Ken
The town is old and very steep,A place of bells and cloisters and grey towers,And black clad people walking in their sleep--A nun, a priest, a woman taking flowersTo her new grave; and watched from end to endBy the great Church above, through the still hours:But in the morning and the early darkThe children wake to dart from doors and callDown the wide, crooked street, where, at the bend,Before it climbs up to the park,Ken’s is the gabled house facing the Castle wall.
When first I came upon him thereSuddenly, on the half-lit stair,I think I hardly found a traceOf likeness to a human faceIn his. And I said thenIf in His image God made men,Some other must have made poor Ken--But for his eyes which looked at youAs two red, wounded stars might do.
He scarcely spoke, you scarcely heard,His voice broke off in little jarsTo tears sometimes. An uncouth birdHe seemed as he ploughed up the street,Groping, with knarred, high-lifted feetAnd arms thrust out as if to beatAlways against a threat of bars.
And oftener than not there’d beA child just higher than his kneeTrotting beside him. Through his dimLong twilight this, at least, shone clear,That all the children and the deer,Whom every day he went to seeOut in the park, belonged to him.
“God help the folk that next him sitsHe fidgets so, with his poor wits.”The neighbours said on Sunday nightsWhen he would go to Church to “see the lights!”Although for these he used to fixHis eyes upon a crucifixIn a dark corner, staring onTill everybody else had gone.And sometimes, in his evil fits,You could not move him from his chair--You did not look at him as he sat there,Biting his rosary to bits.While pointing to the Christ he tried to say“Take it away.”
Nothing was dead:He said “a bird” if he picked up a broken wing,A perished leaf or any such thingWas just “a rose”; and once when I had saidHe must not stand and knock there any more,He left a twig on the mat outside my door.
Not long agoThe last thrush stiffened in the snow,While black against a sullen skyThe sighing pines stood by.But now the wind has left our rattled paneTo flutter the hedge-sparrow’s wing,The birches in the wood are red againAnd only yesterdayThe larks went up a little way to singWhat lovers sayWho loiter in the lanes to-day;The buds begin to talk of MayWith learned rooks on city trees,And if God pleaseWith all of theseWe too, shall see another Spring.
But in that red brick barn upon the hillI wonder--can one own the deer,And does one walk with children stillAs one did here--Do roses growBeneath those twenty windows in a row--And if some nightWhen you have not seen any lightThey cannot move you from your chairWhat happens there?I do not know.
So, when they tookKen to that place, I did not lookAfter he called and turned on meHis eyes. These I shall see--
Words in this poem
- clad v.
- To clothe. Holland.
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- knarred a.
- Knotty; gnarled.
- went n.
- Course; way; path; journey; direction.
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- crucifix n.
- A representation in art of the figure of Christ upon the cross; esp., the sculptured figure affixed to a real cross of wood, ivory, metal, or the like, used by the Roman Catholics in their devotions. [F. crucifix or LL. crucifixum, fr. L. crux, crucis, cross + figere, fixum, to fix. See Cross, and Fix, and cf. Crucify.]
- rosary n.
- A bed of roses, or place where roses grow. [LL. rosarium a string of beads, L. rosarium a place planted with roses, rosa a rose: cf. F. rosaire. See Rose.]
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- pane n.
- The narrow edge of a hammer head. See Peen. [F. panne.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Ken is in the public domain. This text is taken from The farmer's bride, Project Gutenberg ebook #71305; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Charlotte Mew, Ken, in The Farmer's Bride (1916), text of Project Gutenberg ebook #71305, Laurel, https://laurelpoetry.com/poem/mew-farmers-bride/ken.html, id L02463.
Form and metre
Ken is 85 lines in 9 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 52% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCBDECDE steepA · towersB · sleepA · flowersB · endC · hoursB · darkD · callE · bendC · parkD · wallE
- 2 AABBCCCDD thereA · stairA · traceB · faceB · thenC · menC · kenC · youD · doD
- 3 ABACCCB heardA · jarsB · birdA · streetC · feetC · beatC · barsB
- 4 AABCCAB beA · kneeA · dimB · clearC · deerC · seeA · himB
- 5 AABBCCDDAEEAFF sitsA · witsA · nightsB · lightsB · fixC · crucifixC · onD · goneD · fitsA · chairE · thereE · bitsA · sayF · awayF
- 6 ABBACC deadA · wingB · thingB · saidA · moreC · doorC
- 7 AABBCDCEDEEEFFFD agoA · snowA · skyB · byB · paneC · wingD · againC · yesterdayE · singD · sayE · dayE · mayE · treesF · pleaseF · theseF · springD
- 8 ABABCCDDEEC hillA · deerB · stillA · hereB · growC · rowC · nightD · lightD · chairE · thereE · knowC
- 9 AABB tookA · lookA · meB · seeB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The town is old and very steep, | 8 | ·····/˘· |
| A place of bells and cloisters and grey towers, | 10 | ·····/˘··/ |
| And black clad people walking in their sleep-- | 10 | ···/˘/˘··· |
| A nun, a priest, a woman taking flowers | 10 | ·····/˘/˘/ |
| To her new grave; and watched from end to end | 10 | ·········· |
| By the great Church above, through the still hours: | 10 | ·········/ |
| But in the morning and the early dark | 10 | ···/˘··/˘· |
| The children wake to dart from doors and call | 10 | ·/˘······· |
| Down the wide, crooked street, where, at the bend, | 10 | ···/˘····· |
| Before it climbs up to the park, | 8 | ········ |
| Ken’s is the gabled house facing the Castle wall. | 12 | ···/˘·/˘·/˘· |
| When first I came upon him there | 8 | ········ |
| Suddenly, on the half-lit stair, | 8 | /˘˘····· |
| I think I hardly found a trace | 8 | ···/˘··· |
| Of likeness to a human face | 8 | ·/˘··/˘· |
| In his. And I said then | 6 | ······ |
| If in His image God made men, | 8 | ···/˘··· |
| Some other must have made poor Ken-- | 8 | ·/˘····· |
| But for his eyes which looked at you | 8 | ········ |
| As two red, wounded stars might do. | 8 | ···/˘··· |
| He scarcely spoke, you scarcely heard, | 8 | ·/˘··/˘· |
| His voice broke off in little jars | 8 | ·····/˘· |
| To tears sometimes. An uncouth bird | 8 | ··˘/·//· |
| He seemed as he ploughed up the street, | 8 | ········ |
| Groping, with knarred, high-lifted feet | 8 | /˘···/˘· |
| And arms thrust out as if to beat | 8 | ········ |
| Always against a threat of bars. | 8 | /······· |
| And oftener than not there’d be | 8 | ·/˘˘···· |
| A child just higher than his knee | 8 | ···/˘··· |
| Trotting beside him. Through his dim | 8 | /˘·/···· |
| Long twilight this, at least, shone clear, | 8 | ·/······ |
| That all the children and the deer, | 8 | ···/˘··· |
| Whom every day he went to see | 8 | ·/˘····· |
| Out in the park, belonged to him. | 8 | ····˘/·· |
| “God help the folk that next him sits | 8 | ········ |
| He fidgets so, with his poor wits.” | 8 | ·/˘····· |
| The neighbours said on Sunday nights | 8 | ·/˘··/·· |
| When he would go to Church to “see the lights!” | 10 | ·········· |
| Although for these he used to fix | 8 | ········ |
| His eyes upon a crucifix | 8 | ·····/˘· |
| In a dark corner, staring on | 8 | ···/˘/˘· |
| Till everybody else had gone. | 8 | ·/˘·˘··· |
| And sometimes, in his evil fits, | 8 | ·/···/˘· |
| You could not move him from his chair-- | 8 | ········ |
| You did not look at him as he sat there, | 10 | ·········· |
| Biting his rosary to bits. | 8 | /˘·/˘˘·· |
| While pointing to the Christ he tried to say | 10 | ·/˘······· |
| “Take it away.” | 4 | ··˘/ |
| Nothing was dead: | 4 | /˘·· |
| He said “a bird” if he picked up a broken wing, | 12 | ·········/˘· |
| A perished leaf or any such thing | 9 | ·/˘··/˘·· |
| Was just “a rose”; and once when I had said | 10 | ·········· |
| He must not stand and knock there any more, | 10 | ·······/˘· |
| He left a twig on the mat outside my door. | 11 | ·······//·· |
| Not long ago | 4 | ··˘/ |
| The last thrush stiffened in the snow, | 8 | ···/˘··· |
| While black against a sullen sky | 8 | ·····/˘· |
| The sighing pines stood by. | 6 | ·/˘··· |
| But now the wind has left our rattled pane | 10 | ······//˘· |
| To flutter the hedge-sparrow’s wing, | 8 | ·/˘··/˘· |
| The birches in the wood are red again | 10 | ·/˘·····˘/ |
| And only yesterday | 6 | ·/˘/˘· |
| The larks went up a little way to sing | 10 | ·····/˘··· |
| What lovers say | 4 | ·/˘· |
| Who loiter in the lanes to-day; | 8 | ·/˘····· |
| The buds begin to talk of May | 8 | ··˘/···· |
| With learned rooks on city trees, | 8 | ··˘··/˘· |
| And if God please | 4 | ···· |
| With all of these | 4 | ···· |
| We too, shall see another Spring. | 8 | ····˘/˘· |
| But in that red brick barn upon the hill | 10 | ·········· |
| I wonder--can one own the deer, | 8 | ·/˘····· |
| And does one walk with children still | 8 | ·····/˘· |
| As one did here-- | 4 | ···· |
| Do roses grow | 4 | ·/˘· |
| Beneath those twenty windows in a row-- | 10 | ···/˘/˘··· |
| And if some night | 4 | ···· |
| When you have not seen any light | 8 | ·····/˘· |
| They cannot move you from your chair | 8 | ·/˘····· |
| What happens there? | 4 | ·/˘· |
| I do not know. | 4 | ···· |
| So, when they took | 4 | ···· |
| Ken to that place, I did not look | 8 | ········ |
| After he called and turned on me | 8 | ········ |
| His eyes. These I shall see-- | 6 | ······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.