Interim

Edna St. Vincent Millay (1892–1950) · 1917

iambic pentameter · unrhymed · 209 lines · from Renascence and Other Poems

The room is full of you!--As I came inAnd closed the door behind me, all at onceA something in the air, intangible,Yet stiff with meaning, struck my senses sick!--

Sharp, unfamiliar odors have destroyedEach other room's dear personality.The heavy scent of damp, funereal flowers,--The very essence, hush-distilled, of Death--Has strangled that habitual breath of homeWhose expiration leaves all houses dead;And wheresoe'er I look is hideous change.Save here. Here 'twas as if a weed-choked gateHad opened at my touch, and I had steppedInto some long-forgot, enchanted, strange,Sweet garden of a thousand years agoAnd suddenly thought, "I have been here before!"

You are not here. I know that you are gone,And will not ever enter here again.And yet it seems to me, if I should speak,Your silent step must wake across the hall;If I should turn my head, that your sweet eyesWould kiss me from the door.--So short a timeTo teach my life its transposition toThis difficult and unaccustomed key!--The room is as you left it; your last touch--A thoughtless pressure, knowing not itselfAs saintly--hallows now each simple thing;Hallows and glorifies, and glows betweenThe dust's grey fingers like a shielded light.

There is your book, just as you laid it down,Face to the table,--I cannot believeThat you are gone!--Just then it seemed to meYou must be here. I almost laughed to thinkHow like reality the dream had been;Yet knew before I laughed, and so was still.That book, outspread, just as you laid it down!Perhaps you thought, "I wonder what comes next,And whether this or this will be the end";So rose, and left it, thinking to return.

Perhaps that chair, when you arose and passedOut of the room, rocked silently a whileEre it again was still. When you were goneForever from the room, perhaps that chair,Stirred by your movement, rocked a little while,Silently, to and fro. . .

And here are the last words your fingers wrote,Scrawled in broad characters across a pageIn this brown book I gave you. Here your hand,Guiding your rapid pen, moved up and down.Here with a looping knot you crossed a "t",And here another like it, just beyondThese two eccentric "e's". You were so small,And wrote so brave a hand!How strange it seemsThat of all words these are the words you chose!And yet a simple choice; you did not knowYou would not write again. If you had known--But then, it does not matter,--and indeedIf you had known there was so little timeYou would have dropped your pen and come to meAnd this page would be empty, and some phraseOther than this would hold my wonder now.Yet, since you could not know, and it befellThat these are the last words your fingers wrote,There is a dignity some might not seeIn this, "I picked the first sweet-pea to-day."To-day! Was there an opening bud beside itYou left until to-morrow?--O my love,The things that withered,--and you came not back!That day you filled this circle of my armsThat now is empty. (O my empty life!)That day--that day you picked the first sweet-pea,--And brought it in to show me! I recallWith terrible distinctness how the smellOf your cool gardens drifted in with you.I know, you held it up for me to seeAnd flushed because I looked not at the flower,But at your face; and when behind my lookYou saw such unmistakable intentYou laughed and brushed your flower against my lips.(You were the fairest thing God ever made,I think.) And then your hands above my heartDrew down its stem into a fastening,And while your head was bent I kissed your hair.I wonder if you knew. (Beloved hands!Somehow I cannot seem to see them still.Somehow I cannot seem to see the dustIn your bright hair.) What is the need of HeavenWhen earth can be so sweet?--If only GodHad let us love,--and show the world the way!Strange cancellings must ink th' eternal booksWhen love-crossed-out will bring the answer right!That first sweet-pea! I wonder where it is.It seems to me I laid it down somewhere,And yet,--I am not sure. I am not sure,Even, if it was white or pink; for then'Twas much like any other flower to me,Save that it was the first. I did not know,Then, that it was the last. If I had known--But then, it does not matter. Strange how few,After all's said and done, the things that areOf moment.Few indeed! When I can makeOf ten small words a rope to hang the world!"I had you and I have you now no more."There, there it dangles,--where's the little truthThat can for long keep footing under thatWhen its slack syllables tighten to a thought?Here, let me write it down! I wish to seeJust how a thing like that will look on paper!

O little words, how can you run so straightAcross the page, beneath the weight you bear?How can you fall apart, whom such a themeHas bound together, and hereafter aidIn trivial expression, that have beenSo hideously dignified?--Would GodThat tearing you apart would tear the threadI strung you on! Would God--O God, my mindStretches asunder on this merciless rackOf imagery! O, let me sleep a while!Would I could sleep, and wake to find me backIn that sweet summer afternoon with you.Summer? 'Tis summer still by the calendar!How easily could God, if He so willed,Set back the world a little turn or two!Correct its griefs, and bring its joys again!

We were so wholly one I had not thoughtThat we could die apart. I had not thoughtThat I could move,--and you be stiff and still!That I could speak,--and you perforce be dumb!I think our heart-strings were, like warp and woofIn some firm fabric, woven in and out;Your golden filaments in fair designAcross my duller fibre. And to-dayThe shining strip is rent; the exquisiteFine pattern is destroyed; part of your heartAches in my breast; part of my heart lies chilledIn the damp earth with you. I have been tornIn two, and suffer for the rest of me.What is my life to me? And what am ITo life,--a ship whose star has guttered out?A Fear that in the deep night starts awakePerpetually, to find its senses strainedAgainst the taut strings of the quivering air,Awaiting the return of some dread chord?

All else were contrast,--save that contrast's wallIs down, and all opposed things flow togetherInto a vast monotony, where nightAnd day, and frost and thaw, and death and life,Are synonyms. What now--what now to meAre all the jabbering birds and foolish flowersThat clutter up the world? You were my song!Now, let discord scream! You were my flower!Now let the world grow weeds! For I shall notPlant things above your grave--(the common balmOf the conventional woe for its own wound!)Amid sensations rendered negativeBy your elimination stands to-day,Certain, unmixed, the element of grief;I sorrow; and I shall not mock my truthWith travesties of suffering, nor seekTo effigy its incorporeal bulkIn little wry-faced images of woe.

I cannot call you back; and I desireNo utterance of my immaterial voice.I cannot even turn my face this wayOr that, and say, "My face is turned to you";I know not where you are, I do not knowIf Heaven hold you or if earth transmute,Body and soul, you into earth again;But this I know:--not for one second's spaceShall I insult my sight with visioningsSuch as the credulous crowd so eager-eyedBeholds, self-conjured, in the empty air.Let the world wail! Let drip its easy tears!My sorrow shall be dumb!

--What do I say?God! God!--God pity me! Am I gone madThat I should spit upon a rosary?Am I become so shrunken? Would to GodI too might feel that frenzied faith whose touchMakes temporal the most enduring grief;Though it must walk a while, as is its wont,With wild lamenting! Would I too might weepWhere weeps the world and hangs its piteous wreathsFor its new dead! Not Truth, but Faith, it isThat keeps the world alive. If all at onceFaith were to slacken,--that unconscious faithWhich must, I know, yet be the corner-stoneOf all believing,--birds now flying fearlessAcross would drop in terror to the earth;Fishes would drown; and the all-governing reinsWould tangle in the frantic hands of GodAnd the worlds gallop headlong to destruction!

O God, I see it now, and my sick brainStaggers and swoons! How often over meFlashes this breathlessness of sudden sightIn which I see the universe unrolledBefore me like a scroll and read thereonChaos and Doom, where helpless planets whirlDizzily round and round and round and round,Like tops across a table, gathering speedWith every spin, to waver on the edgeOne instant--looking over--and the nextTo shudder and lurch forward out of sight--

Ah, I am worn out--I am wearied out--It is too much--I am but flesh and blood,And I must sleep. Though you were dead again,I am but flesh and blood and I must sleep.

Words in this poem 33
intangible a.
Not tangible; incapable of being touched; not perceptible to the touch; impalpable; imperceptible. Bp. Wilkins. [Pref. in- not + tangible: cf. F. intangible.]
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
outspread v. t.
To spread out; to expand; -- usually as a past part. or adj.
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
looping n.
The running together of the matter of an ore into a mass, when the ore is only heated for calcination. [Cf. D. loopen to run. Cf. Loop a mass of iron, Leap.]
unmistakable a.
Incapable of being mistaken or misunderstood; clear; plain; obvious; evident.
somehow adv.
In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
somewhere adv.
In some place unknown or not specified; in one place or another.
hereafter adv.
In time to come; in some future time or state. [AS. hræfter.]
trivial a.
Found anywhere; common. [L. trivialis, properly, that is in, or belongs to, the crossroads or public streets; hence, that may be found everywhere, common, fr. trivium a place where thre]
imagery n.
The work of one who makes images or visible representation of objects; imitation work; images in general, or in mass. [OE. imagerie, F. imagerie.]
afternoon n.
The part of the day which follows noon, between noon and evening.
perforce v. t.
To force; to compel.
duller n.
One who, or that which, dulls.
fibre n.
One of the delicate, threadlike portions of which the tissues of plants and animals are in part constituted; as, the fiber of flax or of muscle. [F. fibre, L. fibra.]
chilled a.
Hardened on the surface or edge by chilling; as, chilled iron; a chilled wheel.
perpetually adv.
In a perpetual manner; constantly; continually.
monotony n.
A frequent recurrence of the same tone or sound, producing a dull uniformity; absence of variety, as in speaking or singing. [Gr. monotonie. See Monotonius.]
thaw v. i.
To melt, dissolve, or become fluid; to soften; -- said of that which is frozen; as, the ice thaws.
clutter v. t.
To clot or coagulate, as blood. Holland. [From Clod, n.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
elimination n.
The act of expelling or throwing off; (Physiol.) [Cf. F. élimination.]
transmute v. t.
To change from one nature, form, or substance, into another; to transform. [L. transmutare, transmutatum; trans across + mutare to change. See Mutable, and cf. Transmew.]
drip v. i.
To fall in drops; as, water drips from the eaves. [Akin to LG. drippen, Dan. dryppe, from a noun. See Drop.]
rosary n.
A bed of roses, or place where roses grow. [LL. rosarium a string of beads, L. rosarium a place planted with roses, rosa a rose: cf. F. rosaire. See Rose.]
tangle v. t.
To unite or knit together confusedly; to interweave or interlock, as threads, so as to make it difficult to unravel the knot; to entangle; to ravel. [A frequentative fr. tang seaweed; hence, to twist like seaweed. See Tang seaweed, and cf. Tangle, n.]
breathlessness n.
The state of being breathless or out of breath.
thereon adv.
On that or this. [AS. . See There, and On.]
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
dizzily adv.
In a dizzy manner or state.
waver v. i.
To play or move to and fro; to move one way and the other; hence, to totter; to reel; to swing; to flutter. [OE. waveren, from AS. wæfre wavering, restless. See Wave, v. i.]
lurch v. t.
To leave in the lurch; to cheat.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Interim is in the public domain. This text is taken from Renascence, and Other Poems, Project Gutenberg ebook #109; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edna St. Vincent Millay, Interim, in Renascence and Other Poems (1917), text of Project Gutenberg ebook #109, Laurel, https://laurelpoetry.com/poem/millay-renascence/interim.html, id L07722.

Form and metre

Interim is 209 lines in 13 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 16 lines end on an unstressed syllable, a feminine ending. 50% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 ------A--A-- destroyed · personality · flowers · death · home · dead · changeA · gate · stepped · strangeA · ago · before
  2. 4 A-----A--- downA · believe · me · think · been · still · downA · next · end · return
  3. 5 -A--A- passed · whileA · gone · chair · whileA · fro
  4. 6 --------------------------A---A---------------------------------- wrote · page · hand · down · t · beyond · small · hand · seems · chose · know · known · indeed · time · me · phrase · now · befell · wrote · see · day · it · love · back · arms · life · peaA · recall · smell · you · seeA · flower · look · intent · lips · made · heart · fastening · hair · hands · still · dust · heaven · god · way · books · right · is · somewhere · sure · then · me · know · known · few · are · moment · make · world · more · truth · that · thought · see · paper
  5. 7 --------A-AB--B- straight · bear · theme · aid · been · god · thread · mind · rackA · while · backA · youB · calendar · willed · twoB · again
  6. 8 AA---B--B---CCB---- thoughtA · thoughtA · still · dumb · woof · outB · design · day · exquisiteB · heart · chilled · torn · meC · iC · outB · awake · strained · air · chord
  7. 11 ---A------------A- say · mad · rosary · godA · touch · grief · wont · weep · wreaths · is · once · faith · stone · fearless · earth · reins · godA · destruction
  8. 12 --A-------A brain · me · sightA · unrolled · thereon · whirl · round · speed · edge · next · sightA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
The room is full of you!--As I came in10··········
And closed the door behind me, all at once10··········
A something in the air, intangible,10·/˘···˘/˘˘
Yet stiff with meaning, struck my senses sick!--10···/˘··/˘·
Sharp, unfamiliar odors have destroyed10··˘/˘/˘·˘/
Each other room's dear personality.10·/˘···˘/˘˘
The heavy scent of damp, funereal flowers,--11·/˘···˘/˘˘/
The very essence, hush-distilled, of Death--10·/˘/˘·˘/··
Has strangled that habitual breath of home10·/˘·˘/˘···
Whose expiration leaves all houses dead;10··˘/˘··/˘·
And wheresoe'er I look is hideous change.10·······/˘·
Save here. Here 'twas as if a weed-choked gate10··········
Had opened at my touch, and I had stepped10·/˘·······
Into some long-forgot, enchanted, strange,10····˘/˘/˘·
Sweet garden of a thousand years ago10·/˘··/˘·˘/
And suddenly thought, "I have been here before!"10·/˘·······
You are not here. I know that you are gone,10··········
And will not ever enter here again.10···/˘/˘·˘/
And yet it seems to me, if I should speak,10··········
Your silent step must wake across the hall;10·/˘···˘/··
If I should turn my head, that your sweet eyes10··········
Would kiss me from the door.--So short a time10··········
To teach my life its transposition to10··········
This difficult and unaccustomed key!--10·/˘˘··˘/˘·
The room is as you left it; your last touch--10··········
A thoughtless pressure, knowing not itself10·/˘/˘/˘·˘/
As saintly--hallows now each simple thing;10·/˘/˘··/˘·
Hallows and glorifies, and glows between10/˘·/˘·····
The dust's grey fingers like a shielded light.10···/˘··/˘·
There is your book, just as you laid it down,10··········
Face to the table,--I cannot believe10···/˘·˘/˘/
That you are gone!--Just then it seemed to me10··········
You must be here. I almost laughed to think10·····/····
How like reality the dream had been;10··˘/˘˘····
Yet knew before I laughed, and so was still.10··········
That book, outspread, just as you laid it down!10··˘/······
Perhaps you thought, "I wonder what comes next,10˘/···/˘···
And whether this or this will be the end";10··········
So rose, and left it, thinking to return.10·····/˘·˘/
Perhaps that chair, when you arose and passed10˘/····˘/··
Out of the room, rocked silently a while10·····/˘˘··
Ere it again was still. When you were gone10··˘/······
Forever from the room, perhaps that chair,10˘/˘···˘/··
Stirred by your movement, rocked a little while,10···/˘··/˘·
Silently, to and fro. . .6/˘˘···
And here are the last words your fingers wrote,10·······/˘·
Scrawled in broad characters across a page10···/˘˘˘/··
In this brown book I gave you. Here your hand,10··········
Guiding your rapid pen, moved up and down.10/˘·/˘·····
Here with a looping knot you crossed a "t",10···/˘·····
And here another like it, just beyond10··˘/˘·····
These two eccentric "e's". You were so small,10··˘/˘·····
And wrote so brave a hand!6······
How strange it seems4····
That of all words these are the words you chose!10··········
And yet a simple choice; you did not know10···/˘·····
You would not write again. If you had known--10····˘/····
But then, it does not matter,--and indeed10·····/˘·˘/
If you had known there was so little time10·······/˘·
You would have dropped your pen and come to me10··········
And this page would be empty, and some phrase10·····/˘···
Other than this would hold my wonder now.10/˘·····/˘·
Yet, since you could not know, and it befell10········˘/
That these are the last words your fingers wrote,10·······/˘·
There is a dignity some might not see10···/˘˘····
In this, "I picked the first sweet-pea to-day."10··········
To-day! Was there an opening bud beside it11·····/˘·˘/·
You left until to-morrow?--O my love,10·····/˘···
The things that withered,--and you came not back!10···/˘·····
That day you filled this circle of my arms10·····/˘···
That now is empty. (O my empty life!)10···/˘··/˘·
That day--that day you picked the first sweet-pea,--10··········
And brought it in to show me! I recall10········/·
With terrible distinctness how the smell10·/˘˘˘/˘···
Of your cool gardens drifted in with you.10···/˘/˘···
I know, you held it up for me to see10··········
And flushed because I looked not at the flower,11·········/˘
But at your face; and when behind my look10··········
You saw such unmistakable intent10····˘/˘˘˘/
You laughed and brushed your flower against my lips.10·····/····
(You were the fairest thing God ever made,10···/˘··/˘·
I think.) And then your hands above my heart10··········
Drew down its stem into a fastening,10·······/˘˘
And while your head was bent I kissed your hair.10··········
I wonder if you knew. (Beloved hands!10·/˘···˘/˘·
Somehow I cannot seem to see them still.10/··˘/·····
Somehow I cannot seem to see the dust10/··˘/·····
In your bright hair.) What is the need of Heaven11·········/˘
When earth can be so sweet?--If only God10·······/˘·
Had let us love,--and show the world the way!10··········
Strange cancellings must ink th' eternal books10·/˘˘··˘/˘·
When love-crossed-out will bring the answer right!10·······/˘·
That first sweet-pea! I wonder where it is.10·····/˘···
It seems to me I laid it down somewhere,10········/·
And yet,--I am not sure. I am not sure,10··········
Even, if it was white or pink; for then10/˘········
'Twas much like any other flower to me,10···/˘/˘/··
Save that it was the first. I did not know,10··········
Then, that it was the last. If I had known--10··········
But then, it does not matter. Strange how few,10·····/˘···
After all's said and done, the things that are10··········
Of moment.3·/˘
Few indeed! When I can make7·˘/····
Of ten small words a rope to hang the world!10··········
"I had you and I have you now no more."10··········
There, there it dangles,--where's the little truth10···/˘··/˘·
That can for long keep footing under that10·····/˘···
When its slack syllables tighten to a thought?10···/˘/˘···
Here, let me write it down! I wish to see10··········
Just how a thing like that will look on paper!11·········/˘
O little words, how can you run so straight10·/˘·······
Across the page, beneath the weight you bear?10˘/········
How can you fall apart, whom such a theme10····˘/····
Has bound together, and hereafter aid10··˘/˘·˘/˘·
In trivial expression, that have been10·/˘˘˘/˘···
So hideously dignified?--Would God10·/˘˘˘/˘···
That tearing you apart would tear the thread10·/˘·˘/····
I strung you on! Would God--O God, my mind10··········
Stretches asunder on this merciless rack10/˘˘/˘··/˘·
Of imagery! O, let me sleep a while!10·/˘˘······
Would I could sleep, and wake to find me back10··········
In that sweet summer afternoon with you.10···/˘·˘/··
Summer? 'Tis summer still by the calendar!11/˘·/˘···/˘˘
How easily could God, if He so willed,10·/˘˘······
Set back the world a little turn or two!10·····/˘···
Correct its griefs, and bring its joys again!10˘/······˘/
We were so wholly one I had not thought10···/˘·····
That we could die apart. I had not thought10····˘/····
That I could move,--and you be stiff and still!10··········
That I could speak,--and you perforce be dumb!10······˘/··
I think our heart-strings were, like warp and woof10··/·······
In some firm fabric, woven in and out;10···/˘/˘···
Your golden filaments in fair design10·/˘/˘˘··˘/
Across my duller fibre. And to-day10˘/·/˘/˘···
The shining strip is rent; the exquisite10·/˘····/˘˘
Fine pattern is destroyed; part of your heart10·/˘·˘/····
Aches in my breast; part of my heart lies chilled10··········
In the damp earth with you. I have been torn10··········
In two, and suffer for the rest of me.10···/˘·····
What is my life to me? And what am I10··········
To life,--a ship whose star has guttered out?10·······/˘·
A Fear that in the deep night starts awake10········˘/
Perpetually, to find its senses strained10˘/˘˘···/˘·
Against the taut strings of the quivering air,10·······/˘·
Awaiting the return of some dread chord?10˘/˘·˘/····
All else were contrast,--save that contrast's wall10···/˘··/˘·
Is down, and all opposed things flow together11····˘/··˘/˘
Into a vast monotony, where night10····˘/˘˘··
And day, and frost and thaw, and death and life,10··········
Are synonyms. What now--what now to me10·/˘·······
Are all the jabbering birds and foolish flowers11········/˘/
That clutter up the world? You were my song!10·/˘·······
Now, let discord scream! You were my flower!10··/˘····/˘
Now let the world grow weeds! For I shall not10··········
Plant things above your grave--(the common balm10·······/˘·
Of the conventional woe for its own wound!)10··˘/˘·····
Amid sensations rendered negative10˘/˘/˘/˘/˘˘
By your elimination stands to-day,10··˘·˘/˘···
Certain, unmixed, the element of grief;10/˘˘/·/˘˘··
I sorrow; and I shall not mock my truth10·/˘·······
With travesties of suffering, nor seek10·/˘˘·/˘˘··
To effigy its incorporeal bulk10·/˘˘······
In little wry-faced images of woe.10·/˘··/˘˘··
I cannot call you back; and I desire11·/˘·····˘/˘
No utterance of my immaterial voice.10·/˘···˘/˘·
I cannot even turn my face this way10·/˘/˘·····
Or that, and say, "My face is turned to you";10··········
I know not where you are, I do not know10··········
If Heaven hold you or if earth transmute,10·/˘·····˘/
Body and soul, you into earth again;10/˘······˘/
But this I know:--not for one second's space10·······/˘·
Shall I insult my sight with visionings10··˘/······
Such as the credulous crowd so eager-eyed10···/˘··/˘·
Beholds, self-conjured, in the empty air.10˘/·/˘··/˘·
Let the world wail! Let drip its easy tears!10·······/˘·
My sorrow shall be dumb!6·/˘···
--What do I say?4····
God! God!--God pity me! Am I gone mad10···/˘·····
That I should spit upon a rosary?10·······/˘˘
Am I become so shrunken? Would to God10··˘/·/˘···
I too might feel that frenzied faith whose touch10·····/˘···
Makes temporal the most enduring grief;10·/˘˘··˘/˘·
Though it must walk a while, as is its wont,10··········
With wild lamenting! Would I too might weep10··˘/˘·····
Where weeps the world and hangs its piteous wreaths11·······/˘˘·
For its new dead! Not Truth, but Faith, it is10··········
That keeps the world alive. If all at once10····˘/····
Faith were to slacken,--that unconscious faith10···/˘··/˘·
Which must, I know, yet be the corner-stone10·······/˘·
Of all believing,--birds now flying fearless11··˘/˘··/˘/˘
Across would drop in terror to the earth;10˘/···/˘···
Fishes would drown; and the all-governing reins10/˘·····/˘·
Would tangle in the frantic hands of God10·/˘··/˘···
And the worlds gallop headlong to destruction!11···/˘/··˘/˘
O God, I see it now, and my sick brain10··········
Staggers and swoons! How often over me10/˘···/˘···
Flashes this breathlessness of sudden sight10/˘·/˘˘·/˘·
In which I see the universe unrolled10·····/˘···
Before me like a scroll and read thereon10········˘/
Chaos and Doom, where helpless planets whirl10/˘···/˘/˘·
Dizzily round and round and round and round,10/˘˘·······
Like tops across a table, gathering speed10··˘/·/˘/˘·
With every spin, to waver on the edge10·/˘··/˘···
One instant--looking over--and the next10·/˘/˘·····
To shudder and lurch forward out of sight--10·/˘··/˘···
Ah, I am worn out--I am wearied out--10·······/˘·
It is too much--I am but flesh and blood,10··········
And I must sleep. Though you were dead again,10········˘/
I am but flesh and blood and I must sleep.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Edna St. Vincent Millay