The Chace

Coventry Patmore (1823–1896) · 1854–1862

iambic tetrameter · 92 lines · from The Angel in the House

SHE wearies with an ill unknown;In sleep she sobs and seems to float,A water-lily, all aloneWithin a lonely castle-moat;And as the full-moon, spectral, liesWithin the crescent’s gleaming arms,The present shows her heedless eyesA future dim with vague alarms.She sees, and yet she scarcely sees,For, life-in-life not yet begun,Too many are its mysteriesFor thought to fix on any one.She’s told that maidens are by youthsExtremely honour’d and desired;And sighs, ‘If those sweet tales be truths,What bliss to be so much admired!’The suitors come; she sees them grieve;Her coldness fills them with despair;She’d pity if she could believe;She’s sorry that she cannot care.But who now meets her on her way?Comes he as enemy or friend,Or both? Her bosom seems to say,He cannot pass, and there an end.Whom does he love? Does he conferHis heart on worth that answers his?Or is he come to worship her?She fears, she hopes, she thinks he is!Advancing stepless, quick, and still,As in the grass a serpent glides,He fascinates her fluttering will,Then terrifies with dreadful strides.At first, there’s nothing to resist;He fights with all the forms of peace;He comes about her like a mist,With subtle, swift, unseen increase;And then, unlook’d for, strikes amainSome stroke that frightens her to death,And grows all harmlessness again,Ere she can cry, or get her breath.At times she stops, and stands at bay;But he, in all more strong than she,Subdues her with his pale dismay,Or more admired audacity.She plans some final, fatal blow,But when she means with frowns to kill,He looks as if he loved her so,She smiles to him against her will.How sweetly he implies her praise!His tender talk, his gentle tone,The manly worship in his gaze,They nearly make her heart his own.With what an air he speaks her name;His manner always recollectsHer sex, and still the woman’s claimIs taught its scope by his respects.Her charms, perceived to prosper firstIn his beloved advertencies,When in her glass they are rehearsed,Prove his most powerful allies.Ah, whither shall a maiden flee,When a bold youth so swift pursues,And siege of tenderest courtesy,With hope perseverant, still renews!Why fly so fast? Her flatter’d breastThanks him who finds her fair and good;She loves her fears; veil’d joys arrestThe foolish terrors of her blood;By secret, sweet degrees, her heart,Vanquish’d, takes warmth from his desire;She makes it more, with hidden art,And fuels love’s late dreaded fire.The generous credit he accordsTo all the signs of good in herRedeems itself; his praiseful wordsThe virtues they impute confer.Her heart is thrice as rich in bliss,She’s three times gentler than before;He gains a right to call her his,Now she through him is so much more;’Tis heaven where’er she turns her head;’Tis music when she talks; ’tis airOn which, elate, she seems to tread,The convert of a gladder sphere!Ah, might he, when by doubts aggrieved,Behold his tokens next her breast,At all his words and sighs perceivedAgainst its blythe upheaval press’d!But still she flies. Should she be won,It must not be believed or thoughtShe yields; she’s chased to death, undone,Surprised, and violently caught.

Words in this poem

honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
admired a.
Regarded with wonder and delight; highly prized; as, an admired poem.
dreadful a.
Full of dread or terror; fearful.
unseen a.
Not seen or discovered.
amain adv.
With might; with full force; vigorously; violently; exceedingly. [Pref. a- + main. See 2d Main, n.]
audacity n.
Daring spirit, resolution, or confidence; venturesomeness.
prosper v. t.
To favor; to render successful. [F. prospérer v. i., or L. prosperare, v. i., or L. prosperare, v. t., fr. prosper or prosperus. See Prosperous.]
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
elate a.
Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
gladder n.
One who makes glad.
upheaval n.
The act of upheaving, or the state of being upheaved; esp., an elevation of a portion of the earth's crust. Lubbock.
undone a.
Not done or performed; neglected. [Pref. un- not + done.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Chace is in the public domain. This text is taken from The Angel in the House, Project Gutenberg ebook #4099; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Coventry Patmore, The Chace, in The Angel in the House (1854–1862), text of Project Gutenberg ebook #4099, Laurel, https://laurelpoetry.com/poem/patmore-angel/the-chace.html, id L12268.

Form and metre

The Chace is 92 lines in a single stanza. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 7 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCDCECE-F-FGHGHIJIJKLKLMNMNOPOPQRQRS-S-TUTUVWVWXYXYZaZa-a-abcbcdede-f-f-g-ghihijkjkl-l- unknownA · floatB · aloneA · moatB · liesC · armsD · eyesC · alarmsD · seesC · begunE · mysteriesC · oneE · youths · desiredF · truths · admiredF · grieveG · despairH · believeG · careH · wayI · friendJ · sayI · endJ · conferK · hisL · herK · isL · stillM · glidesN · willM · stridesN · resistO · peaceP · mistO · increaseP · amainQ · deathR · againQ · breathR · bayS · she · dismayS · audacity · blowT · killU · soT · willU · praiseV · toneW · gazeV · ownW · nameX · recollectsY · claimX · respectsY · firstZ · advertenciesa · rehearsedZ · alliesa · flee · pursuesa · courtesy · renewsa · breastb · goodc · arrestb · bloodc · heartd · desiree · artd · firee · accords · herf · words · conferf · bliss · beforeg · his · moreg · headh · airi · treadh · spherei · aggrievedj · breastk · perceivedj · press'dk · wonl · thought · undonel · caught
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
SHE wearies with an ill unknown;8·/˘···˘/
In sleep she sobs and seems to float,8········
A water-lily, all alone8·/˘/˘·˘/
Within a lonely castle-moat;8···/˘/˘·
And as the full-moon, spectral, lies8·····/˘·
Within the crescent’s gleaming arms,8···/˘/˘·
The present shows her heedless eyes8·/˘··/˘·
A future dim with vague alarms.8·/˘···˘/
She sees, and yet she scarcely sees,8·····/˘·
For, life-in-life not yet begun,8······˘/
Too many are its mysteries8·/˘··/˘˘
For thought to fix on any one.8·····/˘·
She’s told that maidens are by youths8···/˘···
Extremely honour’d and desired;9˘/˘···˘/˘
And sighs, ‘If those sweet tales be truths,8········
What bliss to be so much admired!’9······˘/˘
The suitors come; she sees them grieve;8·/˘·····
Her coldness fills them with despair;8·/˘···˘/
She’d pity if she could believe;8·/˘···˘/
She’s sorry that she cannot care.8·/˘··/˘·
But who now meets her on her way?8········
Comes he as enemy or friend,8···/˘˘··
Or both? Her bosom seems to say,8···/˘···
He cannot pass, and there an end.8·/˘·····
Whom does he love? Does he confer8······˘/
His heart on worth that answers his?8·····/˘·
Or is he come to worship her?8·····/˘·
She fears, she hopes, she thinks he is!8········
Advancing stepless, quick, and still,8˘/˘·····
As in the grass a serpent glides,8·····/˘·
He fascinates her fluttering will,8·/˘··/˘·
Then terrifies with dreadful strides.8·/˘··/˘·
At first, there’s nothing to resist;8···/˘·˘/
He fights with all the forms of peace;8········
He comes about her like a mist,8········
With subtle, swift, unseen increase;8·/˘·˘/˘/
And then, unlook’d for, strikes amain8······˘/
Some stroke that frightens her to death,8···/˘···
And grows all harmlessness again,8······˘/
Ere she can cry, or get her breath.8········
At times she stops, and stands at bay;8········
But he, in all more strong than she,8········
Subdues her with his pale dismay,8˘/····˘/
Or more admired audacity.9··˘/˘˘/˘˘
She plans some final, fatal blow,8···/˘/˘·
But when she means with frowns to kill,8········
He looks as if he loved her so,8········
She smiles to him against her will.8········
How sweetly he implies her praise!8·/˘·˘/··
His tender talk, his gentle tone,8·/˘··/˘·
The manly worship in his gaze,8·/˘/˘···
They nearly make her heart his own.8·/˘·····
With what an air he speaks her name;8········
His manner always recollects8·/˘/··˘/
Her sex, and still the woman’s claim8·····/˘·
Is taught its scope by his respects.8······˘/
Her charms, perceived to prosper first8··˘/·/˘·
In his beloved advertencies,8··˘/˘···
When in her glass they are rehearsed,8······˘/
Prove his most powerful allies.8···/˘˘˘/
Ah, whither shall a maiden flee,8·/˘··/˘·
When a bold youth so swift pursues,8······˘/
And siege of tenderest courtesy,9···/˘˘/˘˘
With hope perseverant, still renews!9·······˘/
Why fly so fast? Her flatter’d breast8·····/˘·
Thanks him who finds her fair and good;8········
She loves her fears; veil’d joys arrest8······˘/
The foolish terrors of her blood;8·/˘/˘···
By secret, sweet degrees, her heart,8·/˘·˘/··
Vanquish’d, takes warmth from his desire;9/˘····˘/˘
She makes it more, with hidden art,8·····/˘·
And fuels love’s late dreaded fire.9·/˘··/˘/˘
The generous credit he accords8·/˘/˘·˘/
To all the signs of good in her8········
Redeems itself; his praiseful words8˘/˘/·/˘·
The virtues they impute confer.8·/˘·˘/˘/
Her heart is thrice as rich in bliss,8········
She’s three times gentler than before;8···/˘···
He gains a right to call her his,8········
Now she through him is so much more;8········
’Tis heaven where’er she turns her head;9·/˘˘/····
’Tis music when she talks; ’tis air8·/˘·····
On which, elate, she seems to tread,8··˘/····
The convert of a gladder sphere!8·/˘··/˘·
Ah, might he, when by doubts aggrieved,8······˘/
Behold his tokens next her breast,8˘/·/˘···
At all his words and sighs perceived8······˘/
Against its blythe upheaval press’d!8····˘/˘·
But still she flies. Should she be won,8········
It must not be believed or thought8····˘/··
She yields; she’s chased to death, undone,8······˘/
Surprised, and violently caught.8˘/·/˘˘˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Coventry Patmore