The Answer
Againe,Thou witty cruell wanton, now againe,Through ev'ry veine,Hurle all your lightning, and strike ev'ry dart,Againe,Before I feele this pleasing, pleasing paine.I have no heart,Nor can I live but sweetly murder'd withSo deare, so deare a smart.
Then flye,And kindle all your torches at her eye,To make me dyeHer martyr, and put on my roabe of flame:So I,Advanced on my blazing wings on high,In death becameInthroan'd a starre, and ornament untoHer glorious, glorious name.
Heark, faire one, how what e're here isDoth laugh and sing at thy distresse;Not out of hate to thy reliefe,But joy t' enjoy thee, though in griefe.
See! that which chaynes you, you chaine here;The prison is thy prisoner;How much thy jaylor's keeper art!He bindes your hands, but you his heart.
The gyves to rase so smooth a skin,Are so unto themselves within;But, blest to kisse so fayre an arme,Haste to be happy with that harme;
And play about thy wanton wrist,As if in them thou so wert drest;But if too rough, too hard they presse,Oh, they but closely, closely kisse.
And as thy bare feet blesse the way,The people doe not mock, but pray,And call thee, as amas'd they runInstead of prostitute, a nun.
The merry torch burnes with desireTo kindle the eternall fire,And lightly daunces in thine eyesTo tunes of epithalamies.
The sheet's ty'd ever to thy wast,How thankfull to be so imbrac't!And see! thy very very bondsAre bound to thee, to binde such hands.
If teares could wash the ill away,A pearle for each wet bead I'd pay;But as dew'd corne the fuller growes,So water'd eyes but swell our woes.
One drop another cals, which still(Griefe adding fuell) doth distill;Too fruitfull of her selfe is anguish,We need no cherishing to languish.
Coward fate degen'rate manLike little children uses, whenHe whips us first, untill we weepe,Then, 'cause we still a weeping keepe.
Then from thy firme selfe never swerve;Teares fat the griefe that they should sterve;Iron decrees of destinieAre ner'e wipe't out with a wet eye.
But this way you may gaine the field,Oppose but sorrow, and 'twill yield;One gallant thorough-made resolveDoth starry influence dissolve.
This is the prittiest motion:Madam, th' alarums of a drummeThat cals your lord, set to your cries,To mine are sacred symphonies.
What, though 'tis said I have a voice;I know 'tis but that hollow noiseWhich (as it through my pipe doth speed)Bitterns do carol through a reed;In the same key with monkeys jiggs,Or dirges of proscribed piggs,Or the soft Serenades aboveIn calme of night, when cats make love.
Was ever such a consort seen!Fourscore and fourteen with forteen?Yet sooner they'l agree, one paire,Then we in our spring-winter aire;They may imbrace, sigh, kiss, the rest:Our breath knows nought but east and west.Thus have I heard to childrens criesThe faire nurse still such lullabies,That, well all sayd (for what there lay),The pleasure did the sorrow pay.
Sure ther's another way to saveYour phansie, madam; that's to have('Tis but a petitioning kinde fate)The organs sent to Bilingsgate,Where they to that soft murm'ring quireShall teach you all you can admire!Or do but heare, how love-bang KateIn pantry darke for freage of mate,With edge of steele the square wood shapes,And DIDO to it chaunts or scrapes.The merry Phaeton oth' carreYou'l vow makes a melodious jarre;Sweeter and sweeter whisleth HeTo un-anointed axel-tree;Such swift notes he and 's wheels do run;For me, I yeeld him Phaebus son.Say, faire Comandres, can it beYou should ordaine a mutinie?For where I howle, all accents fall,As kings harangues, to one and all.
Ulisses art is now withstood:You ravish both with sweet and good;Saint Syren, sing, for I dare heare,But when I ope', oh, stop your eare.
Far lesse be't aemulationTo passe me, or in trill or tone,Like the thin throat of Philomel,And the smart lute who should excell,As if her soft cords should begin,And strive for sweetnes with the pin.
Yet can I musick too; but suchAs is beyond all voice or touch;My minde can in faire order chime,Whilst my true heart still beats the time;My soule['s] so full of harmonie,That it with all parts can agree;If you winde up to the highest fret,It shall descend an eight from it,And when you shall vouchsafe to fall,Sixteene above you it shall call,And yet, so dis-assenting one,They both shall meet in unison.
Come then, bright cherubin, begin!My loudest musick is within.Take all notes with your skillfull eyes;Hearke, if mine do not sympathise!Sound all my thoughts, and see exprestThe tablature of my large brest;Then you'l admit, that I too canMusick above dead sounds of man;Such as alone doth blesse the spheres,Not to be reacht with humane eares.
Words in this poem 34
- witty a.
- Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
- cruell a.
- Disposed to give pain to others; willing or pleased to hurt, torment, or afflict; destitute of sympathetic kindness and pity; savage; inhuman; hard-hearted; merciless. [F. cruel, fr. L. crudelis, fr. crudus. See Crude.]
- deare
- variant of Dere, v. t. & n.
- starre n.
- One of the innumerable luminous bodies seen in the heavens; any heavenly body other than the sun, moon, comets, and nebulæ. [OE. sterre, AS. steorra; akin to OFries. stera, OS. sterro, D. ster, OHG. sterno, sterro, G. stern, Icel. stjarna, Sw. stjerna, Dan. stierne, Goth. staírno, Arm]
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- rase v. t.
- To rub along the surface of; to graze. [F. raser, LL. rasare to scrape often, v. freq. fr. L. radere, rasum, to scrape, shave; cf. Skr. rad to scratch, gnaw, L. rodere to gnaw. Cf. Raze, Razee, Razor,]
- eternall a.
- Without beginning or end of existence; always existing. [F. éternel, L. aeternalis, fr. aeternus. See Etern.]
- wast
- The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
- thankfull a.
- Obtaining or deserving thanks; thankworthy. [AS. Þancfull.]
- fuell v. t.
- To feed with fuel.
- fruitfull a.
- Full of fruit; producing fruit abundantly; bearing results; prolific; fertile; liberal; bountiful; as, a fruitful tree, or season, or soil; a fruitful wife.
- languish v. i.
- To cause to dr Shak.
- untill prep.
- To; unto; towards; -- used of material objects. [OE. until, ontil; un- (as in unto) + til till; cf. Dan. indtil, Sw. intill. See Unto, and Till, prep.]
- sterve v. t.
- To die, or cause to die; to perish. See Starve.
- starry a.
- Abounding with stars; adorned with stars.
- carol v. t.
- To praise or celebrate in song.
- fourscore a.
- Four times twenty; eighty. [Four + core, n.]
- petitioning n.
- The act of presenting apetition; a supplication.
- quire v. i.
- To sing in concert.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- admire v. t.
- To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
- kate n.
- The brambling finch.
- phaeton n.
- A four-wheeled carriage (with or without a top), open, or having no side pieces, in front of the seat. It is drawn by one or two horses. [F. phaéton a kind of carriage, fr. Phaéthon Phaëthon, the son of Helios. See Phaëthon.]
- carre n.
- A small vehicle moved on wheels; usually, one having but two wheels and drawn by one horse; a cart. [OF. car, char, F. cahr, fr. L. carrus, Wagon: a Celtic word; cf. W. car, Armor. karr, Ir. & Gael. carr. cf. Chariot.]
- jarre n.
- A turn. [Only in phrase.] On the jar, on the turn, ajar, as a door. [See Ajar.]
- passe a.
- Past; gone by; hence, past one's prime; worn; faded; as, a passée belle. Ld. Lytton. [F.]
- excell v. t.
- To go beyond or surpass in good qualities or laudable deeds; to outdo or outgo, in a good sense. [L. excellere, excelsum; ex out + a root found in culmen height, top; cf. F. exceller. See Culminate, Column.]
- chime n.
- The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
- vouchsafe v. t.
- To condescend to grant; to concede; to bestow. [Vouch + safe, that is, to vouch or answer for safety.]
- cherubin a.
- Cherubic; angelic.
- skillfull a.
- Discerning; reasonable; judicious; cunning. [Written also skilful.]
- sympathise v. t.
- To experience together.
- tablature n.
- A painting on a wall or ceiling; a single piece comprehended in one view, and formed according to one design; hence, a picture in general. Shaftesbury.
- humane a.
- Pertaining to man; human. Jer. Taylor. [L. humanus: cf. F. humain. See Human.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Answer is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Richard Lovelace, The Answer, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/the-answer.html, id L13021.
Form and metre
The Answer is 140 lines in 22 verse paragraphs. It is in rhyming couplets, 71% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 10 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA-BAAB-B againeA · againeA · veine · dartB · againeA · paineA · heartB · with · smartB
- 2 AAABAAB-B flyeA · eyeA · dyeA · flameB · iA · highA · becameB · unto · nameB
- 3 --AA is · distresse · reliefeA · griefeA
- 4 --AA here · prisoner · artA · heartA
- 5 AABB skinA · withinA · armeB · harmeB
- 6 AA-- wristA · drestA · presse · kisse
- 7 AABB wayA · prayA · runB · nunB
- 8 AA-- desireA · fireA · eyes · epithalamies
- 10 AABB awayA · payA · growesB · woesB
- 11 AABB stillA · distillA · anguishB · languishB
- 12 --AA man · when · weepeA · keepeA
- 13 AA-- swerveA · sterveA · destinie · eye
- 14 AABB fieldA · yieldA · resolveB · dissolveB
- 15 --AA motion · drumme · criesA · symphoniesA
- 16 --AABBCC voice · noise · speedA · reedA · jiggsB · piggsB · aboveC · loveC
- 17 AABBCCDDEE seenA · forteenA · paireB · aireB · restC · westC · criesD · lullabiesD · layE · payE
- 18 AABBCCBBDDEEFFGGF-HH saveA · haveA · fateB · bilingsgateB · quireC · admireC · kateB · mateB · shapesD · scrapesD · carreE · jarreE · heF · treeF · runG · sonG · beF · mutinie · fallH · allH
- 19 AABB withstoodA · goodA · heareB · eareB
- 20 ----AA aemulation · tone · philomel · excell · beginA · pinA
- 21 AABB----CCDD suchA · touchA · chimeB · timeB · harmonie · agree · fret · it · fallC · callC · oneD · unisonD
- 22 AABBCCDDEE beginA · withinA · eyesB · sympathiseB · exprestC · brestC · canD · manD · spheresE · earesE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Againe, | 2 | ·· |
| Thou witty cruell wanton, now againe, | 10 | ·/˘/˘/˘··· |
| Through ev'ry veine, | 4 | ···· |
| Hurle all your lightning, and strike ev'ry dart, | 11 | ····/˘····· |
| Againe, | 2 | ·· |
| Before I feele this pleasing, pleasing paine. | 11 | ······/˘/˘· |
| I have no heart, | 4 | ···· |
| Nor can I live but sweetly murder'd with | 10 | ·····/˘/˘· |
| So deare, so deare a smart. | 6 | ······ |
| Then flye, | 2 | ·· |
| And kindle all your torches at her eye, | 10 | ·/˘··/˘··· |
| To make me dye | 4 | ···· |
| Her martyr, and put on my roabe of flame: | 10 | ·/˘······· |
| So I, | 2 | ·· |
| Advanced on my blazing wings on high, | 10 | ˘/˘··/˘··· |
| In death became | 4 | ··˘/ |
| Inthroan'd a starre, and ornament unto | 10 | ·····/˘˘·· |
| Her glorious, glorious name. | 8 | ·/˘˘/˘˘· |
| Heark, faire one, how what e're here is | 8 | ········ |
| Doth laugh and sing at thy distresse; | 8 | ········ |
| Not out of hate to thy reliefe, | 8 | ········ |
| But joy t' enjoy thee, though in griefe. | 9 | ···˘/···· |
| See! that which chaynes you, you chaine here; | 8 | ········ |
| The prison is thy prisoner; | 8 | ·/˘··/˘˘ |
| How much thy jaylor's keeper art! | 8 | ·····/˘· |
| He bindes your hands, but you his heart. | 8 | ········ |
| The gyves to rase so smooth a skin, | 8 | ········ |
| Are so unto themselves within; | 8 | ····˘/·· |
| But, blest to kisse so fayre an arme, | 8 | ········ |
| Haste to be happy with that harme; | 8 | ···/˘··· |
| And play about thy wanton wrist, | 8 | ·····/˘· |
| As if in them thou so wert drest; | 8 | ········ |
| But if too rough, too hard they presse, | 8 | ········ |
| Oh, they but closely, closely kisse. | 8 | ···/˘/˘· |
| And as thy bare feet blesse the way, | 8 | ········ |
| The people doe not mock, but pray, | 8 | ·/˘····· |
| And call thee, as amas'd they run | 8 | ········ |
| Instead of prostitute, a nun. | 8 | ˘/·/˘··· |
| The merry torch burnes with desire | 9 | ·/˘···˘/˘ |
| To kindle the eternall fire, | 9 | ·/˘·˘/˘/˘ |
| And lightly daunces in thine eyes | 8 | ·/˘····· |
| To tunes of epithalamies. | 7 | ······· |
| The sheet's ty'd ever to thy wast, | 8 | ···/˘··· |
| How thankfull to be so imbrac't! | 8 | ·/˘····· |
| And see! thy very very bonds | 8 | ···/˘/˘· |
| Are bound to thee, to binde such hands. | 8 | ········ |
| If teares could wash the ill away, | 8 | ······˘/ |
| A pearle for each wet bead I'd pay; | 8 | ········ |
| But as dew'd corne the fuller growes, | 8 | ·····/˘· |
| So water'd eyes but swell our woes. | 9 | ·/˘···/˘· |
| One drop another cals, which still | 8 | ··˘/˘··· |
| (Griefe adding fuell) doth distill; | 8 | ·/˘/˘·˘/ |
| Too fruitfull of her selfe is anguish, | 9 | ·/˘····/˘ |
| We need no cherishing to languish. | 9 | ···/˘˘·/˘ |
| Coward fate degen'rate man | 7 | /˘····· |
| Like little children uses, when | 8 | ·/˘/˘/˘· |
| He whips us first, untill we weepe, | 8 | ····˘/·· |
| Then, 'cause we still a weeping keepe. | 8 | ·····/˘· |
| Then from thy firme selfe never swerve; | 8 | ·····/˘· |
| Teares fat the griefe that they should sterve; | 8 | ········ |
| Iron decrees of destinie | 8 | /˘˘/···· |
| Are ner'e wipe't out with a wet eye. | 9 | ········· |
| But this way you may gaine the field, | 8 | ········ |
| Oppose but sorrow, and 'twill yield; | 8 | ˘/·/˘··· |
| One gallant thorough-made resolve | 8 | ·/˘/˘·˘/ |
| Doth starry influence dissolve. | 8 | ·/˘/˘˘˘/ |
| This is the prittiest motion: | 7 | ·····/˘ |
| Madam, th' alarums of a drumme | 8 | /˘······ |
| That cals your lord, set to your cries, | 8 | ········ |
| To mine are sacred symphonies. | 9 | ···/˘˘/˘˘ |
| What, though 'tis said I have a voice; | 8 | ········ |
| I know 'tis but that hollow noise | 8 | ·····/˘· |
| Which (as it through my pipe doth speed) | 8 | ········ |
| Bitterns do carol through a reed; | 8 | ···/˘··· |
| In the same key with monkeys jiggs, | 8 | ·····/˘· |
| Or dirges of proscribed piggs, | 7 | ·/˘·˘/· |
| Or the soft Serenades above | 8 | ····˘/·· |
| In calme of night, when cats make love. | 8 | ········ |
| Was ever such a consort seen! | 8 | ·/˘··˘/· |
| Fourscore and fourteen with forteen? | 8 | /˘··/··· |
| Yet sooner they'l agree, one paire, | 8 | ·/˘·˘/·· |
| Then we in our spring-winter aire; | 9 | ···/˘·/˘· |
| They may imbrace, sigh, kiss, the rest: | 8 | ········ |
| Our breath knows nought but east and west. | 9 | /˘······· |
| Thus have I heard to childrens cries | 8 | ·····/˘· |
| The faire nurse still such lullabies, | 8 | ·····/˘· |
| That, well all sayd (for what there lay), | 8 | ········ |
| The pleasure did the sorrow pay. | 8 | ·/˘··/˘· |
| Sure ther's another way to save | 8 | ··˘/˘··· |
| Your phansie, madam; that's to have | 8 | ···/˘··· |
| ('Tis but a petitioning kinde fate) | 9 | ···˘/˘˘·· |
| The organs sent to Bilingsgate, | 8 | ·/˘····· |
| Where they to that soft murm'ring quire | 8 | ········ |
| Shall teach you all you can admire! | 8 | ······˘/ |
| Or do but heare, how love-bang Kate | 8 | ········ |
| In pantry darke for freage of mate, | 8 | ·/˘····· |
| With edge of steele the square wood shapes, | 8 | ········ |
| And DIDO to it chaunts or scrapes. | 8 | ·/˘····· |
| The merry Phaeton oth' carre | 7 | ·/˘···· |
| You'l vow makes a melodious jarre; | 9 | ····˘/˘˘· |
| Sweeter and sweeter whisleth He | 8 | /˘·/˘··· |
| To un-anointed axel-tree; | 8 | ··˘/˘/˘· |
| Such swift notes he and 's wheels do run; | 9 | ········· |
| For me, I yeeld him Phaebus son. | 8 | ········ |
| Say, faire Comandres, can it be | 7 | ······· |
| You should ordaine a mutinie? | 8 | ········ |
| For where I howle, all accents fall, | 9 | ···/˘·/˘· |
| As kings harangues, to one and all. | 8 | ··˘/···· |
| Ulisses art is now withstood: | 8 | ······˘/ |
| You ravish both with sweet and good; | 8 | ·/˘····· |
| Saint Syren, sing, for I dare heare, | 8 | ·/˘····· |
| But when I ope', oh, stop your eare. | 8 | ········ |
| Far lesse be't aemulation | 7 | ······· |
| To passe me, or in trill or tone, | 9 | ··/······ |
| Like the thin throat of Philomel, | 8 | ·····/˘˘ |
| And the smart lute who should excell, | 8 | ······˘/ |
| As if her soft cords should begin, | 8 | ······˘/ |
| And strive for sweetnes with the pin. | 7 | ······· |
| Yet can I musick too; but such | 8 | ···/˘··· |
| As is beyond all voice or touch; | 8 | ········ |
| My minde can in faire order chime, | 8 | ·····/˘· |
| Whilst my true heart still beats the time; | 8 | ········ |
| My soule['s] so full of harmonie, | 9 | ······/˘˘ |
| That it with all parts can agree; | 8 | ······˘/ |
| If you winde up to the highest fret, | 9 | ······/˘· |
| It shall descend an eight from it, | 8 | ··˘/···· |
| And when you shall vouchsafe to fall, | 8 | ····˘/·· |
| Sixteene above you it shall call, | 8 | ········ |
| And yet, so dis-assenting one, | 8 | ····˘/˘· |
| They both shall meet in unison. | 8 | ·····/˘˘ |
| Come then, bright cherubin, begin! | 8 | ···/˘˘˘/ |
| My loudest musick is within. | 8 | ·/˘/˘··· |
| Take all notes with your skillfull eyes; | 8 | ·····/˘· |
| Hearke, if mine do not sympathise! | 8 | ·····/˘· |
| Sound all my thoughts, and see exprest | 8 | ········ |
| The tablature of my large brest; | 8 | ·/˘˘···· |
| Then you'l admit, that I too can | 8 | ··˘/···· |
| Musick above dead sounds of man; | 8 | /˘······ |
| Such as alone doth blesse the spheres, | 8 | ··˘/···· |
| Not to be reacht with humane eares. | 8 | ·····˘/· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.