Book IX

Luís de Camões (1524–1580), translated by William Julius Mickle · 1776

iambic pentameter · heroic couplets · 1235 lines · from The Lusiad

Red rose the dawn; roll'd o'er the low'ring sky,The scattering clouds of tawny purple fly.While yet the day-spring struggled with the gloom,The Indian monarch sought the regent's dome.In all the luxury of Asian state,High on a star-gemm'd couch the monarch sat:Then on th' illustrious captive, bending downHis eyes, stern darken'd with a threat'ning frown,"Thy truthless tale," he cries, "thy art appears,Confess'd inglorious by thy cautious fears.Yet, still if friendship, honest, thou implore,Yet now command thy vessels to the shore:Gen'rous, as to thy friends, thy sails resign,My will commands it, and the power is mine:In vain thy art, in vain thy might withstands,Thy sails, and rudders too, my will demands:Such be the test, thy boasted truth to try,Each other test despis'd, I fix'd deny.And has my regent sued two days in vain!In vain my mandate, and the captive chain!Yet not in vain, proud chief, ourself shall sueFrom thee the honour to my friendship due:Ere force compel thee, let the grace be thine,Our grace permits it, freely to resign,Freely to trust our friendship, ere too lateOur injur'd honour fix thy dreadful fate."

While thus he spake, his changeful look declar'dIn his proud breast what starting passions warr'd.No feature mov'd on GAMA'S face was seen;Stern he replies, with bold yet anxious mien,"In me my sov'reign represented see,His state is wounded, and he speaks in me;Unaw'd by threats, by dangers uncontroll'd,The laws of nations bid my tongue be bold.No more thy justice holds the righteous scale,The arts of falsehood and the Moors prevail;I see the doom my favour'd foes decree,Yet, though in chains I stand, my fleet is free.The bitter taunts of scorn the brave disdain;Few be my words, your arts, your threats are vain.My sov'reign's fleet I yield not to your sway;Safe shall my fleet to Lisboa's strand conveyThe glorious tale of all the toils I bore,Afric surrounded, and the Indian shoreDiscover'd. These I pledg'd my life to gain,These to my country shall my life maintain.One wish alone my earnest heart desires,The sole impassion'd hope my breast respires;My finish'd labours may my sov'reign hear!Besides that wish, nor hope I know, nor fear.And lo, the victim of your rage I stand,And bare my bosom to the murd'rer's hand."

With lofty mien he spake. In stern disdain,"My threats," the monarch cries, "were never vain:Swift give the sign."--Swift as he spake, appear'dThe dancing streamer o'er the palace rear'd;Instant another ensign distant rose,Where, jutting through the flood, the mountain throwsA ridge enormous, and on either sideDefends the harbours from the furious tide.Proud on his couch th' indignant monarch sat,And awful silence fill'd the room of state.With secret joy the Moors, exulting, glow'd,And bent their eyes where GAMA'S navy rode,Then, proudly heav'd with panting hope, exploreThe wood-crown'd upland of the bending shore.Soon o'er the palms a mast's tall pendant flows,Bright to the sun the purple radiance glows;In martial pomp, far streaming to the skies,Vanes after vanes in swift succession rise,And, through the opening forest-boughs of green,The sails' white lustre moving on is seen;When sudden, rushing by the point of landThe bowsprits nod, and wide the sails expand;Full pouring on the sight, in warlike pride,Extending still the rising squadrons ride:O'er every deck, beneath the morning rays,Like melted gold, the brazen spear-points blaze;Each prore surrounded with a hundred oars,Old Ocean boils around the crowded prores:And, five times now in number GAMA'S might,Proudly their boastful shouts provoke the fight;Far round the shore the echoing peal rebounds,Behind the hill an answ'ring shout resounds:Still by the point new-spreading sails appear,Till seven times GAMA'S fleet concludes the rear.Again the shout triumphant shakes the bay;Form'd as a crescent, wedg'd in firm array,Their fleet's wide horns the Lusian ships enclasp,Prepar'd to crush them in their iron grasp.Shouts echo shouts.--With stern, disdainful eyesThe Indian king to manly GAMA cries,"Not one of thine on Lisboa's shore shall tellThe glorious tale, how bold thy heroes fell."With alter'd visage, for his eyes flash'd fire,"God sent me here, and God's avengeful ireShall blast thy perfidy," great VASCO cried,"And humble in the dust thy wither'd pride."A prophet's glow inspir'd his panting breast,Indignant smiles the monarch's scorn confess'd.Again deep silence fills the room of state,And the proud Moors, secure, exulting wait:And now inclasping GAMA'S in a ring,Their fleet sweeps on.--Loud whizzing from the stringThe black-wing'd arrows float along the sky,And rising clouds the falling clouds supply.The lofty crowding spears that bristling stoodWide o'er the galleys as an upright wood,Bend sudden, levell'd for the closing fight,The points, wide-waving, shed a gleamy light.Elate with joy the king his aspect rears,And valiant GAMA, thrill'd with transport, hearsHis drums' bold rattling raise the battle sound;Echo, deep-ton'd, hoarse, vibrates far around;The shiv'ring trumpets tear the shrill-voic'd air,Quiv'ring the gale, the flashing lightnings flare,The smoke rolls wide, and sudden bursts the roar,The lifted waves fall trembling, deep the shoreGroans; quick and quicker blaze embraces blazeIn flashing arms; louder the thunders raiseTheir roaring, rolling o'er the bended skiesThe burst incessant; awe-struck Echo diesFalt'ring and deafen'd; from the brazen throats,Cloud after cloud, enroll'd in darkness, floats,Curling their sulph'rous folds of fiery blue,Till their huge volumes take the fleecy hue,And roll wide o'er the sky; wide as the sightCan measure heav'n, slow rolls the cloudy white:Beneath, the smoky blackness spreads afarIts hov'ring wings, and veils the dreadful warDeep in its horrid breast; the fierce red glare,Cheq'ring the rifted darkness, fires the air,Each moment lost and kindled, while around,The mingling thunders swell the lengthen'd sound.When piercing sudden through the dreadful roarThe yelling shrieks of thousands strike the shore:Presaging horror through the monarch's breastCrept cold; and gloomy o'er the distant east,Through Gata's hills the whirling tempest sigh'd,And westward sweeping to the blacken'd tide,Howl'd o'er the trembling palace as it past,And o'er the gilded walls a gloomy twilight cast;Then, furious, rushing to the darken'd bay,Resistless swept the black-wing'd night away,With all the clouds that hover'd o'er the fight,And o'er the weary combat pour'd the light.

As by an Alpine mountain's pathless sideSome traveller strays, unfriended of a guide;If o'er the hills the sable night descend,And gath'ring tempest with the darkness blend,Deep from the cavern'd rocks beneath, aghastHe hears the howling of the whirlwind's blast;Above, resounds the crash, and down the steepSome rolling weight groans on with found'ring sweep;Aghast he stands, amid the shades of night,And all his soul implores the friendly light:It comes; the dreadful lightning's quiv'ring blazeThe yawning depth beneath his lifted step betrays;Instant unmann'd, aghast in horrid pain,his knees no more their sickly weight sustain;Powerless he sinks, no more his heart-blood flows;So sunk the monarch, and his heart-blood froze;So sunk he down, when o'er the clouded bayThe rushing whirlwind pour'd the sudden day:Disaster's giant arm in one wide sweepAppear'd, and ruin blacken'd o'er the deep;The sheeted masts drove floating o'er the tide,And the torn hulks roll'd tumbling on the side;Some shatter'd plank each heaving billow toss'd,And, by the hand of Heav'n, dash'd on the coastGroan'd prores ingulf'd; the lashing surges raveO'er the black keels upturn'd, the swelling waveKisses the lofty mast's reclining head;And, far at sea, some few torn galleys fled.Amid the dreadful scene triumphant rodeThe Lusian war-ships, and their aid bestow'd:Their speedy boats far round assisting ply'd,Where plunging, struggling, in the rolling tide,Grasping the shatter'd wrecks, the vanquish'd foesRear'd o'er the dashing waves their haggard brows.No word of scorn the lofty GAMA spoke,Nor India's king the dreadful silence broke.Slow pass'd the hour, when to the trembling shore,In awful pomp, the victor-navy bore:Terrific, nodding on, the bowsprits bend,And the red streamers other war portend:Soon bursts the roar; the bombs tremendous rise,And trail their black'ning rainbows o'er the skies;O'er Calicut's proud domes their rage they pour,And wrap her temples in a sulph'rous shower.'Tis o'er----In threat'ning silence rides the fleet:Wild rage, and horror yell in ev'ry street;Ten thousands pouring round the palace gate,In clam'rous uproar wail their wretch'd fate:While round the dome, with lifted hands, they kneel'd,"Give justice, justice to the strangers yield--Our friends, our husbands, sons, and fathers slain!Happier, alas, than these that yet remain--Curs'd be the counsels, and the arts unjust--Our friends in chains--our city in the dust--Yet, yet prevent----"The silent VASCO sawThe weight of horror, and o'erpowering aweThat shook the Moors, that shook the regent's knees,And sunk the monarch down. By swift degreesThe popular clamour rises. Lost, unmann'd,Around the king the trembling council stand;While, wildly glaring on each other's eyes,Each lip in vain the trembling accent tries;With anguish sicken'd, and of strength bereft,Earnest each look inquires, What hope is left!In all the rage of shame and grief aghast,The monarch, falt'ring, takes the word at last:"By whom, great chief, are these proud war-ships sway'd,Are there thy mandates honour'd and obey'd?Forgive, great chief, let gifts of price restrainThy just revenge. Shall India's gifts be vain!--Oh spare my people and their doom'd abodes--Prayers, vows, and gifts appease the injur'd gods:Shall man deny? Swift are the brave to spare:The weak, the innocent confess their care--Helpless, as innocent of guile, to theeBehold these thousands bend the suppliant knee--Thy navy's thund'ring sides black to the landDisplay their terrors--yet mayst thou command----"

O'erpower'd he paus'd. Majestic and sereneGreat VASCO rose, then, pointing to the sceneWhere bled the war, "Thy fleet, proud king, beholdO'er ocean and the strand in carnage roll'd!So, shall this palace, smoking in the dust,And yon proud city, weep thy arts unjust.The Moors I knew, and, for their fraud prepar'd,I left my fix'd command my navy's guard:Whate'er from shore my name or seal convey'dOf other weight, that fix'd command forbade;Thus, ere its birth destroy'd, prevented fellWhat fraud might dictate, or what force compel.This morn the sacrifice of Fraud I stood,But hark, there lives the brother of my blood,And lives the friend, whose cares conjoin'd controlThese floating towers, both brothers of my soul.'If thrice,' I said, 'arise the golden morn,Ere to my fleet you mark my glad return,Dark Fraud with all her Moorish arts withstands,And force, or death withholds me from my bands:Thus judge, and swift unfurl the homeward sail,Catch the first breathing of the eastern gale,Unmindful of my fate on India's shore:Let but my monarch know, I wish no more.'Each, panting while I spoke, impatient cries,The tear-drop bursting in their manly eyes,'In all but one thy mandates we obey,In one we yield not to thy gen'rous sway:Without thee, never shall our sails return;India shall bleed, and Calicut shall burn--Thrice shall the morn arise; a flight of bombsShall then speak vengeance to their guilty domes:Till noon we pause; then, shall our thunders roar,And desolation sweep the treach'rous shore.'Behold, proud king, their signal in the sky,Near his meridian tower the sun rides high.O'er Calicut no more the ev'ning shadeShall spread her peaceful wings, my wrath unstaid;Dire through the night her smoking dust shall gleam,Dire thro' the night shall shriek the female scream."

"Thy worth, great chief," the pale-lipp'd regent cries,"Thy worth we own: oh, may these woes suffice!To thee each proof of India's wealth we send;Ambassadors, of noblest race, attend----"Slow as he falter'd, GAMA caught the word,"On terms I talk not, and no truce afford:Captives enough shall reach the Lusian shore:Once you deceiv'd me, and I treat no more.E'en now my faithful sailors, pale with rage,Gnaw their blue lips, impatient to engage;Rang'd by their brazen tubes, the thund'ring bandWatch the first movement of my brother's hand;E'en now, impatient, o'er the dreadful tireThey wave their eager canes betipp'd with fire;Methinks my brother's anguish'd look I see,The panting nostril and the trembling knee,While keen he eyes the sun. On hasty strides,Hurried along the deck, Coello chidesHis cold, slow ling'ring, and impatient cries,'Oh, give the sign, illume the sacrifice,A brother's vengeance for a brother's blood----"

He spake; and stern the dreadful warrior stood;So seem'd the terrors of his awful nod,The monarch trembled as before a god;The treach'rous Moors sank down in faint dismay,And speechless at his feet the council lay:Abrupt, with outstretched arms, the monarch cries,"What yet----" but dar'd not meet the hero's eyes,"What yet may save!"--Great VASCO stern rejoins,"Swift, undisputing, give th' appointed signs:High o'er thy loftiest tower my flag display,Me and my train swift to my fleet convey:Instant command--behold the sun rides high----"He spake, and rapture glow'd in ev'ry eye;The Lusian standard o'er the palace flow'd,Swift o'er the bay the royal barges row'd.A dreary gloom a sudden whirlwind threw;Amid the howling blast, enrag'd, withdrewThe vanquish'd demon. Soon, in lustre mildAs April smiles, the sun auspicious smil'd:Elate with joy, the shouting thousands trod,And GAMA to his fleet triumphant rode.

Soft came the eastern gale on balmy wings:Each joyful sailor to his labour springs;Some o'er the bars their breasts robust recline,And, with firm tugs, the rollers from the brine,Reluctant dragg'd, the slime-brown'd anchors raise;Each gliding rope some nimble hand obeys;Some bending o'er the yard-arm's length, on high,With nimble hands, the canvas wings untie;The flapping sails their wid'ning folds distend,And measur'd, echoing shouts their sweaty toils attend.Nor had the captives lost the leader's care,Some to the shore the Indian barges bear;The noblest few the chief detains, to ownHis glorious deeds before the Lusian throne;To own the conquest of the Indian shore:Nor wanted ev'ry proof of India's store.What fruits in Ceylon's fragrant woods abound,With woods of cinnamon her hills are crown'd:Dry'd in its flower, the nut of Banda's grove,The burning pepper, and the sable clove;The clove, whose odour on the breathing gale,Far to the sea, Molucca's plains exhale;All these, provided by the faithful Moor,All these, and India's gems, the navy bore:The Moor attends, Mozaide, whose zealous careTo GAMA'S eyes unveil'd each treach'rous snare:So burn'd his breast with Heav'n-illumin'd flame,And holy rev'rence of Messiah's name.O, favour'd African, by Heaven's own lightCall'd from the dreary shades of error's night!What man may dare his seeming ills arraign,Or what the grace of Heaven's designs explain!Far didst thou from thy friends a stranger roam,There wast thou call'd to thy celestial home.

With rustling sound now swell'd the steady sail;The lofty masts reclining to the gale,On full-spread wings the navy springs away,And, far behind them, foams the ocean grey:Afar the less'ning hills of Gata fly,And mix their dim blue summits with the sky:Beneath the wave low sinks the spicy shore,And, roaring through the tide, each nodding prorePoints to the Cape, great Nature's southmost bound,The Cape of Tempests, now of Hope renown'd.Their glorious tale on Lisboa's shore to tellInspires each bosom with a rapt'rous swell;Now through their breasts the chilly tremors glide,To dare once more the dangers dearly tried.--Soon to the winds are these cold fears resign'd,And all their country rushes on the mind;How sweet to view their native land, how sweetThe father, brother, and the bride to greet!While list'ning round the hoary parent's boardThe wond'ring kindred glow at ev'ry word;How sweet to tell what woes, what toils they bore,The tribes, and wonders of each various shore!These thoughts, the traveller's lov'd reward, employ,And swell each bosom with unutter'd joy.

The queen of love, by Heaven's eternal grace,The guardian goddess of the Lusian race;The queen of love, elate with joy, surveysHer heroes, happy, plough the wat'ry maze:Their dreary toils revolving in her thought,And all the woes by vengeful Bacchus wrought;These toils, these woes, her yearning cares employ,To bathe, and balsam in the streams of joy.Amid the bosom of the wat'ry waste,Near where the bowers of Paradise were plac'd,An isle, array'd in all the pride of flowers,Of fruits, of fountains, and of fragrant bowers,She means to offer to their homeward prows,The place of glad repast and sweet repose;And there, before their raptur'd view, to raiseThe heav'n-topp'd column of their deathless praise.

The goddess now ascends her silver car,(Bright was its hue as love's translucent star);Beneath the reins the stately birds, that singTheir sweet-ton'd death-song spread the snowy wing;The gentle winds beneath her chariot sigh,And virgin blushes purple o'er the sky:On milk-white pinions borne, her cooing dovesForm playful circles round her as she moves;And now their beaks in fondling kisses join,In am'rous nods their fondling necks entwine.O'er fair Idalia's bowers the goddess rode,And by her altars sought Idalia's god:The youthful bowyer of the heart was there;His falling kingdom claim'd his earnest care.His bands he musters, through the myrtle grovesOn buxom wings he trains the little loves.Against the world, rebellious and astray,He means to lead them, and resume his sway:For base-born passions, at his shrine, 'twas told,Each nobler transport of the breast controll'd.A young Actæon, scornful of his lore,Morn after morn pursues the foamy boar,In desert wilds, devoted to the chase;Each dear enchantment of the female faceSpurn'd, and neglected. Him, enrag'd, he sees,And sweet, and dread his punishment decrees.Before his ravish'd sight, in sweet surprise,Naked in all her charms, shall Dian rise;With love's fierce flames his frozen heart shall burn,Coldly his suit, the nymph, unmov'd, shall spurn.Of these lov'd dogs that now his passions sway,Ah, may he never fall the hapless prey!

Enrag'd, he sees a venal herd, the shameOf human race, assume the titled name;And each, for some base interest of his own,With Flatt'ry's manna'd lips assail the throne.He sees the men, whom holiest sanctions bindTo poverty, and love of human kind;While, soft as drop the dews of balmy May,Their words preach virtue, and her charms display,He sees with lust of gold their eyes on fire,And ev'ry wish to lordly state aspire;He sees them trim the lamp at night's mid hour,To plan new laws to arm the regal power;Sleepless, at night's mid hour, to raze the laws,The sacred bulwarks of the people's cause,Fram'd ere the blood of hard-earn'd victoryOn their brave fathers' helm-hack'd swords was dry.

Nor these alone; each rank, debas'd and rude,Mean objects, worthless of their love, pursued:Their passions thus rebellious to his lore,The god decrees to punish and restore.The little loves, light hov'ring in the air,Twang their silk bow-strings, and their aims prepare:Some on th' immortal anvils point the dart,With power resistless to inflame the heart;Their arrow heads they tip with soft desires,And all the warmth of love's celestial fires;Some sprinkle o'er the shafts the tears of woe,Some store the quiver, some steel-spring the bow;Each chanting as he works the tuneful strainOf love's dear joys, of love's luxurious pain;Charm'd was the lay to conquer and refine,Divine the melody, the song divine.

Already, now, began the vengeful war,The witness of the god's benignant care;On the hard bosoms of the stubborn crowdAn arrowy shower the bowyer train bestow'd;Pierced by the whizzing shafts, deep sighs the air,And answering sighs the wounds of love declare.Though various featur'd, and of various hue,Each nymph seems loveliest in her lover's view;Fir'd by the darts, by novice archers sped,Ten thousand wild, fantastic loves are bred:In wildest dreams the rustic hind aspires,And haughtiest lords confess the humblest fires.

The snowy swans of love's celestial queenNow land her chariot on the shore of green;One knee display'd, she treads the flow'ry strand,The gather'd robe falls loosely from her hand;Half-seen her bosom heaves the living snow,And on her smiles the living roses glow.The bowyer god, whose subtle shafts ne'er flyMisaim'd, in vain, in vain on earth or sky,With rosy smiles the mother power receives;Around her climbing, thick as ivy leaves,The vassal loves in fond contention joinWho, first and most, shall kiss her hand divine.Swift in her arms she caught her wanton boy,And, "Oh, my son," she cries, "my pride, my joy!Against thy might the dreadful Typhon fail'd,Against thy shaft nor heav'n, nor Jove prevail'd;Unless thine arrow wake the young desires,My strength, my power, in vain each charm expires:My son, my hope, I claim thy powerful aid,Nor be the boon thy mother sues delay'd:Where'er--so will th' eternal fates--where'erThe Lusian race the victor standards rear,There shall my hymns resound, my altars flame,And heav'nly Love her joyful lore proclaim.My Lusian heroes, as my Romans, brave,Long toss'd, long hopeless on the storm-torn wave,Wearied and weak, at last on India's shoreArriv'd, new toils, repose denied, they bore;For Bacchus there with tenfold rage pursuedMy dauntless sons, but now his might subdued,Amid these raging seas, the scene of woes,Theirs shall be now the balm of sweet repose;Theirs ev'ry joy the noblest heroes claim,The raptur'd foretaste of immortal fame.Then, bend thy bow and wound the Nereid train,The lovely daughters of the azure main;And lead them, while they pant with am'rous fire,Right to the isle which all my smiles inspire:Soon shall my care that beauteous isle supply,Where Zephyr, breathing love, on Flora's lap shall sigh.There let the nymphs the gallant heroes meet,And strew the pink and rose beneath their feet:In crystal halls the feast divine prolong,With wine nectareous and immortal song:Let every nymph the snow-white bed prepare,And, fairer far, resign her bosom there;There, to the greedy riotous embraceResign each hidden charm with dearest grace.Thus, from my native waves a hero lineShall rise, and o'er the East illustrious shine;Thus, shall the rebel world thy prowess know,And what the boundless joys our friendly powers bestow."

She said; and smiling view'd her mighty boy;Swift to the chariot springs the god of joy;His ivory bow, and arrows tipp'd with gold,Blaz'd to the sun-beam as the chariot roll'd:Their silver harness shining to the day,The swans, on milk-white pinions, spring away,Smooth gliding o'er the clouds of lovely blue;And Fame (so will'd the god) before them flew:A giant goddess, whose ungovern'd tongueWith equal zeal proclaims or right or wrong;Oft had her lips the god of love blasphem'd,And oft with tenfold praise his conquests nam'd:A hundred eyes she rolls with ceaseless care,A thousand tongues what these behold declare:Fleet is her flight, the lightning's wing she rides, }And, though she shifts her colours swift as glides }The April rainbow, still the crowd she guides. }And now, aloft her wond'ring voice she rais'd,And, with a thousand glowing tongues, she prais'dThe bold discoverers of the eastern world--In gentle swells the list'ning surges curl'd,And murmur'd to the sounds of plaintive loveAlong the grottoes where the Nereids rove.The drowsy power on whose smooth easy mienThe smiles of wonder and delight are seen,Whose glossy, simp'ring eye bespeaks her name,Credulity, attends the goddess Fame.Fir'd by the heroes' praise, the wat'ry gods,With ardent speed forsake their deep abodes;Their rage by vengeful Bacchus rais'd of late,Now stung remorse, and love succeeds to hate.Ah, where remorse in female bosom bleeds,The tend'rest love in all its glow succeeds.When fancy glows, how strong, O Love, thy power!Nor slipp'd the eager god the happy hour;Swift fly his arrows o'er the billowy main,Wing'd with his fires, nor flies a shaft in vain:Thus, ere the face the lover's breast inspires,The voice of fame awakes the soft desires.While from the bow-string start the shafts divine,His ivory moon's wide horns incessant join,Swift twinkling to the view: and wide he pours,Omnipotent in love, his arrowy showers.E'en Thetis' self confess'd the tender smart,And pour'd the murmurs of the wounded heart:Soft o'er the billows pants the am'rous sigh;With wishful languor melting on each eyeThe love-sick nymphs explore the tardy sailsThat waft the heroes on the ling'ring gales.

Give way, ye lofty billows, low subside,Smooth as the level plain, your swelling pride,Lo, Venus comes! Oh, soft, ye surges, sleep,Smooth be the bosom of the azure deep,Lo, Venus comes! and in her vig'rous trainShe brings the healing balm of love-sick pain.White as her swans, and stately as they rearTheir snowy crests when o'er the lake they steer,Slow moving on, behold, the fleet appears,And o'er the distant billow onward steers.The beauteous Nereids, flush'd in all their charms,Surround the goddess of the soft alarms:Right to the isle she leads the smiling train,And all her arts her balmy lips explain;The fearful languor of the asking eye,The lovely blush of yielding modesty,The grieving look, the sigh, the fav'ring smile,And all th' endearments of the open wile,She taught the nymphs--in willing breasts that heav'dTo hear her lore, her lore the nymphs receiv'd.

As now triumphant to their native shoreThrough the wide deep the joyful navy bore,Earnest the pilot's eyes sought cape or bay,For long was yet the various wat'ry way;Sought cape or isle, from whence their boats might bringThe healthful bounty of the crystal spring:When sudden, all in nature's pride array'd,The Isle of Love its glowing breast display'd.O'er the green bosom of the dewy lawnSoft blazing flow'd the silver of the dawn,The gentle waves the glowing lustre share,Arabia's balm was sprinkled o'er the air.Before the fleet, to catch the heroes' view,The floating isle fair Acidalia drew:Soon as the floating verdure caught their sight,She fix'd, unmov'd, the island of delight.So when in child-birth of her Jove-sprung load,The sylvan goddess and the bowyer god,In friendly pity of Latona's woes,Amid the waves the Delian isle arose.And now, led smoothly o'er the furrow'd tide,Right to the isle of joy the vessels glide:The bay they enter, where on ev'ry hand,Around them clasps the flower-enamell'd land;A safe retreat, where not a blast may shakeIts flutt'ring pinions o'er the stilly lake.With purple shells, transfus'd as marble veins,The yellow sands celestial Venus stains.With graceful pride three hills of softest greenRear their fair bosoms o'er the sylvan scene;Their sides embroider'd boast the rich arrayOf flow'ry shrubs in all the pride of May;The purple lotus and the snowy thorn,And yellow pod-flowers ev'ry slope adorn.From the green summits of the leafy hillsDescend, with murm'ring lapse, three limpid rills:Beneath the rose-trees loit'ring, slow they glide,Now, tumbles o'er some rock their crystal pride;Sonorous now, they roll adown the glade,Now, plaintive tinkle in the secret shade,Now, from the darkling grove, beneath the beamOf ruddy morn, like melted silver stream,Edging the painted margins of the bowers,And breathing liquid freshness on the flowers.Here, bright reflected in the pool below,The vermeil apples tremble on the bough;Where o'er the yellow sands the waters sleepThe primros'd banks, inverted, dew-drops weep;Where murm'ring o'er the pebbles purls the streamThe silver trouts in playful curvings gleam.Long thus, and various, ev'ry riv'let strays,Till closing, now, their long meand'ring maze,Where in a smiling vale the mountains end,Form'd in a crystal lake the waters blend:Fring'd was the border with a woodland shade,In ev'ry leaf of various green array'd,Each yellow-ting'd, each mingling tint betweenThe dark ash-verdure and the silv'ry green.The trees, now bending forward, slowly shakeTheir lofty honours o'er the crystal lake;Now, from the flood the graceful boughs retireWith coy reserve, and now again admireTheir various liv'ries, by the summer dress'd,Smooth-gloss'd and soften'd in the mirror's breast.So, by her glass the wishful virgin stays,And, oft retiring, steals the ling'ring gaze.A thousand boughs aloft to heav'n displayTheir fragrant apples, shining to the day;The orange here perfumes the buxom air,And boasts the golden hue of Daphne's hair.Near to the ground each spreading bough descends,Beneath her yellow load the citron bends;The fragrant lemon scents the cooly grove;Fair as (when rip'ning for the days of love)The virgin's breasts the gentle swell avow,So, the twin fruitage swell on every bough.Wild forest-trees the mountain sides array'dWith curling foliage and romantic shade:Here spreads the poplar, to Alcides dear;And dear to Phoebus, ever verdant here,The laurel joins the bowers for ever green,The myrtle bowers belov'd of beauty's queen.To Jove the oak his wide-spread branches rears;And high to heav'n the fragrant cedar bears;Where through the glades appear the cavern'd rocks,The lofty pine-tree waves her sable locks;Sacred to Cybele the whisp'ring pineLoves the wild grottoes where the white cliffs shine;Here towers the cypress, preacher to the wise,Less'ning from earth her spiral honours rise,Till, as a spear-point rear'd, the topmost sprayPoints to the Eden of eternal day.Here round her fost'ring elm the smiling vine,In fond embraces, gives her arms to twine,The num'rous clusters pendant from the boughs,The green here glistens, here the purple glows;For, here the genial seasons of the yearDanc'd hand in hand, no place for winter here;His grisly visage from the shore expell'd,United sway the smiling seasons held.Around the swelling fruits of deep'ning red,Their snowy hues the fragrant blossoms spread;Between the bursting buds of lucid greenThe apple's ripe vermilion blush is seen;For here each gift Pomona's hand bestowsIn cultur'd garden, free, uncultur'd flows,The flavour sweeter, and the hue more fair,Than e'er was foster'd by the hand of care.The cherry here in shining crimson glows;And, stain'd with lover's blood, in pendent rows,The bending boughs the mulberries o'erload;The bending boughs caress'd by Zephyr nod.The gen'rous peach, that strengthens in exileFar from his native earth, the Persian soil,The velvet peach, of softest glossy blue,Hangs by the pomegranate of orange hue,Whose open heart a brighter red displaysThan that which sparkles in the ruby's blaze.Here, trembling with their weight, the branches bear,Delicious as profuse, the tap'ring pear.For thee, fair fruit, the songsters of the groveWith hungry bills from bower to arbour rove.Ah, if ambitious thou wilt own the careTo grace the feast of heroes and the fair,Soft let the leaves, with grateful umbrage, hideThe green-tinged orange of thy mellow side.A thousand flowers of gold, of white and red,Far o'er the shadowy vale their carpets spread,Of fairer tap'stry, and of richer bloom,Than ever glow'd in Persia's boasted loom:As glitt'ring rainbows o'er the verdure thrown,O'er every woodland walk th' embroid'ry shone.Here o'er the wat'ry mirror's lucid bedNarcissus, self-enamour'd, hangs the head;And here, bedew'd with love's celestial tears,The woe-mark'd flower of slain Adonis rearsIts purple head, prophetic of the reignWhen lost Adonis shall revive again.At strife appear the lawns and purpled skies,Which from each other stole the beauteous dyes:The lawn in all Aurora's lustre glows,Aurora steals the blushes of the rose,The rose displays the blushes that adornThe spotless virgin on the nuptial morn.Zephyr and Flora emulous conspireTo breathe their graces o'er the field's attire;The one gives healthful freshness, one the hueFairer than e'er creative pencil drew.Pale as the love-sick hopeless maid they dyeThe modest violet; from the curious eyeThe modest violet turns her gentle head,And, by the thorn, weeps o'er her lowly bed.Bending beneath the tears of pearly dawnThe snow-white lily glitters o'er the lawn;Low from the bough reclines the damask rose,And o'er the lily's milk-white bosom glows.Fresh in the dew, far o'er the painted dales,Each fragrant herb her sweetest scent exhales.The hyacinth bewrays the doleful Ai,And calls the tribute of Apollo's sigh;Still on its bloom the mournful flower retainsThe lovely blue that dy'd the stripling's veins.Pomona, fir'd with rival envy, viewsThe glaring pride of Flora's darling hues;Where Flora bids the purple iris spread,She hangs the wilding's blossom white and red;Where wild-thyme purples, where the daisy snowsThe curving slopes, the melon's pride she throws;Where by the stream the lily of the vale,Primrose, and cowslip meek, perfume the gale,Beneath the lily, and the cowslip's bell,The scarlet strawberries luxurious swell.Nor these alone the teeming Eden yields,Each harmless bestial crops the flow'ry fields;And birds of ev'ry note, and ev'ry wing,Their loves responsive thro' the branches sing:In sweet vibrations thrilling o'er the skies,High pois'd in air, the lark his warbling tries;The swan, slow sailing o'er the crystal lake,Tunes his melodious note; from ev'ry brakeThe glowing strain the nightingale returns,And, in the bowers of love, the turtle mourns.Pleas'd to behold his branching horns appear,O'er the bright fountain bends the fearless deer;The hare starts trembling from the bushy shade,And, swiftly circling, crosses oft the glade.Where from the rocks the bubbling founts distil,The milk-white lambs come bleating down the hill;The dappled heifer seeks the vales below,And from the thicket springs the bounding doe.To his lov'd nest, on fondly flutt'ring wings,In chirping bill the little songster bringsThe food untasted; transport thrills his breast;'Tis nature's touch, 'tis instinct's heav'n-like feast.Thus bower and lawn were deck'd with Eden's flowers,And song and joy imparadis'd the bowers.

And soon the fleet their ready anchors threw:Lifted on eager tip-toe at the view,On nimble feet that bounded to the strandThe second Argonauts elance to land.Wide o'er the beauteous isle the lovely fairStray through the distant glades, devoid of care.From lowly valley and from mountain groveThe lovely nymphs renew the strains of love.Here from the bowers that crown the plaintive rillThe solemn harp's melodious warblings thrill;Here from the shadows of the upland grotThe mellow lute renews the swelling note.As fair Diana, and her virgin train,Some gaily ramble o'er the flow'ry plain,In feign'd pursuit of hare or bounding roe,Their graceful mien and beauteous limbs to show;Now seeming careless, fearful now and coy,(So, taught the goddess of unutter'd joy),And, gliding through the distant glades, displayEach limb, each movement, naked as the day.Some, light with glee, in careless freedom takeTheir playful revels in the crystal lake;One trembling stands no deeper than the kneeTo plunge reluctant, while in sportful gleeAnother o'er her sudden laves the tide;In pearly drops the wishful waters glide,Reluctant dropping from her breasts of snow;Beneath the wave another seems to glow;The am'rous waves her bosom fondly kiss'd,And rose and fell, as panting, on her breast.Another swims along with graceful pride,Her silver arms the glist'ning waves divide,Her shining sides the fondling waters lave,Her glowing cheeks are brighten'd by the wave,Her hair, of mildest yellow, flows from sideTo side, as o'er it plays the wanton tide,And, careless as she turns, her thighs of snowTheir tap'ring rounds in deeper lustre show.

Some gallant Lusians sought the woodland prey,And, thro' the thickets, forc'd the pathless way;Where some, in shades impervious to the beam,Supinely listen'd to the murm'ring stream:When sudden, through the boughs, the various dyesOf pink, of scarlet, and of azure rise,Swift from the verdant banks the loit'rers spring,Down drops the arrow from the half-drawn string:Soon they behold 'twas not the rose's hue,The jonquil's yellow, nor the pansy's blue:Dazzling the shades the nymphs appear--the zoneAnd flowing scarf in gold and azure shone.Naked as Venus stood in Ida's bower,Some trust the dazzling charms of native power;Through the green boughs and darkling shades they showThe shining lustre of their native snow,And every tap'ring, every rounded swellOf thigh, of bosom, as they glide, reveal.As visions, cloth'd in dazzling white, they rise,Then steal unnoted from the flurried eyes:Again apparent, and again, withdrawn,They shine and wanton o'er the smiling lawn.Amaz'd and lost in rapture of surprise,"All joy, my friends!" the brave VELOSO cries,"Whate'er of goddesses old fable told,Or poet sung of sacred groves, behold.Sacred to goddesses divinely brightThese beauteous forests own their guardian might.From eyes profane, from ev'ry age conceal'd,To us, behold, all Paradise reveal'd!Swift let us try if phantoms of the air,Or living charms, appear divinely fair!"Swift at the word the gallant Lusians bound,Their rapid footsteps scarcely touch the ground;Through copse, through brake, impatient of their prey,Swift as the wounded deer, they spring away:Fleet through the winding shades, in rapid flight,The nymphs, as wing'd with terror, fly their sight;Fleet though they fled, the mild reverted eyeAnd dimpling smile their seeming fear deny.Fleet through the shades in parted rout they glide:If winding path the chosen pairs divide,Another path by sweet mistake betrays,And throws the lover on the lover's gaze:If dark-brow'd bower conceal the lovely fair,The laugh, the shriek, confess the charmer there.

Luxurious here the wanton zephyrs toy,And ev'ry fondling fav'ring art employ.Fleet as the fair ones speed, the busy galeIn wanton frolic lifts the trembling veil;White though the veil, in fairer brighter glow,The lifted robe displays the living snow:Quick flutt'ring on the gale the robe conceals,Then instant to the glance each charm reveals;Reveals, and covers from the eyes on fire,Reveals, and with the shade inflames desire.One, as her breathless lover hastens on,With wily stumble sudden lies o'erthrown;Confus'd, she rises with a blushing smile;The lover falls the captive of her guile:Tripp'd by the fair, he tumbles on the mead,The joyful victim of his eager speed.

Afar, where sport the wantons in the lake,Another band of gallant youths betake;The laugh, the shriek, the revel and the toy,Bespeak the innocence of youthful joy.The laugh, the shriek, the gallant Lusians hearAs through the forest glades they chase the deer;For, arm'd, to chase the bounding roe they came,Unhop'd the transport of a nobler game.The naked wantons, as the youths appear,Shrill through the woods resound the shriek of fear.Some feign such terror of the forc'd embrace,Their virgin modesty to this gives place,Naked they spring to land, and speed awayTo deepest shades unpierc'd by glaring day;Thus, yielding freely to the am'rous eyesWhat to the am'rous hands their fear denies.Some well assume Diana's virgin shame,When on her naked sports the hunter cameUnwelcome--plunging in the crystal tide,In vain they strive their beauteous limbs to hide;The lucid waves ('twas all they could) bestowA milder lustre and a softer glow.As, lost in earnest care of future need,Some to the banks, to snatch their mantles, speed,Of present view regardless; ev'ry wileWas yet, and ev'ry net of am'rous guile.Whate'er the terror of the feign'd alarm,Display'd, in various force, was ev'ry charm.Nor idle stood the gallant youth; the wingOf rapture lifts them, to the fair they spring;Some to the copse pursue their lovely prey;Some, cloth'd and shod, impatient of delay,Impatient of the stings of fierce desire,Plunge headlong in the tide to quench the fire.So, when the fowler to his cheek uprearsThe hollow steel, and on the mallard bears,His eager dog, ere bursts the flashing roar,Fierce for the prey, springs headlong from the shore,And barking, cuts the wave with furious joy:So, mid the billow springs each eager boy,Springs to the nymph whose eyes from all the restBy singling him her secret wish confess'd.

A son of Mars was there, of gen'rous race,His ev'ry elegance of manly grace;Am'rous and brave, the bloom of April youthGlow'd on his cheek, his eye spoke simplest truth;Yet love, capricious to th' accomplish'd boy,Had ever turn'd to gall each promis'd joy,Had ever spurn'd his vows; yet still his heartWould hope, and nourish still the tender smart:The purest delicacy fann'd his fires,And proudest honour nurs'd his fond desires.Not on the first that fair before him glow'd,Not on the first the youth his love bestow'd.In all her charms the fair Ephyre came,And Leonardo's heart was all on flame.Affection's melting transport o'er him stole,And love's all gen'rous glow entranced his soul;Of selfish joy unconscious, ev'ry thoughtOn sweet delirium's ocean stream'd afloat.Pattern of beauty did Ephyre shine,Nor less she wish'd these beauties to resign:More than her sisters long'd her heart to yield,Yet, swifter fled she o'er the smiling field.The youth now panting with the hopeless chase,"Oh turn," he cries, "oh turn thy angel face:False to themselves, can charms like these concealThe hateful rigour of relentless steel?And, did the stream deceive me, when I stoodAmid my peers reflected in the flood?The easiest port and fairest bloom I bore--False was the stream--while I in vain deplore,My peers are happy; lo, in ev'ry shade,In ev'ry bower, their love with love repaid!I, I alone through brakes, through thorns pursueA cruel fair. Ah, still my fate proves true,True to its rigour--who, fair nymph, to theeReveal'd 'twas I that sued! unhappy me!Born to be spurn'd though honesty inspire.Alas, I faint, my languid sinews tire;Oh stay thee--powerless to sustain their weightMy knees sink down, I sink beneath my fate!"He spoke; a rustling urges thro' the trees,Instant new vigour strings his active knees,Wildly he glares around, and raging cries,"And must another snatch my lovely prize!In savage grasp thy beauteous limbs constrain!I feel, I madden while I feel the pain!Oh lost, thou fli'st the safety of my arms,My hand shall guard thee, softly seize thy charms,No brutal rage inflames me, yet I burn!Die shall thy ravisher. O goddess, turn,And smiling view the error of my fear;No brutal force, no ravisher is near;A harmless roebuck gave the rustling sounds,Lo, from the thicket swift as thee he bounds!Ah, vain the hope to tire thee in the chase!I faint, yet hear, yet turn thy lovely face.Vain are thy fears; were ev'n thy will to yieldThe harvest of my hope, that harvest fieldMy fate would guard, and walls of brass would rearBetween my sickle and the golden ear.Yet fly me not; so may thy youthful primeNe'er fly thy cheek on the grey wing of time.Yet hear, the last my panting breath can say,Nor proudest kings, nor mightiest hosts can swayFate's dread decrees; yet thou, O nymph, divine,Yet thou canst more, yet thou canst conquer mine.Unmov'd each other yielding nymph I see;Joy to their lovers, for they touch not thee!But thee!--oh, every transport of desire,That melts to mingle with its kindred fire,For thee respires--alone I feel for theeThe dear wild rage of longing ecstasy:By all the flames of sympathy divineTo thee united, thou by right art mine.From thee, from thee the hallow'd transport flowsThat sever'd rages, and for union glows:Heav'n owns the claim. Hah, did the lightning glare:Yes, I beheld my rival, though the airGrew dim; ev'n now I heard him softly tread.Oh rage, he waits thee on the flow'ry bed!I see, I see thee rushing to his arms,And sinking on his bosom, all thy charmsTo him resigning in an eager kiss,All I implor'd, the whelming tide of bliss!And shall I see him riot on thy charms,Dissolv'd in joy, exulting in thine arms?Oh burst, ye lightnings, round my destin'd head,Oh pour your flashes----" Madd'ning as he said,Amid the windings of the bow'ry woodHis trembling footsteps still the nymph pursued.Woo'd to the flight she wing'd her speed to hearHis am'rous accents melting on her ear.And now, she turns the wild walk's serpent maze;A roseate bower its velvet couch displays;The thickest moss its softest verdure spread,Crocus and mingling pansy fring'd the bed,The woodbine dropp'd its honey from above,And various roses crown'd the sweet alcove.Here, as she hastens, on the hopeless boyShe turns her face, all bath'd in smiles of joy;Then, sinking down, her eyes suffused with loveGlowing on his, one moment lost reprove.Here was no rival, all he wish'd his own;Lock'd in her arms soft sinks the stripling down.Ah, what soft murmurs panting thro' the bowersSigh'd to the raptures of the paramours!The wishful sigh, and melting smile conspire,Devouring kisses fan the fiercer fire;Sweet violence, with dearest grace, assails,Soft o'er the purpos'd frown the smile prevails,The purpos'd frown betrays its own deceit,In well-pleas'd laughter ends the rising threat;The coy delay glides off in yielding love,And transport murmurs thro' the sacred grove.The joy of pleasing adds its sacred zest,And all is love, embracing and embraced.

The golden morn beheld the scenes of joy;Nor, sultry noon, mayst thou the bowers annoy;The sultry noon-beam shines the lover's aid,And sends him glowing to the secret shade.O'er evr'y shade, and ev'ry nuptial bowerThe love-sick strain the virgin turtles pour;For nuptial faith and holy rites combin'd,The Lusian heroes and the nymphs conjoin'd.With flow'ry wreaths, and laurel chaplets, boundWith ductile gold, the nymphs the heroes crown'd:By ev'ry spousal holy ritual tied,No chance, they vow, shall e'er their hands divide,In life, in death, attendant as their fame;Such was the oath of ocean's sov'reign dame:The dame (from heav'n and holy Vesta sprung,For ever beauteous and for ever young),Enraptur'd, views the chief whose deathless nameThe wond'ring world and conquer'd seas proclaim.With stately pomp she holds the hero's hand,And gives her empire to his dread command,By spousal ties confirm'd; nor pass'd untoldWhat Fate's unalter'd page had will'd of old:The world's vast globe in radiant sphere she show'd,The shores immense, and seas unknown, unplough'd;The seas, the shores, due to the Lusian keelAnd Lusian sword, she hastens to reveal.The glorious leader by the hand she takes,And, dim below, the flow'ry bower forsakes.High on a mountain's starry top divineHer palace walls of living crystal shine;Of gold and crystal blaze the lofty towers;Here, bath'd in joy, they pass the blissful hours:Engulf'd in tides on tides of joy, the dayOn downy pinions glides unknown away.While thus the sov'reigns in the palace reign,Like transport riots o'er the humbler plain,Where each, in gen'rous triumph o'er his peers,His lovely bride to ev'ry bride prefers.

"Hence, ye profane!"--the song melodious rose,By mildest zephyrs wafted through the boughs,Unseen the warblers of the holy strain--"Far from these sacred bowers, ye lewd profane!Hence each unhallow'd eye, each vulgar ear;Chaste and divine are all the raptures here.The nymphs of ocean, and the ocean's queen,The isle angelic, ev'ry raptur'd scene,The charms of honour and its meed confess,These are the raptures, these the wedded bliss:The glorious triumph and the laurel crown,The ever blossom'd palms of fair renown,By time unwither'd, and untaught to cloy;These are the transports of the Isle of Joy.Such was Olympus and the bright abodes;Renown was heav'n, and heroes were the gods.Thus, ancient times, to virtue ever just,To arts and valour rear'd the worshipp'd bust.High, steep, and rugged, painful to be trod,With toils on toils immense is virtue's road;But smooth at last the walks umbrageous smile,Smooth as our lawns, and cheerful as our isle.Up the rough road Alcides, Hermes, strove,All men like you, Apollo, Mars, and Jove:Like you to bless mankind Minerva toil'd;Diana bound the tyrants of the wild;O'er the waste desert Bacchus spread the vine;And Ceres taught the harvest-field to shine.Fame rear'd her trumpet; to the blest abodesShe rais'd, and hail'd them gods, and sprung of gods.

"The love of fame, by heav'n's own hand impress'd,The first, and noblest passion of the breast,May yet mislead.--Oh guard, ye hero train,No harlot robes of honours false and vain,No tinsel yours, be yours all native gold,Well-earn'd each honour, each respect you hold:To your lov'd king return a guardian band,Return the guardians of your native land;To tyrant power be dreadful; from the jawsOf fierce oppression guard the peasant's cause.If youthful fury pant for shining arms,Spread o'er the eastern world the dread alarms;There bends the Saracen the hostile bow,The Saracen thy faith, thy nation's foe;There from his cruel gripe tear empire's reins,And break his tyrant-sceptre o'er his chains.On adamantine pillars thus shall standThe throne, the glory of your native land;And Lusian heroes, an immortal line,Shall ever with us share our isle divine."

"O'er the glad earth the blissful season poursThe vernal beauties of a thousand flowersIn varied tints: there show'd the ruby's hue,The yellow topaz, and the sapphire blue.The mead appears one intermingled blazeWhere pearls and diamonds dart their trembling rays.Not emerald here so bright a verdure yieldsAs the fair turf of those celestial fields.On ev'ry tree the leaves unfading grow,The fruitage ripens and the flow'rets blow!The frolic birds, gay-plum'd, of various wingAmid the boughs their notes melodious sing:Still lakes, and murm'ring streams, with waters clear,Charm the fix'd eye, and lull the list'ning ear.A soft'ning genial air, that ever seemsIn even tenor, cools the solar beamsWith fanning breeze; while from the enamell'd field,Whate'er the fruits, the plants, the blossoms yieldOf grateful scent, the stealing gales dispenseThe blended sweets to feed th' immortal sense.

"Amid the plain a palace dazzling bright,Like living flame, emits a streamy light,And, wrapp'd in splendour of refulgent day,Outshines the strength of ev'ry mortal ray.

"Astolpho gently now directs his speedTo where the spacious pile enfolds the meadIn circuit wide, and views with eager eyesEach nameless charm that happy soil supplies.With this compar'd, he deems the world belowA dreary desert and a seat of woe!By Heaven and Nature, in their wrath bestow'd,In evil hour, for man's unblest abode.

"Near and more near the stately walls he drew,In steadfast gaze transported at the view:They seem'd one gem entire, of purer redThan deep'ning gleams transparent rubies shed.Stupendous work! by art Dædalian rais'd,Transcending all by feeble mortals prais'd!No more henceforth let boasting tongues proclaimThose wonders of the world, so chronicled by fame!"

"Before the threshold wanton damsels wait,Or, sport between the pillars of the gate:But, beauty more had brighten'd in their faceHad modesty attemper'd ev'ry grace;In vestures green each damsel swept the ground,Their temples fair, with leafy garlands crown'd.These, with a courteous welcome, led the knightTo this sweet Paradise of soft delight....Enamour'd youths and tender damsels seemTo chant their loves beside a purling stream.Some by a branching tree, or mountain's shade,In sports and dances press the downy glade,While one discloses to his friend, apart,The secret transport of his am'rous heart."--BOOK vi.

"Her former lovers she esteem'd no more,For many lovers she possess'd before;I was her joy----Too late, alas, I found her wav'ring mindIn love inconstant as the changing wind!Scarce had I held two months the fairy's grace,When a new youth was taken to my place:Rejected, then, I join'd the banish'd herdThat lost her love, as others were preferr'd ...Some here, some there, her potent charms retain,In diverse forms imprison'd to remain;In beeches, olives, palms, or cedars clos'd,Or, such as me, you here behold expos'd;In fountains some, and some in beasts confin'd,As suits the wayward fairy's cruel mind."

"The bildir oak, and eke the hardie ashe,The pillir elme, the coffir unto caraine,The boxe pipetre, the holme to whippis lasshe,The sailing firre, the cypres deth to plaine,The shortir ewe, the aspe for shaftis plaine,The olive of pece, and eke the dronkin vine,The victor palme, the laurir to divine.A gardein sawe I full of blossomed bowis,Upon a river, in a grené medeThere as sweetness evirmore inough is,With flouris white, and blewe, yelowe, and rede,And colde and clere wellestremis, nothing dede,That swommin full of smale fishis light,With finnis rede, and scalis silver bright.

On every bough the birdis herd I syngWith voice of angell, in ther harmonieThat busied 'hem, ther birdis forthe to bryng,And little pretie conies to ther plaie gan hie;And furthir all about I gan espieThe dredful roe, the buck, the hart and hind,Squirils, and bestis smal of gentle kind.Of instrumentes of stringis, in accordeHerd I so plaie a ravishyng swetnesse,That God, that makir is of all and Lorde,Ne herd nevir a better, as I gesse,There with a winde, unneth it might be lesse,Made in the levis grene a noisé softAccordant to the foulis song en loft.

The aire of the place so attempre was,That ner was there grevaunce of hot ne cold--

Under a tre beside a well I seyeCupid our lorde his arrowes forge and file,And at his fete his bowe all redie laye,And well his doughtir temprid all the whileThe heddis in the well, and with her wileShe couchid 'hem aftir as thei should serve,Some for to flea, and some to wound and carve.

And upon pillirs grete of Jaspir longI saw a temple of Brasse ifoundid strong.

And about the temple dauncid alwaieWomen inow, of which some there ywereFaire of 'hemself, and some of 'hem were gaie,In kirtils all disheveled went thei there,That was ther office or from yere to yere,And on the temple sawe I white and faireOf dovis sittyng many a thousande paire."

Words in this poem 206
asian a.
Of or pertaining to Asia; Asiatic. [L. Asianus, Gr. Asia.]
truthless a.
Devoid of truth; dishonest; dishonest; spurious; faithless.
inglorious a.
Not glorious; not bringing honor or glory; not accompanied with fame, honor, or celebrity; obscure; humble; as, an inglorious life of ease. [L. inglorious; pref. in- not + gloria glory, fame: cf. F. inglorieux. See Glory.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
dreadful a.
Full of dread or terror; fearful.
changeful a.
Full of change; mutable; inconstant; fickle; uncertain.
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
jutting a.
Projecting, as corbels, cornices, etc.
indignant a.
Affected with indignation; wrathful; passionate; irate; feeling wrath, as when a person is exasperated by unworthy or unjust treatment, by a mean action, or by a degrading accusation. [L. indignans, -antis, p. pr. of indignari to be indignant, disdain. See Indign.]
exulting a.
Rejoicing triumphantly or exceedingly; exultant.
rode n.
Redness; complexion. [See Rud.]
explore v. t.
To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
streaming a.
Sending forth streams.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
prore n.
The prow or fore part of a ship. [L. prora, Gr. prora. See Prow, n.]
peal v. i.
To appeal. Spencer.
enclasp v. t.
To clasp. See Inclasp. [Pref. en- + clasp. Cf. Inclasp.]
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
perfidy n.
The act of violating faith or allegiance; violation of a promise or vow, or of trust reposed; faithlessness; teachery. [L. perfidia, fr. L. perfidus faithless; per (cf. Skr. para away) + fides faith: cf. F. perfidie. See Faith.]
gleamy a.
Darting beams of light; casting light in rays; flashing; coruscating.
elate a.
Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
valiant a.
Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
trumpets n.
A plant (Sarracenia flava) with long, hollow leaves.
flare v. i.
To burn with an unsteady or waving flame; as, the candle flares. [Cf. Norw. flara to blaze, flame, adorn with tinsel, dial. Sw. flasa upp, and E. flash, or flacker.]
fleecy a.
Covered with, made of, or resembling, a fleece.
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
horrid a.
Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
glare v. i.
To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
resistless a.
Having no power to resist; making no opposition.
pathless a.
Having no beaten path or way; untrodden; impenetrable; as, pathless woods.
unfriended a.
Wanting friends; not befriended; not countenanced or supported.
sable n.
A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
drove n.
A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
billow n.
A great wave or surge of the sea or other water, caused usually by violent wind. [Cf. Icel. bylgja billow, Dan. bölge, Sw. bölja; akin to MHG. bulge billow, bag, and to E. bulge. See Bulge.]
lashing n.
The act of one who, or that which, lashes; castigation; chastisement. South. Lashing out, a striking out; also, extravagance.
keels n.
Ninepins. See Kayles.
haggard a.
Wild or intractable; disposed to break away from duty; untamed; as, a haggard or refractory hawk. Shak [F. hagard; of German origin, and prop. meaning, of the hegde or woods, wild, untamed. See Hedge, 1st Haw, and -ard.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
portend v. t.
To indicate (events, misfortunes, etc.) as in future; to foreshow; to foretoken; to bode; -- now used esp. of unpropitious signs. [L. portendre, portentum, to foretell, to predict, to impend, from an old preposition used in comp. + tendere to stretch. See Position, Tend.]
tremendous a.
Fitted to excite fear or terror; such as may astonish or terrify by its magnitude, force, or violence; terrible; dreadful; as, a tremendous wind; a tremendous shower; a tremendous shock or fall. [L. tremendus that is to be trembled at, fearful, fr. tremere to tremble. See Tremble.]
shook v. t.
To pack, as staves, in a shook.
clamour n.
A great outcry or vociferation; loud and continued shouting or exclamation. [OF. clamour, clamur, F. clameur, fr. L. clamor, fr. clamare to cry out. See Claim.]
glaring a.
Clear; notorious; open and bold; barefaced; as, a glaring crime.
suppliant a.
Asking earnestly and submissively; entreating; beseeching; supplicating. [F., p.pr. of supplier to entreat, L. supplicare. See Supplicate, and cf. Supplicant.]
carnage n.
Flesh of slain animals or men. [F. carnage, LL. carnaticum tribute of animals, flesh of animals, fr. L. caro, carnis, flesh. See Carnal.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
unfurl v. t.
To loose from a furled state; to unfold; to expand; to open or spread; as, to unfurl sails; to unfurl a flag. [1st pref. un- + furl.]
homeward a.
Being in the direction of home; as, the homeward way.
desolation n.
The act of desolating or laying waste; destruction of inhabitants; depopulation. [F. désolation, L. desolatio.]
dire a.
Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
suffice v. i.
To be enough, or sufficient; to meet the need (of anything); to be equal to the end proposed; to be adequate. [OE. suffisen, OF. soufire, F. suffire (cf. suffisant, p.pr.), L. sufficere to put under, to substitute, to avail for, to suffice; sub under + facere to make. Se]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
illume v. t.
To throw or spread light upon; to make light or bright; to illuminate; to illumine. [Cf. F. illuminer. See Illuminate.]
speechless a.
Destitute or deprived of the faculty of speech.
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
balmy a.
Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
sweaty a.
Moist with sweat; as, a sweaty skin; a sweaty garment.
odour n.
Any smell, whether fragrant or offensive; scent; perfume. [OE. odor, odour, OF. odor, odour, F. odeur, fr. L. odor; akin to olere to smell, Gr. Olfactory, Osmium, Ozone, Redolent.]
arraign v. t.
To call or set as a prisoner at the bar of a court to answer to the matter charged in an indictment or complaint. Blackstone. [OE. arainen, arenen, OF. aragnier, aranier, araisnier, F. arraisonner, fr. LL. arrationare to address to call before court; L. ad + ratio reason, reasoning, LL.]
didst
, the 2d pers. sing. imp. of Do.
wast
The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
southmost a.
Farthest toward the south; southernmost.
hoary a.
White or whitish."The hoary willows."
maze n.
A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
vengeful a.
Vindictive; retributive; revengeful.
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
deathless a.
Not subject to death, destruction, or extinction; immortal; undying; imperishable; as, deathless beings; deathless fame.
snowy a.
White like snow.
entwine v. t.
To twine, twist, or wreathe together or round. [Pref. en- + twine. Cf. Intwine.]
bowyer n.
An archer; one who uses bow. [From Bow, like lawyer from law.]
buxom a.
Yielding; pliable or compliant; ready to obey; obedient; tractable; docile; meek; humble. [OE. buxum, boxom, buhsum, pliable, obedient, AS. bocsum, buhsum (akin to D. buigzaam blexible, G. biegsam); bugan to bow, bend + -sum, E. -some. See Bow to bend]
rebellious a.
Engaged in rebellion; disposed to rebel of the nature of rebels or of rebellion; resisting government or lawful authority by force.
resume n.
A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
coldly adv.
In a cold manner; without warmth, animation, or feeling; with indifference; calmly.
spurn v. t.
To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
hapless a.
Without hap or luck; luckless; unfortunate; unlucky; unhappy; as, hapless youth; hapless maid.
titled a.
Having or bearing a title.
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
aspire v. t.
To aspire to; to long for; to try to reach; to mount to.
sleepless a.
Having no sleep; wakeful.
raze n.
A Shakespearean word (used once) supposed to mean the same as race, a root. [See Rack.]
tuneful a.
Harmonious; melodious; musical; as, tuneful notes.
benignant a.
Kind; gracious; favorable. [LL. benignans, p. pr. of benignare, from L. benignus. See Benign.]
arrowy a.
Consisting of arrows.
heaves n.
A disease of horses, characterized by difficult breathing, with heaving of the flank, wheezing, flatulency, and a peculiar cough; broken wind.
typhon n.
According to Hesiod, the son of Typhoeus, and father of the winds, but later identified with him. [Gr. Typhoon.]
jove n.
The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
boon n.
A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
dauntless a.
Incapable of being daunted; undaunted; bold; fearless; intrepid.
foretaste n.
A taste beforehand; enjoyment in advance; anticipation.
pant v. i.
To breathe quickly or in a labored manner, as after exertion or from eagerness or excitement; to respire with heaving of the breast; to gasp. [Cf. F. panteler to gasp for breath, OF. panteisier to be breathless, F. pantois out of breath; perh. akin to E. phantom, the verb prob. orig. meaning, to have t]
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
zephyr n.
The west wind; poetically, any soft, gentle breeze. [L. zephyrus, Gr. zéphyr.]
nectareous a.
Of, pertaining to, containing, or resembling nectar; delicious; nectarean.
rebel a.
Pertaining to rebels or rebellion; acting in revolt; rebellious; as, rebel troops. [F. rebelle, fr. L. rebellis. See Rebel, v. t.]
prowess n.
Distinguished bravery; valor; especially, military bravery and skill; gallantry; intrepidity; fearlessness. Chaucer. Sir P. Sidney. [OF. proece, proesce, F. prouesse. See Prow, a.]
ceaseless a.
Without pause or end; incessant.
billowy a.
Of or pertaining to billows; swelling or swollen into large waves; full of billows or surges; resembling billows.
twinkling n.
The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
wishful a.
Having desire, or ardent desire; longing. [Cf. Wistful.]
waft v. t.
To give notice to by waving something; to wave the hand to; to beckon. [Prob. originally imp. & p. p. of wave, v. t. See Wave to waver.]
wile n.
A trick or stratagem practiced for insnaring or deception; a sly, insidious; artifice; a beguilement; an allurement. [OE. wile, AS. wil; cf. Icel. v, væl. Cf. Guile.]
bounty n.
Goodness, kindness; virtue; worth. [OE. bounte goodness, kindness, F. bonté, fr. L. bonitas, fr. bonus good, for older duonus; cf. Skr. duvas honor, respect.]
stilly a.
Still; quiet; calm.
adown adv.
From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
darkling a.
Becoming dark or gloomy; frowing.
vermeil n.
Vermilion; also, the color of vermilion, a bright, beautiful red. [F., vermilion, fr. LL. vermiculus, fr. L. vermiculus a little worm, the coccus Indicus, from vermis a worm. See Worm, and cf. Vermicule.]
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
admire v. t.
To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
cooly n.
An East Indian porter or carrier; a laborer transported from the East Indies, China, or Japan, for service in some other country. [Hind. k a laborer, porter: cf. Turk. k, ky, slave.]
avow v. t.
To bind, or to devote, by a vow. Wyclif. [OF. avouer, fr. LL. votare to vow, fr. L. votun. See Vote, n.]
fruitage n.
Fruit, collectively; fruit, in general; fruitery. [F. fruitage.]
phoebus n.
Apollo; the sun god.
eden n.
The garden where Adam and Eve first dwelt; hence, a delightful region or residence. [Heb. eden delight, pleasure; also, a place of pleasure, Eden.]
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
flavour n.
That quality of anything which affects the smell; odor; fragrances; as, the flavor of a rose. [OF. fleur, flaur (two syllables), odor, cf. F. fleurer to emit an odor, It. flatore a bad odor, prob. fr. L. flare to bow, whence the sense of exhalation. Cf. B]
arbour n.
A kind of latticework formed of, or covered with, vines, branches of trees, or other plants, for shade; a bower. Sir P. [OE. herber, herbere, properly a garden of herbs, F. herbier, fr. L. herbarium. See Herb, and cf. Herbarium.]
umbrage n.
Shade; shadow; obscurity; hence, that which affords a shade, as a screen of trees or foliage. [F. ombrage shade, suspicion, umbrage, L. umbraticus belonging to shade, fr. umbra a shade. Cf. Umber, Umbratic.]
narcissus n.
A genus of endogenous bulbous plants with handsome flowers, having a cup-shaped crown within the six-lobed perianth, and comprising the daffodils and jonquils of several kinds. [L. narcissus, and (personified) Narcissus, Gr. na`rkissos, Na`rkissos, fr. na`rkh torpor, in allusion to the narcotic properties of the flower. Cf. Narcotic.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
aurora n.
The rising light of the morning; the dawn of day; the redness of the sky just before the sun rises. [L. aurora, for ausosa, akin to Gr. ushas, and E. east.]
flora n.
The goddess of flowers and spring. [L., the goddess of flowers, from flos, floris, flower. See Flower.]
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
pomona n.
The goddess of fruits and fruit trees. [L., from pomum fruit.]
cowslip n.
A common flower in England (Primula veris) having yellow blossoms and appearing in early spring. It is often cultivated in the United States. [AS. c, c, prob. orig., cow's droppings. Cf. Slop, n.]
teeming a.
Prolific; productive.
bestial a.
Belonging to a beast, or to the class of beasts. [F. bestial, L. bestialis, fr. bestia beast. See Beast.]
responsive a.
That responds; ready or inclined to respond. [Cf. F. resposif.]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
bleating a.
Crying as a sheep does.
dappled a.
Marked with spots of different shades of color; spotted; variegated; as, a dapple horse.
fondly adv.
Foolishly. Verstegan (1673).
songster n.
One who sings; one skilled in singing; -- not often applied to human beings. [AS. sangestre a female singer.]
elance v. t.
To throw as a lance; to hurl; to dart. [F. élancer, OF. eslancier; pref. es- (L. ex) + F. lancer to dart, throw, fr. lance.]
rill n.
A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
diana n.
The daughter of Jupiter and Latona; a virgin goddess who presided over hunting, chastity, and marriage; -- identified with the Greek goddess Artemis. [L. Diana.]
gaily adv.
Merrily; showily. See gaily. [From Gay.]
glee n.
Music; minstrelsy; entertainment.
sportful a.
Full of sport; merry; frolicsome; full of jesting; indulging in mirth or play; playful; wanton; as, a sportful companion.
lave v. t.
To lade, dip, or pour out. [OE. laven. See Lavish.]
flurried a.
Agitated; excited.
copse n.
A wood of small growth; a thicket of brushwood. See Coppice. [Contr. from coppice.]
reverted a.
Turned back; reversed. Specifically: (Her.) Bent or curved twice, in opposite directions, or in the form of an S.
charmer n.
One who charms, or has power to charm; one who uses the power of enchantment; a magician. Deut. xviii. 11.
breathless a.
Spent with labor or violent action; out of breath.
betake v. t.
To take or seize. [Pref. be- + take.]
bespeak v. t.
To speak or arrange for beforehand; to order or engage against a future time; as, to bespeak goods, a right, or a favor. [OE. bispeken, AS. besprecan, to speak to, accuse; pref. be- + sprecan to speak. See Speak.]
fowler n.
A sportsman who pursues wild fowl, or takes or kills for food.
mallard n.
A drake; the male of Anas boschas. [F. malari,fr. mâle male + -art =-ard. See Male, a., and -ard.]
afloat adv.
Borne on the water; floating; on board ship. [Pref. a- + float.]
swifter v. t.
To tighten, as slack standing rigging, by bringing the opposite shrouds nearer.
hateful a.
Manifesting hate or hatred; malignant; malevolent.
rigour n.
Rigidity; stiffness. [L. See Rigor., below.]
relentless a.
Unmoved by appeals for sympathy or forgiveness; insensible to the distresses of others; destitute of tenderness; unrelenting; unyielding; unpitying; as, a prey to relentless despotism.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913; the first 160 of 206 words.

About this text

Book IX is in the public domain. This text is taken from The Lusiad, Project Gutenberg ebook #32528, the William Julius Mickle translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Luís de Camões, Book IX, in The Lusiad (1776), text of Project Gutenberg ebook #32528, Laurel, https://laurelpoetry.com/poem/lusiads/book-ix.html, id L14375.

Form and metre

Book IX is 1235 lines in 38 verse paragraphs. It is in rhyming couplets, 83% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 45 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA--B-CCDDEEFFGGAAHHIIFFBB skyA · flyA · gloom · dome · stateB · sat · downC · frownC · appearsD · fearsD · imploreE · shoreE · resignF · mineF · withstandsG · demandsG · tryA · denyA · vainH · chainH · sueI · dueI · thineF · resignF · lateB · fateB
  2. 2 AABBCCDDEEFFGGHHIIJJKKLLMM declar'dA · warr'dA · seenB · mienB · seeC · meC · uncontroll'dD · boldD · scaleE · prevailE · decreeF · freeF · disdainG · vainG · swayH · conveyH · boreI · shoreI · gainJ · maintainJ · desiresK · respiresK · hearL · fearL · standM · handM
  3. 3 AABBCCDD--EEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTT--UUVVWWXXYYZZaabbccddeeffgghhiijj--kkllmm--nnooppqq disdainA · vainA · appear'dB · rear'dB · roseC · throwsC · sideD · tideD · sat · state · glow'dE · rodeE · exploreF · shoreF · flowsG · glowsG · skiesH · riseH · greenI · seenI · landJ · expandJ · prideK · rideK · raysL · blazeL · oarsM · proresM · mightN · fightN · reboundsO · resoundsO · appearP · rearP · bayQ · arrayQ · enclaspR · graspR · eyesS · criesS · tellT · fellT · fire · ire · criedU · prideU · breastV · confess'dV · stateW · waitW · ringX · stringX · skyY · supplyY · stoodZ · woodZ · fighta · lighta · rearsb · hearsb · soundc · aroundc · aird · flared · roare · shoree · blazef · raisef · skiesg · diesg · throatsh · floatsh · bluei · huei · sightj · whitej · afar · war · glarek · airk · aroundl · soundl · roarm · shorem · breast · east · sigh'dn · tiden · pasto · casto · bayp · awayp · fightq · lightq
  4. 4 AABBCCDDEEFFGGHHIIJJKK--LLMMNN----OOPPQQRR--SSTTUUVVWW---XXYYZZaabbccdd--eeffgg sideA · guideA · descendB · blendB · aghastC · blastC · steepD · sweepD · nightE · lightE · blazeF · betraysF · painG · sustainG · flowsH · frozeH · bayI · dayI · sweepJ · deepJ · tideK · sideK · toss'd · coast · raveL · waveL · headM · fledM · rodeN · bestow'dN · ply'd · tide · foes · brows · spokeO · brokeO · shoreP · boreP · bendQ · portendQ · riseR · skiesR · pour · shower · fleetS · streetS · gateT · fateT · kneel'dU · yieldU · slainV · remainV · unjustW · dustW · prevent · saw · awe · kneesX · degreesX · unmann'dY · standY · eyesZ · triesZ · berefta · lefta · aghastb · lastb · sway'dc · obey'dc · restraind · vaind · abodes · gods · sparee · caree · theef · kneef · landg · commandg
  5. 5 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTT sereneA · sceneA · beholdB · roll'dB · dustC · unjustC · prepar'dD · guardD · convey'dE · forbadeE · fellF · compelF · stoodG · bloodG · controlH · soulH · mornI · returnI · withstandsJ · bandsJ · sailK · galeK · shoreL · moreL · criesM · eyesM · obeyN · swayN · returnO · burnO · bombsP · domesP · roarQ · shoreQ · skyR · highR · shadeS · unstaidS · gleamT · screamT
  6. 6 ABCC--DDEEFFGGHHIIAB- criesA · sufficeB · sendC · attendC · word · afford · shoreD · moreD · rageE · engageE · bandF · handF · tireG · fireG · seeH · kneeH · stridesI · chidesI · criesA · sacrificeB · blood
  7. 7 -AABBCC--BBDDEEFFGGAE stood · nodA · godA · dismayB · layB · criesC · eyesC · rejoins · signs · displayB · conveyB · highD · eyeD · flow'dE · row'dE · threwF · withdrewF · mildG · smil'dG · trodA · rodeE
  8. 8 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQ wingsA · springsA · reclineB · brineB · raiseC · obeysC · highD · untieD · distendE · attendE · careF · bearF · ownG · throneG · shoreH · storeH · aboundI · crown'dI · groveJ · cloveJ · galeK · exhaleK · moorL · boreL · careM · snareM · flameN · nameN · lightO · nightO · arraignP · explainP · roamQ · homeQ
  9. 9 AABBCCDDEEFFGGHHIIJJKKLL sailA · galeA · awayB · greyB · flyC · skyC · shoreD · proreD · boundE · renown'dE · tellF · swellF · glideG · triedG · resign'dH · mindH · sweetI · greetI · boardJ · wordJ · boreK · shoreK · employL · joyL
  10. 10 AABBCCDDEEFFFFBB graceA · raceA · surveysB · mazeB · thoughtC · wroughtC · employD · joyD · wasteE · plac'dE · flowersF · bowersF · prowsF · reposeF · raiseB · praiseB
  11. 11 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPP carA · starA · singB · wingB · sighC · skyC · dovesD · movesD · joinE · entwineE · rodeF · godF · thereG · careG · grovesH · lovesH · astrayI · swayI · toldJ · controll'dJ · loreK · boarK · chaseL · faceL · seesM · decreesM · surpriseN · riseN · burnO · spurnO · swayP · preyP
  12. 12 AABBCCDDEEFFGG-- shameA · nameA · ownB · throneB · bindC · kindC · mayD · displayD · fireE · aspireE · hourF · powerF · lawsG · causeG · victory · dry
  13. 13 AABBCCDDEEFFGGHH rudeA · pursuedA · loreB · restoreB · airC · prepareC · dartD · heartD · desiresE · firesE · woeF · bowF · strainG · painG · refineH · divineH
  14. 14 -A--AABBCCDD war · careA · crowd · bestow'd · airA · declareA · hueB · viewB · spedC · bredC · aspiresD · firesD
  15. 15 AABBCCDDEE--FFGGHHIIJJKKLLMMNNOOPPQQ--RRSSTTUUVVWWXX queenA · greenA · strandB · handB · snowC · glowC · flyD · skyD · receivesE · leavesE · join · divine · boyF · joyF · fail'dG · prevail'dG · desiresH · expiresH · aidI · delay'dI · where'erJ · rearJ · flameK · proclaimK · braveL · waveL · shoreM · boreM · pursuedN · subduedN · woesO · reposeO · claimP · fameP · trainQ · mainQ · fire · inspire · supplyR · sighR · meetS · feetS · prolongT · songT · prepareU · thereU · embraceV · graceV · lineW · shineW · knowX · bestowX
  16. 16 AABBCCDD--EEFF---GGHH--IIJJ--KKLLMMNN------OOPPQQ boyA · joyA · goldB · roll'dB · dayC · awayC · blueD · flewD · tongue · wrong · blasphem'dE · nam'dE · careF · declareF · — · — · — · rais'dG · prais'dG · worldH · curl'dH · love · rove · mienI · seenI · nameJ · fameJ · gods · abodes · lateK · hateK · bleedsL · succeedsL · powerM · hourM · mainN · vainN · inspires · desires · divine · join · pours · showers · smartO · heartO · sighP · eyeP · sailsQ · galesQ
  17. 17 AABBCCDDEEFFCC--GGHH subsideA · prideA · sleepB · deepB · trainC · painC · rearD · steerD · appearsE · steersE · charmsF · alarmsF · trainC · explainC · eye · modesty · smileG · wileG · heav'dH · receiv'dH
  18. 18 AABBCCDDEEFFGGHH--IIJJKKLLMMNNOOPPQQRRSSTTUU--VVWWXXYYZZaabbccddeeffgghh--iijjkkll--mmnnooppqq--rrssttuuvvwwvv----xxyyzzAAzzBBCCDDEEFF----GGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYYZZaa--bbccddeeff--gg shoreA · boreA · bayB · wayB · bringC · springC · array'dD · display'dD · lawnE · dawnE · shareF · airF · viewG · drewG · sightH · delightH · load · god · woesI · aroseI · tideJ · glideJ · handK · landK · shakeL · lakeL · veinsM · stainsM · greenN · sceneN · arrayO · mayO · thornP · adornP · hillsQ · rillsQ · glideR · prideR · gladeS · shadeS · beamT · streamT · bowersU · flowersU · below · bough · sleepV · weepV · streamW · gleamW · straysX · mazeX · endY · blendY · shadeZ · array'dZ · betweena · greena · shakeb · lakeb · retirec · admirec · dress'dd · breastd · stayse · gazee · displayf · dayf · airg · hairg · descendsh · bendsh · grove · love · avowi · boughi · array'dj · shadej · deark · herek · greenl · queenl · rears · bears · rocksm · locksm · pinen · shinen · wiseo · riseo · sprayp · dayp · vineq · twineq · boughs · glows · yearr · herer · expell'ds · helds · redt · spreadt · greenu · seenu · bestowsv · flowsv · fairw · carew · glowsv · rowsv · o'erload · nod · exile · soil · bluex · huex · displaysy · blazey · bearz · pearz · groveA · roveA · carez · fairz · hideB · sideB · redC · spreadC · bloomD · loomD · thrownE · shoneE · bedF · headF · tears · rears · reign · again · skiesG · dyesG · glowsH · roseH · adornI · mornI · conspireJ · attireJ · hueK · drewK · dyeL · eyeL · headM · bedM · dawnN · lawnN · roseO · glowsO · dalesP · exhalesP · aiQ · sighQ · retainsR · veinsR · viewsS · huesS · spreadT · redT · snowsU · throwsU · valeV · galeV · bellW · swellW · yieldsX · fieldsX · wingY · singY · skiesZ · triesZ · lakea · brakea · returns · mourns · appearb · deerb · shadec · gladec · distild · hilld · belowe · doee · wingsf · bringsf · breast · feast · flowersg · bowersg
  19. 19 AABBCC--DDE-FFEEGGHHIIJJKKLL--MMNNMMOO threwA · viewA · strandB · landB · fairC · careC · grove · love · rillD · thrillD · grotE · note · trainF · plainF · roeE · showE · coyG · joyG · displayH · dayH · takeI · lakeI · kneeJ · gleeJ · tideK · glideK · snowL · glowL · kiss'd · breast · prideM · divideM · laveN · waveN · sideM · tideM · snowO · showO
  20. 20 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWW preyA · wayA · beamB · streamB · dyesC · riseC · springD · stringD · hueE · blueE · zoneF · shoneF · bowerG · powerG · showH · snowH · swellI · revealI · riseJ · eyesJ · withdrawnK · lawnK · surpriseL · criesL · toldM · beholdM · brightN · mightN · conceal'dO · reveal'dO · airP · fairP · boundQ · groundQ · preyR · awayR · flightS · sightS · eyeT · denyT · glideU · divideU · betraysV · gazeV · fairW · thereW
  21. 21 AABBCCDDEEFFGGHH toyA · employA · galeB · veilB · glowC · snowC · concealsD · revealsD · fireE · desireE · onF · o'erthrownF · smileG · guileG · meadH · speedH
  22. 22 AABBCCDDCCEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTT lakeA · betakeA · toyB · joyB · hearC · deerC · cameD · gameD · appearC · fearC · embraceE · placeE · awayF · dayF · eyesG · deniesG · shameH · cameH · tideI · hideI · bestowJ · glowJ · needK · speedK · wileL · guileL · alarmM · charmM · wingN · springN · preyO · delayO · desireP · fireP · uprearsQ · bearsQ · roarR · shoreR · joyS · boyS · restT · confess'dT
  23. 23 AABBCCDDEEFFGGHH--IIJJKKLLMMNNOOPPQQ--RRSSTTUUVVWWXXYYZZaabbccddeeffggf-hhiijjkkllmmllnn--ooppqqr-ssr-----ttuu------ raceA · graceA · youthB · truthB · boyC · joyC · heartD · smartD · firesE · desiresE · glow'dF · bestow'dF · cameG · flameG · stoleH · soulH · thought · afloat · shineI · resignI · yieldJ · fieldJ · chaseK · faceK · concealL · steelL · stoodM · floodM · boreN · deploreN · shadeO · repaidO · pursueP · trueP · theeQ · meQ · inspire · tire · weightR · fateR · treesS · kneesS · criesT · prizeT · constrainU · painU · armsV · charmsV · burnW · turnW · fearX · nearX · soundsY · boundsY · chaseZ · faceZ · yielda · fielda · rearb · earb · primec · timec · sayd · swayd · divinee · minee · seef · theef · desireg · fireg · theef · ecstasy · divineh · mineh · flowsi · glowsi · glarej · airj · treadk · bedk · armsl · charmsl · kissm · blissm · charmsl · armsl · headn · saidn · wood · pursued · hearo · earo · mazep · displaysp · spreadq · bedq · abover · alcove · boys · joys · lover · reprove · own · down · bowers · paramours · conspiret · firet · assailsu · prevailsu · deceit · threat · love · grove · zest · embraced
  24. 24 AABB----CCDDEEFFEEGGHH--II--JJKKLLMM-- joyA · annoyA · aidB · shadeB · bower · pour · combin'd · conjoin'd · boundC · crown'dC · tiedD · divideD · fameE · dameE · sprungF · youngF · nameE · proclaimE · handG · commandG · untoldH · oldH · show'd · unplough'd · keelI · revealI · takes · forsakes · divineJ · shineJ · towersK · hoursK · dayL · awayL · reignM · plainM · peers · prefers
  25. 25 --AABBCC--DDEEFGHH--IIJJ--KKFG rose · boughs · strainA · profaneA · earB · hereB · queenC · sceneC · confess · bliss · crownD · renownD · cloyE · joyE · abodesF · godsG · justH · bustH · trod · road · smileI · isleI · stroveJ · joveJ · toil'd · wild · vineK · shineK · abodesF · godsG
  26. 26 AABBCCDDEEFFGGHHDDII impress'dA · breastA · trainB · vainB · goldC · holdC · bandD · landD · jawsE · causeE · armsF · alarmsF · bowG · foeG · reinsH · chainsH · standD · landD · lineI · divineI
  27. 27 -ABBAACCDDEEFFGGHHII pours · flowersA · hueB · blueB · blazeA · raysA · yieldsC · fieldsC · growD · blowD · wingE · singE · clearF · earF · seemsG · beamsG · fieldH · yieldH · dispenseI · senseI
  28. 28 AABB brightA · lightA · dayB · rayB
  29. 29 AABBCCDD speedA · meadA · eyesB · suppliesB · belowC · woeC · bestow'dD · abodeD
  30. 30 AABBCCDD drewA · viewA · redB · shedB · rais'dC · prais'dC · proclaimD · fameD
  31. 31 AABBCCDDEEFF-- waitA · gateA · faceB · graceB · groundC · crown'dC · knightD · delightD · seemE · streamE · shadeF · gladeF · apart · vi
  32. 32 AA-BBCCDDEEFFBB moreA · beforeA · joy · mindB · windB · graceC · placeC · herdD · preferr'dD · retainE · remainE · clos'dF · expos'dF · confin'dB · mindB
  33. 33 ABABBCC-D-DDEE asheA · caraineB · lassheA · plaineB · plaineB · vineC · divineC · bowis · medeD · is · redeD · dedeD · lightE · brightE
  34. 34 A-ABBCCDEDEEFF syngA · harmonie · bryngA · hieB · espieB · hindC · kindC · accordeD · swetnesseE · lordeD · gesseE · lesseE · softF · loftF
  35. 36 -A-AA-- seye · fileA · laye · whileA · wileA · serve · carve
  36. 37 AA longA · strongA
  37. 38 ABACBCC alwaieA · ywereB · gaieA · thereC · yereB · faireC · paireC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Red rose the dawn; roll'd o'er the low'ring sky,10··········
The scattering clouds of tawny purple fly.10·/˘··/˘/˘·
While yet the day-spring struggled with the gloom,10·····/˘···
The Indian monarch sought the regent's dome.10·/˘/···/˘·
In all the luxury of Asian state,10···/˘˘·/˘·
High on a star-gemm'd couch the monarch sat:10·······/··
Then on th' illustrious captive, bending down10··˘/˘/˘/˘·
His eyes, stern darken'd with a threat'ning frown,10···/˘·····
"Thy truthless tale," he cries, "thy art appears,10·/˘·····˘/
Confess'd inglorious by thy cautious fears.10˘/˘/˘··/˘·
Yet, still if friendship, honest, thou implore,10···/˘/˘·˘/
Yet now command thy vessels to the shore:10··˘/·/˘···
Gen'rous, as to thy friends, thy sails resign,10········˘/
My will commands it, and the power is mine:10··˘/···/··
In vain thy art, in vain thy might withstands,10········˘/
Thy sails, and rudders too, my will demands:10···/˘···˘/
Such be the test, thy boasted truth to try,10·····/˘···
Each other test despis'd, I fix'd deny.10·/˘·˘/··˘/
And has my regent sued two days in vain!10···/˘·····
In vain my mandate, and the captive chain!10···/···/˘·
Yet not in vain, proud chief, ourself shall sue10······˘/··
From thee the honour to my friendship due:10···/˘··/˘·
Ere force compel thee, let the grace be thine,10··˘/······
Our grace permits it, freely to resign,10/·˘/·/˘·˘/
Freely to trust our friendship, ere too late10/˘··//˘···
Our injur'd honour fix thy dreadful fate."10//˘/˘··/˘·
While thus he spake, his changeful look declar'd10·····/˘·˘/
In his proud breast what starting passions warr'd.10·····/˘/˘·
No feature mov'd on GAMA'S face was seen;10·/˘··/˘···
Stern he replies, with bold yet anxious mien,10··˘/···/˘·
"In me my sov'reign represented see,10······˘/˘·
His state is wounded, and he speaks in me;10···/˘·····
Unaw'd by threats, by dangers uncontroll'd,10·····/˘·˘/
The laws of nations bid my tongue be bold.10···/˘·····
No more thy justice holds the righteous scale,10···/˘··/˘·
The arts of falsehood and the Moors prevail;10···/····˘/
I see the doom my favour'd foes decree,10········˘/
Yet, though in chains I stand, my fleet is free.10··········
The bitter taunts of scorn the brave disdain;10·/˘·····˘/
Few be my words, your arts, your threats are vain.10··········
My sov'reign's fleet I yield not to your sway;10··········
Safe shall my fleet to Lisboa's strand convey10········˘/
The glorious tale of all the toils I bore,10·/˘·······
Afric surrounded, and the Indian shore10/˘˘/˘··/˘·
Discover'd. These I pledg'd my life to gain,10˘/˘·······
These to my country shall my life maintain.10···/˘···˘/
One wish alone my earnest heart desires,11··˘/·/˘·˘/˘
The sole impassion'd hope my breast respires;10··˘/˘·····
My finish'd labours may my sov'reign hear!10·/˘/˘·····
Besides that wish, nor hope I know, nor fear.10˘/········
And lo, the victim of your rage I stand,10···/˘·····
And bare my bosom to the murd'rer's hand."10···/˘·····
With lofty mien he spake. In stern disdain,10·/˘·····˘/
"My threats," the monarch cries, "were never vain:10···/···/˘·
Swift give the sign."--Swift as he spake, appear'd10········˘/
The dancing streamer o'er the palace rear'd;10·/˘/˘··/˘·
Instant another ensign distant rose,10/˘˘/˘/˘/˘·
Where, jutting through the flood, the mountain throws10·/˘····/˘·
A ridge enormous, and on either side10··˘/˘··/˘·
Defends the harbours from the furious tide.10˘/·/˘··/˘·
Proud on his couch th' indignant monarch sat,10····˘/˘/··
And awful silence fill'd the room of state.10·/˘/˘·····
With secret joy the Moors, exulting, glow'd,10·/˘···˘/˘·
And bent their eyes where GAMA'S navy rode,10·····/˘/˘·
Then, proudly heav'd with panting hope, explore10·/˘··/˘·˘/
The wood-crown'd upland of the bending shore.10···/˘··/˘·
Soon o'er the palms a mast's tall pendant flows,10·······/˘·
Bright to the sun the purple radiance glows;10·····/˘/˘·
In martial pomp, far streaming to the skies,10·/˘··/˘···
Vanes after vanes in swift succession rise,10······˘/˘·
And, through the opening forest-boughs of green,10···/˘/˘···
The sails' white lustre moving on is seen;10···/˘/˘···
When sudden, rushing by the point of land10·/˘/˘·····
The bowsprits nod, and wide the sails expand;10········˘/
Full pouring on the sight, in warlike pride,10·/˘····/··
Extending still the rising squadrons ride:10˘/˘··/˘/˘·
O'er every deck, beneath the morning rays,10·/˘····/˘·
Like melted gold, the brazen spear-points blaze;10·/˘··/˘···
Each prore surrounded with a hundred oars,10··˘/˘··/˘·
Old Ocean boils around the crowded prores:10·/˘····/˘·
And, five times now in number GAMA'S might,10·····/˘/˘·
Proudly their boastful shouts provoke the fight;10/˘·/˘·˘/··
Far round the shore the echoing peal rebounds,10·····/˘·/·
Behind the hill an answ'ring shout resounds:10·········/
Still by the point new-spreading sails appear,10·····/˘·˘/
Till seven times GAMA'S fleet concludes the rear.10·/·/˘·˘/··
Again the shout triumphant shakes the bay;10˘/··˘/˘···
Form'd as a crescent, wedg'd in firm array,10···/˘···˘/
Their fleet's wide horns the Lusian ships enclasp,10········˘/
Prepar'd to crush them in their iron grasp.10˘/·····/˘·
Shouts echo shouts.--With stern, disdainful eyes10·/˘···˘/˘·
The Indian king to manly GAMA cries,10·/˘··/˘/˘·
"Not one of thine on Lisboa's shore shall tell10··········
The glorious tale, how bold thy heroes fell."10·/˘····/˘·
With alter'd visage, for his eyes flash'd fire,11·/˘/˘····/˘
"God sent me here, and God's avengeful ire10······˘/˘·
Shall blast thy perfidy," great VASCO cried,10···/˘˘·/˘·
"And humble in the dust thy wither'd pride."10·/˘····/˘·
A prophet's glow inspir'd his panting breast,10·/˘·˘/·/˘·
Indignant smiles the monarch's scorn confess'd.10˘/˘··/··˘/
Again deep silence fills the room of state,10˘/·/˘·····
And the proud Moors, secure, exulting wait:10····˘/˘/˘·
And now inclasping GAMA'S in a ring,10·····/˘···
Their fleet sweeps on.--Loud whizzing from the string10·····/˘···
The black-wing'd arrows float along the sky,10···/˘·˘/··
And rising clouds the falling clouds supply.10·/˘··/˘·˘/
The lofty crowding spears that bristling stood10·/˘/˘··/˘·
Wide o'er the galleys as an upright wood,10···/˘··/··
Bend sudden, levell'd for the closing fight,10·/˘/˘··/˘·
The points, wide-waving, shed a gleamy light.10···/˘··/˘·
Elate with joy the king his aspect rears,10˘/·····/··
And valiant GAMA, thrill'd with transport, hears10·/˘/˘··/˘·
His drums' bold rattling raise the battle sound;10···/˘··/˘·
Echo, deep-ton'd, hoarse, vibrates far around;10/˘···/˘···
The shiv'ring trumpets tear the shrill-voic'd air,10···/˘·····
Quiv'ring the gale, the flashing lightnings flare,10·····/˘/˘·
The smoke rolls wide, and sudden bursts the roar,10·····/˘···
The lifted waves fall trembling, deep the shore10·/˘··/˘···
Groans; quick and quicker blaze embraces blaze10···/˘·˘/˘·
In flashing arms; louder the thunders raise10·/˘·/˘·/˘·
Their roaring, rolling o'er the bended skies10·/˘/˘··/˘·
The burst incessant; awe-struck Echo dies10··˘/˘··/˘·
Falt'ring and deafen'd; from the brazen throats,10·······/˘·
Cloud after cloud, enroll'd in darkness, floats,10····˘/·/˘·
Curling their sulph'rous folds of fiery blue,10/˘·····/˘·
Till their huge volumes take the fleecy hue,10···/˘··/˘·
And roll wide o'er the sky; wide as the sight10··········
Can measure heav'n, slow rolls the cloudy white:10·/˘····/˘·
Beneath, the smoky blackness spreads afar10···/˘/˘·˘/
Its hov'ring wings, and veils the dreadful war10·······/˘·
Deep in its horrid breast; the fierce red glare,10···/˘·····
Cheq'ring the rifted darkness, fires the air,10···/˘/˘/··
Each moment lost and kindled, while around,10·/˘··/˘···
The mingling thunders swell the lengthen'd sound.10·/˘/˘··/˘·
When piercing sudden through the dreadful roar10·/˘/˘··/˘·
The yelling shrieks of thousands strike the shore:10·/˘··/˘···
Presaging horror through the monarch's breast10/˘˘/˘··/··
Crept cold; and gloomy o'er the distant east,10···/˘··/˘·
Through Gata's hills the whirling tempest sigh'd,10·····/˘/˘·
And westward sweeping to the blacken'd tide,10·/˘/˘··/˘·
Howl'd o'er the trembling palace as it past,10···/˘/˘···
And o'er the gilded walls a gloomy twilight cast;12···/˘··/˘/··
Then, furious, rushing to the darken'd bay,10·/˘/˘··/˘·
Resistless swept the black-wing'd night away,10˘/˘·····˘/
With all the clouds that hover'd o'er the fight,10·····/˘···
And o'er the weary combat pour'd the light.10···/˘/˘···
As by an Alpine mountain's pathless side10···/·/˘/˘·
Some traveller strays, unfriended of a guide;10·/˘·˘/˘···
If o'er the hills the sable night descend,10·····/˘·˘/
And gath'ring tempest with the darkness blend,10···/˘··/˘·
Deep from the cavern'd rocks beneath, aghast10········˘/
He hears the howling of the whirlwind's blast;10···/˘··/··
Above, resounds the crash, and down the steep10···/······
Some rolling weight groans on with found'ring sweep;10·/˘·······
Aghast he stands, amid the shades of night,10˘/··˘/····
And all his soul implores the friendly light:10····˘/·/˘·
It comes; the dreadful lightning's quiv'ring blaze10···/˘/˘···
The yawning depth beneath his lifted step betrays;12·/˘····/˘·˘/
Instant unmann'd, aghast in horrid pain,10/˘˘/˘/·/˘·
his knees no more their sickly weight sustain;10·····/˘·˘/
Powerless he sinks, no more his heart-blood flows;10/˘········
So sunk the monarch, and his heart-blood froze;10···/······
So sunk he down, when o'er the clouded bay10·······/˘·
The rushing whirlwind pour'd the sudden day:10·/˘/···/˘·
Disaster's giant arm in one wide sweep10˘/˘/˘·····
Appear'd, and ruin blacken'd o'er the deep;10˘/·/˘/˘···
The sheeted masts drove floating o'er the tide,10·/˘··/˘···
And the torn hulks roll'd tumbling on the side;10·····/˘···
Some shatter'd plank each heaving billow toss'd,10·/˘··/˘/˘·
And, by the hand of Heav'n, dash'd on the coast10··········
Groan'd prores ingulf'd; the lashing surges rave10·····/˘/˘·
O'er the black keels upturn'd, the swelling wave10·······/˘·
Kisses the lofty mast's reclining head;10/˘·/˘·˘/˘·
And, far at sea, some few torn galleys fled.10·······/˘·
Amid the dreadful scene triumphant rode10˘/·/˘·˘/˘·
The Lusian war-ships, and their aid bestow'd:10········˘/
Their speedy boats far round assisting ply'd,10·/˘···˘/˘·
Where plunging, struggling, in the rolling tide,10·/˘/˘··/˘·
Grasping the shatter'd wrecks, the vanquish'd foes10/˘·/˘··/˘·
Rear'd o'er the dashing waves their haggard brows.10···/˘··/˘·
No word of scorn the lofty GAMA spoke,10·····/˘/˘·
Nor India's king the dreadful silence broke.10·/˘··/˘/˘·
Slow pass'd the hour, when to the trembling shore,10···/···/˘·
In awful pomp, the victor-navy bore:10·/˘··/˘/˘·
Terrific, nodding on, the bowsprits bend,10˘/˘/˘·····
And the red streamers other war portend:10···/˘/˘·˘/
Soon bursts the roar; the bombs tremendous rise,10······˘/˘·
And trail their black'ning rainbows o'er the skies;10·····/····
O'er Calicut's proud domes their rage they pour,10··········
And wrap her temples in a sulph'rous shower.11···/˘····/˘
'Tis o'er----In threat'ning silence rides the fleet:10·····/˘···
Wild rage, and horror yell in ev'ry street;10···/˘·····
Ten thousands pouring round the palace gate,10·/˘/˘··/˘·
In clam'rous uproar wail their wretch'd fate:10···/···/˘·
While round the dome, with lifted hands, they kneel'd,10·····/˘···
"Give justice, justice to the strangers yield--10·/˘/˘··/˘·
Our friends, our husbands, sons, and fathers slain!10/·//˘··/˘·
Happier, alas, than these that yet remain--10/˘˘/····˘/
Curs'd be the counsels, and the arts unjust--10···/˘···˘/
Our friends in chains--our city in the dust--10/···//˘···
Yet, yet prevent----"4··˘/
The silent VASCO saw6·/˘/˘·
The weight of horror, and o'erpowering awe11···/˘······
That shook the Moors, that shook the regent's knees,10·······/˘·
And sunk the monarch down. By swift degrees10···/····˘/
The popular clamour rises. Lost, unmann'd,10·/˘/˘/˘·˘/
Around the king the trembling council stand;10·····/˘/˘·
While, wildly glaring on each other's eyes,10·/˘/˘··/˘·
Each lip in vain the trembling accent tries;10·····/˘/··
With anguish sicken'd, and of strength bereft,10·/˘/˘···˘/
Earnest each look inquires, What hope is left!10/˘··˘/····
In all the rage of shame and grief aghast,10········˘/
The monarch, falt'ring, takes the word at last:10·/········
"By whom, great chief, are these proud war-ships sway'd,10··········
Are there thy mandates honour'd and obey'd?10···/····˘/
Forgive, great chief, let gifts of price restrain10˘/······˘/
Thy just revenge. Shall India's gifts be vain!--10··˘/·/˘···
Oh spare my people and their doom'd abodes--10···/˘···˘/
Prayers, vows, and gifts appease the injur'd gods:10····˘/·/˘·
Shall man deny? Swift are the brave to spare:10··˘/······
The weak, the innocent confess their care--10···/˘˘˘/··
Helpless, as innocent of guile, to thee10/˘·/˘˘····
Behold these thousands bend the suppliant knee--11˘/·/˘··/˘˘·
Thy navy's thund'ring sides black to the land10·/˘·······
Display their terrors--yet mayst thou command----"10˘/·/˘···˘/
O'erpower'd he paus'd. Majestic and serene11·····˘/˘·˘/
Great VASCO rose, then, pointing to the scene10·/˘··/˘···
Where bled the war, "Thy fleet, proud king, behold10········˘/
O'er ocean and the strand in carnage roll'd!10·/˘····/˘·
So, shall this palace, smoking in the dust,10···/˘/˘···
And yon proud city, weep thy arts unjust.10···/˘···˘/
The Moors I knew, and, for their fraud prepar'd,10········˘/
I left my fix'd command my navy's guard:10····˘/·/˘·
Whate'er from shore my name or seal convey'd11˘˘/······˘/
Of other weight, that fix'd command forbade;10·/˘···˘/˘/
Thus, ere its birth destroy'd, prevented fell10····˘/˘/˘·
What fraud might dictate, or what force compel.10···/····˘/
This morn the sacrifice of Fraud I stood,10···/˘·····
But hark, there lives the brother of my blood,10·····/˘···
And lives the friend, whose cares conjoin'd control10·······/˘/
These floating towers, both brothers of my soul.10·/˘/·/˘···
'If thrice,' I said, 'arise the golden morn,10····˘/·/˘·
Ere to my fleet you mark my glad return,10········˘/
Dark Fraud with all her Moorish arts withstands,10·····/˘·˘/
And force, or death withholds me from my bands:10····/·····
Thus judge, and swift unfurl the homeward sail,10····˘/·/˘·
Catch the first breathing of the eastern gale,10···/˘··/˘·
Unmindful of my fate on India's shore:10·······/˘·
Let but my monarch know, I wish no more.'10···/······
Each, panting while I spoke, impatient cries,10·/˘···˘/˘·
The tear-drop bursting in their manly eyes,10···/˘··/˘·
'In all but one thy mandates we obey,10·····/··˘/
In one we yield not to thy gen'rous sway:10··········
Without thee, never shall our sails return;10···/·/˘·˘/
India shall bleed, and Calicut shall burn--10/˘········
Thrice shall the morn arise; a flight of bombs10····˘/····
Shall then speak vengeance to their guilty domes:10···/˘··/˘·
Till noon we pause; then, shall our thunders roar,10······//˘·
And desolation sweep the treach'rous shore.'10··˘/˘·····
Behold, proud king, their signal in the sky,10˘/···/˘···
Near his meridian tower the sun rides high.10··˘/˘/····
O'er Calicut no more the ev'ning shade10··········
Shall spread her peaceful wings, my wrath unstaid;10···/˘·····
Dire through the night her smoking dust shall gleam,10·····/˘···
Dire thro' the night shall shriek the female scream."10·······/··
"Thy worth, great chief," the pale-lipp'd regent cries,10·······/˘·
"Thy worth we own: oh, may these woes suffice!10········˘/
To thee each proof of India's wealth we send;10·····/˘···
Ambassadors, of noblest race, attend----"10˘/˘˘·/˘·˘/
Slow as he falter'd, GAMA caught the word,10···/˘/˘···
"On terms I talk not, and no truce afford:10········˘/
Captives enough shall reach the Lusian shore:10/˘˘/······
Once you deceiv'd me, and I treat no more.10··˘/······
E'en now my faithful sailors, pale with rage,10···/˘/˘···
Gnaw their blue lips, impatient to engage;10····˘/˘·˘/
Rang'd by their brazen tubes, the thund'ring band10···/˘·····
Watch the first movement of my brother's hand;10···/˘··/˘·
E'en now, impatient, o'er the dreadful tire11··˘/˘··/˘/˘
They wave their eager canes betipp'd with fire;11···/˘····/˘
Methinks my brother's anguish'd look I see,10˘/·/˘/˘···
The panting nostril and the trembling knee,10·/˘/˘··/˘·
While keen he eyes the sun. On hasty strides,10·······/˘·
Hurried along the deck, Coello chides10/˘˘/···/˘·
His cold, slow ling'ring, and impatient cries,10······˘/˘·
'Oh, give the sign, illume the sacrifice,10····˘/·/˘·
A brother's vengeance for a brother's blood----"10·/˘/˘··/˘·
He spake; and stern the dreadful warrior stood;10·····/˘/˘·
So seem'd the terrors of his awful nod,10···/˘··/˘·
The monarch trembled as before a god;10·/·/˘·····
The treach'rous Moors sank down in faint dismay,10········˘/
And speechless at his feet the council lay:10·/˘····/˘·
Abrupt, with outstretched arms, the monarch cries,10˘/·˘/··/··
"What yet----" but dar'd not meet the hero's eyes,10·······/˘·
"What yet may save!"--Great VASCO stern rejoins,10·····/˘·˘/
"Swift, undisputing, give th' appointed signs:10······˘/˘·
High o'er thy loftiest tower my flag display,10·····/··˘/
Me and my train swift to my fleet convey:10········˘/
Instant command--behold the sun rides high----"10/˘˘/˘/····
He spake, and rapture glow'd in ev'ry eye;10···/˘·····
The Lusian standard o'er the palace flow'd,10···/˘··/˘·
Swift o'er the bay the royal barges row'd.10·····/˘/˘·
A dreary gloom a sudden whirlwind threw;10·/˘··/˘/··
Amid the howling blast, enrag'd, withdrew10˘/·/˘·˘/˘/
The vanquish'd demon. Soon, in lustre mild10·/˘/˘··/˘·
As April smiles, the sun auspicious smil'd:10·/˘···˘/˘·
Elate with joy, the shouting thousands trod,10˘/···/˘/˘·
And GAMA to his fleet triumphant rode.10·/˘···˘/˘·
Soft came the eastern gale on balmy wings:10···/˘··/˘·
Each joyful sailor to his labour springs;10·/˘/˘··/··
Some o'er the bars their breasts robust recline,10······˘/˘/
And, with firm tugs, the rollers from the brine,10·····/˘···
Reluctant dragg'd, the slime-brown'd anchors raise;10˘/˘····/˘·
Each gliding rope some nimble hand obeys;10·/˘··/˘·˘/
Some bending o'er the yard-arm's length, on high,10·/˘·······
With nimble hands, the canvas wings untie;10·/˘··/˘·˘/
The flapping sails their wid'ning folds distend,10·/˘·····˘/
And measur'd, echoing shouts their sweaty toils attend.12·/˘/˘··/˘·˘/
Nor had the captives lost the leader's care,10···/˘··/˘·
Some to the shore the Indian barges bear;10·····/˘/˘·
The noblest few the chief detains, to own10·/˘···˘/··
His glorious deeds before the Lusian throne;10·/˘·······
To own the conquest of the Indian shore:10···/˘··/˘·
Nor wanted ev'ry proof of India's store.10·/˘····/˘·
What fruits in Ceylon's fragrant woods abound,10···˘//˘·˘/
With woods of cinnamon her hills are crown'd:10···/˘˘····
Dry'd in its flower, the nut of Banda's grove,10···/···/˘·
The burning pepper, and the sable clove;10·/˘/˘··/˘·
The clove, whose odour on the breathing gale,10···/˘··/˘·
Far to the sea, Molucca's plains exhale;10····˘/˘·˘/
All these, provided by the faithful Moor,10··˘/˘··/˘·
All these, and India's gems, the navy bore:10···/˘··/˘·
The Moor attends, Mozaide, whose zealous care10··˘/···/˘·
To GAMA'S eyes unveil'd each treach'rous snare:10·/˘·˘/····
So burn'd his breast with Heav'n-illumin'd flame,10······˘/˘·
And holy rev'rence of Messiah's name.10·/˘···˘/˘·
O, favour'd African, by Heaven's own light10···/˘·/˘··
Call'd from the dreary shades of error's night!10···/˘··/˘·
What man may dare his seeming ills arraign,10·····/˘·˘/
Or what the grace of Heaven's designs explain!11·····/˘˘/˘/
Far didst thou from thy friends a stranger roam,10·······/˘·
There wast thou call'd to thy celestial home.10······˘/˘·
With rustling sound now swell'd the steady sail;10·/˘····/˘·
The lofty masts reclining to the gale,10·/˘·˘/˘···
On full-spread wings the navy springs away,10·····/˘·˘/
And, far behind them, foams the ocean grey:10·······/˘·
Afar the less'ning hills of Gata fly,10˘/········
And mix their dim blue summits with the sky:10·····/˘···
Beneath the wave low sinks the spicy shore,10·······/˘·
And, roaring through the tide, each nodding prore10·/˘····/˘·
Points to the Cape, great Nature's southmost bound,10·····/˘/˘·
The Cape of Tempests, now of Hope renown'd.10···/˘···˘/
Their glorious tale on Lisboa's shore to tell10·/˘·······
Inspires each bosom with a rapt'rous swell;10˘/·/˘·····
Now through their breasts the chilly tremors glide,10·····/˘/˘·
To dare once more the dangers dearly tried.--10·····/˘/˘·
Soon to the winds are these cold fears resign'd,10········˘/
And all their country rushes on the mind;10···/˘/˘···
How sweet to view their native land, how sweet10·····/˘···
The father, brother, and the bride to greet!10·/˘/˘·····
While list'ning round the hoary parent's board10·····/˘/˘·
The wond'ring kindred glow at ev'ry word;10···/˘·····
How sweet to tell what woes, what toils they bore,10··········
The tribes, and wonders of each various shore!10···/˘··/˘·
These thoughts, the traveller's lov'd reward, employ,10···/˘·˘/˘/
And swell each bosom with unutter'd joy.10···/˘·····
The queen of love, by Heaven's eternal grace,11·····/˘˘/˘·
The guardian goddess of the Lusian race;10·/˘/˘·····
The queen of love, elate with joy, surveys10····˘/··˘/
Her heroes, happy, plough the wat'ry maze:10·/˘/˘··/˘·
Their dreary toils revolving in her thought,10·/˘·˘/˘···
And all the woes by vengeful Bacchus wrought;10·····/˘/˘·
These toils, these woes, her yearning cares employ,10·····/˘·˘/
To bathe, and balsam in the streams of joy.10···/˘·····
Amid the bosom of the wat'ry waste,10˘/·/˘··/˘·
Near where the bowers of Paradise were plac'd,10···/·/˘···
An isle, array'd in all the pride of flowers,11··˘/·····/˘
Of fruits, of fountains, and of fragrant bowers,11···/˘··/˘/˘
She means to offer to their homeward prows,10···/˘··/˘·
The place of glad repast and sweet repose;10····˘/··˘/
And there, before their raptur'd view, to raise10··········
The heav'n-topp'd column of their deathless praise.10···/˘··/˘·
The goddess now ascends her silver car,10·/˘·˘/·/˘·
(Bright was its hue as love's translucent star);10······˘/˘·
Beneath the reins the stately birds, that sing10·····/˘···
Their sweet-ton'd death-song spread the snowy wing;10·······/˘·
The gentle winds beneath her chariot sigh,10·/˘····/˘·
And virgin blushes purple o'er the sky:10·/˘/˘/˘···
On milk-white pinions borne, her cooing doves10···/˘··/˘·
Form playful circles round her as she moves;10·/˘/˘·····
And now their beaks in fondling kisses join,10·····/˘/˘·
In am'rous nods their fondling necks entwine.10·····/˘·˘/
O'er fair Idalia's bowers the goddess rode,10··˘/˘/·/˘·
And by her altars sought Idalia's god:10···/˘·˘/˘·
The youthful bowyer of the heart was there;10·/˘/˘·····
His falling kingdom claim'd his earnest care.10·/˘/˘··/˘·
His bands he musters, through the myrtle groves10···/˘··/˘·
On buxom wings he trains the little loves.10·/˘····/˘·
Against the world, rebellious and astray,10····˘/˘·˘/
He means to lead them, and resume his sway:10······˘/··
For base-born passions, at his shrine, 'twas told,10···/˘·····

The first 400 of 1235 lines; the reader marks them all.

Notes from the edition 39

William Julius Mickle's notes to his translation of The Lusiad (1776; Project Gutenberg #32528).

  1. Stanza 1, line 1 Mickle, in place of the first seventeen stanzas of this canto, has inserted about three hundred lines of his own composition; in this respect availing himself of the licence he had claimed in his preface.--Ed.
  2. Stanza 1, line 16 Thy sails, and rudders too, my will demands.--According to history.
  3. Stanza 2, line 15 My sov'reign's fleet I yield not to your sway.--The circumstance of GAMA'S refusing to put his fleet into the power of the zamorim, is thus rendered by Fanshaw:-- "The Malabar protests that he shall rot In prison, if he send not for the ships. He (constant, and with noble anger hot) His haughty menace weighs not at two chips."
  4. Stanza 3, line 87 Through Gata's hills.--The hills of Gata or Gate, mountains which form a natural barrier on the eastern side of the kingdom of Malabar. "Nature's rude wall, against the fierce Canar They guard the fertile walls of Malabar." LUSIAD, vii.
  5. Stanza 3, line 91 Then, furious, rushing to the darken'd bay.--For the circumstances of the battle, and the tempest which then happened, see the Life of GAMA.
  6. Stanza 5, line 8 I left my fix'd command my navy's guard.--See the Life of GAMA.
  7. Stanza 5, line 23 Unmindful of my fate on India's shore.--This most magnanimous resolution, to sacrifice his own safety or his life for the safe return of the fleet, is strictly true.--See the Life of GAMA.
  8. Stanza 7, line 8 Abrupt--the monarch cries--"What yet may save!"--GAMA'S declaration, that no message from him to the fleet could alter the orders he had already left, and his rejection of any further treaty, have a necessary effect in the conduct of the poem. They hasten the catastrophe, and give a verisimilitude to the abrupt and full submission of the zamorim.
  9. Stanza 8, line 4 The rollers--i.e. the capstans.--The capstan is a cylindrical windlass, worked with bars, which are moved from hole to hole as it turns round. It is used on board ship to weigh the anchors, raise the masts, etc. The versification of this passage in the original affords a most noble example of imitative harmony:-- "Mas ja nas naos os bons trabalhadores Volvem o cabrestante, & repartidos Pello trabalho, huns puxao pella amarra, Outros quebrao co peito duro a barra." STANZA X.
  10. Stanza 8, line 26 Mozaide, whose zealous care To Gama's eyes reveal'd each treach'rous snare.-- Had this been mentioned sooner, the interest of the catastrophe of the poem must have languished. Though he is not a warrior, the unexpected friend of GAMA bears a much more considerable part in the action of the Lusiad than the faithful Achates, the friend of the hero, bears in the business of the Æneid.
  11. Stanza 8, line 34 There wast thou call'd to thy celestial home.--This exclamatory address to the Moor Monzaida, however it may appear digressive, has a double propriety. The conversion of the Eastern world is the great purpose of the expedition of GAMA, and Monzaida is the first fruits of that conversion. The good characters of the victorious heroes, however neglected by the great genius of Homer, have a fine effect in making an epic poem interest us and please. It might have been said, that Monzaida was a traitor to his friends, who crowned his villainy with apostacy. Camoëns has, therefore, wisely drawn him with other features, worthy of the friendship of GAMA. Had this been neglected, the hero of the Lusiad might have shared the fate of the wise Ulysses of the Iliad, against whom, as Voltaire justly observes, every reader bears a secret ill will. Nor is the poetical character of Monzaida unsupported by history. He was not an Arab Moor, so he did not desert his countrymen. These Moors had determined on the destruction of GAMA; Monzaida admired and esteemed him, and therefore generously revealed to him his danger. By his attachment to GAMA he lost all his effects in India, a circumstance which his prudence and knowledge of affairs must have certainly foreseen. By the known dangers he encountered, by the loss he thus voluntarily sustained, and by his after constancy, his sincerity is undoubtedly proved.
  12. Stanza 9, line 24 The joy of the fleet on the homeward departure from India.--We are now come to that part of the Lusiad, which, in the conduct of the poem, is parallel to the great catastrophe of the Iliad, when, on the death of Hector, Achilles thus addresses the Grecian army-- "Ye sons of Greece, in triumph bring The corpse of Hector, and your pæons sing: Be this the song, slow moving toward the shore, 'Hector is dead, and Ilion is no more.'" Our Portuguese poet, who in his machinery, and many other instances, has followed the manner of Virgil, now forsakes him. In a very bold and masterly spirit he now models his poem by the steps of Homer. What of the Lusiad yet remains, in poetical conduct (though not in an imitation of circumstances), exactly resembles the latter part of the Iliad. The games at the funeral of Patroclus, and the redemption of the body of Hector, are the completion of the rage of Achilles. In the same manner, the reward of the heroes, and the consequences of their expedition complete the unity of the Lusiad. I cannot say it appears that Milton ever read our poet (though Fanshaw's translation was published in his time); yet no instance can be given of a more striking resemblance of plan and conduct, than may be produced in two principal parts of the poem of Camoëns, and of the Paradise Lost.--See the Dissertation which follows this book.
  13. Stanza 10, line 10 Near where the bowers of Paradise were plac'd.--Between the mouth of the Ganges and Euphrates.
  14. Stanza 11, line 3 Swans.
  15. Stanza 11, line 14 His falling kingdom claim'd his earnest care.--This fiction, in poetical conduct, bears a striking resemblance to the digressive histories with which Homer enriches and adorns his poems, particularly to the beautiful description of the feast of the gods with "the blameless Ethiopians." It also contains a masterly commentary on the machinery of the Lusiad. The Divine Love conducts GAMA to India. The same Divine Love is represented as preparing to reform the corrupted world, when its attention is particularly called to bestow a foretaste of immortality on the heroes of the expedition which discovered the eastern world. Nor do the wild fantastic loves, mentioned in this little episode, afford any objection against this explanation, an explanation which is expressly given in the episode itself. These wild fantastic amours signify, in the allegory, the wild sects of different enthusiasts, which spring up under the wings of the best and most rational institutions; and which, however contrary to each other, all agree in deriving their authority from the same source.
  16. Stanza 11, line 21 A young Actæon.--The French translator has the following characteristic note: "This passage is an eternal monument of the freedoms taken by Camoëns, and at the same time a proof of the imprudence of poets; an authentic proof of that prejudice which sometimes blinds them, notwithstanding all the light of their genius. The modern Actæon of whom he speaks, was King Sebastian. He loved the chase; but, that pleasure, which is one of the most innocent and one of the most noble we can possibly taste, did not at all interrupt his attention to the affairs of state, and did not render him savage, as our author pretends. On this point the historians are rather to be believed. And what would the lot of princes be, were they allowed no relaxation from their toils, while they allow that privilege to their people? Subjects as we are, let us venerate the amusements of our sovereigns; let us believe that the august cares for our good, which employ them, follow them often even to the very bosom of their pleasures." Many are the strokes in the Lusiad which must endear the character of Camoëns to every reader of sensibility. The noble freedom and manly indignation with which he mentions the foible of his prince, and the flatterers of his court, would do honour to the greatest names of Greece or Rome. While the shadow of freedom remained in Portugal, the greatest men of that nation, in the days of Lusian heroism, thought and conducted themselves in the spirit of Camoëns. A noble anecdote of this brave spirit offers itself. Alonzo IV., surnamed the Brave, ascended the throne of Portugal in the vigour of his age. The pleasures of the chase engrossed all his attention. His confidants and favourites encouraged, and allured him to it. His time was spent in the forests of Cintra, while the affairs of government were neglected or executed by those whose interest it was to keep their sovereign in ignorance. His presence, at last, being necessary at Lisbon, he entered the council with all the brisk impetuosity of a young sportsman, and with great familiarity and gaiety entertained his nobles with the history of a whole month spent in hunting, in fishing, and shooting. When he had finished his narrative, a nobleman of the first rank rose up: "Courts and camps," said he, "were allotted for kings, not woods and deserts. Even the affairs of private men suffer when recreation is preferred to business. But when the whims of pleasure engross the thoughts of a king, a whole nation is co …
  17. Stanza 11, line 29 With love's fierce flames his frozen heart shall burn.--"It is said, that upon the faith of a portrait Don Sebastian fell in love with Margaret of France, daughter of Henry II., and demanded her in marriage, but was refused. The Spaniards treated him no less unfavourably, for they also rejected his proposals for one of the daughters of Philip II. Our author considers these refusals as the punishment of Don Sebastian's excessive attachment to the chase; but this is only a consequence of the prejudice with which he viewed the amusements of his prince. The truth is, these princesses were refused for political reasons, and not with any regard to the manner in which he filled up his moments of leisure." Thus Castera, who, with the same spirit of sagacity, starts and answers the following objections: "But here is a difficulty: Camoëns wrote during the life of Don Sebastian, but the circumstance he relates (the return of GAMA) happened several years before, under the reign of Emmanuel. How, therefore, could he say that Cupid then saw Don Sebastian at the chase, when that prince was not then born? The answer is easy: Cupid, in the allegory of this work, represents the love of God, the Holy Spirit, who is God himself. Now the Divinity admits of no distinction of time; one glance of his eye beholds the past, the present, and the future; everything is present before him." This defence of the fiction of Actæon is not more absurd than useless. The free and bold spirit of poetry, and in particular the nature of allegory, defend it. The poet might easily have said, that Cupid foresaw; but had he said so his satire had been much less genteel. As the sentiments of Castera on this passage are extremely characteristic of French ideas, another note from him will perhaps be agreeable. "Several Portuguese writers have remarked," says he, "that the wish-- 'Of these lov'd dogs that now his passions sway, Ah! may he never fall the hapless prey!' Had in it an air of prophecy; and fate, in effect, seemed careful to accomplish it, in making the presaged woes to fall upon Don Sebastian. If he did not fall a prey to his pack of hounds, we may, however, say that he was devoured by his favourites, who misled his youth and his great soul. But at any rate our poet has carried the similitude too far. It was certainly injurious to Don Sebastian, who nevertheless had the bounty not only not to punish this audacity, but to reward the just eulogies which the author had bestowed on …
  18. Stanza 12, line 2 Enraged, he sees a venal herd, the shame Of human race, assume the titled name.-- "After having ridiculed all the pleasures of Don Sebastian, the author now proceeds to his courtiers, to whom he has done no injustice. Those who are acquainted with the Portuguese history, will readily acknowledge this."--CASTERA.
  19. Stanza 14, line 3 On the hard bosoms of the stubborn crowd.--There in an elegance in the original of this line, which the English language will not admit:-- "Nos duros coraçoens de plebe dura,"-- i.e., In the hard hearts of the hard vulgar.
  20. Stanza 15, line 7 Cupid.
  21. Stanza 15, line 50 Thus from my native waves a hero line Shall rise, and o'er the East illustrious shine.-- "By the line of heroes to be produced by the union of the Portuguese with the Nereids, is to be understood the other Portuguese, who, following the steps of GAMA, established illustrious colonies in India."--CASTERA.
  22. Stanza 16, line 8 And Fame--a giant goddess.--This passage affords a striking instance of the judgment of Camoëns. Virgil's celebrated description of Fame is in his eye, but he copies it, as Virgil, in his best imitations, copies after Homer. He adopts some circumstances, but, by adding others, he makes a new picture, which justly may be called his own.
  23. Stanza 16, line 28 The wat'ry gods.--To mention the gods in the masculine gender, and immediately to apply to them-- "O peito feminil, que levemente Muda quaysquer propositos tomados."-- The ease with which the female breast changes its resolutions, may to the hypercritical appear reprehensible. The expression, however, is classical, and therefore retained. Virgil uses it, where Æneas is conducted by Venus through the flames of Troy:-- "Descendo, ac ducente Deo, flammam inter et hostes Expedior." This is in the manner of the Greek poets, who use the word [Greek: Theos] for god or goddess.
  24. Stanza 17, line 7 White as her swans.--A distant fleet compared to swans on a lake is certainly a happy thought. The allusion to the pomp of Venus, whose agency is immediately concerned, gives it besides a peculiar propriety. This simile, however, is not in the original. It is adopted from an uncommon liberty taken by Fanshaw:-- "The pregnant sails on Neptune's surface creep, Like her own swans, in gate, out-chest, and fether."
  25. Stanza 18, line 15 Soon as the floating verdure caught their sight.--As the departure of GAMA from India was abrupt, he put into one of the beautiful islands of Anchediva for fresh water. "While he was here careening his ships," says Faria, "a pirate named Timoja, attacked him with eight small vessels, so linked together and covered with boughs, that they formed the appearance of a floating island." This, says Castera, afforded the fiction of the floating island of Venus. "The fictions of Camoëns," says he, "are the more marvellous, because they are all founded in history. It is not difficult to find why he makes his island of Anchediva to wander on the waves; it is an allusion to a singular event related by Barros." He then proceeds to the story of Timoja, as if the genius of Camoëns stood in need of so weak an assistance.
  26. Stanza 18, line 19 In friendly pity of Latona's woes.--Latona, pregnant by Jupiter, was persecuted by Juno, who sent the serpent Python in pursuit of her. Neptune, in pity of her distress, raised the island of Delos for her refuge, where she was delivered of Apollo and Diana.--OVID, Met.
  27. Stanza 18, line 54 Form'd in a crystal lake the waters blend.--Castera also attributes this to history. "The Portuguese actually found in this island," says he, "a fine piece of water ornamented with hewn stones and magnificent aqueducts; an ancient and superb work, of which nobody knew the author." In 1505 Don Francisco Almeyda built a fort in this island. In digging among some ancient ruins he found many crucifixes of black and red colour, from whence the Portuguese conjectured, says Osorius, that the Anchedivian islands had in former ages been inhabited by Christians.--Vid. Osor. 1. iv.
  28. Stanza 18, line 70 The orange here perfumes the buxom air. And boasts the golden hue of Daphne's hair.-- Frequent allusions to the fables of the ancients form a characteristic feature of the poetry of the 16th and 17th centuries. A profusion of it is pedantry; a moderate use of it, however, in a poem of those times pleases, because it discovers the stages of composition, and has in itself a fine effect, as it illustrates its subject by presenting the classical reader with some little landscapes of that country through which he has travelled. The description of forests is a favourite topic in poetry. Chaucer, Tasso, and Spenser, have been happy in it, but both have copied an admired passage in Statius:-- "Cadit ardua fagus, Chaoniumque nemus, brumæque illæsa cupressus; Procumbunt piceæ, flammis alimenta supremis, Ornique, iliceæque trabes, metuandaque sulco Taxus, et infandos belli potura cruores Fraxinus, atque situ non expugnabile robur: Hinc audax abies, et odoro vulnere pinus Scinditur, acclinant intonsa cacumina terræ Alnus amica fretis, nec inhospita vitibus ulmus." In rural descriptions three things are necessary to render them poetical: the happiness of epithet, of picturesque arrangement, and of little landscape views. Without these, all the names of trees and flowers, though strung together in tolerable numbers, contain no more poetry than a nurseryman or a florist's catalogue. In Statius, in Tasso and Spenser's admired forests (Ger. Liber. c. 3. st. 75, 76, and F. Queen, b. 1 c. 1. st. 8, 9), the poetry consists entirely in the happiness of the epithets. In Camoëns, all the three requisites are admirably attained and blended together.
  29. Stanza 18, line 110 And stain'd with lover's blood.--Pyramus and Thisbe:-- "Arborei foetus aspergine cædis in atram Vertuntur faciem: madefactaque sanguine radix Puniceo tingit pendentia mora colore..... At tu quo ramis arbor miserabile corpus Nunc tegis unius, mox es tectura duorum; Signa tene cædis: pullosque et lectibus aptos Semper habe foetus gemini monumenta cruoris." OVID, Met.
  30. Stanza 18, line 128 The shadowy vale.--Literal from the original,--O sombrio valle--which Fanshaw, however, has translated, "the gloomy valley," and thus has given us a funereal, where the author intended a festive, landscape. It must be confessed, however, that the description of the island of Venus, is infinitely the best part of all of Fanshaw's translation. And indeed the dullest prose translation might obscure, but could not possibly throw a total eclipse over, so admirable an original.
  31. Stanza 18, line 136 The woe-mark'd flower of slain Adonis--water'd by the tears of love.--The Anemone. "This," says Castera, "is applicable to the celestial Venus, for, according to my theology, her amour with Adonis had nothing in it impure, but was only the love which nature bears to the sun." The fables of antiquity have generally a threefold interpretation, an historical allusion, a physical and a metaphysical allegory. In the latter view, the fable of Adonis is only applicable to the celestial Venus. A divine youth is outrageously slain, but shall revive again at the restoration of the golden age. Several nations, it is well known, under different names, celebrated the Mysteries, or the death and resurrection of Adonis; among whom were the British Druids, as we are told by Dr. Stukely. In the same manner Cupid, in the fable of Psyche, is interpreted by mythologists, to signify the Divine Love weeping over the degeneracy of human nature.
  32. Stanza 18, line 140 At strife appear the lawns and purpled skies, Who from each other stole the beauteous dyes.-- On this passage Castera has the following sensible, though turgid, note: "This thought," says he, "is taken from the idyllium of Ausonius on the rose:-- 'Ambigeres raperetne rosis Aurora ruborem, An daret, et flores tingere torta dies.' Camoëns who had a genius rich of itself, still further enriched it at the expense of the ancients. Behold what makes great authors! Those who pretend to give us nothing but the fruits of their own growth, soon fail, like the little rivulets which dry up in the summer, very different from the floods, who receive in their course the tribute of a hundred and a hundred rivers, and which even in the dog-days carry their waves triumphant to the ocean."
  33. Stanza 18, line 159 The hyacinth bewrays the doleful Ai.--Hyacinthus, a youth beloved of Apollo, by whom he was accidentally slain, and afterwards turned into a flower:-- "Tyrioque nitentior ostro Flos oritur, formamque capit, quam lilia: si non, Purpureus color huic, argenteus esset in illis. Non satis hoc Phæbo est: is enim fuit auctor honoris. Ipse suos gemitus foliis inscribit; et Ai, Ai, Flos habet inscriptum: funestaque littera ducta est." OVID, Met.
  34. Stanza 19, line 4 The second Argonauts.--The expedition of the Golden Fleece was esteemed, in ancient poetry, one of the most daring adventures, the success of which was accounted miraculous. The allusions of Camoëns to this voyage, though in the spirit of his age, are by no means improper.
  35. Stanza 19, line 5 Wide o'er the beauteous isle the lovely fair.--We now come to the passage condemned by Voltaire as so lascivious, that no nation in Europe, except the Portuguese and Italians, could bear it. The fate of Camoëns has hitherto been very peculiar. The mixture of Pagan and Christian mythology in his machinery has been anathematized, and his island of love represented as a brothel. Yet both accusations are the arrogant assertions of the most superficial acquaintance with his works. His poem itself, and a comparison of its parts with the similar conduct of the greatest modern poets, will clearly evince, that in both instances no modern epic writer of note has given less offence to true criticism. Not to mention Ariosto, whose descriptions will often admit of no palliation, Tasso, Spenser, and Milton, have always been esteemed among the chastest of poets, yet in that delicacy of warm description, which Milton has so finely exemplified in the nuptials of our first parents, none of them can boast the continued uniformity of the Portuguese poet. Though there is a warmth in the colouring of Camoëns which even the genius of Tasso has not reached: and though the island of Armida is evidently copied from the Lusiad, yet those who are possessed of the finer feelings, will easily discover an essential difference between the love-scenes of the two poets, a difference greatly in favour of the delicacy of the former. Though the nymphs in Camoëns are detected naked in the woods, and in the stream, and though desirous to captivate, still their behaviour is that of the virgin who hopes to be the spouse. They act the part of offended modesty; even when they yield they are silent, and behave in every respect like Milton's Eve in the state of innocence, who-- "What was honour knew," And who displayed-- "Her virtue, and the conscience of her worth, That would be wooed, and not unsought be won." To sum up all, the nuptial sanctity draws its hallowed curtains, and a masterly allegory shuts up the love-scenes of Camoëns. How different from all this is the island of Armida in Tasso, and its translation, the bower of Acrasia in Spenser! In these virtue is seduced; the scene therefore is less delicate. The nymphs, while they are bathing, in place of the modesty of the bride as in Camoëns, employ all the arts of the lascivious wanton. They stay not to be wooed; but, as Spenser gives it-- The amorous sweet spoils to greedy eyes reveal. One stanza from our English poet, which, …
  36. Stanza 22, line 18 The hunter.--Acteon.
  37. Stanza 23, line 88 Madd'ning as he said.--At the end of his Homer Mr. Pope has given an index of the instances of imitative and sentimental harmony contained in his translations. He has also often even in his notes pointed out the adaptation of sound to sense. The translator of the Lusiad hopes he may for once say, that he has not been inattentive to this great essential of good versification: how he has succeeded the judicious only must determine. The speech of Leonard to the cursory reader may perhaps sometimes appear careless, and sometimes turgid and stiff. That speech, however, is an attempt at the imitative and sentimental harmony, and with the judicious he rests its fate. As the translation in this instance exceeds the original in length, the objection of a foreign critic requires attention. An old pursy Abbé, (and critics are apt to judge by themselves) may indeed be surprised that a man out of breath with running should be able to talk so long. But, had he consulted the experiences of others, he would have found it was no wonderful matter for a stout and young cavalier to talk twice as much, though fatigued with the chase of a couple of miles, provided the supposition be allowed, that he treads on the last steps of his flying mistress.
  38. Stanza 25, line 1 Hence, ye profane.--We have already observed, that in every other poet the love scenes are generally described as those of guilt and remorse. The contrary character of those of Camoëns not only gives them a delicacy unknown to other moderns, but, by the fiction of the spousal rites, the allegory and machinery of the poem are most happily conducted.
  39. Stanza 26, line 12 Spread o'er the eastern world the dread alarms.--This admonition places the whole design of the poem before us. To extirpate Mohammedanism, and propagate Christianity, were professed as the principal purpose of the discoveries of Prince Henry and King Emmanuel. In the beginning of the seventh Lusiad, the nations of Europe are upbraided for permitting the Saracens to erect and possess an empire, which alike threatened Europe and Christianity. The Portuguese, however, the patriot poet concludes, will themselves overthrow their enormous power: an event which is the proposed subject of the Lusiad, and which is represented as, in effect, completed in the last book. On this system, adopted by the poet, and which on every occasion was avowed by their kings, the Portuguese made immense conquests in the East. Yet, let it be remembered, to the honour of GAMA, and the first commanders who followed his route, that the plots of the Moors, and their various breaches of treaty, gave rise to the first wars which the Portuguese waged in Asia. On finding that all the colonies of the Moors were combined for their destruction, the Portuguese declared war against the eastern Moors, and their allies, wherever they found them. The course of human things, however, soon took place, and the sword of victory and power soon became the sword of tyranny and rapine.

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