The Dance

Coventry Patmore (1823–1896) · 1854–1862

iambic tetrameter · 84 lines · from The Angel in the House

‘My memory of Heaven awakes!She’s not of the earth, although her light,As lantern’d by her body, makesA piece of it past bearing bright.So innocently proud and fairShe is, that Wisdom sings for gleeAnd Folly dies, breathing one airWith such a bright-cheek’d chastity;And though her charms are a strong lawCompelling all men to admire,They go so clad with lovely aweNone but the noble dares desire.He who would seek to make her hisWill comprehend that souls of graceOwn sweet repulsion, and that ’tisThe quality of their embraceTo be like the majestic reachOf coupled suns, that, from afar,Mingle their mutual spheres, while eachCircles the twin obsequious star;And, in the warmth of hand to hand,Of heart to heart, he’ll vow to noteAnd reverently understandHow the two spirits shine remote;And ne’er to numb fine honour’s nerve,Nor let sweet awe in passion melt,Nor fail by courtesies to observeThe space which makes attraction felt;Nor cease to guard like life the senseWhich tells him that the embrace of loveIs o’er a gulf of differenceLove cannot sound, nor death remove.’

This learn’d I, watching where she danced,Native to melody and light,And now and then toward me glanced,Pleased, as I hoped, to please my sight.

Ah, love to speak was impotent,Till music did a tongue confer,And I ne’er knew what music meant,Until I danced to it with her.Too proud of the sustaining powerOf my, till then, unblemish’d joy.My passion, for reproof, that hourTasted mortality’s alloy,And bore me down an eddying gulf;I wish’d the world might run to wreck,So I but once might fling myselfObliviously about her neck.I press’d her hand, by will or chanceI know not, but I saw the raysWithdrawn, which did till then enhanceHer fairness with its thanks for praise.I knew my spirit’s vague offenceWas patent to the dreaming eyeAnd heavenly tact of innocence,And did for fear my fear defy,And ask’d her for the next dance. ‘Yes.’‘No,’ had not fall’n with half the force.She was fulfill’d with gentleness,And I with measureless remorse;And, ere I slept, on bended kneeI own’d myself, with many a tear,Unseasonable, disorderly,And a deranger of love’s sphere;Gave thanks that, when we stumble and fall,We hurt ourselves, and not the truth;And, rising, found its brightness allThe brighter through the tears of ruth.

Nor was my hope that night made less,Though order’d, humbled, and reproved;Her farewell did her heart expressAs much, but not with anger, moved.My trouble had my soul betray’d;And, in the night of my despair,My love, a flower of noon afraid,Divulged its fulness unaware.I saw she saw; and, O sweet Heaven,Could my glad mind have creditedThat influence had to me been givenTo affect her so, I should have saidThat, though she from herself conceal’dLove’s felt delight and fancied harm,They made her face the jousting fieldOf joy and beautiful alarm.

Words in this poem 19
innocently adv.
In an innocent manner.
glee n.
Music; minstrelsy; entertainment.
admire v. t.
To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
clad v.
To clothe. Holland.
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
obsequious a.
Promptly obedient, or submissive, to the will of another; compliant; yielding to the desires of another; devoted. [L.obsequiosus, fr. obsequium compliance, fr. obsequi, fr. obsequi: cf. F. obséquieux, See Obsequent, and cf. Obsequy.]
reverently adv.
In a reverent manner; in respectful regard.
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
reproof n.
Refutation; confutation; contradiction. [OE. reproef. See Proof, Reprove.]
mortality n.
The condition or quality of being mortal; subjection to death or to the necessity of dying. [L. mortalitas: cf. F. mortalité.]
enhance v. t.
To raise or lift up; to exalt. Wyclif. [Norm. F. enhauncer, enhaucer, OF. enhaleier, enhaucier; pref. en- (L. in) + haucier to lift, raise up, from an assumed L. altiare, fr. L. altus high; cf. Pr. en]
offence n.
The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
tact n.
The sense of touch; feeling. [L. tactus a touching, touch, fr. tangere, tactum, to touch: cf. F. tact. See Tangent.]
defy v. t.
To renounce or dissolve all bonds of affiance, faith, or obligation with; to reject, refuse, or renounce. [F. défier, OF. deffier, desfier, LL. disfidare to disown faith or fidelity, to dissolve the bond of allegiance, as between the vassal and his lord; hence, to ch]
fulfill v. t.
To fill up; to make full or complete. [OE. fulfillen, fulfullen, AS. fulfyllan; ful full + fyllan to fill. See Full, a., and Fill, v. t.]
measureless a.
Without measure; unlimited; immeasurable.
deranger n.
One who deranges.
ruth n.
Sorrow for the misery of another; pity; tenderness. [From Rue, v.: cf. Icel. hryggedh, hrygedh.]
unaware a.
Not aware; not noticing; giving no heed; thoughtless; inattentive.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Dance is in the public domain. This text is taken from The Angel in the House, Project Gutenberg ebook #4099; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Coventry Patmore, The Dance, in The Angel in the House (1854–1862), text of Project Gutenberg ebook #4099, Laurel, https://laurelpoetry.com/poem/patmore-angel/the-dance.html, id L12267.

Form and metre

The Dance is 84 lines in 4 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 12 lines end on an unstressed syllable, a feminine ending. 40% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-AB-B-----CDCDEFEFGHGHIJIJKLKL awakes · lightA · makes · brightA · fairB · glee · airB · chastity · law · admire · awe · desire · hisC · graceD · tisC · embraceD · reachE · afarF · eachE · starF · handG · noteH · understandG · remoteH · nerveI · meltJ · observeI · feltJ · senseK · loveL · differenceK · removeL
  2. 2 ABAB dancedA · lightB · glancedA · sightB
  3. 3 ABABCDCD-E-EFGFGFHFHIJIJ-K-KLMLM impotentA · conferB · meantA · herB · powerC · joyD · hourC · alloyD · gulf · wreckE · myself · neckE · chanceF · raysG · enhanceF · praiseG · offenceF · eyeH · innocenceF · defyH · yesI · forceJ · gentlenessI · remorseJ · knee · tearK · disorderly · sphereK · fallL · truthM · allL · ruthM
  4. 4 ABABCDCD-C-CEFEF lessA · reprovedB · expressA · movedB · betray'dC · despairD · afraidC · unawareD · heaven · creditedC · given · saidC · conceal'dE · harmF · fieldE · alarmF
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
‘My memory of Heaven awakes!8·/˘˘·/˘/
She’s not of the earth, although her light,9·········
As lantern’d by her body, makes8·····/˘·
A piece of it past bearing bright.8·····/˘·
So innocently proud and fair8·/˘˘˘···
She is, that Wisdom sings for glee8···/˘···
And Folly dies, breathing one air8·/˘·/˘··
With such a bright-cheek’d chastity;8·····/˘˘
And though her charms are a strong law8········
Compelling all men to admire,8˘/˘···˘/
They go so clad with lovely awe8·····/˘·
None but the noble dares desire.9···/˘·˘/˘
He who would seek to make her his8········
Will comprehend that souls of grace8··˘/····
Own sweet repulsion, and that ’tis8··˘/˘···
The quality of their embrace8·/˘˘··˘/
To be like the majestic reach8····˘/˘·
Of coupled suns, that, from afar,8·/˘···˘/
Mingle their mutual spheres, while each8/˘·/˘···
Circles the twin obsequious star;8/˘··˘/˘·
And, in the warmth of hand to hand,8········
Of heart to heart, he’ll vow to note8········
And reverently understand8·/˘˘˘·˘/
How the two spirits shine remote;8···/˘·˘/
And ne’er to numb fine honour’s nerve,8·····/˘·
Nor let sweet awe in passion melt,8·····/˘·
Nor fail by courtesies to observe8···/˘·˘/
The space which makes attraction felt;8····˘/˘·
Nor cease to guard like life the sense8········
Which tells him that the embrace of love9·····˘/··
Is o’er a gulf of difference8·····/˘˘
Love cannot sound, nor death remove.’8·/˘···˘/
This learn’d I, watching where she danced,8···/˘···
Native to melody and light,8/˘·/˘˘··
And now and then toward me glanced,8········
Pleased, as I hoped, to please my sight.8········
Ah, love to speak was impotent,8·····/˘˘
Till music did a tongue confer,8·/˘···˘/
And I ne’er knew what music meant,8·····/˘·
Until I danced to it with her.8········
Too proud of the sustaining power9····˘/˘/˘
Of my, till then, unblemish’d joy.8····˘/˘·
My passion, for reproof, that hour9·/˘·˘/·/˘
Tasted mortality’s alloy,8/˘˘/˘˘/·
And bore me down an eddying gulf;8·····/˘·
I wish’d the world might run to wreck,8········
So I but once might fling myself8·······/
Obliviously about her neck.8········
I press’d her hand, by will or chance8········
I know not, but I saw the rays8········
Withdrawn, which did till then enhance8˘/····˘/
Her fairness with its thanks for praise.8·/˘·····
I knew my spirit’s vague offence8···/˘·˘/
Was patent to the dreaming eye8·/˘··/˘·
And heavenly tact of innocence,9·/˘˘··/˘˘
And did for fear my fear defy,8······˘/
And ask’d her for the next dance. ‘Yes.’8········
‘No,’ had not fall’n with half the force.8········
She was fulfill’d with gentleness,8··˘/·/˘˘
And I with measureless remorse;8···/˘˘˘/
And, ere I slept, on bended knee8·····/˘·
I own’d myself, with many a tear,8···/·/··
Unseasonable, disorderly,9˘/˘˘˘˘/˘˘
And a deranger of love’s sphere;8··˘/˘···
Gave thanks that, when we stumble and fall,9·····/˘··
We hurt ourselves, and not the truth;8··˘/····
And, rising, found its brightness all8·/˘··/˘·
The brighter through the tears of ruth.8·/˘·····
Nor was my hope that night made less,8········
Though order’d, humbled, and reproved;8·/˘/˘···
Her farewell did her heart express8··/···˘/
As much, but not with anger, moved.8·····/˘·
My trouble had my soul betray’d;8·/˘···˘/
And, in the night of my despair,8······˘/
My love, a flower of noon afraid,8···/··˘/
Divulged its fulness unaware.8˘/·/˘·˘/
I saw she saw; and, O sweet Heaven,9·······/˘
Could my glad mind have credited8·····/˘˘
That influence had to me been given9·/˘····/˘
To affect her so, I should have said9·˘/······
That, though she from herself conceal’d8····˘/˘/
Love’s felt delight and fancied harm,8··˘/·/˘·
They made her face the jousting field8·····/˘·
Of joy and beautiful alarm.8···/˘˘˘/

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