The Rime of the Ancyent Marinere, in Seven Parts VI

William Wordsworth (1770–1850) · 1798

common measure · 132 lines · from Lyrical Ballads

“But tell me, tell me! speak again,“Thy soft response renewing--“What makes that ship drive on so fast?“What is the Ocean doing?”

“Still as a Slave before his Lord,“The Ocean hath no blast:“His great bright eye most silently“Up to the moon is cast--

“If he may know which way to go,“For she guides him smooth or grim.“See, brother, see! how graciously“She looketh down on him.”

“But why drives on that ship so fast“Withouten wave or wind?”“The air is cut away before,“And closes from behind.

“Fly, brother, fly! more high, more high,“Or we shall be belated:“For slow and slow that ship will go,“When the Marinere’s trance is abated.”

I woke, and we were sailing onAs in a gentle weather:’Twas night, calm night, the moon was high;The dead men stood together.

All stood together on the deck,For a charnel-dungeon fitter:All fix’d on me their stony eyesThat in the moon did glitter.

The pang, the curse, with which they died,Had never pass’d away:I could not draw my een from theirsNe turn them up to pray.

And in its time the spell was snapt,And I could move my een:I look’d far-forth, but little sawOf what might else be seen.

Like one, that on a lonely roadDoth walk in fear and dread,And having once turn’d round, walks onAnd turns no more his head:Because he knows, a frightful fiendDoth close behind him tread.

But soon there breath’d a wind on me,Ne sound ne motion made:Its path was not upon the seaIn ripple or in shade.

It rais’d my hair, it fann’d my cheek,Like a meadow-gale of spring--It mingled strangely with my fears,Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,Yet she sail’d softly too:Sweetly, sweetly blew the breeze--On me alone it blew.

O dream of joy! is this indeedThe light-house top I see?Is this the Hill? Is this the Kirk?Is this mine own countrée?

We drifted o’er the Harbour-bar,And I with sobs did pray--“O let me be awake, my God!“Or let me sleep alway!”

The harbour-bay was clear as glass,So smoothly it was strewn!And on the bay the moon light lay,And the shadow of the moon.

The moonlight bay was white all o’er,Till rising from the same,Full many shapes, that shadows were,Like as of torches came.

A little distance from the prowThose dark-red shadows were;But soon I saw that my own fleshWas red as in a glare.

I turn’d my head in fear and dread,And by the holy rood,The bodies had advanc’d, and nowBefore the mast they stood.

They lifted up their stiff right arms,They held them strait and tight;And each right-arm burnt like a torch,A torch that’s borne upright.Their stony eye-balls glitter’d onIn the red and smoky light.

I pray’d and turn’d my head awayForth looking as before.There was no breeze upon the bay,No wave against the shore.

The rock shone bright, the kirk no lessThat stands above the rock:The moonlight steep’d in silentnessThe steady weathercock.

And the bay was white with silent light,Till rising from the sameFull many shapes, that shadows were,In crimson colours came.

A little distance from the prowThose crimson shadows were:I turn’d my eyes upon the deck--O Christ! what saw I there?

Each corse lay flat, lifeless and flat;And by the Holy roodA man all light, a seraph-man,On every corse there stood.

This seraph-band, each wav’d his hand:It was a heavenly sight:They stood as signals to the land,Each one a lovely light:

This seraph-band, each wav’d his hand,No voice did they impart--No voice; but O! the silence sank,Like music on my heart.

Eftsones I heard the dash of oars,I heard the pilot’s cheer:My head was turn’d perforce awayAnd I saw a boat appear.

Then vanish’d all the lovely lights;The bodies rose anew:With silent pace, each to his place,Came back the ghastly crew.The wind, that shade nor motion made,On me alone it blew.

The pilot, and the pilot’s boyI heard them coming fast:Dear Lord in Heaven! it was a joy,The dead men could not blast.

I saw a third--I heard his voice:It is the Hermit good!He singeth loud his godly hymnsThat he makes in the wood.He’ll shrieve my soul, he’ll wash awayThe Albatross’s blood.

Words in this poem 15
graciously adv.
In a gracious manner; courteously; benignantly.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
belated a.
Delayed beyond the usual time; too late; overtaken by night; benighted.
dungeon n.
A close, dark prison, commondonjon or keep of a castle, these being used as prisons. [OE. donjoun highest tower of a castle, tower, prison, F. donjon tower or platform in the midst of a castle, turret, or closet on the top of a house, a keep of a]
fitter n.
A little piece; a flitter; a flinder.
frightful a.
Full of fright; affrighted; frightened.
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
kirk n.
A church or the church, in the various senses of the word; esp., the Church of Scotland as distinguished from other reformed churches, or from the Roman Catholic Church. Jamieson. [Scot.; cf. Icel. kirkja, of Greek origin. See Church.]
harbour n.
A station for rest and entertainment; a place of security and comfort; a refuge; a shelter. [OE herbor, herberwe, herberge, Icel. herbergi (cf. OHG. heriberga), orig., a shelter for soldiers; herr army + bjarga to save, help, defend; akin to AS. here ar]
glare v. i.
To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
rood n.
A representation in sculpture or in painting of the cross with Christ hanging on it. [AS. rr, D. roede rod, G. ruthe, rute, OHG. ruota. CF. Rod a measure.]
silentness n.
State of being silent; silence.
corse n.
A living body or its bulk. [OF. cors, F. corps. See Corpse.]
perforce v. t.
To force; to compel.
shrieve v. t.
To shrive; to question.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Rime of the Ancyent Marinere, in Seven Parts VI is in the public domain. This text is taken from Lyrical Ballads, With a Few Other Poems (1798), Project Gutenberg ebook #9622; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Wordsworth, The Rime of the Ancyent Marinere, in Seven Parts VI, in Lyrical Ballads (1798), text of Project Gutenberg ebook #9622, Laurel, https://laurelpoetry.com/poem/lyrical-ballads/the-rime-of-the-ancyent-marinere-in-seven-parts-vi.html, id L02847.

Form and metre

The Rime of the Ancyent Marinere, in Seven Parts VI is 132 lines in 31 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 92%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 14 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.

See other poems in common measure.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A again · renewingA · fast · doingA
  2. 2 -A-A lord · blastA · silently · castA
  3. 3 -A-A go · grimA · graciously · himA
  4. 4 -A-A fast · windA · before · behindA
  5. 5 -A-A high · belatedA · go · abatedA
  6. 6 -A-A on · weatherA · high · togetherA
  7. 7 -A-A deck · fitterA · eyes · glitterA
  8. 8 -A-A died · awayA · theirs · prayA
  9. 9 -A-A snapt · eenA · saw · seenA
  10. 10 -A-A-A road · dreadA · on · headA · fiend · treadA
  11. 11 ABAB meA · madeB · seaA · shadeB
  12. 12 -A-A cheek · springA · fears · welcomingA
  13. 13 -A-A ship · tooA · breeze · blewA
  14. 16 -A-A glass · strewnA · lay · moonA
  15. 17 -A-A o'er · sameA · were · cameA
  16. 20 -A-A-A arms · tightA · torch · uprightA · on · lightA
  17. 21 ABAB awayA · beforeB · bayA · shoreB
  18. 22 ABAB lessA · rockB · silentnessA · weathercockB
  19. 23 -A-A light · sameA · were · cameA
  20. 26 ABAB handA · sightB · landA · lightB
  21. 27 -A-A hand · impartA · sank · heartA
  22. 28 -A-A oars · cheerA · away · appearA
  23. 29 -A-A-A lights · anewA · place · crewA · made · blewA
  24. 30 ABAB boyA · fastB · joyA · blastB
  25. 31 -A-A-A voice · goodA · hymns · woodA · away · bloodA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.

LineSyl.Stress
“But tell me, tell me! speak again,8······˘/
“Thy soft response renewing--7··˘/˘/˘
“What makes that ship drive on so fast?8········
“What is the Ocean doing?”7···/˘/˘
“Still as a Slave before his Lord,8········
“The Ocean hath no blast:6·/˘···
“His great bright eye most silently8·····/˘˘
“Up to the moon is cast--6······
“If he may know which way to go,8········
“For she guides him smooth or grim.7·······
“See, brother, see! how graciously8·/˘··/˘˘
“She looketh down on him.”6·/˘···
“But why drives on that ship so fast8········
“Withouten wave or wind?”6˘/˘···
“The air is cut away before,8····˘/··
“And closes from behind.6·/˘···
“Fly, brother, fly! more high, more high,8·/˘·····
“Or we shall be belated:7····˘/˘
“For slow and slow that ship will go,8········
“When the Marinere’s trance is abated.”10·······˘/˘
I woke, and we were sailing on8·····/˘·
As in a gentle weather:7···/˘/˘
’Twas night, calm night, the moon was high;8········
The dead men stood together.7····˘/˘
All stood together on the deck,8··˘/˘···
For a charnel-dungeon fitter:8··/˘/˘/˘
All fix’d on me their stony eyes8·····/˘·
That in the moon did glitter.7·····/˘
The pang, the curse, with which they died,8········
Had never pass’d away:6·/˘·˘/
I could not draw my een from theirs8········
Ne turn them up to pray.6······
And in its time the spell was snapt,8········
And I could move my een:6······
I look’d far-forth, but little saw8·····/˘·
Of what might else be seen.6······
Like one, that on a lonely road8·····/˘·
Doth walk in fear and dread,6······
And having once turn’d round, walks on8·/˘·····
And turns no more his head:6······
Because he knows, a frightful fiend8·····/˘·
Doth close behind him tread.6······
But soon there breath’d a wind on me,8········
Ne sound ne motion made:6···/˘·
Its path was not upon the sea8········
In ripple or in shade.6·/˘···
It rais’d my hair, it fann’d my cheek,8········
Like a meadow-gale of spring--7··/····
It mingled strangely with my fears,8·/˘/˘···
Yet it felt like a welcoming.8·····/˘˘
Swiftly, swiftly flew the ship,7/˘/˘···
Yet she sail’d softly too:6···/˘·
Sweetly, sweetly blew the breeze--7/˘/˘···
On me alone it blew.6··˘/··
O dream of joy! is this indeed8······˘/
The light-house top I see?6······
Is this the Hill? Is this the Kirk?8········
Is this mine own countrée?6······
We drifted o’er the Harbour-bar,8·/˘··/˘·
And I with sobs did pray--6······
“O let me be awake, my God!8····˘/··
“Or let me sleep alway!”6····/˘
The harbour-bay was clear as glass,8·/˘·····
So smoothly it was strewn!6·/˘···
And on the bay the moon light lay,8········
And the shadow of the moon.7··/····
The moonlight bay was white all o’er,8·/······
Till rising from the same,6·/˘···
Full many shapes, that shadows were,8·/˘··/··
Like as of torches came.6···/˘·
A little distance from the prow8·/˘/˘···
Those dark-red shadows were;6···/··
But soon I saw that my own flesh8········
Was red as in a glare.6······
I turn’d my head in fear and dread,8········
And by the holy rood,6···/˘·
The bodies had advanc’d, and now8·/˘·˘/··
Before the mast they stood.6······
They lifted up their stiff right arms,8·/˘·····
They held them strait and tight;6······
And each right-arm burnt like a torch,8········
A torch that’s borne upright.6····˘/
Their stony eye-balls glitter’d on8·/˘··/˘·
In the red and smoky light.7····/˘·
I pray’d and turn’d my head away8······˘/
Forth looking as before.6·/˘···
There was no breeze upon the bay,8········
No wave against the shore.6······
The rock shone bright, the kirk no less8········
That stands above the rock:6······
The moonlight steep’d in silentness8·/···/˘˘
The steady weathercock.6·/˘/˘˘
And the bay was white with silent light,9······/˘·
Till rising from the same6·/˘···
Full many shapes, that shadows were,8·/˘··/··
In crimson colours came.6·/˘/˘·
A little distance from the prow8·/˘/˘···
Those crimson shadows were:6·/˘/··
I turn’d my eyes upon the deck--8········
O Christ! what saw I there?6······
Each corse lay flat, lifeless and flat;8····/˘··
And by the Holy rood6···/˘·
A man all light, a seraph-man,8·····/˘·
On every corse there stood.7·/˘˘···
This seraph-band, each wav’d his hand:8·/˘·····
It was a heavenly sight:7···/˘˘·
They stood as signals to the land,8···/˘···
Each one a lovely light:6···/˘·
This seraph-band, each wav’d his hand,8·/˘·····
No voice did they impart--6····˘/
No voice; but O! the silence sank,8·····/˘·
Like music on my heart.6·/˘···
Eftsones I heard the dash of oars,8········
I heard the pilot’s cheer:6···/˘·
My head was turn’d perforce away8····˘/˘/
And I saw a boat appear.7·····˘/
Then vanish’d all the lovely lights;8·/˘··/˘·
The bodies rose anew:6·/˘·˘/
With silent pace, each to his place,8·/˘·····
Came back the ghastly crew.6···/˘·
The wind, that shade nor motion made,8·····/˘·
On me alone it blew.6··˘/··
The pilot, and the pilot’s boy8·/˘··/˘·
I heard them coming fast:6···/˘·
Dear Lord in Heaven! it was a joy,8···/····
The dead men could not blast.6······
I saw a third--I heard his voice:8········
It is the Hermit good!6···/˘·
He singeth loud his godly hymns8·/˘··/˘·
That he makes in the wood.6······
He’ll shrieve my soul, he’ll wash away8······˘/
The Albatross’s blood.6·/˘·˘·

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