The Old Sceptic

Alfred Noyes (1880–1958) · 1913

iambic trimeter · ABAB · 44 lines · from Collected Poems, Volume One

I am weary of disbelieving: why should I wound my loveTo pleasure a sophist's pride in a graven image of truth?I will go back to my home, with the clouds and the stars above,And the heaven I used to know, and the God of my buried youth.

I will go back to the home where of old in my boyish prideI pierced my father's heart with a murmur of unbelief.He only looked in my face as I spoke, but his mute eyes criedNight after night in my dreams; and he died in grief, in grief.

Books? I have read the books, the books that we write ourselves,Extolling our love of an abstract truth and our pride of debate:I will go back to the love of the cotter who sings as he delves,To that childish infinite love and the God above fact and date.

To that ignorant infinite God who colours the meaningless flowers,To that lawless infinite Poet who crowns the law with the crime;To the Weaver who covers the world with a garment of wonderful hours,And holds in His hand like threads the tales and the truths of time.

Is the faith of the cotter so simple and narrow as this? Ah, well,It is hardly so narrow as yours who daub and plaster with dyesThe shining mirrors of heaven, the shadowy mirrors of hell,And blot out the dark deep vision, if it seem to be framed with lies.

No faith I hurl against you, no fact to freeze your sneers.Only the doubt you taught me to weld in the fires of youthLeaps to my hand like the flaming sword of nineteen hundred years,The sword of the high God's answer, O Pilate, what is truth?

Your laughter has killed more hearts than ever were pierced with swords,Ever you daub new mirrors and turn the old to the wall;And more than blood is lost in the weary battle of words;For creeds are many; but God is One, and contains them all.

Ah, why should we strive or cry? Surely the end is close!Hold by your little truths: deem your triumph complete!But nothing is true or false in the infinite heart of the rose;And the earth is a little dust that clings to our travelling feet.

I will go back to my home and look at the wayside flowers,And hear from the wayside cabins the kind old hymns again,Where Christ holds out His arms in the quiet evening hours,And the light of the chapel porches broods on the peaceful lane.

And there I shall hear men praying the deep old foolish prayers,And there I shall see, once more, the fond old faith confessed,And the strange old light on their faces who hear as a blind man hears,--Come unto Me, ye weary, and I will give you rest.

I will go back and believe in the deep old foolish tales,And pray the simple prayers that I learned at my mother's knee,Where the Sabbath tolls its peace thro' the breathless mountain-vales,And the sunset's evening hymn hallows the listening sea.

Words in this poem

graven p. p.
Carved. Graven image, an idol; an object of worship carved from wood, stone, etc.
boyish a.
Resembling a boy in a manners or opinions; belonging to a boy; childish; trifling; puerile.
unbelief n.
The withholding of belief; doubt; incredulity; skepticism. [Pref. un- not + belief: cf. AS. ungeleáfa.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
cotter n.
A cottager; a cottier. Burns. [LL. cotarius, cottarius, coterius. See Cot.]
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
wayside n.
The side of the way; the edge or border of a road or path.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
breathless a.
Spent with labor or violent action; out of breath.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Old Sceptic is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Noyes, The Old Sceptic, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/the-old-sceptic.html, id L21416.

Form and metre

The Old Sceptic is 44 lines in 11 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 9 of its 11 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic trimeter.

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB loveA · truthB · aboveA · youthB
  2. 2 ABAB prideA · unbeliefB · criedA · griefB
  3. 3 ABAB ourselvesA · debateB · delvesA · dateB
  4. 4 ABAB flowersA · crimeB · hoursA · timeB
  5. 5 ABAB wellA · dyesB · hellA · liesB
  6. 6 ABAB sneersA · youthB · yearsA · truthB
  7. 7 -A-A swords · wallA · words · allA
  8. 8 ABAB closeA · completeB · roseA · feetB
  9. 9 ABAB flowersA · againB · hoursA · laneB
  10. 10 -A-A prayers · confessedA · hears · restA
  11. 11 ABAB talesA · kneeB · valesA · seaB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
I am weary of disbelieving: why should I wound my love14··/˘·˘/˘······
To pleasure a sophist's pride in a graven image of truth?15·/˘······/˘/˘··
I will go back to my home, with the clouds and the stars above,15···············
And the heaven I used to know, and the God of my buried youth.15··/·········/˘·
I will go back to the home where of old in my boyish pride15············/˘·
I pierced my father's heart with a murmur of unbelief.14···/˘···/˘····
He only looked in my face as I spoke, but his mute eyes cried15·/˘············
Night after night in my dreams; and he died in grief, in grief.14··············
Books? I have read the books, the books that we write ourselves,13···········˘/
Extolling our love of an abstract truth and our pride of debate:16˘/˘/···/···/··˘/
I will go back to the love of the cotter who sings as he delves,16·········/˘·····
To that childish infinite love and the God above fact and date.15··/˘/˘·········
To that ignorant infinite God who colours the meaningless flowers,14··/˘/˘··/˘·/˘/
To that lawless infinite Poet who crowns the law with the crime;15··/˘/˘/˘·······
To the Weaver who covers the world with a garment of wonderful hours,17··/˘·/˘····/˘·/˘/
And holds in His hand like threads the tales and the truths of time.14··············
Is the faith of the cotter so simple and narrow as this? Ah, well,17·····/˘·/˘·/˘····
It is hardly so narrow as yours who daub and plaster with dyes16··/˘·/˘·····/˘··
The shining mirrors of heaven, the shadowy mirrors of hell,14·/˘/˘·/·/˘/˘··
And blot out the dark deep vision, if it seem to be framed with lies.16······/˘········
No faith I hurl against you, no fact to freeze your sneers.13·············
Only the doubt you taught me to weld in the fires of youth14/˘·········/··
Leaps to my hand like the flaming sword of nineteen hundred years,15······/˘··///˘·
The sword of the high God's answer, O Pilate, what is truth?14······/˘······
Your laughter has killed more hearts than ever were pierced with swords,13·/˘·····/····
Ever you daub new mirrors and turn the old to the wall;13/···/˘·······
And more than blood is lost in the weary battle of words;14········/˘/˘··
For creeds are many; but God is One, and contains them all.13···/·····˘/··
Ah, why should we strive or cry? Surely the end is close!13·······/˘····
Hold by your little truths: deem your triumph complete!12···/˘···/˘˘/
But nothing is true or false in the infinite heart of the rose;15·/˘······/˘····
And the earth is a little dust that clings to our travelling feet.15·····/˘····//˘·
I will go back to my home and look at the wayside flowers,14···········/·/
And hear from the wayside cabins the kind old hymns again,14····/·/˘····˘/
Where Christ holds out His arms in the quiet evening hours,12········//˘/
And the light of the chapel porches broods on the peaceful lane.15·····/˘/˘···/˘·
And there I shall hear men praying the deep old foolish prayers,14······/˘···/˘·
And there I shall see, once more, the fond old faith confessed,13···········˘/
And the strange old light on their faces who hear as a blind man hears,--16·······/˘·······
Come unto Me, ye weary, and I will give you rest.13·····/˘······
I will go back and believe in the deep old foolish tales,14·····˘/····/˘·
And pray the simple prayers that I learned at my mother's knee,14···/˘······/˘·
Where the Sabbath tolls its peace thro' the breathless mountain-vales,14··/˘·····/˘/˘·
And the sunset's evening hymn hallows the listening sea.13··/·/˘·/˘·/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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