The Death of Chopin

Alfred Noyes (1880–1958) · 1913

iambic tetrameter · ABCBAC · 96 lines · from Collected Poems, Volume One

Sing to me! Ah, remember howPoor Heine here in Paris leantWatching me play at the fall of dayAnd following where the music went,Till that old cloud upon his browWas almost smoothed away.

"Do roses in the moonlight flameLike this and this?" he said and smiled;Then bent his head as o'er his deadBrother might breathe some little childThe accustomed old half-jesting name,With all its mockery fled,

Like summer lightnings, far away,In heaven. O, what Bohemian nightsWe passed down there for that brief yearWhen art revealed her last delights;And then, that night, that night in MayWhen Hugo came to hear!

"Do roses in the moonlight glowLike this and this?" I could not seeHis eyes, and yet--they were quite wet,Blinded, I think! What should I beIf in that hour I did not knowMy own diviner debt?

For God has made this world of oursOut of His own exceeding pain,As here in art man's bleeding heartSlow drop by drop completes the strain;And dreams of death make sweet the flowersWhere lovers meet to part.

Recall, recall my little roomWhere all the masters came that night,Came just to hear me, Meyerbeer,Lamartine, Balzac; and no lightBut my two candles in the gloom;Though she, she too was there,

George Sand. This music once unlockedMy heart, she took the gold she prized:Her novel gleams no richer: dreamsLike mine are best unanalysed:And she forgets her poor bemockedPrince Karol, now, it seems.

I was Prince Karol; yes, and LisztCount Salvator Albani: sheMy Floriani--all so farAway!--My dreams are like the seaThat round Majorca sighed and kissedEach softly mirrored star.

O, what a golden round of hoursOur island villa knew: we twoAlone with sky and sea, the sighOf waves, the warm unfathomed blue;With what a chain of nights like flowersWe bound Love, she and I.

What music, what harmoniousGlad triumphs of the world's desireWhere passion yearns to God and burnsEarth's dross out with its own pure fire,Or tolls like some deep angelusThrough Death's divine nocturnes.

"Do roses in the moonlight glowLike this and this?" What did she thinkOf him whose hands at Love's commandMade Life as honey o'er the brinkOf Death drip slow, darkling and slow?Ah, did she understand?

She studied every sob she heard,She watched each dying hope she found;And yet she understood not onePoor sorrow there that like a woundGaped, bleeding, pleading--for one word--No? And the dream was done.

For her--I am "wrapped in incense gloom,In drifting clouds and golden light;"Once I was shod with fire and trodBeethoven's path through storm and night:It is too late now to resumeMy monologue with God.

Well, my lost love, you were so kindIn those old days: ah, yes; you cameWhen I was ill! In dreams you stillWill come? (Do roses always flameBy moonlight, thus?) I, too, grow blindWith wondering if she will.

Yet, Floriani, what am ITo you, though love was life to me?My life consumed like some perfumedPale altar-flame beside the sea:You stood and smiled and watched it die!You, you whom it illumed,Could you not feed it with your love?Am I not starving here and now?Sing, sing! I'd miss no smile or kiss--No roses in Majorca glowLike this and this--so death may proveBest--ah, how sweet life is!

Words in this poem

went n.
Course; way; path; journey; direction.
villa n.
A country seat; a country or suburban residence of some pretensions to elegance. Dryden. [L. villa, LL. also village, dim. of L. vicus a village: cf. It. & F. villa. See Vicinity, and cf. Vill, Village, Villain.]
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
drip v. i.
To fall in drops; as, water drips from the eaves. [Akin to LG. drippen, Dan. dryppe, from a noun. See Drop.]
darkling a.
Becoming dark or gloomy; frowing.
resume n.
A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
monologue n.
A speech uttered by a person alone; soliloquy; also, talk or discourse in company, in the strain of a soliloquy; as, an account in monologue. [F. monologue, Gr. Legend.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Death of Chopin is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Noyes, The Death of Chopin, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/the-death-of-chopin.html, id L21417.

Form and metre

The Death of Chopin is 96 lines in 15 stanzas. The rhyme scheme is ABCBAC, complete in 13 of its 15 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABCBAC howA · leantB · dayC · wentB · browA · awayC
  2. 2 ABCBAC flameA · smiledB · deadC · childB · nameA · fledC
  3. 3 ABCBAC awayA · nightsB · yearC · delightsB · mayA · hearC
  4. 4 ABCBAC glowA · seeB · wetC · beB · knowA · debtC
  5. 5 ABCBAC oursA · painB · heartC · strainB · flowersA · partC
  6. 6 ABCBAC roomA · nightB · meyerbeerC · lightB · gloomA · thereC
  7. 7 ABCBAC unlockedA · prizedB · dreamsC · unanalysedB · bemockedA · seemsC
  8. 8 ABCBAC lisztA · sheB · farC · seaB · kissedA · starC
  9. 9 ABCBAC hoursA · twoB · sighC · blueB · flowersA · iC
  10. 10 -ABA-B harmonious · desireA · burnsB · fireA · angelus · nocturnesB
  11. 11 ABCBAC glowA · thinkB · commandC · brinkB · slowA · understandC
  12. 12 ABCBAC heardA · foundB · oneC · woundB · wordA · doneC
  13. 13 ABCBAC gloomA · lightB · trodC · nightB · resumeA · godC
  14. 14 ABCBAC kindA · cameB · stillC · flameB · blindA · willC
  15. 15 ABCBACD---D- iA · meB · perfumedC · seaB · dieA · illumedC · loveD · now · kiss · glow · proveD · is
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Sing to me! Ah, remember how8····˘/˘·
Poor Heine here in Paris leant8····/˘/˘
Watching me play at the fall of day9/˘·······
And following where the music went,8·/˘··/˘·
Till that old cloud upon his brow8········
Was almost smoothed away.7·/··˘˘/
"Do roses in the moonlight flame8·/˘··/··
Like this and this?" he said and smiled;8········
Then bent his head as o'er his dead8········
Brother might breathe some little child8/˘···/˘·
The accustomed old half-jesting name,9·˘/˘··/˘·
With all its mockery fled,7···/˘˘·
Like summer lightnings, far away,8·/˘/˘·˘/
In heaven. O, what Bohemian nights8·/··˘/˘·
We passed down there for that brief year8········
When art revealed her last delights;8··˘/··˘/
And then, that night, that night in May8········
When Hugo came to hear!6·/˘···
"Do roses in the moonlight glow8·/˘··/··
Like this and this?" I could not see8········
His eyes, and yet--they were quite wet,8········
Blinded, I think! What should I be8/˘······
If in that hour I did not know8···/····
My own diviner debt?6··˘/˘·
For God has made this world of ours9·······/˘
Out of His own exceeding pain,8····˘/˘·
As here in art man's bleeding heart8·····/˘·
Slow drop by drop completes the strain;8····˘/··
And dreams of death make sweet the flowers9·······/˘
Where lovers meet to part.6·/˘···
Recall, recall my little room8˘/˘/·/˘·
Where all the masters came that night,8···/˘···
Came just to hear me, Meyerbeer,8·····/˘·
Lamartine, Balzac; and no light8········
But my two candles in the gloom;8···/˘···
Though she, she too was there,6······
George Sand. This music once unlocked8···/˘·˘/
My heart, she took the gold she prized:8········
Her novel gleams no richer: dreams8·/˘··/˘·
Like mine are best unanalysed:8········
And she forgets her poor bemocked8··˘/····
Prince Karol, now, it seems.6·/˘···
I was Prince Karol; yes, and Liszt8···/˘···
Count Salvator Albani: she8····˘/˘·
My Floriani--all so far7·······
Away!--My dreams are like the sea8˘/······
That round Majorca sighed and kissed8··˘/˘···
Each softly mirrored star.7·/˘/˘˘·
O, what a golden round of hours9···/˘··/˘
Our island villa knew: we two8//˘/˘···
Alone with sky and sea, the sigh8˘/······
Of waves, the warm unfathomed blue;8········
With what a chain of nights like flowers9·······/˘
We bound Love, she and I.6······
What music, what harmonious8·/˘·˘/˘˘
Glad triumphs of the world's desire9·/˘···˘/˘
Where passion yearns to God and burns8·/˘·····
Earth's dross out with its own pure fire,9·······/˘
Or tolls like some deep angelus8·····/˘˘
Through Death's divine nocturnes.6··˘/··
"Do roses in the moonlight glow8·/˘··/··
Like this and this?" What did she think8········
Of him whose hands at Love's command8······˘/
Made Life as honey o'er the brink8···/˘···
Of Death drip slow, darkling and slow?8····/˘··
Ah, did she understand?6····˘/
She studied every sob she heard,8·/˘/˘···
She watched each dying hope she found;8···/˘···
And yet she understood not one8····˘/··
Poor sorrow there that like a wound8·/˘·····
Gaped, bleeding, pleading--for one word--8·/˘/˘···
No? And the dream was done.6······
For her--I am "wrapped in incense gloom,9······˘/·
In drifting clouds and golden light;"8·/˘··/˘·
Once I was shod with fire and trod8·····/··
Beethoven's path through storm and night:8/˘˘·····
It is too late now to resume8······˘/
My monologue with God.6·/˘···
Well, my lost love, you were so kind8········
In those old days: ah, yes; you came8········
When I was ill! In dreams you still8········
Will come? (Do roses always flame8···/˘/··
By moonlight, thus?) I, too, grow blind8·/······
With wondering if she will.7·/˘˘···
Yet, Floriani, what am I7·······
To you, though love was life to me?8········
My life consumed like some perfumed8··˘/··˘/
Pale altar-flame beside the sea:8·/˘·˘/··
You stood and smiled and watched it die!8········
You, you whom it illumed,7······˘
Could you not feed it with your love?8········
Am I not starving here and now?8···/˘···
Sing, sing! I'd miss no smile or kiss--8········
No roses in Majorca glow8·/˘·˘/˘·
Like this and this--so death may prove8········
Best--ah, how sweet life is!6······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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