Love's Ordeal

George MacDonald (1824–1905) · 1893

iambic pentameter · ABABABCC · 188 lines · from A Microcosm in Terza Rima, and Other Poems

"Hear'st thou that sound upon the window pane?"Said the youth softly, as outstretched he layWhere for an hour outstretched he had lain--Softly, yet with some token of dismay.Answered the maiden: "It is but the rainThat has been gathering in the west all day!Why shouldst thou hearken so? Thine eyelids close,And let me gather peace from thy repose."

"Hear'st thou that moan creeping along the ground?"Said the youth, and his veiling eyelids roseFrom deeps of lightning-haunted dark profoundRuffled with herald blasts of coming woes."I hear it," said the maiden; "'tis the soundOf a great wind that here not seldom blows;It swings the huge arms of the dreary pine,But thou art safe, my darling, clasped in mine."

"Hear'st thou the baying of my hounds?" said he;"Draw back the lattice bar and let them in."From a rent cloud the moonlight, ghostily,Slid clearer to the floor, as, gauntly thin,She opening, they leaped through with bound so free,Then shook the rain-drops from their shaggy skin.The maiden closed the shower-bespattered glass,Whose spotted shadow through the room did pass.

The youth, half-raised, was leaning on his hand,But, when again beside him sat the maid,His eyes for one slow minute having scannedHer moonlit face, he laid him down, and said,Monotonous, like solemn-read command:"For Love is of the earth, earthy, and is laidLifeless at length back in the mother-tomb."Strange moanings from the pine entered the room.

And then two shadows like the shadow of glass,Over the moonbeams on the cottage floor,As wind almost as thin and shapeless, pass;A sound of rain-drops came about the door,And a soft sighing as of plumy grass;A look of sorrowing doubt the youth's face wore;The two great hounds half rose; with aspect grimThey eyed his countenance by the taper dim.

Shadow nor moaning sound the maiden noted,But on his face dwelt her reproachful look;She doubted whether he the saying had quotedOut of some evil, earth-begotten book,Or up from his deep heart, like bubbles, had floatedWords which no maiden ever yet could brook;But his eyes held the question, "Yea or No?"Therefore the maiden answered, "Nay, not so;

"Love is of heaven, eternal." Half a smileJust twinned his lips: shy, like all human best,A hopeful thought bloomed out, and lived a while;He looked one moment like a dead man blest--His soul a bark that in a sunny isleAt length had found the haven of its rest;But he could not remain, must forward fare:He spoke, and said with words abrupt and bare,

"Maiden, I have loved other maidens." PaleHer red lips grew. "I loved them, yes, but theySuccessively in trial's hour did fail,For after sunset clouds again are gray."A sudden light shone through the fringy veilThat drooping hid her eyes; and then there layA stillness on her face, waiting; and thenThe little clock rung out the hour of ten.

Moaning once more the great pine-branches bowTo a soft plaining wind they would not stem.Brooding upon her face, the youth said, "ThouArt not more beautiful than some of them,But a fair courage crowns thy peaceful brow,Nor glow thine eyes, but shine serene like gemThat lamps from radiant store upon the darkThe light it gathered where its song the lark.

"The horse that broke this day from grasp of three,Thou sawest then the hand thou holdest, hold:Ere two fleet hours are gone, that hand will beDry, big-veined, wrinkled, withered up and old!--No woman yet hath shared my doom with me."With calm fixed eyes she heard till he had told;The stag-hounds rose, a moment gazed at him,Then laid them down with aspect yet more grim.

Spake on the youth, nor altered look or tone:"'Tis thy turn, maiden, to say no or dare."--Was it the maiden's, that importunate moan?--"At midnight, when the moon sets, wilt thou shareThe terror with me? or must I go aloneTo meet an agony that will not spare?"She answered not, but rose to take her cloak;He staid her with his hand, and further spoke.

"Not yet," he said; "yet there is respite; see,Time's finger points not yet to the dead hour!Enough is left even now for telling theeThe far beginnings whence the fearful powerOf the great dark came shadowing down on me:Red roses crowding clothe my love's dear bower--Nightshade and hemlock, darnel, toadstools whiteCompass the place where I must lie to-night!"

Around his neck the maiden put her armAnd knelt beside him leaning on his breast,As o'er his love, to keep it strong and warm,Brooding like bird outspread upon her nest.And well the faith of her dear eyes might charmAll doubt away from love's primeval rest!He hid his face upon her heart, and thereSpake on with voice like wind from lonely lair.

A drearier moaning through the pine did goAs if a human voice complained and criedFor one long minute; then the sound grew low,Sank to a sigh, and sighing sank and died.Together at the silence two voices mow--His, and the clock's, which, loud grown, did divideThe hours into live moments--sparks of timeScorching the soul that trembles for the chime.

He spoke of sins ancestral, born in himImpulses; of resistance fierce and wild;Of failure weak, and strength reviving dim;Self-hatred, dreariness no love beguiled;Of storm, and blasting light, and darkness grim;Of torrent paths, and tombs with mountains piled;Of gulfs in the unsunned bosom of the earth;Of dying ever into dawning birth.

"But when I find a heart whose blood is wine;Whose faith lights up the cold brain's passionless hour;Whose love, like unborn rose-bud, will not pine,But waits the sun and the baptizing shower--Till then lies hid, and gathers odours fineTo greet the human summer, when its flowerShall blossom in the heart and soul and brain,And love and passion be one holy twain--

"Then shall I rest, rest like the seven of yore;Slumber divine will steep my outworn soulAnd every stain dissolve to the very core.She too will slumber, having found her goal.Time's ocean o'er us will, in silence frore,Aeonian tides of change-filled seasons roll,And our long, dark, appointed period fill.Then shall we wake together, loving still."

Her face on his, her mouth to his mouth pressed,Was all the answer of the trusting maid.Close in his arms he held her to his breastFor one brief moment--would have yet assayedSome deeper word her heart to strengthen, lestIt should though faithful be too much afraid;But the clock gave the warning to the hour--And on the thatch fell sounds not of a shower.

One long kiss, and the maiden rose. A fearLay, thin as a glassy shadow, on her heart;She trembled as some unknown thing were near,But smiled next moment--for they should not part!The youth arose. With solemn-joyous cheer,He helped the maid, whose trembling hands did thwartHer haste to wrap her in her mantle's fold;Then out they passed into the midnight cold.

The moon was sinking in the dim green west,Curled upward, half-way to the horizon's brink,A leaf of glory falling to its rest,The maiden's hand, still trembling, sought to linkHer arm to his, with love's instinctive quest,But his enfolded her; hers did not sink,But, thus set free, it stole his body round,And so they walked, in freedom's fetters bound.

Pressed to his side, she felt, like full-toned bell,A mighty heart heave large in measured play;But as the floating moon aye lower fellIts bounding force did, by slow loss, decay.It throbbed now like a bird; now like far knellPulsed low and faint! And now, with sick dismay,She felt the arm relax that round her clung,And from her circling arm he forward hung.

His footsteps feeble, short his paces grow;Her strength and courage mount and swell amain.He lifted up his head: the moon lay low,Nigh the world's edge. His lips with some keen painQuivered, but with a smile his eyes turned slowSeeking in hers the balsam for his baneAnd finding it--love over death supreme:Like two sad souls they walked met in one dream.

In a lovely garden walkingTwo lovers went hand in hand;Two wan, worn figures, talkingThey sat in the flowery land.

On the cheek they kissed one another,On the mouth with sweet refrain;Fast held they each the other,And were young and well again.

Two little bells rang shrilly--The dream went with the hour:She lay in the cloister stilly,He far in the dungeon-tower!

Words in this poem 41
pane n.
The narrow edge of a hammer head. See Peen. [F. panne.]
veiling n.
A veil; a thin covering; also, material for making veils.
haunted a.
Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
clearer n.
One who, or that which, clears.
gauntly adv.
In a gaunt manner; meagerly.
shook v. t.
To pack, as staves, in a shook.
moonlit a.
Illumined by the moon.
plumy a.
Covered or adorned with plumes, or as with plumes; feathery.
twinned a.
Composed of parts united according to a law of twinning. See Twin, n., 4.
hopeful a.
Full of hope, or agreeable expectation; inclined to hope; expectant.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
fringy a.
Aborned with fringes.
stillness n.
The quality or state of being still; quietness; silence; calmness; inactivity.
rung n.
A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
plaining a.
Complaining. Bryant.
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
shadowing n.
Shade, or gradation of light and color; shading. Feltham.
outspread v. t.
To spread out; to expand; -- usually as a past part. or adj.
lair n.
A place in which to lie or rest; especially, the bed or couch of a wild beast. [OE. leir, AS. leger; akin to D. leger, G. lager couch, lair, OHG. laga, Goth. ligrs, and to E. lie. See Lie to be prostrate, and cf. Layer, Leaguer.]
scorching a.
Burning; parching or shriveling with heat.
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
dreariness n.
Sorrow; wretchedness.
piled a.
Having a pile or point; pointed. [From 2d Pile.]
passionless a.
Void of passion; without anger or emotion; not easily excited; calm.
unborn a.
Not born; no yet brought into life; being still to appear; future.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
clung a.
Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
amain adv.
With might; with full force; vigorously; violently; exceedingly. [Pref. a- + main. See 2d Main, n.]
quivered a.
Furnished with, or carrying, a quiver.
bane v. t.
To be the bane of; to ruin. Fuller.
went n.
Course; way; path; journey; direction.
shrilly a.
Somewhat shrill.
stilly a.
Still; quiet; calm.
dungeon n.
A close, dark prison, commondonjon or keep of a castle, these being used as prisons. [OE. donjoun highest tower of a castle, tower, prison, F. donjon tower or platform in the midst of a castle, turret, or closet on the top of a house, a keep of a]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Love's Ordeal is in the public domain. This text is taken from The poetical works of George MacDonald in two volumes — Volume 2, Project Gutenberg ebook #9984; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: George MacDonald, Love's Ordeal, in A Microcosm in Terza Rima, and Other Poems (1893), text of Project Gutenberg ebook #9984, Laurel, https://laurelpoetry.com/poem/macdonald-poems/love-s-ordeal.html, id L22262.

Form and metre

Love's Ordeal is 188 lines in 25 stanzas. The rhyme scheme is ABABABCC, complete in 18 of its 25 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABABCC paneA · layB · lainA · dismayB · rainA · dayB · closeC · reposeC
  2. 2 ABABABCC groundA · roseB · profoundA · woesB · soundA · blowsB · pineC · mineC
  3. 3 AB-BABCC heA · inB · ghostily · thinB · freeA · skinB · glassC · passC
  4. 4 ABA-ABCC handA · maidB · scannedA · said · commandA · laidB · tombC · roomC
  5. 5 ABABABCC glassA · floorB · passA · doorB · grassA · woreB · grimC · dimC
  6. 6 ABABABCC notedA · lookB · quotedA · bookB · floatedA · brookB · noC · soC
  7. 7 ABABABCC smileA · bestB · whileA · blestB · isleA · restB · fareC · bareC
  8. 8 ABABABCC paleA · theyB · failA · grayB · veilA · layB · thenC · tenC
  9. 9 ABABABCC bowA · stemB · thouA · themB · browA · gemB · darkC · larkC
  10. 10 ABABABCC threeA · holdB · beA · oldB · meA · toldB · himC · grimC
  11. 11 ABABABCC toneA · dareB · moanA · shareB · aloneA · spareB · cloakC · spokeC
  12. 12 ABABABCC seeA · hourB · theeA · powerB · meA · bowerB · whiteC · nightC
  13. 13 AB-BABCC armA · breastB · warm · nestB · charmA · restB · thereC · lairC
  14. 14 ABABABCC goA · criedB · lowA · diedB · mowA · divideB · timeC · chimeC
  15. 15 ABABABCC himA · wildB · dimA · beguiledB · grimA · piledB · earthC · birthC
  16. 16 ABABABCC wineA · hourB · pineA · showerB · fineA · flowerB · brainC · twainC
  17. 17 ABABABCC yoreA · soulB · coreA · goalB · froreA · rollB · fillC · stillC
  18. 18 ABABABCC pressedA · maidB · breastA · assayedB · lestA · afraidB · hourC · showerC
  19. 19 ABABA-CC fearA · heartB · nearA · partB · cheerA · thwart · foldC · coldC
  20. 20 ABABABCC westA · brinkB · restA · linkB · questA · sinkB · roundC · boundC
  21. 21 ABABABCC bellA · playB · fellA · decayB · knellA · dismayB · clungC · hungC
  22. 22 ABABABCC growA · amainB · lowA · painB · slowA · baneB · supremeC · dreamC
  23. 23 ABAB walkingA · handB · talkingA · landB
  24. 24 ABAB anotherA · refrainB · otherA · againB
  25. 25 ABAB shrillyA · hourB · stillyA · towerB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
"Hear'st thou that sound upon the window pane?"10·······/˘·
Said the youth softly, as outstretched he lay10···/˘·˘/··
Where for an hour outstretched he had lain--10···/˘˘/···
Softly, yet with some token of dismay.10/˘···/˘·˘/
Answered the maiden: "It is but the rain10/˘·/˘·····
That has been gathering in the west all day!10···/˘·····
Why shouldst thou hearken so? Thine eyelids close,10···/˘··/··
And let me gather peace from thy repose."10···/˘···˘/
"Hear'st thou that moan creeping along the ground?"10····/˘˘/··
Said the youth, and his veiling eyelids rose10·····/˘/··
From deeps of lightning-haunted dark profound10···/˘/˘·˘/
Ruffled with herald blasts of coming woes.10/˘·/˘··/˘·
"I hear it," said the maiden; "'tis the sound10·····/˘···
Of a great wind that here not seldom blows;10·······/˘·
It swings the huge arms of the dreary pine,10·······/˘·
But thou art safe, my darling, clasped in mine."10·····/˘···
"Hear'st thou the baying of my hounds?" said he;10···/˘·····
"Draw back the lattice bar and let them in."10···/˘·····
From a rent cloud the moonlight, ghostily,10·····/····
Slid clearer to the floor, as, gauntly thin,10·/˘····/˘·
She opening, they leaped through with bound so free,10·/˘·······
Then shook the rain-drops from their shaggy skin.10·······/˘·
The maiden closed the shower-bespattered glass,10·/˘··/····
Whose spotted shadow through the room did pass.10·/˘/······
The youth, half-raised, was leaning on his hand,10·····/˘···
But, when again beside him sat the maid,10··˘/˘/····
His eyes for one slow minute having scanned10·····/˘/˘·
Her moonlit face, he laid him down, and said,10·/········
Monotonous, like solemn-read command:10˘/˘˘·/˘·˘/
"For Love is of the earth, earthy, and is laid11······/˘···
Lifeless at length back in the mother-tomb."10/˘·····/˘·
Strange moanings from the pine entered the room.10·/˘···/˘··
And then two shadows like the shadow of glass,11···/···/···
Over the moonbeams on the cottage floor,10···/···/˘·
As wind almost as thin and shapeless, pass;10··/····/˘·
A sound of rain-drops came about the door,10··········
And a soft sighing as of plumy grass;10···/˘··/˘·
A look of sorrowing doubt the youth's face wore;10···/˘·····
The two great hounds half rose; with aspect grim10·······/··
They eyed his countenance by the taper dim.10···/˘··/˘·
Shadow nor moaning sound the maiden noted,11/··/˘··/˘/˘
But on his face dwelt her reproachful look;10······˘/˘·
She doubted whether he the saying had quoted12·/˘····/˘·/˘
Out of some evil, earth-begotten book,10···/˘·˘/˘·
Or up from his deep heart, like bubbles, had floated12·······/˘·/˘
Words which no maiden ever yet could brook;10···/˘/˘···
But his eyes held the question, "Yea or No?"10·····/˘···
Therefore the maiden answered, "Nay, not so;10···/˘/˘···
"Love is of heaven, eternal." Half a smile10···/˘/˘···
Just twinned his lips: shy, like all human best,10·······/˘·
A hopeful thought bloomed out, and lived a while;10·/˘·······
He looked one moment like a dead man blest--10···/˘·····
His soul a bark that in a sunny isle10·······/˘·
At length had found the haven of its rest;10·····/˘···
But he could not remain, must forward fare:10····˘/·/˘·
He spoke, and said with words abrupt and bare,10······˘/··
"Maiden, I have loved other maidens." Pale10/˘···/˘/˘·
Her red lips grew. "I loved them, yes, but they10··········
Successively in trial's hour did fail,10˘/˘˘·/˘/··
For after sunset clouds again are gray."10···/··˘/··
A sudden light shone through the fringy veil10·/˘····/˘·
That drooping hid her eyes; and then there lay10·/˘·······
A stillness on her face, waiting; and then10·/˘···/˘··
The little clock rung out the hour of ten.10·/˘····/··
Moaning once more the great pine-branches bow10/˘·····/˘·
To a soft plaining wind they would not stem.10···/˘·····
Brooding upon her face, the youth said, "Thou10/˘········
Art not more beautiful than some of them,10···/˘˘····
But a fair courage crowns thy peaceful brow,10···/˘··/˘·
Nor glow thine eyes, but shine serene like gem10······˘/··
That lamps from radiant store upon the dark10···/˘·····
The light it gathered where its song the lark.10···/˘·····
"The horse that broke this day from grasp of three,10··········
Thou sawest then the hand thou holdest, hold:10·······/˘·
Ere two fleet hours are gone, that hand will be10···/······
Dry, big-veined, wrinkled, withered up and old!--10···/˘/˘···
No woman yet hath shared my doom with me."10·/˘·······
With calm fixed eyes she heard till he had told;10··········
The stag-hounds rose, a moment gazed at him,10·····/˘···
Then laid them down with aspect yet more grim.10·····/····
Spake on the youth, nor altered look or tone:10·····/˘···
"'Tis thy turn, maiden, to say no or dare."--10···/˘·····
Was it the maiden's, that importunate moan?--11···/˘·˘/˘˘·
"At midnight, when the moon sets, wilt thou share10·/········
The terror with me? or must I go alone11·/˘······˘/
To meet an agony that will not spare?"10···/˘˘····
She answered not, but rose to take her cloak;10·/˘·······
He staid her with his hand, and further spoke.10·······/˘·
"Not yet," he said; "yet there is respite; see,10·······/˘·
Time's finger points not yet to the dead hour!11·/˘······/˘
Enough is left even now for telling thee10˘/··/··/˘·
The far beginnings whence the fearful power11··˘/˘··/˘/˘
Of the great dark came shadowing down on me:10·····/˘···
Red roses crowding clothe my love's dear bower--11·/˘/˘····/˘
Nightshade and hemlock, darnel, toadstools white10/··/·/˘···
Compass the place where I must lie to-night!"10/˘········
Around his neck the maiden put her arm10·····/˘···
And knelt beside him leaning on his breast,10··˘/·/˘···
As o'er his love, to keep it strong and warm,10··········
Brooding like bird outspread upon her nest.10/˘··˘/····
And well the faith of her dear eyes might charm10··········
All doubt away from love's primeval rest!10··˘/··˘/˘·
He hid his face upon her heart, and there10··········
Spake on with voice like wind from lonely lair.10·······/˘·
A drearier moaning through the pine did go10···/˘·····
As if a human voice complained and cried10···/˘·˘/··
For one long minute; then the sound grew low,10···/˘·····
Sank to a sigh, and sighing sank and died.10·····/˘···
Together at the silence two voices mow--11˘/˘··/˘·/˘·
His, and the clock's, which, loud grown, did divide10········˘/
The hours into live moments--sparks of time10·/···/˘···
Scorching the soul that trembles for the chime.10/˘···/˘···
He spoke of sins ancestral, born in him10····˘/˘···
Impulses; of resistance fierce and wild;10˘/˘·˘/˘···
Of failure weak, and strength reviving dim;10·/˘···˘/˘·
Self-hatred, dreariness no love beguiled;10·/˘/˘˘··˘/
Of storm, and blasting light, and darkness grim;10···/˘··/˘·
Of torrent paths, and tombs with mountains piled;10·/˘····/˘·
Of gulfs in the unsunned bosom of the earth;11······/˘···
Of dying ever into dawning birth.10·/˘/˘··/˘·
"But when I find a heart whose blood is wine;10··········
Whose faith lights up the cold brain's passionless hour;11·······/˘˘/
Whose love, like unborn rose-bud, will not pine,10···//·····
But waits the sun and the baptizing shower--11······˘/˘/˘
Till then lies hid, and gathers odours fine10·····/˘/˘·
To greet the human summer, when its flower11···/˘/˘··/˘
Shall blossom in the heart and soul and brain,10·/˘·······
And love and passion be one holy twain--10···/˘··/˘·
"Then shall I rest, rest like the seven of yore;10·······/··
Slumber divine will steep my outworn soul10/˘˘/······
And every stain dissolve to the very core.11·/˘·˘/··/˘·
She too will slumber, having found her goal.10···/˘/˘···
Time's ocean o'er us will, in silence frore,10·/˘····/˘·
Aeonian tides of change-filled seasons roll,10······˘/˘·
And our long, dark, appointed period fill.10·/··˘/˘/˘·
Then shall we wake together, loving still."10····˘/˘/˘·
Her face on his, her mouth to his mouth pressed,10··········
Was all the answer of the trusting maid.10···/˘··/˘·
Close in his arms he held her to his breast10··········
For one brief moment--would have yet assayed10···/˘···/˘
Some deeper word her heart to strengthen, lest10·/˘····/˘·
It should though faithful be too much afraid;10···/˘···˘/
But the clock gave the warning to the hour--11·····/˘··/˘
And on the thatch fell sounds not of a shower.11·········/˘
One long kiss, and the maiden rose. A fear10·····/˘···
Lay, thin as a glassy shadow, on her heart;11····/˘/····
She trembled as some unknown thing were near,10·/˘··˘/···
But smiled next moment--for they should not part!10···/˘·····
The youth arose. With solemn-joyous cheer,10··˘/·/˘/˘·
He helped the maid, whose trembling hands did thwart10·····/˘···
Her haste to wrap her in her mantle's fold;10·······/˘·
Then out they passed into the midnight cold.10·······/··
The moon was sinking in the dim green west,10···/˘·····
Curled upward, half-way to the horizon's brink,11·/˘····˘/˘·
A leaf of glory falling to its rest,10···/˘/˘···
The maiden's hand, still trembling, sought to link10·/˘··/˘···
Her arm to his, with love's instinctive quest,10······˘/˘·
But his enfolded her; hers did not sink,10··˘/˘·····
But, thus set free, it stole his body round,10·······/˘·
And so they walked, in freedom's fetters bound.10·····/˘/˘·
Pressed to his side, she felt, like full-toned bell,10··········
A mighty heart heave large in measured play;10·/˘····/˘·
But as the floating moon aye lower fell10···/˘··/˘·
Its bounding force did, by slow loss, decay.10·/˘·····˘/
It throbbed now like a bird; now like far knell10··········
Pulsed low and faint! And now, with sick dismay,10········˘/
She felt the arm relax that round her clung,10····˘/····
And from her circling arm he forward hung.10···/˘··/˘·
His footsteps feeble, short his paces grow;10·/·/˘··/˘·
Her strength and courage mount and swell amain.10···/˘···˘/
He lifted up his head: the moon lay low,10·/˘·······
Nigh the world's edge. His lips with some keen pain10··········
Quivered, but with a smile his eyes turned slow10/˘········
Seeking in hers the balsam for his bane10/˘···/˘···
And finding it--love over death supreme:10·/˘·····˘/
Like two sad souls they walked met in one dream.10··········
In a lovely garden walking8··/˘/˘/˘
Two lovers went hand in hand;7·/˘····
Two wan, worn figures, talking7···/˘/˘
They sat in the flowery land.8····/˘˘·
On the cheek they kissed one another,10·····˘·˘/˘
On the mouth with sweet refrain;7·····˘/
Fast held they each the other,7·····/˘
And were young and well again.7·····˘/
Two little bells rang shrilly--7·/˘··/˘
The dream went with the hour:7·····/˘
She lay in the cloister stilly,8····/˘/˘
He far in the dungeon-tower!8····/˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by George MacDonald