Part II: The Arrival

Alfred Noyes (1880–1958) · 1913

iambic tetrameter · 106 lines · from Collected Poems, Volume One

With rosy finger-tips the DawnDrew back the silver veils,Till lilac shimmered into lawnAbove the satin sails;And o'er the waters, white and wan,In tiny patterned state,We saw the streets of Old JapanShine, like a willow plate.

O, many a milk-white pigeon roamsThe purple cherry crops,The mottled miles of pearly domes,And blue pagoda tops,The river with its golden canesAnd dark piratic dhows,To where beyond the twisting vanesThe burning mountain glows.

A snow-peak in the silver skiesBeyond that magic world,We saw the great volcano riseWith incense o'er it curled,Whose tiny thread of rose and blueHas risen since time began,Before the first enchanter knewThe peak of Old Japan.

Nobody watched us quietly steerThe pinnace to the painted pier,Except one pig-tailed mandarin,Who sat upon a chest of teaPretending not to hear or see!...His hands were very long and thin,His face was very broad and white;And O, it was a fearful sightTo see him sit alone and grin!

His grin was very sleek and sly:Timidly we passed him by.He did not seem at all to care:So, thinking we were safely past,We ventured to look back at last.O, dreadful blank!--He was not there!He must have hid behind his chest:We did not stay to see the rest.

But, as in reckless haste we ran,We came upon the tall thin man,Who called to us and waved his fan,And offered us his palanquin:He said we must not go aloneTo seek the ruby wishing-stone,Because the white-faced mandarinWould dog our steps for many a mile,And sit upon each purple stileBefore we came to it, and smileAnd smile; his name was Creeping Sin.

He played with children's beating hearts,And stuck them full of poisoned dartsAnd long green thorns that stabbed and stung:He'd watch until we tried to speak,Then thrust inside his pasty cheekHis long, white, slimy tongue:And smile at everything we said;And sometimes pat us on the head,And say that we were very young:He was a cousin of the manWho said that there was no Japan.

And night and day this Creeping SinWould follow the path of the palanquin;Yet if we still were fain to touchThe ruby, we must have no fear,Whatever we might see or hear,And the tall thin man would take us there;He did not fear that Sly One much,Except perhaps on a moonless night,Nor even then if the stars were bright.

So, in the yellow palankeenWe swung along in state betweenTwinkling domes of gold and greenThrough the rich bazaar,Where the cross-legged merchants sat,Old and almond-eyed and fat,Each upon a gorgeous mat,Each in a cymar;Each in crimson samite breeches,Watching his barbaric riches.

Cherry blossom breathing sweetWhispered o'er the dim blue streetWhere with fierce uncertain feetTawny pirates walk:All in belts and baggy blouses,Out of dreadful opium houses,Out of dens where Death carouses,Horribly they stalk;Girt with ataghan and dagger,Right across the road they swagger.

And where the cherry orchards blow,We saw the maids of Miyako,Swaying softly to and froThrough the dimness of the dance:Like sweet thoughts that shine through dreamsThey glided, wreathing rosy gleams,With stately sounds of silken streams,And many a slim kohl-lidded glance;Then fluttered with tiny rose-bud feetTo a soft frou-frou and a rhythmic beatAs the music shimmered, pursuit, retreat,"Hands across, retire, advance!"And again it changed and the glimmering throngFaded into a distant song.

Words in this poem 18
enchanter n.
One who enchants; a sorcerer or magician; also, one who delights as by an enchantment. [Cf. F. enchanteur.]
nobody n.
No person; no one; not anybody. [No, a. + body.]
grin n.
A snare; a gin. [AS. grin.]
dreadful a.
Full of dread or terror; fearful.
stile n.
A pin set on the face of a dial, to cast a shadow; a style. See Style. Moxon. [See Style.]
fain v. t.
To be glad ; to wish or desire.
moonless a.
Being without a moon or moonlight.
twinkling n.
The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
bazaar n.
In the East, an exchange, marketplace, or assemblage of shops where goods are exposed for sale. [Per. bazar market.]
gorgeous a.
Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
cymar n.
A sight covering; a scarf. See Simar. [F. simarre. See Chimere.]
samite a.
A species of silk stuff, or taffeta, generally interwoven with gold. [OF. samit, LL. samitum, examitum, from LGr. Six, and cf. Dimity.]
barbaric a.
Of, or from, barbarian nations; foreign; -- often with reference to barbarous nations of east. [L. barbaricus foreign, barbaric, Gr. .]
baggy a.
Resembling a bag; loose or puffed out, or pendent, like a bag; flabby; as, baggy trousers; baggy cheeks.
horribly adv.
In a manner to excite horror; dreadfully; terribly.
girt v. t.
To gird; to encircle; to invest by means of a girdle; to measure the girth of; as, to girt a tree. [From Girt, n., cf. Girth, v.]
swagger v. i.
To walk with a swaying motion; hence, to walk and act in a pompous, consequential manner. [Freq. of swag.]
rhythmic a.
Pertaining to, or of the nature of, rhythm DAy and night I worked my rhythmic thought. Mrs. Browning. [Gr. rhythmicus, F. rhythmique.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part II: The Arrival is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Noyes, Part II: The Arrival, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/part-ii-the-arrival.html, id L21403.

Form and metre

Part II: The Arrival is 106 lines in 11 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB-C-C dawnA · veilsB · lawnA · sailsB · wan · stateC · japan · plateC
  2. 2 ABABC-C- roamsA · cropsB · domesA · topsB · canesC · dhows · vanesC · glows
  3. 3 ABABCDCD skiesA · worldB · riseA · curledB · blueC · beganD · knewC · japanD
  4. 4 AABCCBDDB steerA · pierA · mandarinB · teaC · seeC · thinB · whiteD · sightD · grinB
  5. 5 AABCCBDD slyA · byA · careB · pastC · lastC · thereB · chestD · restD
  6. 6 AAA-BBACCCA ranA · manA · fanA · palanquin · aloneB · stoneB · mandarinA · mileC · stileC · smileC · sinA
  7. 7 AABCCBDDBEE heartsA · dartsA · stungB · speakC · cheekC · tongueB · saidD · headD · youngB · manE · japanE
  8. 8 --ABBBACC sin · palanquin · touchA · fearB · hearB · thereB · muchA · nightC · brightC
  9. 9 AAABCCCB-- palankeenA · betweenA · greenA · bazaarB · satC · fatC · matC · cymarB · breeches · riches
  10. 10 AAABCC-BDD sweetA · streetA · feetA · walkB · blousesC · housesC · carouses · stalkB · daggerD · swaggerD
  11. 11 AAABCCCBDDDBEE blowA · miyakoA · froA · danceB · dreamsC · gleamsC · streamsC · glanceB · feetD · beatD · retreatD · advanceB · throngE · songE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
With rosy finger-tips the Dawn8·/˘/˘···
Drew back the silver veils,6···/˘·
Till lilac shimmered into lawn8·/·/˘···
Above the satin sails;6···/˘·
And o'er the waters, white and wan,8···/˘···
In tiny patterned state,7·/˘/˘˘·
We saw the streets of Old Japan8······˘/
Shine, like a willow plate.6···/··
O, many a milk-white pigeon roams8·/···/˘·
The purple cherry crops,6·/˘/˘·
The mottled miles of pearly domes,8·/˘··/˘·
And blue pagoda tops,6··˘/˘·
The river with its golden canes8·/˘··/˘·
And dark piratic dhows,6··˘/˘·
To where beyond the twisting vanes8·····/˘·
The burning mountain glows.6·/˘/˘·
A snow-peak in the silver skies8·····/˘·
Beyond that magic world,6···/˘·
We saw the great volcano rise8····˘/˘·
With incense o'er it curled,7·/····˘
Whose tiny thread of rose and blue8·/˘·····
Has risen since time began,7·/˘··˘/
Before the first enchanter knew8····˘/˘·
The peak of Old Japan.6····˘/
Nobody watched us quietly steer8/····/˘·
The pinnace to the painted pier,8·/˘··/˘·
Except one pig-tailed mandarin,8·····/˘˘
Who sat upon a chest of tea8········
Pretending not to hear or see!...8˘/˘·····
His hands were very long and thin,8···/˘···
His face was very broad and white;8···/˘···
And O, it was a fearful sight8·····/˘·
To see him sit alone and grin!8····˘/··
His grin was very sleek and sly:8···/˘···
Timidly we passed him by.8/˘˘··˘··
He did not seem at all to care:8········
So, thinking we were safely past,8·/˘··/˘·
We ventured to look back at last.8·/˘·····
O, dreadful blank!--He was not there!8·/˘·····
He must have hid behind his chest:8········
We did not stay to see the rest.8········
But, as in reckless haste we ran,8···/˘···
We came upon the tall thin man,8········
Who called to us and waved his fan,8········
And offered us his palanquin:8·/˘·····
He said we must not go alone8······˘/
To seek the ruby wishing-stone,8···/˘/˘·
Because the white-faced mandarin8·····/˘˘
Would dog our steps for many a mile,8··/··/··
And sit upon each purple stile8·····/˘·
Before we came to it, and smile8········
And smile; his name was Creeping Sin.8·····/˘·
He played with children's beating hearts,8···/˘/˘·
And stuck them full of poisoned darts8·····/˘·
And long green thorns that stabbed and stung:8········
He'd watch until we tried to speak,8········
Then thrust inside his pasty cheek8··˘/·/˘·
His long, white, slimy tongue:6···/˘·
And smile at everything we said;8···/˘···
And sometimes pat us on the head,8·˘/·····
And say that we were very young:8·····/˘·
He was a cousin of the man8···/˘···
Who said that there was no Japan.8······˘/
And night and day this Creeping Sin8·····/˘·
Would follow the path of the palanquin;10·/˘·······
Yet if we still were fain to touch8········
The ruby, we must have no fear,8·/˘·····
Whatever we might see or hear,8·/˘·····
And the tall thin man would take us there;9·········
He did not fear that Sly One much,8········
Except perhaps on a moonless night,9··˘/··/˘·
Nor even then if the stars were bright.8·/······
So, in the yellow palankeen8···/˘···
We swung along in state between8··˘/····
Twinkling domes of gold and green8/˘˘·····
Through the rich bazaar,5···˘/
Where the cross-legged merchants sat,8···/˘/˘·
Old and almond-eyed and fat,7··/˘···
Each upon a gorgeous mat,7····/˘·
Each in a cymar;5···˘/
Each in crimson samite breeches,8··/˘/˘/˘
Watching his barbaric riches.8/˘·˘/˘/˘
Cherry blossom breathing sweet7/˘/˘/˘·
Whispered o'er the dim blue street8/˘˘·····
Where with fierce uncertain feet7···˘/˘·
Tawny pirates walk:5/˘/˘·
All in belts and baggy blouses,8····/˘/˘
Out of dreadful opium houses,9··/˘/˘˘/˘
Out of dens where Death carouses,8·····˘/˘
Horribly they stalk;5/˘˘··
Girt with ataghan and dagger,8··/˘˘·/˘
Right across the road they swagger.8·˘/···/˘
And where the cherry orchards blow,8···/˘/˘·
We saw the maids of Miyako,8·····/··
Swaying softly to and fro7/˘/˘···
Through the dimness of the dance:7··/˘···
Like sweet thoughts that shine through dreams7·······
They glided, wreathing rosy gleams,8·/˘/˘/˘·
With stately sounds of silken streams,8·/˘··/˘·
And many a slim kohl-lidded glance;8·/···/˘·
Then fluttered with tiny rose-bud feet9·/˘·/˘···
To a soft frou-frou and a rhythmic beat10·······/˘·
As the music shimmered, pursuit, retreat,10··/˘/˘˘/˘/
"Hands across, retire, advance!"7·˘/˘/˘/
And again it changed and the glimmering throng10·˘/····/˘·
Faded into a distant song.8/˘···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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