Death and Birth

George MacDonald (1824–1905) · 1893

trochaic tetrameter · rhyming couplets · 129 lines · from A Microcosm in Terza Rima, and Other Poems

'Tis the midnight hour; I heardThe Abbey-bell give out the word.Seldom is the lamp-ray shedOn some dwarfed foot-farer's headIn the deep and narrow streetLying ditch-like at my feetWhere I stand at lattice highDownward gazing listlesslyFrom my house upon the rock,Peak of earth's foundation-block.

There her windows, every story,Shine with far-off nebulous glory!Round her in that luminous cloudStars obedient press and crowd,She the centre of all gazing,She the sun her planets dazing!In her eyes' victorious lightningSome are paling, some are brightening:Those on which they gracious turn,Stars combust, all tenfold burn;Those from which they look awayListless roam in twilight gray!When on her my looks I bentWonder shook me like a tent,And my eyes grew dim with sheen,Wasting light upon its queen!But though she my eyes might chain,Rule my ebbing flowing brain,Truth alone, without, within,Can the soul's high homage win!

He, I do not doubt, is thereWho unveiled my idol fair!And I thank him, grateful much,Though his end was none of such.He from shapely lips of witLet the fire-flakes lightly flit,Scorching as the snow that fellOn the damned in Dante's hell;With keen, gentle opposition,Playful, merciless precision,Mocked the sweet romance of youthBalancing on spheric truth;He on sense's firm set planeRolled the unstable ball amain:With a smile she looked at me,Stung my soul, and set me free.

Welcome, friend! Bring in your bricks.Mortar there? No need to mix?That is well. And picks and hammers?Verily these are no shammers!--There, my friend, build up that niche,That one with the painting rich!

Yes, you're right; it is a showPicture seldom can bestow;City palaces and towers,Terraced gardens, twilight bowers,Vistas deep through swaying masts,Pennons flaunting in the blasts:Build; my room it does not fit;Brick-glaze is the thing for it!

Yes, a window you may call it;Not the less up you must wall it:In that niche the dead world lies;Bury death, and free mine eyes.

There were youths who held by me,Said I taught, yet left them free:Will they do as I said then?God forbid! As ye are men,Find the secret--follow and find!All forget that lies behind;Me, the schools, yourselves, forsake;In your souls a silence make;Hearken till a whisper come,Listen, follow, and be dumb.

There! 'tis over; I am dead!Of my life the broken threadHere I cast out of my hand!--O my soul, the merry land!On my heart the sinking vaultOf my ruining past makes halt;Ages I could sit and moanFor the shining world that's gone!

Haste and pierce the other wall;Break an opening to the All!Where? No matter; done is best.Kind of window? Let that rest:Who at morning ever liesPondering how to ope his eyes!

I bethink me: we must fallOn the thinnest of the wall!There it must be, in that niche!--No, the deepest--that in whichStands the Crucifix.

You start?--Ah, your half-believing heartShrinks from that as sacrilege,Or, at least, upon its edge!Worse than sacrilege, I say,Is it to withhold the dayFrom the brother whom thou knowestFor the God thou never sawest!

Reverently, O marble cold,Thee in living arms I fold!Thou who art thyself the wayFrom the darkness to the day,Window, thou, to every land,Wouldst not one dread moment standShutting out the air and skyAnd the dayspring from on high!Brother with the rugged crown,Gently thus I lift thee down!

Give me pick and hammer; youStand aside; the deed I'll do.Yes, in truth, I have small skill,But the best thing is the will.

Stroke on stroke! The frescoed plasterClashes downward, fast and faster.Hark, I hear an outer stoneDown the rough rock rumbling thrown!There's a cranny! there's a crack!The great sun is at its back!Lo, a mass is outward flung!In the universe hath sprung!

See the gold upon the blue!See the sun come blinding through!See the far-off mountain shineIn the dazzling light divine!Prisoned world, thy captive's gone!Welcome wind, and sky, and sun!

Words in this poem 19
centre v. i.
To be placed in a center; to be central.
paling n.
Pales, in general; a fence formed with pales or pickets; a limit; an inclosure.
combust a.
Burnt; consumed. [L. combustus, p. p. of comburere to burn up; com- + burere (only in comp.), of uncertian origin; cf. bustum fineral pyre, prurire to itch, pruna a live coal, Gr]
listless a.
Having no desire or inclination; indifferent; heedless; spiritless. [OE. listles, lustles. See Lust.]
shook v. t.
To pack, as staves, in a shook.
sheen v. i.
To shine; to glisten.
idol n.
An image or representation of anything. [OE. idole, F. idole, L. idolum, fr. Gr. Wit, and cf. Eidolon.]
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
shapely a.
Well-formed; having a regular shape; comely; symmetrical. T.
flit a.
Nimble; quick; swift. See Fleet.
scorching a.
Burning; parching or shriveling with heat.
damned a.
Sentenced to punishment in a future state; condemned; consigned to perdition.
spheric a.
Having the form of a sphere; like a sphere; globular; orbicular; as, a spherical body. [L. sphaericus, Gr. sphérique.]
amain adv.
With might; with full force; vigorously; violently; exceedingly. [Pref. a- + main. See 2d Main, n.]
crucifix n.
A representation in art of the figure of Christ upon the cross; esp., the sculptured figure affixed to a real cross of wood, ivory, metal, or the like, used by the Roman Catholics in their devotions. [F. crucifix or LL. crucifixum, fr. L. crux, crucis, cross + figere, fixum, to fix. See Cross, and Fix, and cf. Crucify.]
reverently adv.
In a reverent manner; in respectful regard.
dayspring n.
The beginning of the day, or first appearance of light; the dawn; hence, the beginning.
rumbling
a. & n. from Rumble, v. i.
cranny n.
A small, narrow opening, fissure, crevice, or chink, as in a wall, or other substance. [F. cran notch, prob. from L. crena (a doubful word).]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Death and Birth is in the public domain. This text is taken from The poetical works of George MacDonald in two volumes — Volume 2, Project Gutenberg ebook #9984; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: George MacDonald, Death and Birth, in A Microcosm in Terza Rima, and Other Poems (1893), text of Project Gutenberg ebook #9984, Laurel, https://laurelpoetry.com/poem/macdonald-poems/death-and-birth.html, id L22261.

Form and metre

Death and Birth is 129 lines in 15 verse paragraphs. It is in rhyming couplets, 95% of the lines. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in rhyming couplets, other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCC--DD heardA · wordA · shedB · headB · streetC · feetC · high · listlessly · rockD · blockD
  2. 2 AABBCCDDEEFFGGHHIIJJ storyA · gloryA · cloudB · crowdB · gazingC · dazingC · lightningD · brighteningD · turnE · burnE · awayF · grayF · bentG · tentG · sheenH · queenH · chainI · brainI · withinJ · winJ
  3. 3 AABBCCDDEEFFEEGG thereA · fairA · muchB · suchB · witC · flitC · fellD · hellD · oppositionE · precisionE · youthF · truthF · planeE · amainE · meG · freeG
  4. 4 AABBCC bricksA · mixA · hammersB · shammersB · nicheC · richC
  5. 5 AABBCCDD showA · bestowA · towersB · bowersB · mastsC · blastsC · fitD · itD
  6. 6 AABB itA · itA · liesB · eyesB
  7. 7 AABBCCDDEE meA · freeA · thenB · menB · findC · behindC · forsakeD · makeD · comeE · dumbE
  8. 8 AABBCC-- deadA · threadA · handB · landB · vaultC · haltC · moan · gone
  9. 9 AABBCC wallA · allA · bestB · restB · liesC · eyesC
  10. 10 AABB- fallA · wallA · nicheB · whichB · crucifix
  11. 11 AABBCCDD startA · heartA · sacrilegeB · edgeB · sayC · dayC · knowestD · sawestD
  12. 12 AABBCCDDEE coldA · foldA · wayB · dayB · landC · standC · skyD · highD · crownE · downE
  13. 13 AABB youA · doA · skillB · willB
  14. 14 AABBCCDD plasterA · fasterA · stoneB · thrownB · crackC · backC · flungD · sprungD
  15. 15 AABB-- blueA · throughA · shineB · divineB · gone · sun
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
'Tis the midnight hour; I heard7··/·/··
The Abbey-bell give out the word.8·/˘·····
Seldom is the lamp-ray shed7/˘·····
On some dwarfed foot-farer's head7·······
In the deep and narrow street7····/˘·
Lying ditch-like at my feet7/˘·····
Where I stand at lattice high7····/˘·
Downward gazing listlessly7/˘/˘/˘˘
From my house upon the rock,7·······
Peak of earth's foundation-block.7···˘/˘·
There her windows, every story,8··/˘/˘/˘
Shine with far-off nebulous glory!8····/˘/˘
Round her in that luminous cloud7····/˘·
Stars obedient press and crowd,7·˘/˘···
She the centre of all gazing,8··/˘··/˘
She the sun her planets dazing!8····/˘··
In her eyes' victorious lightning8···˘/˘/˘
Some are paling, some are brightening:8··/˘··/˘
Those on which they gracious turn,7····/˘·
Stars combust, all tenfold burn;7·˘/·/··
Those from which they look away7·····˘/
Listless roam in twilight gray!7/˘··/··
When on her my looks I bent7·······
Wonder shook me like a tent,7/˘·····
And my eyes grew dim with sheen,7·······
Wasting light upon its queen!7/˘·····
But though she my eyes might chain,7·······
Rule my ebbing flowing brain,7··/˘/˘·
Truth alone, without, within,7·˘/····
Can the soul's high homage win!7····/˘·
He, I do not doubt, is there7·······
Who unveiled my idol fair!7·˘/·/˘·
And I thank him, grateful much,7····/˘·
Though his end was none of such.7·······
He from shapely lips of wit7··/˘···
Let the fire-flakes lightly flit,7··/·/˘·
Scorching as the snow that fell7/˘·····
On the damned in Dante's hell;7····/˘·
With keen, gentle opposition,8··/˘·˘/˘
Playful, merciless precision,8/˘/˘˘˘/˘
Mocked the sweet romance of youth7···˘/··
Balancing on spheric truth;7/˘˘····
He on sense's firm set plane7··/˘···
Rolled the unstable ball amain:8··˘/˘·˘/
With a smile she looked at me,7·······
Stung my soul, and set me free.7·······
Welcome, friend! Bring in your bricks.7/˘·····
Mortar there? No need to mix?7/˘·····
That is well. And picks and hammers?8······/˘
Verily these are no shammers!--8/˘˘·····
There, my friend, build up that niche,7·······
That one with the painting rich!7····/˘·
Yes, you're right; it is a show7·······
Picture seldom can bestow;7/˘/˘·˘/
City palaces and towers,8/˘/˘˘·/˘
Terraced gardens, twilight bowers,8/˘/˘/·/˘
Vistas deep through swaying masts,7/˘··/˘·
Pennons flaunting in the blasts:7··/˘···
Build; my room it does not fit;7·······
Brick-glaze is the thing for it!7·······
Yes, a window you may call it;8··/˘····
Not the less up you must wall it:8········
In that niche the dead world lies;7·······
Bury death, and free mine eyes.7/˘·····
There were youths who held by me,7·······
Said I taught, yet left them free:7·······
Will they do as I said then?7·······
God forbid! As ye are men,7·˘/····
Find the secret--follow and find!8··/˘/˘··
All forget that lies behind;7·˘/····
Me, the schools, yourselves, forsake;7···˘/˘/
In your souls a silence make;7····/˘·
Hearken till a whisper come,7/˘··/˘·
Listen, follow, and be dumb.7/˘/˘···
There! 'tis over; I am dead!7·······
Of my life the broken thread7····/˘·
Here I cast out of my hand!--7·······
O my soul, the merry land!7····/˘·
On my heart the sinking vault7····/˘·
Of my ruining past makes halt;7··/˘···
Ages I could sit and moan7/˘·····
For the shining world that's gone!7··/˘···
Haste and pierce the other wall;7····/˘·
Break an opening to the All!7··/˘···
Where? No matter; done is best.7··/˘···
Kind of window? Let that rest:7··/˘···
Who at morning ever lies7··/˘/˘·
Pondering how to ope his eyes!7/˘·····
I bethink me: we must fall7·˘/····
On the thinnest of the wall!7··/˘···
There it must be, in that niche!--7·······
No, the deepest--that in which7··/˘···
Stands the Crucifix.5··/˘·
You start?--2··
Ah, your half-believing heart7···˘/˘·
Shrinks from that as sacrilege,7····/˘˘
Or, at least, upon its edge!7·······
Worse than sacrilege, I say,7··/˘˘··
Is it to withhold the day7···˘/··
From the brother whom thou knowest8··/˘··/˘
For the God thou never sawest!7····/··
Reverently, O marble cold,7/˘˘·/˘·
Thee in living arms I fold!7··/˘···
Thou who art thyself the way7···˘/··
From the darkness to the day,7··/˘···
Window, thou, to every land,7/˘··/˘·
Wouldst not one dread moment stand7····/˘·
Shutting out the air and sky7/˘·····
And the dayspring from on high!7··/˘···
Brother with the rugged crown,7/˘··/˘·
Gently thus I lift thee down!7/˘·····
Give me pick and hammer; you7····/˘·
Stand aside; the deed I'll do.7·˘/····
Yes, in truth, I have small skill,7·······
But the best thing is the will.7·······
Stroke on stroke! The frescoed plaster8····/˘/˘
Clashes downward, fast and faster.8/˘/˘··/˘
Hark, I hear an outer stone7····/˘·
Down the rough rock rumbling thrown!7····/˘·
There's a cranny! there's a crack!7··/˘···
The great sun is at its back!7·······
Lo, a mass is outward flung!7····/˘·
In the universe hath sprung!7··/˘···
See the gold upon the blue!7·······
See the sun come blinding through!7····/˘·
See the far-off mountain shine7····/˘·
In the dazzling light divine!7··/˘·˘/
Prisoned world, thy captive's gone!7/˘··/˘·
Welcome wind, and sky, and sun!7/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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