Section III
The lover from his mistress parted,Lingering, oppressed, and broken-hearted,Sank, like the sun all rayless, down—Khosrú, without his throne or crown.With matted locks and bosom bare,Unshielded from the scorching air,This hapless youth, absorbed in grief,Hoped with his friends to find relief;The few, by strong affection bound,And, 'midst his woes, still faithful found.But vain the refuge—friendship's smileCould not his love-lorn heart beguile:Again he hastened to that place remote,Where all he loved in life had gone:He called her magic name, but she was not,Nor of her kindred, one, not one,In that sequestered lonely spot:He called a thousand times, but called in vain;None heeded, for none heard the strain;And thence no fond reply that hapless youth could gain.Lailí had, with her kindred, been removedAmong the Nijid mountains, whereShe cherished still the thoughts of him she lovedAnd her affection thus more deeply provedAmid that wild retreat. Kais sought her there;Sought her in rosy bower and silent glade,Where the tall palm-trees flung refreshing shade.He called upon her name again;Again he called, alas! in vain;His voice unheard, though raised on every side;Echo alone to his lament replied;And Lailí! Lailí! rang around,As if enamoured of that magic sound.Dejected and forlorn, fast-falling dewGlistened upon his cheeks of pallid hueThrough grove and frowning glen he lonely strayed,And with his griefs the rocks were vocal made.Beautiful Lailí! had she gone for ever?—Could he that thought support? oh, never, never!Whilst deep emotion agonised his breast,He to the morning-breeze these words addressed:—
'Breeze of the morn! so fresh and sweet,Wilt thou my blooming mistress greet;And, nestling in her glossy hair,My tenderest thoughts, my love, declare?Wilt thou, while 'mid her tresses sporting,Their odorous balm, their perfume courting,Say to that soul-seducing maid,In grief how prostrate I am laid!And gently whisper in her earThis message, with an accent clear:—"Thy form is ever in my sight,In thought by day, in dreams by night;For one, in spirits sad and broken,That mole would be the happiest token;That mole which adds to every lookA magic spell I cannot brook;For he who sees thy melting charms,And does not feel his soul in arms,Bursting with passion, rapture, allThat speak love's deepest, wildest thrall,Must be, as Kâf's ice-summit, cold,And, haply, scarce of human mould.Let him, unmoved by charms like thine,His worthless life at once resign—Those lips are sugar, heavenly sweet;O let but mine their pouting meet!The balsam of delight they shed;Their radiant colour ruby-red.The Evil eye has struck my heart,But thine in beauty sped the dart:Thus many a flower, of richest hue,Hath fallen and perished where it grew;Thy beauty is the sun in brightness,Thy form a Peri's self in lightness;A treasure thou, which, poets say,The heavens would gladly steal away—Too good, too pure, on earth to stay!"'
Words in this poem 15
- rayless a.
- Destitute of rays; hence, dark; not illuminated; blind; as, a rayless sky; rayless eyes.
- scorching a.
- Burning; parching or shriveling with heat.
- hapless a.
- Without hap or luck; luckless; unfortunate; unlucky; unhappy; as, hapless youth; hapless maid.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- unheard a.
- Not heard; not perceived by the ear; as, words unheard by those present.
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- nestling n.
- A young bird which has not abandoned the nest. Piers Plowman.
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- unmoved a.
- Not moved; fixed; firm; unshaken; calm; apathetic.
- pouting n.
- Childish sullenness.
- gladly adv.
- Preferably; by choice. [From Glad, a.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Section III is in the public domain. This text is taken from The Loves of Laili and Majnun: A Poem from the Original Persian of Nizami, by James Atkinson, edited by the Rev. J. A. Atkinson (London: David Nutt, 1894), reprinting the Oriental Translation Fund edition of 1836, Internet Archive, the James Atkinson translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Nizami Ganjavi, Section III, in The Loves of Laili and Majnun (1836), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/nizami-laili-and-majnun/section-iii.html, id L29210.
Form and metre
Section III is 78 lines in 2 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFF--G-GHHHIJ-IJKK--LLMMNNOOPPQQ partedA · heartedA · downB · crownB · bareC · airC · griefD · reliefD · boundE · foundE · smileF · beguileF · remote · gone · notG · one · spotG · vainH · strainH · gainH · removedI · whereJ · loved · provedI · thereJ · gladeK · shadeK · again · vain · sideL · repliedL · aroundM · soundM · dewN · hueN · strayedO · madeO · everP · neverP · breastQ · addressedQ
- 2 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRR sweetA · greetA · hairB · declareB · sportingC · courtingC · maidD · laidD · earE · clearE · sightF · nightF · brokenG · tokenG · lookH · brookH · charmsI · armsI · allJ · thrallJ · coldK · mouldK · thineL · resignL · sweetM · meetM · shedN · redN · heartO · dartO · hueP · grewP · brightnessQ · lightnessQ · sayR · awayR · stayR
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The lover from his mistress parted, | 9 | ·/˘··/˘/˘ |
| Lingering, oppressed, and broken-hearted, | 9 | /˘˘/·/˘/˘ |
| Sank, like the sun all rayless, down— | 8 | ·····/˘· |
| Khosrú, without his throne or crown. | 7 | ······· |
| With matted locks and bosom bare, | 8 | ·/˘··/˘· |
| Unshielded from the scorching air, | 8 | ·····/˘· |
| This hapless youth, absorbed in grief, | 8 | ·/˘·˘/·· |
| Hoped with his friends to find relief; | 8 | ······˘/ |
| The few, by strong affection bound, | 8 | ····˘/˘· |
| And, 'midst his woes, still faithful found. | 8 | ·····/˘· |
| But vain the refuge—friendship's smile | 8 | ···/˘/˘· |
| Could not his love-lorn heart beguile: | 8 | ······˘/ |
| Again he hastened to that place remote, | 10 | ˘/·/˘···˘/ |
| Where all he loved in life had gone: | 8 | ········ |
| He called her magic name, but she was not, | 10 | ···/˘····· |
| Nor of her kindred, one, not one, | 8 | ···/˘··· |
| In that sequestered lonely spot: | 8 | ··˘/˘/˘· |
| He called a thousand times, but called in vain; | 10 | ···/˘····· |
| None heeded, for none heard the strain; | 8 | ·/˘····· |
| And thence no fond reply that hapless youth could gain. | 12 | ····˘/·/˘··· |
| Lailí had, with her kindred, been removed | 9 | ····/˘·˘/ |
| Among the Nijid mountains, where | 8 | ·····/˘· |
| She cherished still the thoughts of him she loved | 10 | ·/˘······· |
| And her affection thus more deeply proved | 10 | ··˘/˘··/˘· |
| Amid that wild retreat. Kais sought her there; | 10 | ˘/··˘/···· |
| Sought her in rosy bower and silent glade, | 10 | ···/˘/·/˘· |
| Where the tall palm-trees flung refreshing shade. | 10 | ······˘/˘· |
| He called upon her name again; | 8 | ······˘/ |
| Again he called, alas! in vain; | 8 | ˘/··˘/·· |
| His voice unheard, though raised on every side; | 10 | ··˘/···/˘· |
| Echo alone to his lament replied; | 10 | /˘˘/··˘/˘/ |
| And Lailí! Lailí! rang around, | 6 | ······ |
| As if enamoured of that magic sound. | 10 | ··˘/˘··/˘· |
| Dejected and forlorn, fast-falling dew | 10 | ˘/˘·˘/·/˘· |
| Glistened upon his cheeks of pallid hue | 10 | /˘·····/˘· |
| Through grove and frowning glen he lonely strayed, | 10 | ···/˘··/˘· |
| And with his griefs the rocks were vocal made. | 10 | ·······/˘· |
| Beautiful Lailí! had she gone for ever?— | 8 | /˘·····/ |
| Could he that thought support? oh, never, never! | 9 | ····˘/·// |
| Whilst deep emotion agonised his breast, | 10 | ··˘/˘/˘··· |
| He to the morning-breeze these words addressed:— | 10 | ···/˘···˘/ |
| 'Breeze of the morn! so fresh and sweet, | 8 | ········ |
| Wilt thou my blooming mistress greet; | 8 | ···/˘/˘· |
| And, nestling in her glossy hair, | 8 | ·/˘··/˘· |
| My tenderest thoughts, my love, declare? | 8 | ·/˘···˘/ |
| Wilt thou, while 'mid her tresses sporting, | 9 | ·····/˘/˘ |
| Their odorous balm, their perfume courting, | 9 | ·/˘··˘//˘ |
| Say to that soul-seducing maid, | 8 | ····˘/˘· |
| In grief how prostrate I am laid! | 8 | ···/˘··· |
| And gently whisper in her ear | 8 | ·/˘/˘··· |
| This message, with an accent clear:— | 8 | ·/˘··/·· |
| "Thy form is ever in my sight, | 8 | ···/˘··· |
| In thought by day, in dreams by night; | 8 | ········ |
| For one, in spirits sad and broken, | 9 | ···/˘··/˘ |
| That mole would be the happiest token; | 9 | ·····/˘/˘ |
| That mole which adds to every look | 8 | ·····/˘· |
| A magic spell I cannot brook; | 8 | ·/˘··/˘· |
| For he who sees thy melting charms, | 8 | ·····/˘· |
| And does not feel his soul in arms, | 8 | ········ |
| Bursting with passion, rapture, all | 8 | /˘·/˘/˘· |
| That speak love's deepest, wildest thrall, | 8 | ···/˘/˘· |
| Must be, as Kâf's ice-summit, cold, | 8 | ·····/˘· |
| And, haply, scarce of human mould. | 8 | ·/˘··/˘· |
| Let him, unmoved by charms like thine, | 8 | ··˘/···· |
| His worthless life at once resign— | 8 | ·/˘···˘/ |
| Those lips are sugar, heavenly sweet; | 8 | ···/˘/˘· |
| O let but mine their pouting meet! | 8 | ·····/˘· |
| The balsam of delight they shed; | 8 | ·/˘·˘/·· |
| Their radiant colour ruby-red. | 8 | ·/˘/˘/˘· |
| The Evil eye has struck my heart, | 8 | ·/˘····· |
| But thine in beauty sped the dart: | 8 | ···/˘··· |
| Thus many a flower, of richest hue, | 8 | ·/·/·/˘· |
| Hath fallen and perished where it grew; | 9 | ·/˘·/˘··· |
| Thy beauty is the sun in brightness, | 9 | ·/˘····/˘ |
| Thy form a Peri's self in lightness; | 9 | ·······/˘ |
| A treasure thou, which, poets say, | 8 | ·/˘··/˘· |
| The heavens would gladly steal away— | 9 | ·/˘·/˘·˘/ |
| Too good, too pure, on earth to stay!"' | 8 | ········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.