The Idiot Boy

William Wordsworth (1770–1850) · 1798

iambic tetrameter · 463 lines · from Lyrical Ballads

Tis eight o’clock,--a clear March night,The moon is up--the sky is blue,The owlet in the moonlight air,He shouts from nobody knows where;He lengthens out his lonely shout,Halloo! halloo! a long halloo!

--Why bustle thus about your door,What means this bustle, Betty Foy?Why are you in this mighty fret?And why on horseback have you setHim whom you love, your idiot boy?

Beneath the moon that shines so bright,Till she is tired, let Betty FoyWith girt and stirrup fiddle-faddle;But wherefore set upon a saddleHim whom she loves, her idiot boy?

There’s scarce a soul that’s out of bed;Good Betty! put him down again;His lips with joy they burr at you,But, Betty! what has he to doWith stirrup, saddle, or with rein?

The world will say ’tis very idle,Bethink you of the time of night;There’s not a mother, no not one,But when she hears what you have done,Oh! Betty she’ll be in a fright.

But Betty’s bent on her intent,For her good neighbour, Susan Gale,Old Susan, she who dwells alone,Is sick, and makes a piteous moan,As if her very life would fail.

There’s not a house within a mile.No hand to help them in distress:Old Susan lies a bed in pain,And sorely puzzled are the twain,For what she ails they cannot guess.

And Betty’s husband’s at the wood,Where by the week he doth abide,A woodman in the distant vale;There’s none to help poor Susan Gale,What must be done? what will betide?

And Betty from the lane has fetchedHer pony, that is mild and good,Whether he be in joy or pain,Feeding at will along the lane,Or bringing faggots from the wood.

And he is all in travelling trim,And by the moonlight, Betty FoyHas up upon the saddle set,The like was never heard of yet,Him whom she loves, her idiot boy.

And he must post without delayAcross the bridge that’s in the dale,And by the church, and o’er the down,To bring a doctor from the town,Or she will die, old Susan Gale.

There is no need of boot or spur,There is no need of whip or wand,For Johnny has his holly-bough,And with a hurly-burly nowHe shakes the green bough in his hand.

And Betty o’er and o’er has toldThe boy who is her best delight,Both what to follow, what to shun,What do, and what to leave undone,How turn to left, and how to right.

And Betty’s most especial charge,Was, “Johnny! Johnny! mind that you“Come home again, nor stop at all,“Come home again, whate’er befal,“My Johnny do, I pray you do.”

To this did Johnny answer make,Both with his head, and with his hand,And proudly shook the bridle too,And then! his words were not a few,Which Betty well could understand.

And now that Johnny is just going,Though Betty’s in a mighty flurry,She gently pats the pony’s side,On which her idiot boy must ride,And seems no longer in a hurry.

But when the pony moved his legs,Oh! then for the poor idiot boy!For joy he cannot hold the bridle,For joy his head and heels are idle,He’s idle all for very joy.

And while the pony moves his legs,In Johnny’s left-hand you may see,The green bough’s motionless and dead;The moon that shines above his headIs not more still and mute than he.

His heart it was so full of glee,That till full fifty yards were gone,He quite forgot his holly whip,And all his skill in horsemanship,Oh! happy, happy, happy John.

And Betty’s standing at the door,And Betty’s face with joy o’erflows,Proud of herself, and proud of him,She sees him in his travelling trim;How quietly her Johnny goes.

The silence of her idiot boy,What hopes it sends to Betty’s heart!He’s at the guide-post--he turns right,She watches till he’s out of sight,And Betty will not then depart.

Burr, burr--now Johnny’s lips they burr,As loud as any mill, or near it,Meek as a lamb the pony moves,And Johnny makes the noise he loves,And Betty listens, glad to hear it.

Away she hies to Susan Gale:And Johnny’s in a merry tune,The owlets hoot, the owlets curr,And Johnny’s lips they burr, burr, burr,And on he goes beneath the moon.

His steed and he right well agree,For of this pony there’s a rumour,That should he lose his eyes and ears,And should he live a thousand years,He never will be out of humour.

But then he is a horse that thinks!And when he thinks his pace is slack;Now, though he knows poor Johnny well,Yet for his life he cannot tellWhat he has got upon his back.

So through the moonlight lanes they go,And far into the moonlight dale,And by the church, and o’er the down,To bring a doctor from the town,To comfort poor old Susan Gale.

And Betty, now at Susan’s side,Is in the middle of her story,What comfort Johnny soon will bring,With many a most diverting thing,Of Johnny’s wit and Johnny’s glory.

And Betty’s still at Susan’s side:By this time she’s not quite so flurried;Demure with porringer and plateShe sits, as if in Susan’s fateHer life and soul were buried.

But Betty, poor good woman! she,You plainly in her face may read it,Could lend out of that moment’s storeFive years of happiness or more,To any that might need it.

But yet I guess that now and thenWith Betty all was not so well,And to the road she turns her ears,And thence full many a sound she hears,Which she to Susan will not tell.

Poor Susan moans, poor Susan groans,“As sure as there’s a moon in heaven,”Cries Betty, “he’ll be back again;“They’ll both be here, ’tis almost ten,“They’ll both be here before eleven.”

Poor Susan moans, poor Susan groans,The clock gives warning for eleven;’Tis on the stroke--“If Johnny’s near,”Quoth Betty “he will soon be here,“As sure as there’s a moon in heaven.”

The clock is on the stroke of twelve,And Johnny is not yet in sight,The moon’s in heaven, as Betty sees,But Betty is not quite at ease;And Susan has a dreadful night.

And Betty, half an hour ago,On Johnny vile reflections cast;“A little idle sauntering thing!”With other names, an endless string,But now that time is gone and past.

And Betty’s drooping at the heart,That happy time all past and gone,“How can it be he is so late?“The doctor he has made him wait,“Susan! they’ll both be here anon.”

And Susan’s growing worse and worse,And Betty’s in a sad quandary;And then there’s nobody to sayIf she must go or she must stay:--She’s in a sad quandary.

The clock is on the stroke of one;But neither Doctor nor his guideAppear along the moonlight road,There’s neither horse nor man abroad,And Betty’s still at Susan’s side.

And Susan she begins to fearOf sad mischances not a few,That Johnny may perhaps be drown’d,Or lost perhaps, and never found;Which they must both for ever rue.

She prefaced half a hint of thisWith, “God forbid it should be true!”At the first word that Susan saidCried Betty, rising from the bed,“Susan, I’d gladly stay with you.

“I must be gone, I must away,“Consider, Johnny’s but half-wise;“Susan, we must take care of him,“If he is hurt in life or limb”--“Oh God forbid!” poor Susan cries.

“What can I do?” says Betty, going,“What can I do to ease your pain?“Good Susan tell me, and I’ll stay;“I fear you’re in a dreadful way,“But I shall soon be back again.”

“Good Betty go, good Betty go,“There’s nothing that can ease my pain.”Then off she hies, but with a prayerThat God poor Susan’s life would spare,Till she comes back again.

So, through the moonlight lane she goes,And far into the moonlight dale;And how she ran, and how she walked,And all that to herself she talked,Would surely be a tedious tale.

In high and low, above, below,In great and small, in round and square,In tree and tower was Johnny seen,In bush and brake, in black and green,’Twas Johnny, Johnny, every where.

She’s past the bridge that’s in the dale,And now the thought torments her sore,Johnny perhaps his horse forsook,To hunt the moon that’s in the brook,And never will be heard of more.

And now she’s high upon the down,Alone amid a prospect wide;There’s neither Johnny nor his horse,Among the fern or in the gorse;There’s neither doctor nor his guide.

“Oh saints! what is become of him?“Perhaps he’s climbed into an oak,“Where he will stay till he is dead;“Or sadly he has been misled,“And joined the wandering gypsey-folk.

“Or him that wicked pony’s carried“To the dark cave, the goblins’ hall,“Or in the castle he’s pursuing,“Among the ghosts, his own undoing;“Or playing with the waterfall.”

At poor old Susan then she railed,While to the town she posts away;“If Susan had not been so ill,“Alas! I should have had him still,“My Johnny, till my dying day.”

Poor Betty! in this sad distemper,The doctor’s self would hardly spare,Unworthy things she talked and wild,Even he, of cattle the most mild,The pony had his share.

And now she’s got into the town,And to the doctor’s door she hies;Tis silence all on every side;The town so long, the town so wide,Is silent as the skies.

And now she’s at the doctor’s door,She lifts the knocker, rap, rap, rap,The doctor at the casement shews,His glimmering eyes that peep and doze;And one hand rubs his old night-cap.

“Oh Doctor! Doctor! where’s my Johnny?”“I’m here, what is’t you want with me?”“Oh Sir! you know I’m Betty Foy,“And I have lost my poor dear boy,“You know him--him you often see;

“He’s not so wise as some folks be,”“The devil take his wisdom!” saidThe Doctor, looking somewhat grim,“What, woman! should I know of him?”And, grumbling, he went back to bed.

“O woe is me! O woe is me!“Here will I die; here will I die;“I thought to find my Johnny here,“But he is neither far nor near,“Oh! what a wretched mother I!”

She stops, she stands, she looks about,Which way to turn she cannot tell.Poor Betty! it would ease her painIf she had heart to knock again;--The clock strikes three--a dismal knell!

Then up along the town she hies,No wonder if her senses fail,This piteous news so much it shock’d her,She quite forgot to send the Doctor,To comfort poor old Susan Gale.

And now she’s high upon the down,And she can see a mile of road,“Oh cruel! I’m almost three-score;“Such night as this was ne’er before,“There’s not a single soul abroad.”

She listens, but she cannot hearThe foot of horse, the voice of man;The streams with softest sound are flowing,The grass you almost hear it growing,You hear it now if e’er you can.

The owlets through the long blue nightAre shouting to each other still:Fond lovers, yet not quite hob nob,They lengthen out the tremulous sob,That echoes far from hill to hill.

Poor Betty now has lost all hope,Her thoughts are bent on deadly sin;A green-grown pond she just has pass’d,And from the brink she hurries fast,Lest she should drown herself therein.

And now she sits her down and weeps;Such tears she never shed before;“Oh dear, dear pony! my sweet joy!“Oh carry back my idiot boy!“And we will ne’er o’erload thee more.”

A thought is come into her head;“The pony he is mild and good,“And we have always used him well;“Perhaps he’s gone along the dell,“And carried Johnny to the wood.”

Then up she springs as if on wings;She thinks no more of deadly sin;If Betty fifty ponds should see,The last of all her thoughts would be,To drown herself therein.

Oh reader! now that I might tellWhat Johnny and his horse are doing!What they’ve been doing all this time,Oh could I put it into rhyme,A most delightful tale pursuing!

Perhaps, and no unlikely thought!He with his pony now doth roamThe cliffs and peaks so high that are,To lay his hands upon a star,And in his pocket bring it home.

Perhaps he’s turned himself about,His face unto his horse’s tail,And still and mute, in wonder lost,All like a silent horseman-ghost,He travels on along the vale.

And now, perhaps, he’s hunting sheep,A fierce and dreadful hunter he!Yon valley, that’s so trim and green,In five months’ time, should he be seen,A desart wilderness will be.

Perhaps, with head and heels on fire,And like the very soul of evil,He’s galloping away, away,And so he’ll gallop on for aye,The bane of all that dread the devil.

I to the muses have been bound,These fourteen years, by strong indentures;Oh gentle muses! let me tellBut half of what to him befel,For sure he met with strange adventures.

Oh gentle muses! is this kind?Why will ye thus my suit repel?Why of your further aid bereave me?And can ye thus unfriended leave me?Ye muses! whom I love so well.

Who’s yon, that, near the waterfall,Which thunders down with headlong force,Beneath the moon, yet shining fair,As careless as if nothing were,Sits upright on a feeding horse?

Unto his horse, that’s feeding free,He seems, I think, the rein to give;Of moon or stars he takes no heed;Of such we in romances read,--’Tis Johnny! Johnny! as I live.

And that’s the very pony too.Where is she, where is Betty Foy?She hardly can sustain her fears;The roaring water-fall she hears,And cannot find her idiot boy.

Your pony’s worth his weight in gold,Then calm your terrors, Betty Foy!She’s coming from among the trees,And now, all full in view, she seesHim whom she loves, her idiot boy.

And Betty sees the pony too:Why stand you thus Good Betty Foy?It is no goblin, ’tis no ghost,’Tis he whom you so long have lost,He whom you love, your idiot boy.

She looks again--her arms are up--She screams--she cannot move for joy;She darts as with a torrent’s force,She almost has o’erturned the horse,And fast she holds her idiot boy.

And Johnny burrs and laughs aloud,Whether in cunning or in joy,I cannot tell; but while he laughs,Betty a drunken pleasure quaffs,To hear again her idiot boy.

And now she’s at the pony’s tail,And now she’s at the pony’s head,On that side now, and now on this,And almost stifled with her bliss,A few sad tears does Betty shed.

She kisses o’er and o’er again,Him whom she loves, her idiot boy,She’s happy here, she’s happy there,She is uneasy every where;Her limbs are all alive with joy.

She pats the pony, where or whenShe knows not, happy Betty Foy!The little pony glad may be,But he is milder far than she,You hardly can perceive his joy.

“Oh! Johnny, never mind the Doctor;“You’ve done your best, and that is all.”She took the reins, when this was said,And gently turned the pony’s headFrom the loud water-fall.

By this the stars were almost gone,The moon was setting on the hill,So pale you scarcely looked at her:The little birds began to stir,Though yet their tongues were still.

The pony, Betty, and her boy,Wind slowly through the woody dale:And who is she, be-times abroad,That hobbles up the steep rough road?Who is it, but old Susan Gale?

Long Susan lay deep lost in thought,And many dreadful fears beset her,Both for her messenger and nurse;And as her mind grew worse and worse,Her body it grew better.

She turned, she toss’d herself in bed,On all sides doubts and terrors met her;Point after point did she discuss;And while her mind was fighting thus,Her body still grew better.

“Alas! what is become of them?“These fears can never be endured,“I’ll to the wood.”--The word scarce said,Did Susan rise up from her bed,As if by magic cured.

Away she posts up hill and down,And to the wood at length is come,She spies her friends, she shouts a greeting;Oh me! it is a merry meeting,As ever was in Christendom.

The owls have hardly sung their last,While our four travellers homeward wend;The owls have hooted all night long,And with the owls began my song,And with the owls must end.

For while they all were travelling home,Cried Betty, “Tell us Johnny, do,“Where all this long night you have been,“What you have heard, what you have seen,“And Johnny, mind you tell us true.”

Now Johnny all night long had heardThe owls in tuneful concert strive;No doubt too he the moon had seen;For in the moonlight he had beenFrom eight o’clock till five.

And thus to Betty’s question, heMade answer, like a traveller bold,(His very words I give to you,)“The cocks did crow to-whoo, to-whoo,“And the sun did shine so cold.”--Thus answered Johnny in his glory,And that was all his travel’s story.

Words in this poem 54
owlet n.
A small owl; especially, the European species (Athene noctua), and the California flammulated owlet (Megascops flammeolus). Owlet moth (Zoöl.), any noctuid moth. [Dim. of owl. Cf. Howlet.]
nobody n.
No person; no one; not anybody. [No, a. + body.]
betty n.
Etym: [Supposed to be a cant word, from Betty, for Elizabeth, as such an instrument is also called Bess (i. e., Elizabeth) in the Canting Dictionary of 1725, and Jenny (i. e., Jane).]
idiot n.
A man in private station, as distinguished from one holding a public office. [F. idiot, L. idiota an uneducated, ignorant, ill- informed person, Gr. Idiom.]
girt v. t.
To gird; to encircle; to invest by means of a girdle; to measure the girth of; as, to girt a tree. [From Girt, n., cf. Girth, v.]
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
neighbour v. i.
To dwell in the vicinity; to be a neighbor, or in the neighborhood; to be near.
sorely adv.
In a sore manner; grievously; painfully; as, to be sorely afflicted.
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
woodman n.
A forest officer appointed to take care of the king's woods; a forester. [Eng.]
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
betide v. t.
To happen to; to befall; to come to ; as, woe betide the wanderer. [OE. bitiden; pref. bi-, be- + tiden, fr. AS. tidan, to happen, fr. tid time. See Tide.]
johnny n.
A familiar diminutive of John.
undone a.
Not done or performed; neglected. [Pref. un- not + done.]
shook v. t.
To pack, as staves, in a shook.
flurry n.
A sudden and brief blast or gust; a light, temporary breeze; as, a flurry of wind. [Prov. E. flur to ruffle.]
glee n.
Music; minstrelsy; entertainment.
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
hoot v. i.
To cry out or shout in contempt. [OE. hoten, houten, huten; cf. OSw. huta, Sw. huta ut to take one up sharply, fr. Sw. hut interj., begone! cf. also W. hwt off! off with it! away! hoot!]
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
rumour n.
A flying or popular report; the common talk; hence, public fame; notoriety. [F. rumeur, L. rumor; cf. rumificare, rumitare to rumor, Skr. ru to cry.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
flurried a.
Agitated; excited.
demure v. i.
To look demurely.
porringer n.
A porridge dish; esp., a bowl or cup from which children eat or are fed; as, a silver porringer. [OE. pottanger, for pottager; cf. F. potager a soup basin. See Porridge.]
quoth v. t.
Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
dreadful a.
Full of dread or terror; fearful.
anon adv.
Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
quandary v. t.
To bring into a state of uncertainty, perplexity, or difficulty. Otway.
gladly adv.
Preferably; by choice. [From Glad, a.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
gorse n.
Furze. See Furze. [OE. & AS. gorst; perh. akin to E. grow, grass.]
sadly adv.
Wearily; heavily; firmly.
undoing n.
The reversal of what has been done.
knocker n.
One who, or that which, knocks; specifically, an instrument, or kind of hammer, fastened to a door, to be used in seeking for admittance.
casement n.
A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
folks n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
went n.
Course; way; path; journey; direction.
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
hurries n.
A staith or framework from which coal is discharged from cars into vessels.
dell n.
A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
galloping a.
Going at a gallop; progressing rapidly; as, a galloping horse.
bane v. t.
To be the bane of; to ruin. Fuller.
unfriended a.
Wanting friends; not befriended; not countenanced or supported.
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
discuss v. t.
To break to pieces; to shatter. Sir T. Browne. [L. discussus, p. p. of discutere to strike asunder (hence came the sense to separate mentally, distinguish); dis- + quatere to shake, strike. See Quash.]
christendom n.
The profession of faith in Christ by baptism; hence, the Christian religion, or the adoption of it. [AS. cristend; cristen a Christian + -dom.]
homeward a.
Being in the direction of home; as, the homeward way.
wend n.
A large extent of ground; a perambulation; a circuit.
tuneful a.
Harmonious; melodious; musical; as, tuneful notes.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Idiot Boy is in the public domain. This text is taken from Lyrical Ballads, With a Few Other Poems (1798), Project Gutenberg ebook #9622; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Wordsworth, The Idiot Boy, in Lyrical Ballads (1798), text of Project Gutenberg ebook #9622, Laurel, https://laurelpoetry.com/poem/lyrical-ballads/the-idiot-boy.html, id L02860.

Form and metre

The Idiot Boy is 463 lines in 92 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 46 lines end on an unstressed syllable, a feminine ending. 8% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -ABB-A night · blueA · airB · whereB · shout · hallooA
  2. 2 -ABBA door · foyA · fretB · setB · boyA
  3. 3 -ABBA bright · foyA · faddleB · saddleB · boyA
  4. 4 -ABBA bed · againA · youB · doB · reinA
  5. 5 -ABBA idle · nightA · oneB · doneB · frightA
  6. 6 -ABBA intent · galeA · aloneB · moanB · failA
  7. 7 -ABBA mile · distressA · painB · twainB · guessA
  8. 8 -ABBA wood · abideA · valeB · galeB · betideA
  9. 9 -ABBA fetched · goodA · painB · laneB · woodA
  10. 10 -ABBA trim · foyA · setB · yetB · boyA
  11. 11 -ABBA delay · daleA · downB · townB · galeA
  12. 12 --AA- spur · wand · boughA · nowA · hand
  13. 13 -ABBA told · delightA · shunB · undoneB · rightA
  14. 14 -A--A charge · youA · all · befal · doA
  15. 15 -ABBA make · handA · tooB · fewB · understandA
  16. 16 -ABBA going · flurryA · sideB · rideB · hurryA
  17. 17 -ABBA legs · boyA · bridleB · idleB · joyA
  18. 18 -ABBA legs · seeA · deadB · headB · heA
  19. 19 --AA- glee · gone · whipA · horsemanshipA · john
  20. 20 --AA- door · o'erflows · himA · trimA · goes
  21. 21 -ABBA boy · heartA · rightB · sightB · departA
  22. 22 -A--A burr · itA · moves · loves · itA
  23. 23 -ABBA gale · tuneA · currB · burrB · moonA
  24. 24 -ABBA agree · rumourA · earsB · yearsB · humourA
  25. 25 -ABBA thinks · slackA · wellB · tellB · backA
  26. 26 -ABBA go · daleA · downB · townB · galeA
  27. 27 -ABBA side · storyA · bringB · thingB · gloryA
  28. 28 AABBA sideA · flurriedA · plateB · fateB · buriedA
  29. 29 -ABBA she · itA · storeB · moreB · itA
  30. 30 -ABBA then · wellA · earsB · hearsB · tellA
  31. 31 -ABBA groans · heavenA · againB · tenB · elevenA
  32. 32 -ABBA groans · elevenA · nearB · hereB · heavenA
  33. 33 -ABBA twelve · sightA · seesB · easeB · nightA
  34. 34 -ABBA ago · castA · thingB · stringB · pastA
  35. 35 --AA- heart · gone · lateA · waitA · anon
  36. 36 -ABBA worse · quandaryA · sayB · stayB · quandaryA
  37. 37 -A--A one · guideA · road · abroad · sideA
  38. 38 -ABBA fear · fewA · drown'dB · foundB · rueA
  39. 39 -ABBA this · trueA · saidB · bedB · youA
  40. 40 -ABBA away · wiseA · himB · limbB · criesA
  41. 41 -ABBA going · painA · stayB · wayB · againA
  42. 42 -ABBA go · painA · prayerB · spareB · againA
  43. 43 -ABBA goes · daleA · walkedB · talkedB · taleA
  44. 44 -ABBA below · squareA · seenB · greenB · whereA
  45. 45 -ABBA dale · soreA · forsookB · brookB · moreA
  46. 46 -ABBA down · wideA · horseB · gorseB · guideA
  47. 47 -ABBA him · oakA · deadB · misledB · folkA
  48. 48 -ABBA carried · hallA · pursuingB · undoingB · waterfallA
  49. 49 -ABBA railed · awayA · illB · stillB · dayA
  50. 50 -ABBA distemper · spareA · wildB · mildB · shareA
  51. 51 -ABBA town · hiesA · sideB · wideB · skiesA
  52. 52 -A--A door · rapA · shews · doze · capA
  53. 53 -ABBA johnny · meA · foyB · boyB · seeA
  54. 54 -ABBA be · saidA · grimB · himB · bedA
  55. 55 AABBA meA · dieA · hereB · nearB · iA
  56. 56 -ABBA about · tellA · painB · againB · knellA
  57. 57 -A--A hies · failA · her · doctor · galeA
  58. 58 --AA- down · road · scoreA · beforeA · abroad
  59. 59 -ABBA hear · manA · flowingB · growingB · canA
  60. 60 -ABBA night · stillA · nobB · sobB · hillA
  61. 61 -ABBA hope · sinA · pass'dB · fastB · thereinA
  62. 62 -ABBA weeps · beforeA · joyB · boyB · moreA
  63. 63 -ABBA head · goodA · wellB · dellB · woodA
  64. 64 -ABBA wings · sinA · seeB · beB · thereinA
  65. 65 -ABBA tell · doingA · timeB · rhymeB · pursuingA
  66. 66 -ABBA thought · roamA · areB · starB · homeA
  67. 67 -A--A about · tailA · lost · ghost · valeA
  68. 68 -ABBA sheep · heA · greenB · seenB · beA
  69. 70 -A--A bound · indenturesA · tell · befel · adventuresA
  70. 71 -ABBA kind · repelA · meB · meB · wellA
  71. 72 -A--A waterfall · forceA · fair · were · horseA
  72. 73 -ABBA free · giveA · heedB · readB · liveA
  73. 74 -ABBA too · foyA · fearsB · hearsB · boyA
  74. 75 -ABBA gold · foyA · treesB · seesB · boyA
  75. 76 -A--A too · foyA · ghost · lost · boyA
  76. 77 -ABBA up · joyA · forceB · horseB · boyA
  77. 78 -ABBA aloud · joyA · laughsB · quaffsB · boyA
  78. 79 -ABBA tail · headA · thisB · blissB · shedA
  79. 80 -ABBA again · boyA · thereB · whereB · joyA
  80. 81 -ABBA when · foyA · beB · sheB · joyA
  81. 82 -ABBA doctor · allA · saidB · headB · fallA
  82. 83 -ABBA gone · hillA · herB · stirB · stillA
  83. 84 -A--A boy · daleA · abroad · road · galeA
  84. 85 --AA- thought · her · nurseA · worseA · better
  85. 86 --AA- bed · her · discussA · thusA · better
  86. 87 -ABBA them · enduredA · saidB · bedB · curedA
  87. 88 -ABBA down · comeA · greetingB · meetingB · christendomA
  88. 89 -ABBA last · wendA · longB · songB · endA
  89. 90 -A--A home · doA · been · seen · trueA
  90. 91 -A--A heard · striveA · seen · been · fiveA
  91. 92 -ABBACC he · boldA · youB · whooB · coldA · gloryC · storyC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Tis eight o’clock,--a clear March night,8··˘/····
The moon is up--the sky is blue,8········
The owlet in the moonlight air,8·/˘··/··
He shouts from nobody knows where;8···/····
He lengthens out his lonely shout,8·/˘··/˘·
Halloo! halloo! a long halloo!8˘/˘/··˘/
--Why bustle thus about your door,8·/˘·····
What means this bustle, Betty Foy?8···/˘/˘·
Why are you in this mighty fret?8·····/˘·
And why on horseback have you set8···/····
Him whom you love, your idiot boy?8·····/˘·
Beneath the moon that shines so bright,8········
Till she is tired, let Betty Foy8···/·/˘·
With girt and stirrup fiddle-faddle;9···/˘/˘/˘
But wherefore set upon a saddle9·/˘····/˘
Him whom she loves, her idiot boy?8·····/˘·
There’s scarce a soul that’s out of bed;8········
Good Betty! put him down again;8·/˘···˘/
His lips with joy they burr at you,8········
But, Betty! what has he to do8·/˘·····
With stirrup, saddle, or with rein?8·/˘/˘···
The world will say ’tis very idle,9·····/˘/˘
Bethink you of the time of night;8˘/······
There’s not a mother, no not one,8···/˘···
But when she hears what you have done,8········
Oh! Betty she’ll be in a fright.8·/˘·····
But Betty’s bent on her intent,8·/˘···˘/
For her good neighbour, Susan Gale,8···/˘/˘·
Old Susan, she who dwells alone,8·/˘···˘/
Is sick, and makes a piteous moan,9·····/˘˘·
As if her very life would fail.8···/˘···
There’s not a house within a mile.8········
No hand to help them in distress:8······˘/
Old Susan lies a bed in pain,8·/˘·····
And sorely puzzled are the twain,8·/˘/˘···
For what she ails they cannot guess.8·····/˘·
And Betty’s husband’s at the wood,8·/˘/˘···
Where by the week he doth abide,8······˘/
A woodman in the distant vale;8·/˘··/˘·
There’s none to help poor Susan Gale,8·····/˘·
What must be done? what will betide?8······˘/
And Betty from the lane has fetched8·/˘·····
Her pony, that is mild and good,8·/˘·····
Whether he be in joy or pain,8········
Feeding at will along the lane,8/˘··˘/··
Or bringing faggots from the wood.8·/˘/˘···
And he is all in travelling trim,8·····/˘·
And by the moonlight, Betty Foy8···/·/˘·
Has up upon the saddle set,8·····/˘·
The like was never heard of yet,8···/˘···
Him whom she loves, her idiot boy.8·····/˘·
And he must post without delay8······˘/
Across the bridge that’s in the dale,8˘/······
And by the church, and o’er the down,8········
To bring a doctor from the town,8···/˘···
Or she will die, old Susan Gale.8·····/˘·
There is no need of boot or spur,8········
There is no need of whip or wand,8········
For Johnny has his holly-bough,8·/˘··/˘·
And with a hurly-burly now8···/˘/˘·
He shakes the green bough in his hand.8········
And Betty o’er and o’er has told8·/˘·····
The boy who is her best delight,8······˘/
Both what to follow, what to shun,8···/˘···
What do, and what to leave undone,8······˘/
How turn to left, and how to right.8········
And Betty’s most especial charge,8·/˘·˘/˘·
Was, “Johnny! Johnny! mind that you8·/˘/˘···
“Come home again, nor stop at all,8··˘/····
“Come home again, whate’er befal,9··˘/˘˘/··
“My Johnny do, I pray you do.”8·/˘·····
To this did Johnny answer make,8···/˘/˘·
Both with his head, and with his hand,8········
And proudly shook the bridle too,8·/˘··/˘·
And then! his words were not a few,8········
Which Betty well could understand.8·/˘···˘/
And now that Johnny is just going,9···/˘··/˘
Though Betty’s in a mighty flurry,9·/˘··/˘/˘
She gently pats the pony’s side,8·/˘··/˘·
On which her idiot boy must ride,8···/˘···
And seems no longer in a hurry.9···/˘··/˘
But when the pony moved his legs,8···/˘···
Oh! then for the poor idiot boy!8·····/˘·
For joy he cannot hold the bridle,9···/˘··/˘
For joy his head and heels are idle,9·······/˘
He’s idle all for very joy.8·/˘··/˘·
And while the pony moves his legs,8···/˘···
In Johnny’s left-hand you may see,8·/˘·····
The green bough’s motionless and dead;8···/˘˘··
The moon that shines above his head8········
Is not more still and mute than he.8········
His heart it was so full of glee,8········
That till full fifty yards were gone,8···/˘···
He quite forgot his holly whip,8··˘/·/˘·
And all his skill in horsemanship,8·····/˘˘
Oh! happy, happy, happy John.8·/˘/˘/˘·
And Betty’s standing at the door,8·/˘/˘···
And Betty’s face with joy o’erflows,8·/˘·····
Proud of herself, and proud of him,8··˘/····
She sees him in his travelling trim;8·····/˘·
How quietly her Johnny goes.8·/˘˘·/˘·
The silence of her idiot boy,8·/˘··/˘·
What hopes it sends to Betty’s heart!8·····/˘·
He’s at the guide-post--he turns right,8········
She watches till he’s out of sight,8·/˘·····
And Betty will not then depart.8·/˘···˘/
Burr, burr--now Johnny’s lips they burr,8···/˘···
As loud as any mill, or near it,9···/˘····
Meek as a lamb the pony moves,8·····/˘·
And Johnny makes the noise he loves,8·/˘·····
And Betty listens, glad to hear it.9·/˘/˘····
Away she hies to Susan Gale:8˘/···/˘·
And Johnny’s in a merry tune,8·/˘··/˘·
The owlets hoot, the owlets curr,8········
And Johnny’s lips they burr, burr, burr,8·/˘·····
And on he goes beneath the moon.8········
His steed and he right well agree,8······˘/
For of this pony there’s a rumour,9···/˘···˘
That should he lose his eyes and ears,8········
And should he live a thousand years,8·····/˘·
He never will be out of humour.9·/˘····/˘
But then he is a horse that thinks!8········
And when he thinks his pace is slack;8········
Now, though he knows poor Johnny well,8·····/˘·
Yet for his life he cannot tell8·····/˘·
What he has got upon his back.8········
So through the moonlight lanes they go,8···/····
And far into the moonlight dale,8·····/··
And by the church, and o’er the down,8········
To bring a doctor from the town,8···/˘···
To comfort poor old Susan Gale.8·/˘··/˘·
And Betty, now at Susan’s side,8·/˘··/˘·
Is in the middle of her story,9···/˘··/˘
What comfort Johnny soon will bring,8·/˘/˘···
With many a most diverting thing,8·/··˘/˘·
Of Johnny’s wit and Johnny’s glory.9·/˘··/˘/˘
And Betty’s still at Susan’s side:8·/˘··/˘·
By this time she’s not quite so flurried;9·······/˘
Demure with porringer and plate8˘/·/˘˘··
She sits, as if in Susan’s fate8·····/˘·
Her life and soul were buried.7·····/˘
But Betty, poor good woman! she,8·/˘··/˘·
You plainly in her face may read it,9·/˘······
Could lend out of that moment’s store8·····/˘·
Five years of happiness or more,8···/˘˘··
To any that might need it.7·/˘····
But yet I guess that now and then8········
With Betty all was not so well,8·/˘·····
And to the road she turns her ears,8········
And thence full many a sound she hears,8···/····
Which she to Susan will not tell.8···/˘···
Poor Susan moans, poor Susan groans,8·/˘··/˘·
“As sure as there’s a moon in heaven,”9·······/˘
Cries Betty, “he’ll be back again;8·/˘···˘/
“They’ll both be here, ’tis almost ten,8·····/··
“They’ll both be here before eleven.”9······˘/˘
Poor Susan moans, poor Susan groans,8·/˘··/˘·
The clock gives warning for eleven;9···/˘·˘/˘
’Tis on the stroke--“If Johnny’s near,”8·····/˘·
Quoth Betty “he will soon be here,8·/˘·····
“As sure as there’s a moon in heaven.”9·······/˘
The clock is on the stroke of twelve,8········
And Johnny is not yet in sight,8·/˘·····
The moon’s in heaven, as Betty sees,8···/·/˘·
But Betty is not quite at ease;8·/˘·····
And Susan has a dreadful night.8·/˘··/˘·
And Betty, half an hour ago,8·/˘··/˘/
On Johnny vile reflections cast;8·/˘·˘/˘·
“A little idle sauntering thing!”8·/˘/˘/˘·
With other names, an endless string,8·/˘··/˘·
But now that time is gone and past.8········
And Betty’s drooping at the heart,8·/˘/˘···
That happy time all past and gone,8·/˘·····
“How can it be he is so late?8········
“The doctor he has made him wait,8·/˘·····
“Susan! they’ll both be here anon.”8/˘····˘/
And Susan’s growing worse and worse,8·/˘/˘···
And Betty’s in a sad quandary;9·/˘···/˘˘
And then there’s nobody to say8···/····
If she must go or she must stay:8········
--She’s in a sad quandary.7····/˘˘
The clock is on the stroke of one;8········
But neither Doctor nor his guide8·/˘/˘···
Appear along the moonlight road,8˘/˘/·/··
There’s neither horse nor man abroad,8·/˘···˘/
And Betty’s still at Susan’s side.8·/˘··/˘·
And Susan she begins to fear8·/˘·˘/··
Of sad mischances not a few,8········
That Johnny may perhaps be drown’d,8·/˘·˘/··
Or lost perhaps, and never found;8··˘/·/˘·
Which they must both for ever rue.8·····/˘·
She prefaced half a hint of this8·/˘·····
With, “God forbid it should be true!”8··˘/····
At the first word that Susan said8·····/˘·
Cried Betty, rising from the bed,8·/˘/˘···
“Susan, I’d gladly stay with you.8/˘·/˘···
“I must be gone, I must away,8······˘/
“Consider, Johnny’s but half-wise;8˘/˘/˘···
“Susan, we must take care of him,8/˘······
“If he is hurt in life or limb”--8········
“Oh God forbid!” poor Susan cries.8··˘/·/˘·
“What can I do?” says Betty, going,9·····/˘/˘
“What can I do to ease your pain?8········
“Good Susan tell me, and I’ll stay;8·/˘·····
“I fear you’re in a dreadful way,8·····/˘·
“But I shall soon be back again.”8······˘/
“Good Betty go, good Betty go,8·/˘··/˘·
“There’s nothing that can ease my pain.”8·/˘·····
Then off she hies, but with a prayer8········
That God poor Susan’s life would spare,8···/˘···
Till she comes back again.6····˘/
So, through the moonlight lane she goes,8···/····
And far into the moonlight dale;8·····/··
And how she ran, and how she walked,8········
And all that to herself she talked,8····˘/··
Would surely be a tedious tale.8·/˘··/˘·
In high and low, above, below,8········
In great and small, in round and square,8········
In tree and tower was Johnny seen,8···/·/˘·
In bush and brake, in black and green,8········
’Twas Johnny, Johnny, every where.8·/˘/˘/˘·
She’s past the bridge that’s in the dale,8········
And now the thought torments her sore,8····/···
Johnny perhaps his horse forsook,8/˘˘/··˘/
To hunt the moon that’s in the brook,8········
And never will be heard of more.8·/˘·····
And now she’s high upon the down,8········
Alone amid a prospect wide;8˘/˘/·/˘·
There’s neither Johnny nor his horse,8·/˘/˘···
Among the fern or in the gorse;8········
There’s neither doctor nor his guide.8·/˘/˘···
“Oh saints! what is become of him?8····˘/··
“Perhaps he’s climbed into an oak,8˘/······
“Where he will stay till he is dead;8········
“Or sadly he has been misled,8·/˘···˘/
“And joined the wandering gypsey-folk.8···/˘/˘·
“Or him that wicked pony’s carried9···/˘/˘/˘
“To the dark cave, the goblins’ hall,8·····/˘·
“Or in the castle he’s pursuing,9···/˘·˘/˘
“Among the ghosts, his own undoing;9······˘/˘
“Or playing with the waterfall.”8·/˘··/˘·
At poor old Susan then she railed,8···/˘···
While to the town she posts away;8······˘/
“If Susan had not been so ill,8·/˘·····
“Alas! I should have had him still,8˘/······
“My Johnny, till my dying day.”8·/˘··/˘·
Poor Betty! in this sad distemper,9·/˘···˘/˘
The doctor’s self would hardly spare,8·/˘··/˘·
Unworthy things she talked and wild,8˘/˘·····
Even he, of cattle the most mild,8/··/˘···
The pony had his share.6·/˘···
And now she’s got into the town,8········
And to the doctor’s door she hies;8···/˘···
Tis silence all on every side;8·/˘··/˘·
The town so long, the town so wide,8········
Is silent as the skies.6·/˘···
And now she’s at the doctor’s door,8·····/˘·
She lifts the knocker, rap, rap, rap,8···/˘···
The doctor at the casement shews,8·/˘··/˘·
His glimmering eyes that peep and doze;8·/˘·····
And one hand rubs his old night-cap.8········
“Oh Doctor! Doctor! where’s my Johnny?”9·/˘/˘··/˘
“I’m here, what is’t you want with me?”8········
“Oh Sir! you know I’m Betty Foy,8·····/˘·
“And I have lost my poor dear boy,8········
“You know him--him you often see;8·····/˘·
“He’s not so wise as some folks be,”8········
“The devil take his wisdom!” said8·/˘··/˘·
The Doctor, looking somewhat grim,8·/˘/˘//·
“What, woman! should I know of him?”8·/˘·····
And, grumbling, he went back to bed.8·/˘·····
“O woe is me! O woe is me!8········
“Here will I die; here will I die;8········
“I thought to find my Johnny here,8·····/˘·
“But he is neither far nor near,8···/˘···
“Oh! what a wretched mother I!”8···/˘/˘·
She stops, she stands, she looks about,8········
Which way to turn she cannot tell.8·····/˘·
Poor Betty! it would ease her pain8·/˘·····
If she had heart to knock again;8······˘/
--The clock strikes three--a dismal knell!8·····/˘·
Then up along the town she hies,8··˘/····
No wonder if her senses fail,8·/˘··/˘·
This piteous news so much it shock’d her,10·/˘˘······
She quite forgot to send the Doctor,9··˘/···/˘
To comfort poor old Susan Gale.8·/˘··/˘·
And now she’s high upon the down,8········
And she can see a mile of road,8········
“Oh cruel! I’m almost three-score;8·/˘·/···
“Such night as this was ne’er before,8········
“There’s not a single soul abroad.”8···/˘·˘/
She listens, but she cannot hear8·/˘··/˘·
The foot of horse, the voice of man;8········
The streams with softest sound are flowing,9···/˘··/˘
The grass you almost hear it growing,9···/···/˘
You hear it now if e’er you can.8········
The owlets through the long blue night8········
Are shouting to each other still:8·/˘··/˘·
Fond lovers, yet not quite hob nob,8·/˘·····
They lengthen out the tremulous sob,8·/˘··/˘·
That echoes far from hill to hill.8·/˘·····
Poor Betty now has lost all hope,8·/˘·····
Her thoughts are bent on deadly sin;8·····/˘·
A green-grown pond she just has pass’d,8········
And from the brink she hurries fast,8·····/˘·
Lest she should drown herself therein.8····˘/··
And now she sits her down and weeps;8········
Such tears she never shed before;8···/˘···
“Oh dear, dear pony! my sweet joy!8···/˘···
“Oh carry back my idiot boy!8·/˘··/˘·
“And we will ne’er o’erload thee more.”8········
A thought is come into her head;8········
“The pony he is mild and good,8·/˘·····
“And we have always used him well;8···/····
“Perhaps he’s gone along the dell,8˘/··˘/··
“And carried Johnny to the wood.”8·/˘/˘···
Then up she springs as if on wings;8········
She thinks no more of deadly sin;8·····/˘·
If Betty fifty ponds should see,8·/˘/˘···
The last of all her thoughts would be,8········
To drown herself therein.6··˘/··
Oh reader! now that I might tell8·/˘·····
What Johnny and his horse are doing!9·/˘····/˘
What they’ve been doing all this time,8···/˘···
Oh could I put it into rhyme,8········
A most delightful tale pursuing!9··˘/˘·˘/˘
Perhaps, and no unlikely thought!8˘/··˘/˘·
He with his pony now doth roam8···/˘···
The cliffs and peaks so high that are,8········
To lay his hands upon a star,8········
And in his pocket bring it home.8···/˘···
Perhaps he’s turned himself about,8˘/··˘/··
His face unto his horse’s tail,8·····/˘·
And still and mute, in wonder lost,8·····/˘·
All like a silent horseman-ghost,8···/˘/˘·
He travels on along the vale.8·/˘·˘/··
And now, perhaps, he’s hunting sheep,8··˘/·/˘·
A fierce and dreadful hunter he!8···/˘/˘·
Yon valley, that’s so trim and green,8·/˘·····
In five months’ time, should he be seen,8········
A desart wilderness will be.8···/˘˘··
Perhaps, with head and heels on fire,9˘/·····/˘
And like the very soul of evil,9···/˘··/˘
He’s galloping away, away,8·/˘˘˘/˘/
And so he’ll gallop on for aye,8···/˘···
The bane of all that dread the devil.9·······/˘
I to the muses have been bound,8···/˘···
These fourteen years, by strong indentures;9·//···˘/˘
Oh gentle muses! let me tell8·/˘/˘···
But half of what to him befel,8········
For sure he met with strange adventures.9······˘/˘
Oh gentle muses! is this kind?8·/˘/˘···
Why will ye thus my suit repel?8······˘/
Why of your further aid bereave me?9···/˘·˘/·
And can ye thus unfriended leave me?9····˘/˘··
Ye muses! whom I love so well.8·/˘·····
Who’s yon, that, near the waterfall,8·····/˘·
Which thunders down with headlong force,8·/˘··/··
Beneath the moon, yet shining fair,8·····/˘·
As careless as if nothing were,8·/˘··/˘·
Sits upright on a feeding horse?8·/···/˘·
Unto his horse, that’s feeding free,8·····/˘·
He seems, I think, the rein to give;8········
Of moon or stars he takes no heed;8········
Of such we in romances read,8····˘/˘·
--’Tis Johnny! Johnny! as I live.8·/˘/˘···
And that’s the very pony too.8···/˘/˘·
Where is she, where is Betty Foy?8·····/˘·
She hardly can sustain her fears;8·/˘·˘/··
The roaring water-fall she hears,8·/˘/˘···
And cannot find her idiot boy.8·/˘··/˘·
Your pony’s worth his weight in gold,8·/˘·····
Then calm your terrors, Betty Foy!8···/˘/˘·
She’s coming from among the trees,8·/˘·····
And now, all full in view, she sees8········
Him whom she loves, her idiot boy.8·····/˘·
And Betty sees the pony too:8·/˘··/˘·
Why stand you thus Good Betty Foy?8·····/˘·
It is no goblin, ’tis no ghost,8···/˘···
’Tis he whom you so long have lost,8········
He whom you love, your idiot boy.8·····/˘·
She looks again--her arms are up--8··˘/····
She screams--she cannot move for joy;8···/˘···
She darts as with a torrent’s force,8·····/˘·
She almost has o’erturned the horse,8·/······
And fast she holds her idiot boy.8·····/˘·
And Johnny burrs and laughs aloud,8·/˘···˘/
Whether in cunning or in joy,8···/˘···
I cannot tell; but while he laughs,8·/˘·····
Betty a drunken pleasure quaffs,8/˘·/˘/˘·
To hear again her idiot boy.8··˘/·/˘·
And now she’s at the pony’s tail,8·····/˘·
And now she’s at the pony’s head,8·····/˘·
On that side now, and now on this,8········
And almost stifled with her bliss,8·/·/˘···
A few sad tears does Betty shed.8·····/˘·
She kisses o’er and o’er again,8·/˘···˘/
Him whom she loves, her idiot boy,8·····/˘·
She’s happy here, she’s happy there,8·/˘··/˘·
She is uneasy every where;8··˘/˘/˘·

The first 400 of 463 lines; the reader marks them all.

On this poem

Composed 1798. The tale is an invention, based on the words of the Boy in the last stanza, ‘The cocks did crow,’ etc., reported to the poet by Tom Poole, the tanner of Nether Stowey. The Idiot Boy and The Ancyent Marinere are the only pieces graced with a separate sub-title in the volume of 1798. Wordsworth’s 1802 correspondence with John Wilson (Christopher North) records Wilson’s frank confession that he could not admire the poem (‘The affection of Betty Foy has nothing in it to excite interest’) and Wordsworth’s reply that the end of poetry is to please Human Nature ‘as it has been and ever will be,’ found best ‘by stripping our own hearts naked’ rather than by the standards of ‘gentlemen, persons of fortune, professional men’: ‘I have often applied to idiots, in my own mind, that sublime expression of Scripture that THEIR LIFE IS HIDDEN WITH GOD.’ [Hutchinson]
Notes from the edition 1

Notes credited “[Hutchinson]” are Thomas Hutchinson’s, from his edition Lyrical Ballads 1798 (Duckworth, 3rd ed. 1920; Internet Archive lyricalballads00worduoft), keyed to his own line numbers within each poem (the Ancyent Marinere numbered continuously 1-658 across all seven Parts). Notes credited “[W. Wordsworth, 1798]” are the poet’s own five footnotes printed in the site’s own source text (Project Gutenberg #9622).

  1. Stanza 70, line 1 I to the muses have been bound / These fourteen years, by strong indentures... This stanza seems to prove, what Wordsworth in the Fenwick note to An Evening Walk apparently implies, that he considered himself to have commenced poet at the age of fourteen; his earliest printed composition, the sonnet signed Axiologus (European Magazine, March 1787), appeared in his seventeenth year. Stanzas iii. and v. (of this passage) were struck out in 1827. [Hutchinson]

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