˘˘·/˘··· |
| Who in one day has ravished all thy charms? | 10 | ·········· |
| O who will change, to weep thy miseries, | 10 | ·······/˘˘ |
| Mine eyes to two fountains of tears? | 8 | ····/˘·· |
| AZARIAH. | 3 | ··· |
| O holy temple! | 5 | ·/˘/˘ |
| JOSABET. | 3 | ··· |
| O David! | 3 | ·/˘ |
| THE CHOIR. | 3 | ·/˘ |
| Restore, O God of Sion, O restore, | 10 | ˘/······˘/ |
| Thy ancient benefactions in her favour. | 12 | ·/˘·······/˘ |
| The symphonies resume, and immediately after Joad continues. | 15 | ·/˘˘/·˘/˘···˘/˘ |
| What new Jerusalem arises from | 10 | ··˘/˘˘˘/˘· |
| The desert's depths in dazzling splendour, | 10 | ·˘/··/˘˘/˘ |
| And bears upon her brow a stamp immortal? | 11 | ········˘/˘ |
| JOAD. | 1 | · |
| Sing, people of the earth, | 6 | ·/˘··· |
| Jerusalem reborn more grand and beautiful! | 11 | ˘/˘//···/˘˘ |
| Whence on all sides repair to her | 8 | ····˘/·· |
| The progeny not fostered in her bosom? | 11 | ·/˘˘·/˘··/˘ |
| Lift high, Jerusalem, lift high thy head! | 10 | ··˘/˘˘···· |
| Look on those monarchs of thy marvellous glory: | 12 | ···/······/˘ |
| The kings of nations are before thee prostrate, | 11 | ···/˘····/˘ |
| Kissing the dust of thy feet: | 7 | /˘····· |
| The people in thy light walk emulous. | 10 | ·/˘····/˘˘ |
| Blest, who for Sion with a holy fervour | 11 | ·······/˘/˘ |
| Doth feel his soul expanded! | 7 | ····˘/˘ |
| Heavens scatter your dew, and let the earth | 10 | /˘/˘······ |
| Bring forth its Saviour! | 5 | ···/˘ |
| JOSABET. | 3 | ··· |
| Alas! from whence this signal benefaction? | 11 | ˘/···/˘···· |
| If kings from whom Messiah's to descend-- | 10 | ····˘/˘·˘/ |
| JOAD. | 1 | · |
| Let Josabet prepare the diadem | 10 | ····˘/·/˘· |
| Which David's self bore on his sacred brow. | 10 | ·/˘····/˘· |
| Here the symphonies are resumed, and Joad instantly continues. | 14 | ··/˘·˘/··/˘˘/˘ |
| (To the Levites.) | 4 | ··/˘ |
| And you, attend me to the place to arm | 10 | ··˘/······ |
| Yourselves, where is concealed from strangers' eyes | 10 | ˘/··˘/·/˘· |
| That formidable heap of swords and lances, | 11 | ·/˘˘˘····/˘ |
| Which ever in Philistine's blood were drenched; | 10 | ·/˘·/˘···· |
| And which triumphant David, full of years | 10 | ··˘/˘/˘··· |
| And honours, caused to be unto the God | 10 | ·/˘······· |
| That had protected him made consecrate. | 10 | ··˘/˘··/˘· |
| Could we employ them in a nobler cause % | 10 | ··˘/···/˘· |
| Follow, I will myself distribute them. | 10 | /˘···/˘/˘· |
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