Princesse Loysa Drawing

Richard Lovelace (1617–1657) · 1649

iambic tetrameter · octosyllabic couplets · 96 lines · from Lucasta

I saw a little Diety,MINERVA in epitomy,Whom VENUS, at first blush, surpris'd,Tooke for her winged wagge disguis'd.But viewing then, whereas she madeNot a distrest, but lively shadeOf ECCHO whom he had betrayd,Now wanton, and ith' coole oth' SunneWith her delight a hunting gone,And thousands more, whom he had slaine;To live and love, belov'd againe:Ah! this is true divinity!I will un-God that toye! cri'd she;Then markt she SYRINX running fastTo Pan's imbraces, with the hasteShee fled him once, whose reede-pipe rentHe finds now a new Instrument.THESEUS return'd invokes the AyreAnd windes, then wafts his faire;Whilst ARIADNE ravish't stoodHalf in his armes, halfe in the flood.Proud ANAXERETE doth fallAt IPHIS feete, who smiles at all:And he (whilst she his curles doth deck)Hangs no where now, but on her neck.Here PHOEBUS with a beame untombesLong-hid LEUCOTHOE, and doomesHer father there; DAPHNE the faireKnowes now no bayes but round her haire;And to APOLLO and his Sons,Who pay him their due Orisons,Bequeaths her lawrell-robe, that flameContemnes, Thunder and evill Fame.There kneel'd ADONIS fresh as spring,Gay as his youth, now offeringHerself those joyes with voice and hand,Which first he could not understand.Transfixed VENUS stood amas'd,Full of the Boy and Love, she gaz'd,And in imbraces seemed moreSenceless and colde then he before.Uselesse Childe! In vaine (said she)You beare that fond artillerie;See heere a pow'r above the slowWeake execution of thy bow.So said, she riv'd the wood in two,Unedged all his arrowes too,And with the string their feathers boundTo that part, whence we have our wound.See, see! the darts by which we burn'dAre bright Loysa's pencills turn'd,With which she now enliveth moreBeauties, than they destroy'd before.

Were it that you so shun me, 'cause you wish(Cruels't) a fellow in your wretchednesse,Or that you take some small ease in your owneTorments, to heare another sadly groane,I were most happy in my paines, to beSo truely blest, to be so curst by thee:But oh! my cries to that doe rather adde,Of which too much already thou hast had,And thou art gladly sad to heare my moane;Yet sadly hearst me with derision.

Thou most unjust, that really dust know,And feelst thyselfe the flames I burne in. Oh!How can you beg to be set loose from thatConsuming stake you binde another at?

Uncharitablest both wayes, to denieThat pity me, for which yourself must dye,To love not her loves you, yet know the painWhat 'tis to love, and not be lov'd againe.

Flye on, flye on, swift Racer, untill sheWhom thou of all ador'st shall learne of theeThe pace t'outfly thee, and shall teach thee groan,What terrour 'tis t'outgo and be outgon.

Nor yet looke back, nor yet must weRun then like spoakes in wheeles eternally,And never overtake? Be dragg'd on stillBy the weake cordage of your untwin'd willRound without hope of rest? No, I will turne,And with my goodnes boldly meete your scorne;My goodnesse which Heav'n pardon, and that fate

But I am chang'd! Bright reason, that did giveMy soule a noble quicknes, made me liveOne breath yet longer, and to will, and seeHath reacht me pow'r to scorne as well as thee:That thou, which proudly tramplest on my grave,Thyselfe mightst fall, conquer'd my double slave:That thou mightst, sinking in thy triumphs, moan,And I triumph in my destruction.

Hayle, holy cold! chaste temper, hayle! the fireRav'd o're my purer thoughts I feel t' expire,And I am candied ice. Yee pow'rs! if e'reI shall be forc't unto my sepulcher,Or violently hurl'd into my urne,Oh make me choose rather to freeze than burne.

Words in this poem 16
minerva n.
The goddess of wisdom, of war, of the arts and sciences, of poetry, and of spinning and weaving; -- identified with the Grecian Pallas Athene. [L.]
wagge v. t.
To move one way and the other with quick turns; to shake to and fro; to move vibratingly; to cause to vibrate, as a part of the body; as, to wag the head. [OE. waggen; probably of Scand. origin; cf. Sw. vagga to rock a cradle, vagga cradle, Icel. vagga, Dan. vugge; akin to AS. wagian to move, wag, wegan to bear, ca]
whereas adv.
At which place; where.
phoebus n.
Apollo; the sun god.
daphne n.
A genus of diminutive Shrubs, mostly evergreen, and with fragrant blossoms. [L., a laurel tree, from Gr. .]
childe n.
A cognomen formerly prefixed to his name by the oldest son, until he succeeded to his ancestral titles, or was knighted; as, Childe Roland.
sadly adv.
Wearily; heavily; firmly.
curst a.
Froward; malignant; mischievous; malicious; snarling. [SeeCurse.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
gladly adv.
Preferably; by choice. [From Glad, a.]
racer n.
One who, or that which, races, or contends in a race; esp., a race horse.
untill prep.
To; unto; towards; -- used of material objects. [OE. until, ontil; un- (as in unto) + til till; cf. Dan. indtil, Sw. intill. See Unto, and Till, prep.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
terrour n.
Extreme fear; fear that agitates body and mind; violent dread; fright. [L. terror, akin to terrere to frighten, for tersere; akin to Gr. tras to tremble, to be afraid, Russ. triasti to shake: cf. F. terreur. Cf. Deter.]
eternally adv.
In an eternal manner.
boldly adv.
In a bold manner. [AS. bealdlice.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Princesse Loysa Drawing is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Lovelace, Princesse Loysa Drawing, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/princesse-loysa-drawing.html, id L25384.

Form and metre

Princesse Loysa Drawing is 96 lines in 8 verse paragraphs. It is in rhyming couplets, 65% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 85%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 24 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBB--CC----DDEEFFGGHH--IIJJKKLLMMNNOO----PPQQRRSS diety · epitomy · surpris'dA · disguis'dA · madeB · shadeB · betraydB · sunne · gone · slaineC · againeC · divinity · she · fast · haste · rentD · instrumentD · ayreE · faireE · stoodF · floodF · fallG · allG · deckH · neckH · untombes · doomes · faireI · haireI · sonsJ · orisonsJ · flameK · fameK · springL · offeringL · handM · understandM · amas'dN · gaz'dN · moreO · beforeO · she · artillerie · slow · bow · twoP · tooP · boundQ · woundQ · burn'dR · turn'dR · moreS · beforeS
  2. 2 ---ABBCCA- wish · wretchednesse · owne · groaneA · beB · theeB · addeC · hadC · moaneA · derision
  3. 3 AABB knowA · ohA · thatB · atB
  4. 4 --AA denie · dye · painA · againeA
  5. 5 AA-- sheA · theeA · groan · outgon
  6. 6 --AA--- we · eternally · stillA · willA · turne · scorne · fate
  7. 7 AABBCCDD giveA · liveA · seeB · theeB · graveC · slaveC · moanD · destructionD
  8. 8 AA--BB fireA · expireA · e're · sepulcher · urneB · burneB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
I saw a little Diety,7···/˘··
MINERVA in epitomy,8˘/˘·····
Whom VENUS, at first blush, surpris'd,8·/˘···˘/
Tooke for her winged wagge disguis'd.7·····˘/
But viewing then, whereas she made8·/˘·˘/··
Not a distrest, but lively shade8·····/˘·
Of ECCHO whom he had betrayd,8········
Now wanton, and ith' coole oth' Sunne8·/˘·····
With her delight a hunting gone,8··˘/·/˘·
And thousands more, whom he had slaine;8·/˘·····
To live and love, belov'd againe:8····˘/··
Ah! this is true divinity!8····˘/˘˘
I will un-God that toye! cri'd she;8········
Then markt she SYRINX running fast8···/˘/˘·
To Pan's imbraces, with the haste8········
Shee fled him once, whose reede-pipe rent8········
He finds now a new Instrument.8·····/˘˘
THESEUS return'd invokes the Ayre8··˘/˘/··
And windes, then wafts his faire;6······
Whilst ARIADNE ravish't stood8··˘/˘···
Half in his armes, halfe in the flood.8········
Proud ANAXERETE doth fall7·······
At IPHIS feete, who smiles at all:8········
And he (whilst she his curles doth deck)8········
Hangs no where now, but on her neck.8········
Here PHOEBUS with a beame untombes8·/˘·····
Long-hid LEUCOTHOE, and doomes7·······
Her father there; DAPHNE the faire8·/˘·/˘··
Knowes now no bayes but round her haire;8········
And to APOLLO and his Sons,8··˘/˘···
Who pay him their due Orisons,8········
Bequeaths her lawrell-robe, that flame8˘/······
Contemnes, Thunder and evill Fame.8··/˘·/˘·
There kneel'd ADONIS fresh as spring,8··˘/˘···
Gay as his youth, now offering8·····/˘˘
Herself those joyes with voice and hand,8˘/······
Which first he could not understand.8······˘/
Transfixed VENUS stood amas'd,7˘//˘···
Full of the Boy and Love, she gaz'd,8········
And in imbraces seemed more7·······
Senceless and colde then he before.9·········
Uselesse Childe! In vaine (said she)8········
You beare that fond artillerie;8········
See heere a pow'r above the slow8········
Weake execution of thy bow.8··˘/˘···
So said, she riv'd the wood in two,8········
Unedged all his arrowes too,7····/˘·
And with the string their feathers bound8·····/˘·
To that part, whence we have our wound.8······/·
See, see! the darts by which we burn'd8········
Are bright Loysa's pencills turn'd,7····/˘·
With which she now enliveth more8········
Beauties, than they destroy'd before.8/˘··˘/··
Were it that you so shun me, 'cause you wish10··········
(Cruels't) a fellow in your wretchednesse,9··/˘·····
Or that you take some small ease in your owne10··········
Torments, to heare another sadly groane,10/···˘/˘/˘·
I were most happy in my paines, to be10···/˘·····
So truely blest, to be so curst by thee:10··········
But oh! my cries to that doe rather adde,10·······/˘·
Of which too much already thou hast had,10····˘/˘···
And thou art gladly sad to heare my moane;10···/˘·····
Yet sadly hearst me with derision.9·/˘···˘/˘
Thou most unjust, that really dust know,9··˘/·/˘··
And feelst thyselfe the flames I burne in. Oh!10··········
How can you beg to be set loose from that10··········
Consuming stake you binde another at?10˘/˘···˘/˘·
Uncharitablest both wayes, to denie10··········
That pity me, for which yourself must dye,10·/˘···˘/··
To love not her loves you, yet know the pain10··········
What 'tis to love, and not be lov'd againe.10··········
Flye on, flye on, swift Racer, untill she10·····/˘˘/·
Whom thou of all ador'st shall learne of thee10··········
The pace t'outfly thee, and shall teach thee groan,10··········
What terrour 'tis t'outgo and be outgon.10·/˘·······
Nor yet looke back, nor yet must we8········
Run then like spoakes in wheeles eternally,9······˘/˘
And never overtake? Be dragg'd on still9·//˘·····
By the weake cordage of your untwin'd will10···/˘·····
Round without hope of rest? No, I will turne,10··········
And with my goodnes boldly meete your scorne;9····/˘···
My goodnesse which Heav'n pardon, and that fate10·····/˘···
But I am chang'd! Bright reason, that did give10·····/˘···
My soule a noble quicknes, made me live9···/˘····
One breath yet longer, and to will, and see10···/˘·····
Hath reacht me pow'r to scorne as well as thee:10··········
That thou, which proudly tramplest on my grave,10···/˘/˘···
Thyselfe mightst fall, conquer'd my double slave:10····/˘·/˘·
That thou mightst, sinking in thy triumphs, moan,10···/˘··/˘·
And I triumph in my destruction.9··/˘··˘/˘
Hayle, holy cold! chaste temper, hayle! the fire12··/˘··/˘···/
Rav'd o're my purer thoughts I feel t' expire,11···/˘····˘/
And I am candied ice. Yee pow'rs! if e're10···/˘·····
I shall be forc't unto my sepulcher,10··········
Or violently hurl'd into my urne,8·/˘·····
Oh make me choose rather to freeze than burne.10····/˘····

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