The Rime of the Ancyent Marinere, in Seven Parts VII
This Hermit good lives in that woodWhich slopes down to the Sea.How loudly his sweet voice he rears!He loves to talk with MarineresThat come from a far Contrée.
He kneels at morn and noon and eve--He hath a cushion plump:It is the moss, that wholly hidesThe rotted old Oak-stump.
The Skiff-boat ne’rd: I heard them talk,“Why, this is strange, I trow!“Where are those lights so many and fair“That signal made but now?
“Strange, by my faith!” the Hermit said--“And they answer’d not our cheer.“The planks look warp’d, and see those sails“How thin they are and sere!“I never saw aught like to them“Unless perchance it were
“The skeletons of leaves that lag“My forest brook along:“When the Ivy-tod is heavy with snow,“And the Owlet whoops to the wolf below“That eats the she-wolf’s young.
“Dear Lord! it has a fiendish look”--(The Pilot made reply)“I am a-fear’d.--“Push on, push on!”Said the Hermit cheerily.
The Boat came closer to the Ship,But I ne spake ne stirr’d!The Boat came close beneath the Ship,And strait a sound was heard!
Under the water it rumbled on,Still louder and more dread:It reach’d the Ship, it split the bay;The Ship went down like lead.
Stunn’d by that loud and dreadful sound,Which sky and ocean smote:Like one that hath been seven days drown’dMy body lay afloat:But, swift as dreams, myself I foundWithin the Pilot’s boat.
Upon the whirl, where sank the Ship,The boat spun round and round:And all was still, save that the hillWas telling of the sound.
I mov’d my lips: the Pilot shriek’dAnd fell down in a fit.The Holy Hermit rais’d his eyesAnd pray’d where he did sit.
I took the oars: the Pilot’s boy,Who now doth crazy go,Laugh’d loud and long, and all the whileHis eyes went to and fro,“Ha! ha!” quoth he--“full plain I see,“The devil knows how to row.”
And now all in mine own CountréeI stood on the firm land!The Hermit stepp’d forth from the boat,And scarcely he could stand.
“O shrieve me, shrieve me, holy Man!”The Hermit cross’d his brow--“Say quick,” quoth he, “I bid thee say“What manner man art thou?”
Forthwith this frame of mine was wrench’dWith a woeful agony,Which forc’d me to begin my taleAnd then it left me free.
Since then at an uncertain hour,Now oftimes and now fewer,That anguish comes and makes me tellMy ghastly aventure.
I pass, like night, from land to land;I have strange power of speech;The moment that his face I seeI know the man that must hear me;To him my tale I teach.
What loud uproar bursts from that door!The Wedding-guests are there;But in the Garden-bower the BrideAnd Bride-maids singing are:And hark the little Vesper-bellWhich biddeth me to prayer.
O Wedding-guest! this soul hath beenAlone on a wide wide sea:So lonely ’twas, that God himselfScarce seemed there to be.
O sweeter than the Marriage-feast,’Tis sweeter far to meTo walk together to the KirkWith a goodly company.
To walk together to the KirkAnd all together pray,While each to his great father bends,Old men, and babes, and loving friends,And Youths, and Maidens gay.
Farewell, farewell! but this I tellTo thee, thou wedding-guest!He prayeth well who loveth wellBoth man and bird and beast.
He prayeth best who loveth best,All things both great and small:For the dear God, who loveth us,He made and loveth all.
The Marinere, whose eye is bright,Whose beard with age is hoar,Is gone; and now the wedding-guestTurn’d from the bridegroom’s door.
He went, like one that hath been stunn’dAnd is of sense forlorn:A sadder and a wiser manHe rose the morrow morn.
Words in this poem 20
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- trow v. i.
- To believe; to trust; to think or suppose. [OE. trowen, AS.treówan to trust, believe, fr. treów trust, treówe true, faithful. See True.]
- sere n.
- Claw; talon. Chapman. [F. serre.]
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- owlet n.
- A small owl; especially, the European species (Athene noctua), and the California flammulated owlet (Megascops flammeolus). Owlet moth (Zoöl.), any noctuid moth. [Dim. of owl. Cf. Howlet.]
- fiendish a.
- Like a fiend; diabolically wicked or cruel; infernal; malignant; devilish; hellish.
- cheerily adv.
- In a cheery manner.
- closer n.
- One who, or that which, closes; specifically, a boot closer. See under Boot.
- went n.
- Course; way; path; journey; direction.
- dreadful a.
- Full of dread or terror; fearful.
- afloat adv.
- Borne on the water; floating; on board ship. [Pref. a- + float.]
- quoth v. t.
- Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
- shrieve v. t.
- To shrive; to question.
- forthwith adv.
- Immediately; without delay; directly.
- aventure n.
- Accident; chance; adventure. [See Adventure, n.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- kirk n.
- A church or the church, in the various senses of the word; esp., the Church of Scotland as distinguished from other reformed churches, or from the Roman Catholic Church. Jamieson. [Scot.; cf. Icel. kirkja, of Greek origin. See Church.]
- goodly a.
- Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
- hoar v. t.
- To become moldy or musty. [AS. harian to grow gray.]
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Rime of the Ancyent Marinere, in Seven Parts VII is in the public domain. This text is taken from Lyrical Ballads, With a Few Other Poems (1798), Project Gutenberg ebook #9622; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Wordsworth, The Rime of the Ancyent Marinere, in Seven Parts VII, in Lyrical Ballads (1798), text of Project Gutenberg ebook #9622, Laurel, https://laurelpoetry.com/poem/lyrical-ballads/the-rime-of-the-ancyent-marinere-in-seven-parts-vii.html, id L02848.
Form and metre
The Rime of the Ancyent Marinere, in Seven Parts VII is 112 lines in 25 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 89%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 7 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.
See other poems in common measure.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 -A-A eve · plumpA · hides · stumpA
- 4 -A-A-- said · cheerA · sails · sereA · them · were
- 5 --AA- lag · along · snowA · belowA · young
- 7 ABAB shipA · stirr'dB · shipA · heardB
- 8 -A-A on · dreadA · bay · leadA
- 9 ABABAB soundA · smoteB · drown'dA · afloatB · foundA · boatB
- 10 -A-A ship · roundA · hill · soundA
- 11 -A-A shriek'd · fitA · eyes · sitA
- 12 -A-A-A boy · goA · while · froA · see · rowA
- 13 -A-A countrée · landA · boat · standA
- 14 -A-A man · browA · say · thouA
- 17 -ABBA land · speechA · seeB · meB · teachA
- 18 -A---A door · thereA · bride · are · bell · prayerA
- 19 -A-A been · seaA · himself · beA
- 21 -ABBA kirk · prayA · bendsB · friendsB · gayA
- 22 A-A- tellA · guest · wellA · beast
- 23 -A-A best · smallA · us · allA
- 24 -A-A bright · hoarA · guest · doorA
- 25 -A-A stunn'd · forlornA · man · mornA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| This Hermit good lives in that wood | 8 | ·/˘····· |
| Which slopes down to the Sea. | 6 | ······ |
| How loudly his sweet voice he rears! | 8 | ·/˘····· |
| He loves to talk with Marineres | 8 | ·····/˘˘ |
| That come from a far Contrée. | 7 | ······· |
| He kneels at morn and noon and eve-- | 8 | ········ |
| He hath a cushion plump: | 6 | ···/˘· |
| It is the moss, that wholly hides | 8 | ·····/˘· |
| The rotted old Oak-stump. | 6 | ·/˘··· |
| The Skiff-boat ne’rd: I heard them talk, | 8 | ········ |
| “Why, this is strange, I trow! | 6 | ······ |
| “Where are those lights so many and fair | 8 | ·····/·· |
| “That signal made but now? | 6 | ·/˘··· |
| “Strange, by my faith!” the Hermit said-- | 8 | ·····/˘· |
| “And they answer’d not our cheer. | 8 | ··/˘·/˘· |
| “The planks look warp’d, and see those sails | 8 | ········ |
| “How thin they are and sere! | 6 | ······ |
| “I never saw aught like to them | 8 | ·/˘····· |
| “Unless perchance it were | 6 | ··˘/·· |
| “The skeletons of leaves that lag | 8 | ·/˘˘···· |
| “My forest brook along: | 6 | ·/˘·˘/ |
| “When the Ivy-tod is heavy with snow, | 10 | ··/˘··/˘·· |
| “And the Owlet whoops to the wolf below | 10 | ··/˘······ |
| “That eats the she-wolf’s young. | 6 | ······ |
| “Dear Lord! it has a fiendish look”-- | 8 | ·····/˘· |
| (The Pilot made reply) | 6 | ·/˘·˘/ |
| “I am a-fear’d.--“Push on, push on!” | 8 | ········ |
| Said the Hermit cheerily. | 7 | ··/˘/˘˘ |
| The Boat came closer to the Ship, | 8 | ···/˘··· |
| But I ne spake ne stirr’d! | 6 | ······ |
| The Boat came close beneath the Ship, | 8 | ········ |
| And strait a sound was heard! | 6 | ······ |
| Under the water it rumbled on, | 9 | ···/˘·/˘· |
| Still louder and more dread: | 6 | ·/˘··· |
| It reach’d the Ship, it split the bay; | 8 | ········ |
| The Ship went down like lead. | 6 | ······ |
| Stunn’d by that loud and dreadful sound, | 8 | ·····/˘· |
| Which sky and ocean smote: | 6 | ···/˘· |
| Like one that hath been seven days drown’d | 8 | ·····/·· |
| My body lay afloat: | 6 | ·/˘·˘/ |
| But, swift as dreams, myself I found | 8 | ·····/·· |
| Within the Pilot’s boat. | 6 | ···/˘· |
| Upon the whirl, where sank the Ship, | 8 | ········ |
| The boat spun round and round: | 6 | ······ |
| And all was still, save that the hill | 8 | ········ |
| Was telling of the sound. | 6 | ·/˘··· |
| I mov’d my lips: the Pilot shriek’d | 8 | ·····/˘· |
| And fell down in a fit. | 6 | ······ |
| The Holy Hermit rais’d his eyes | 8 | ·/˘/˘··· |
| And pray’d where he did sit. | 6 | ······ |
| I took the oars: the Pilot’s boy, | 8 | ·····/˘· |
| Who now doth crazy go, | 6 | ···/˘· |
| Laugh’d loud and long, and all the while | 8 | ········ |
| His eyes went to and fro, | 6 | ······ |
| “Ha! ha!” quoth he--“full plain I see, | 8 | ········ |
| “The devil knows how to row.” | 7 | ·/˘···· |
| And now all in mine own Countrée | 8 | ········ |
| I stood on the firm land! | 6 | ······ |
| The Hermit stepp’d forth from the boat, | 8 | ·/˘····· |
| And scarcely he could stand. | 6 | ·/˘··· |
| “O shrieve me, shrieve me, holy Man!” | 8 | ·····/˘· |
| The Hermit cross’d his brow-- | 6 | ·/˘··· |
| “Say quick,” quoth he, “I bid thee say | 8 | ········ |
| “What manner man art thou?” | 6 | ·/˘··· |
| Forthwith this frame of mine was wrench’d | 8 | //······ |
| With a woeful agony, | 7 | ··/˘/˘˘ |
| Which forc’d me to begin my tale | 8 | ····˘/·· |
| And then it left me free. | 6 | ······ |
| Since then at an uncertain hour, | 9 | ····˘/˘/˘ |
| Now oftimes and now fewer, | 7 | ·····/˘ |
| That anguish comes and makes me tell | 8 | ·/˘····· |
| My ghastly aventure. | 6 | ·/˘˘/˘ |
| I pass, like night, from land to land; | 8 | ········ |
| I have strange power of speech; | 7 | ···/˘·· |
| The moment that his face I see | 8 | ·/˘····· |
| I know the man that must hear me; | 8 | ········ |
| To him my tale I teach. | 6 | ······ |
| What loud uproar bursts from that door! | 8 | ··/····· |
| The Wedding-guests are there; | 6 | ·/˘··· |
| But in the Garden-bower the Bride | 8 | ···/˘/·· |
| And Bride-maids singing are: | 6 | ···/˘· |
| And hark the little Vesper-bell | 8 | ···/˘/˘· |
| Which biddeth me to prayer. | 6 | ·/˘··· |
| O Wedding-guest! this soul hath been | 8 | ·/˘····· |
| Alone on a wide wide sea: | 7 | ˘/····· |
| So lonely ’twas, that God himself | 8 | ·/˘···˘/ |
| Scarce seemed there to be. | 5 | ····· |
| O sweeter than the Marriage-feast, | 8 | ·/˘··/˘· |
| ’Tis sweeter far to me | 6 | ·/˘··· |
| To walk together to the Kirk | 8 | ··˘/˘··· |
| With a goodly company. | 7 | ··/˘/˘˘ |
| To walk together to the Kirk | 8 | ··˘/˘··· |
| And all together pray, | 6 | ··˘/˘· |
| While each to his great father bends, | 8 | ·····/˘· |
| Old men, and babes, and loving friends, | 8 | ·····/˘· |
| And Youths, and Maidens gay. | 6 | ···/˘· |
| Farewell, farewell! but this I tell | 8 | ·/·/···· |
| To thee, thou wedding-guest! | 6 | ···/˘· |
| He prayeth well who loveth well | 8 | ·/˘····· |
| Both man and bird and beast. | 6 | ······ |
| He prayeth best who loveth best, | 8 | ·/˘····· |
| All things both great and small: | 6 | ······ |
| For the dear God, who loveth us, | 8 | ········ |
| He made and loveth all. | 6 | ······ |
| The Marinere, whose eye is bright, | 8 | ········ |
| Whose beard with age is hoar, | 6 | ······ |
| Is gone; and now the wedding-guest | 8 | ·····/˘· |
| Turn’d from the bridegroom’s door. | 6 | ···/·· |
| He went, like one that hath been stunn’d | 8 | ········ |
| And is of sense forlorn: | 6 | ····˘/ |
| A sadder and a wiser man | 8 | ·/˘··/˘· |
| He rose the morrow morn. | 6 | ···/˘· |
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