The Death of Chopin
Sing to me! Ah, remember howPoor Heine here in Paris leantWatching me play at the fall of dayAnd following where the music went,Till that old cloud upon his browWas almost smoothed away.
"Do roses in the moonlight flameLike this and this?" he said and smiled;Then bent his head as o'er his deadBrother might breathe some little childThe accustomed old half-jesting name,With all its mockery fled,
Like summer lightnings, far away,In heaven. O, what Bohemian nightsWe passed down there for that brief yearWhen art revealed her last delights;And then, that night, that night in MayWhen Hugo came to hear!
"Do roses in the moonlight glowLike this and this?" I could not seeHis eyes, and yet--they were quite wet,Blinded, I think! What should I beIf in that hour I did not knowMy own diviner debt?
For God has made this world of oursOut of His own exceeding pain,As here in art man's bleeding heartSlow drop by drop completes the strain;And dreams of death make sweet the flowersWhere lovers meet to part.
Recall, recall my little roomWhere all the masters came that night,Came just to hear me, Meyerbeer,Lamartine, Balzac; and no lightBut my two candles in the gloom;Though she, she too was there,
George Sand. This music once unlockedMy heart, she took the gold she prized:Her novel gleams no richer: dreamsLike mine are best unanalysed:And she forgets her poor bemockedPrince Karol, now, it seems.
I was Prince Karol; yes, and LisztCount Salvator Albani: sheMy Floriani--all so farAway!--My dreams are like the seaThat round Majorca sighed and kissedEach softly mirrored star.
O, what a golden round of hoursOur island villa knew: we twoAlone with sky and sea, the sighOf waves, the warm unfathomed blue;With what a chain of nights like flowersWe bound Love, she and I.
What music, what harmoniousGlad triumphs of the world's desireWhere passion yearns to God and burnsEarth's dross out with its own pure fire,Or tolls like some deep angelusThrough Death's divine nocturnes.
"Do roses in the moonlight glowLike this and this?" What did she thinkOf him whose hands at Love's commandMade Life as honey o'er the brinkOf Death drip slow, darkling and slow?Ah, did she understand?
She studied every sob she heard,She watched each dying hope she found;And yet she understood not onePoor sorrow there that like a woundGaped, bleeding, pleading--for one word--No? And the dream was done.
For her--I am "wrapped in incense gloom,In drifting clouds and golden light;"Once I was shod with fire and trodBeethoven's path through storm and night:It is too late now to resumeMy monologue with God.
Well, my lost love, you were so kindIn those old days: ah, yes; you cameWhen I was ill! In dreams you stillWill come? (Do roses always flameBy moonlight, thus?) I, too, grow blindWith wondering if she will.
Yet, Floriani, what am ITo you, though love was life to me?My life consumed like some perfumedPale altar-flame beside the sea:You stood and smiled and watched it die!You, you whom it illumed,Could you not feed it with your love?Am I not starving here and now?Sing, sing! I'd miss no smile or kiss--No roses in Majorca glowLike this and this--so death may proveBest--ah, how sweet life is!
Words in this poem
- went n.
- Course; way; path; journey; direction.
- villa n.
- A country seat; a country or suburban residence of some pretensions to elegance. Dryden. [L. villa, LL. also village, dim. of L. vicus a village: cf. It. & F. villa. See Vicinity, and cf. Vill, Village, Villain.]
- brink n.
- The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
- drip v. i.
- To fall in drops; as, water drips from the eaves. [Akin to LG. drippen, Dan. dryppe, from a noun. See Drop.]
- darkling a.
- Becoming dark or gloomy; frowing.
- resume n.
- A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
- monologue n.
- A speech uttered by a person alone; soliloquy; also, talk or discourse in company, in the strain of a soliloquy; as, an account in monologue. [F. monologue, Gr. Legend.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Death of Chopin is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alfred Noyes, The Death of Chopin, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/the-death-of-chopin.html, id L21417.
Form and metre
The Death of Chopin is 96 lines in 15 stanzas. The rhyme scheme is ABCBAC, complete in 13 of its 15 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABCBAC howA · leantB · dayC · wentB · browA · awayC
- 2 ABCBAC flameA · smiledB · deadC · childB · nameA · fledC
- 3 ABCBAC awayA · nightsB · yearC · delightsB · mayA · hearC
- 4 ABCBAC glowA · seeB · wetC · beB · knowA · debtC
- 5 ABCBAC oursA · painB · heartC · strainB · flowersA · partC
- 6 ABCBAC roomA · nightB · meyerbeerC · lightB · gloomA · thereC
- 7 ABCBAC unlockedA · prizedB · dreamsC · unanalysedB · bemockedA · seemsC
- 8 ABCBAC lisztA · sheB · farC · seaB · kissedA · starC
- 9 ABCBAC hoursA · twoB · sighC · blueB · flowersA · iC
- 10 -ABA-B harmonious · desireA · burnsB · fireA · angelus · nocturnesB
- 11 ABCBAC glowA · thinkB · commandC · brinkB · slowA · understandC
- 12 ABCBAC heardA · foundB · oneC · woundB · wordA · doneC
- 13 ABCBAC gloomA · lightB · trodC · nightB · resumeA · godC
- 14 ABCBAC kindA · cameB · stillC · flameB · blindA · willC
- 15 ABCBACD---D- iA · meB · perfumedC · seaB · dieA · illumedC · loveD · now · kiss · glow · proveD · is
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Sing to me! Ah, remember how | 8 | ····˘/˘· |
| Poor Heine here in Paris leant | 8 | ····/˘/˘ |
| Watching me play at the fall of day | 9 | /˘······· |
| And following where the music went, | 8 | ·/˘··/˘· |
| Till that old cloud upon his brow | 8 | ········ |
| Was almost smoothed away. | 7 | ·/··˘˘/ |
| "Do roses in the moonlight flame | 8 | ·/˘··/·· |
| Like this and this?" he said and smiled; | 8 | ········ |
| Then bent his head as o'er his dead | 8 | ········ |
| Brother might breathe some little child | 8 | /˘···/˘· |
| The accustomed old half-jesting name, | 9 | ·˘/˘··/˘· |
| With all its mockery fled, | 7 | ···/˘˘· |
| Like summer lightnings, far away, | 8 | ·/˘/˘·˘/ |
| In heaven. O, what Bohemian nights | 8 | ·/··˘/˘· |
| We passed down there for that brief year | 8 | ········ |
| When art revealed her last delights; | 8 | ··˘/··˘/ |
| And then, that night, that night in May | 8 | ········ |
| When Hugo came to hear! | 6 | ·/˘··· |
| "Do roses in the moonlight glow | 8 | ·/˘··/·· |
| Like this and this?" I could not see | 8 | ········ |
| His eyes, and yet--they were quite wet, | 8 | ········ |
| Blinded, I think! What should I be | 8 | /˘······ |
| If in that hour I did not know | 8 | ···/···· |
| My own diviner debt? | 6 | ··˘/˘· |
| For God has made this world of ours | 9 | ·······/˘ |
| Out of His own exceeding pain, | 8 | ····˘/˘· |
| As here in art man's bleeding heart | 8 | ·····/˘· |
| Slow drop by drop completes the strain; | 8 | ····˘/·· |
| And dreams of death make sweet the flowers | 9 | ·······/˘ |
| Where lovers meet to part. | 6 | ·/˘··· |
| Recall, recall my little room | 8 | ˘/˘/·/˘· |
| Where all the masters came that night, | 8 | ···/˘··· |
| Came just to hear me, Meyerbeer, | 8 | ·····/˘· |
| Lamartine, Balzac; and no light | 8 | ········ |
| But my two candles in the gloom; | 8 | ···/˘··· |
| Though she, she too was there, | 6 | ······ |
| George Sand. This music once unlocked | 8 | ···/˘·˘/ |
| My heart, she took the gold she prized: | 8 | ········ |
| Her novel gleams no richer: dreams | 8 | ·/˘··/˘· |
| Like mine are best unanalysed: | 8 | ········ |
| And she forgets her poor bemocked | 8 | ··˘/···· |
| Prince Karol, now, it seems. | 6 | ·/˘··· |
| I was Prince Karol; yes, and Liszt | 8 | ···/˘··· |
| Count Salvator Albani: she | 8 | ····˘/˘· |
| My Floriani--all so far | 7 | ······· |
| Away!--My dreams are like the sea | 8 | ˘/······ |
| That round Majorca sighed and kissed | 8 | ··˘/˘··· |
| Each softly mirrored star. | 7 | ·/˘/˘˘· |
| O, what a golden round of hours | 9 | ···/˘··/˘ |
| Our island villa knew: we two | 8 | //˘/˘··· |
| Alone with sky and sea, the sigh | 8 | ˘/······ |
| Of waves, the warm unfathomed blue; | 8 | ········ |
| With what a chain of nights like flowers | 9 | ·······/˘ |
| We bound Love, she and I. | 6 | ······ |
| What music, what harmonious | 8 | ·/˘·˘/˘˘ |
| Glad triumphs of the world's desire | 9 | ·/˘···˘/˘ |
| Where passion yearns to God and burns | 8 | ·/˘····· |
| Earth's dross out with its own pure fire, | 9 | ·······/˘ |
| Or tolls like some deep angelus | 8 | ·····/˘˘ |
| Through Death's divine nocturnes. | 6 | ··˘/·· |
| "Do roses in the moonlight glow | 8 | ·/˘··/·· |
| Like this and this?" What did she think | 8 | ········ |
| Of him whose hands at Love's command | 8 | ······˘/ |
| Made Life as honey o'er the brink | 8 | ···/˘··· |
| Of Death drip slow, darkling and slow? | 8 | ····/˘·· |
| Ah, did she understand? | 6 | ····˘/ |
| She studied every sob she heard, | 8 | ·/˘/˘··· |
| She watched each dying hope she found; | 8 | ···/˘··· |
| And yet she understood not one | 8 | ····˘/·· |
| Poor sorrow there that like a wound | 8 | ·/˘····· |
| Gaped, bleeding, pleading--for one word-- | 8 | ·/˘/˘··· |
| No? And the dream was done. | 6 | ······ |
| For her--I am "wrapped in incense gloom, | 9 | ······˘/· |
| In drifting clouds and golden light;" | 8 | ·/˘··/˘· |
| Once I was shod with fire and trod | 8 | ·····/·· |
| Beethoven's path through storm and night: | 8 | /˘˘····· |
| It is too late now to resume | 8 | ······˘/ |
| My monologue with God. | 6 | ·/˘··· |
| Well, my lost love, you were so kind | 8 | ········ |
| In those old days: ah, yes; you came | 8 | ········ |
| When I was ill! In dreams you still | 8 | ········ |
| Will come? (Do roses always flame | 8 | ···/˘/·· |
| By moonlight, thus?) I, too, grow blind | 8 | ·/······ |
| With wondering if she will. | 7 | ·/˘˘··· |
| Yet, Floriani, what am I | 7 | ······· |
| To you, though love was life to me? | 8 | ········ |
| My life consumed like some perfumed | 8 | ··˘/··˘/ |
| Pale altar-flame beside the sea: | 8 | ·/˘·˘/·· |
| You stood and smiled and watched it die! | 8 | ········ |
| You, you whom it illumed, | 7 | ······˘ |
| Could you not feed it with your love? | 8 | ········ |
| Am I not starving here and now? | 8 | ···/˘··· |
| Sing, sing! I'd miss no smile or kiss-- | 8 | ········ |
| No roses in Majorca glow | 8 | ·/˘·˘/˘· |
| Like this and this--so death may prove | 8 | ········ |
| Best--ah, how sweet life is! | 6 | ······ |
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