A Contrast

Adelaide Anne Procter (1825–1864) · 1861

iambic tetrameter · 68 lines · from Legends and Lyrics: Second Series

Can you open that ebony Casket?Look, this is the key: but stay,Those are only a few old lettersWhich I keep,--to burn some day.

Yes, that Locket is quaint and ancient;But leave it, dear, with the ring,And give me the little PortraitWhich hangs by a crimson string.

I have never opened that CasketSince, many long years ago,It was sent me back in angerBy one whom I used to know.

But I want you to see the Portrait:I wonder if you can traceA look of that smiling creatureLeft now in my faded face.

It was like me once; but rememberThe weary relentless years,And Life, with its fierce, brief Tempests,And its long, long rain of tears.

Is it strange to call it my Portrait?Nay, smile, dear, for well you may,To think of that radiant VisionAnd of what I am to-day.

With restless, yet confident longingHow those blue eyes seem to gazeInto deep and exhaustless Treasures,All hid in the coming days.

With that trust which leans on the Future,And counts on her promised store,Until she has taught us to trembleAnd hope,--but to trust no more.

How that young, light heart would have pitiedMe now--if her dreams had shownA quiet and weary womanWith all her illusions flown.

Yet I--who shall soon be resting,And have passed the hardest part,Can look back with a deeper pityOn that young unconscious heart.

It is strange; but Life's currents drift usSo surely and swiftly on,That we scarcely notice the changes,And how many things are gone:

And forget, while to-day absorbs us,How old mysteries are unsealed;How the old, old ties are loosened,And the old, old wounds are healed.

And we say that our Life is fleetingLike a story that Time has told;But we fancy that we--we onlyAre just what we were of old.

So now and then it is wisdomTo gaze, as I do to-day,At a half-forgotten relicOf a Time that is passed away.

The very look of that Portrait,The Perfume that seems to clingTo those fragile and faded letters,And the Locket, and the Ring,

If they only stirred in my spiritForgotten pleasure and pain,--Why, memory is often bitter,And almost always in vain;

But the contrast of bygone hoursComes to rend a veil away,--And I marvel to see the strangerWho is living in me to-day.

Words in this poem

casket v. t.
To put into, or preserve in, a casket.
locket n.
A small lock; a catch or spring to fasten a necklace or other ornament. [F. loquet latch, dim. of OF. loc latch, lock; of German origin. See Lock a fastening.]
quaint a.
Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
relentless a.
Unmoved by appeals for sympathy or forgiveness; insensible to the distresses of others; destitute of tenderness; unrelenting; unyielding; unpitying; as, a prey to relentless despotism.
exhaustless a.
Not be exhausted; inexhaustible; as, an exhaustless fund or store.
flown a.
Flushed, inflated.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
bygone n.
Something gone by or past; a past event.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Contrast is in the public domain. This text is taken from Legends and Lyrics. Part 2, Project Gutenberg ebook #2304; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Adelaide Anne Procter, A Contrast, in Legends and Lyrics: Second Series (1861), text of Project Gutenberg ebook #2304, Laurel, https://laurelpoetry.com/poem/procter-legends-lyrics/a-contrast.html, id L21804.

Form and metre

A Contrast is 68 lines in 17 stanzas of 4 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 77%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A casket · stayA · letters · dayA
  2. 2 -A-A ancient · ringA · portrait · stringA
  3. 3 -A-A casket · agoA · anger · knowA
  4. 4 -A-A portrait · traceA · creature · faceA
  5. 5 -A-A remember · yearsA · tempests · tearsA
  6. 6 -A-A portrait · mayA · vision · dayA
  7. 7 -AAA longing · gazeA · treasuresA · daysA
  8. 8 -A-A future · storeA · tremble · moreA
  9. 9 -AAA pitied · shownA · womanA · flownA
  10. 10 -A-A resting · partA · pity · heartA
  11. 11 -A-A us · onA · changes · goneA
  12. 12 -A-A us · unsealedA · loosened · healedA
  13. 13 -A-A fleeting · toldA · only · oldA
  14. 14 -A-A wisdom · dayA · relic · awayA
  15. 15 -A-A portrait · clingA · letters · ringA
  16. 16 -A-A spirit · painA · bitter · vainA
  17. 17 -A-A hours · awayA · stranger · dayA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Can you open that ebony Casket?9··/˘·/˘/˘
Look, this is the key: but stay,7·······
Those are only a few old letters9··/˘···/˘
Which I keep,--to burn some day.7·······
Yes, that Locket is quaint and ancient;9··/˘···/˘
But leave it, dear, with the ring,7·······
And give me the little Portrait8····/˘/˘
Which hangs by a crimson string.7····/˘·
I have never opened that Casket9··/˘/˘·/˘
Since, many long years ago,7·/˘··˘/
It was sent me back in anger8······/˘
By one whom I used to know.7·······
But I want you to see the Portrait:9·······/˘
I wonder if you can trace7·/˘····
A look of that smiling creature8····/˘/˘
Left now in my faded face.7····/˘·
It was like me once; but remember9······˘/˘
The weary relentless years,7·/˘˘/˘·
And Life, with its fierce, brief Tempests,8······/˘
And its long, long rain of tears.7·······
Is it strange to call it my Portrait?9·······/˘
Nay, smile, dear, for well you may,7·······
To think of that radiant Vision9····/˘˘/˘
And of what I am to-day.7·······
With restless, yet confident longing9·/˘·/˘˘/˘
How those blue eyes seem to gaze7·······
Into deep and exhaustless Treasures,9····˘/˘/˘
All hid in the coming days.7····/˘·
With that trust which leans on the Future,9·······/˘
And counts on her promised store,7····/˘·
Until she has taught us to tremble9·······/˘
And hope,--but to trust no more.7·······
How that young, light heart would have pitied9·······/·
Me now--if her dreams had shown7·······
A quiet and weary woman8·/˘·/˘/˘
With all her illusions flown.7···˘/˘·
Yet I--who shall soon be resting,8······/˘
And have passed the hardest part,7····/˘·
Can look back with a deeper pity9·····/˘/˘
On that young unconscious heart.7····/˘·
It is strange; but Life's currents drift us9·····/˘··
So surely and swiftly on,7·/˘·/˘·
That we scarcely notice the changes,9··/˘/˘·/˘
And how many things are gone:7··/˘···
And forget, while to-day absorbs us,9·˘/···˘/·
How old mysteries are unsealed;8··/˘˘·˘/
How the old, old ties are loosened,8······/˘
And the old, old wounds are healed.7·······
And we say that our Life is fleeting9····/··/˘
Like a story that Time has told;8··/˘····
But we fancy that we--we only9··/˘···/˘
Are just what we were of old.7·······
So now and then it is wisdom8······/˘
To gaze, as I do to-day,7·······
At a half-forgotten relic8···˘/˘/˘
Of a Time that is passed away.8······˘/
The very look of that Portrait,8·/˘···/˘
The Perfume that seems to cling7·˘/····
To those fragile and faded letters,9··/˘·/˘/˘
And the Locket, and the Ring,7··/˘···
If they only stirred in my spirit9··/˘···/˘
Forgotten pleasure and pain,--7˘/˘/˘··
Why, memory is often bitter,9·/˘˘·/˘/˘
And almost always in vain;7·/·/···
But the contrast of bygone hours9··˘/·/·/˘
Comes to rend a veil away,--7·····˘/
And I marvel to see the stranger9··/˘···/˘
Who is living in me to-day.8··/˘····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Adelaide Anne Procter