A Satyre

Richard Lovelace (1617–1657) · 1649

iambic pentameter · 284 lines · from Lucasta

Twas a blith prince exchang'd five hundred crownsFor a fair turnip. Dig, dig on, O clownsBut how this comes about, Fates, can you tell,This more then Maid of Meurs, this miracle?Let me not live, if I think not St. MarkHas all the oar, as well as beasts, in's ark!No wonder 'tis he marries the rich sea,But to betroth him to nak'd Poesie,And with a bankrupt muse to merchandise;His treasures beams, sure, have put out his eyes.His conquest at Lepanto I'l let pass,When the sick sea with turbants night-cap'd was;And now at Candie his full courage shown,That wan'd to a wan line the half-half moon.This is a wreath, this is a victorie,Caesar himself would have look'd pale to see,And in the height of all his triumphs feelHimself but chain'd to such a mighty wheel.And now me thinks we ape Augustus state,So ugly we his high worth imitate,Monkey his godlike glories; so that weKeep light and form with such deformitie,As I have seen an arrogant baboonWith a small piece of glasse zany the sun.Rome to her bard, who did her battails sing,Indifferent gave to poet and to king;With the same lawrells were his temples fraught,Who best had written, and who best had fought;The self same fame they equally did feel,One's style ador'd as much as t' other's steel.A chain or fasces she could then affordThe sons of Phoebus, we, an axe or cord;Sometimes a coronet was her renown,And ours, the dear prerogative of a crown.In marble statu'd walks great Lucan lay,And now we walk, our own pale statua.They the whole year with roses crownd would dine,And we in all December know no wine;Disciplin'd, dieted, sure there hath binOds 'twixt a poet and a Capuchin.Of princes, women, wine, to sing I seeIs no apocrypha: for to rise highCommend this olio of this lord 'tis fit:Nay, ten to one, but you have part of it;There is that justice left, since you maintainHis table, he should counter-feed your brain.Then write how well he in his sack hath droll'd,Straight there's a bottle to your chamber roll'd,Or with embroider'd words praise his French suit,Month hence 'tis yours with his mans, to boot;Or but applaud his boss'd legs: two to none,But he most nobly doth give you one.Or spin an elegie on his false hair:'Tis well, he cries, but living hair is dear.Yet say that out of order ther's one curl,And all the hopes of your reward you furl.Write a deep epick poem, and you mayAs soon delight them as the opera,Where they Diogenes thought in his tub,Never so sowre did look so sweet a club.You that do suck for thirst your black quil's blood,And chaw your labour'd papers for your food,I will inform you how and what to praise,Then skin y' in satin as young Lovelace plaies.Beware, as you would your fierce guests, your lice,To strip the cloath of gold from cherish'd vice;Rather stand off with awe and reverend fear,Hang a poetick pendant in her ear,Court her as her adorers do their glasse,Though that as much of a true substance has,Whilst all the gall from your wild ink you drain,The beauteous sweets of vertues cheeks to stain;And in your livery let her be known,As poor and tatter'd as in her own.Nor write, nor speak you more of sacred writ,But what shall force up your arrested wit.Be chast; religion and her priests your scorn,Whilst the vain fanes of idiots you adorn.It is a mortal errour, you must know,Of any to speak good, if he be so.Rayl, till your edged breath flea your raw throat,And burn remarks on all of gen'rous note;Each verse be an indictment, be not freeSanctity 't self from thy scurrility.Libel your father, and your dam buffoon,The noblest matrons of the isle lampoon,Whilst Aretine and 's bodies you dispute,And in your sheets your sister prostitute.Yet there belongs a sweetnesse, softnesse too,Which you must pay, but first, pray, know to who.There is a creature, (if I may so callThat unto which they do all prostrate fall)Term'd mistress, when they'r angry; but, pleas'd high,It is a princesse, saint, divinity.To this they sacrifice the whole days light,Then lye with their devotion all night;For this you are to dive to the abysse,And rob for pearl the closet of some fish.Arabia and Sabaea you must stripOf all their sweets, for to supply her lip;And steal new fire from heav'n, for to repairHer unfledg'd scalp with Berenice's hair;Then seat her in Cassiopeia's chair.As now you're in your coach: save you, bright sir,(O, spare your thanks) is not this finer farThen walk un-hided, when that every stoneHas knock'd acquaintance with your ankle-bone?When your wing'd papers, like the last dove, nereReturn'd to quit you of your hope or fear,But left you to the mercy of your hostAnd your days fare, a fortified toast.How many battels, sung in epick strain,Would have procur'd your head thatch from the rainNot all the arms of Thebes and Troy would getOne knife but to anatomize your meat,A funeral elegie, with a sad boon,Might make you (hei!) sip wine like maccaroon;But if perchance there did a riband come,Not the train-band so fierce with all its drum:Yet with your torch you homeward would retire,And heart'ly wish your bed your fun'ral pyre.With what a fury have I known you feedUpon a contract and the hopes 't might speed!Not the fair bride, impatient of delay,Doth wish like you the beauties of that day;Hotter than all the roasted cooks you satTo dresse the fricace of your alphabet,Which sometimes would be drawn dough anagrame,Sometimes acrostick parched in the flame;Then posies stew'd with sippets, mottos by:Of minced verse a miserable pye.How many knots slip'd, ere you twist their nameWith th' old device, as both their heart's the same!Whilst like to drills the feast in your false jawYou would transmit at leisure to your maw;Then after all your fooling, fat, and wine,Glutton'd at last, return at home to pine.Tell me, O Sun, since first your beams did playTo night, and did awake the sleeping day;Since first your steeds of light their race did start,Did you ere blush as now? Oh thou, that artThe common father to the base pissmire,As well as great Alcides, did the fireFrom thine owne altar which the gods adore,Kindle the souls of gnats and wasps before?Who would delight in his chast eyes to seeDormise to strike at lights of poesie?Faction and envy now are downright rage.Once a five-knotted whip there was, the stage:The beadle and the executioner,To whip small errors, and the great ones tear;Now, as er'e Nimrod the first king, he writes:That's strongest, th' ablest deepest bites.The muses weeping fly their hill, to seeTheir noblest sons of peace in mutinie.Could there nought else this civil war compleat,But poets raging with poetic heat,Tearing themselves and th' endlesse wreath, as thoughImmortal they, their wrath should be so, too?And doubly fir'd Apollo burns to seeIn silent Helicon a naumachie.Parnassus hears these at his first alarms;Never till now Minerva was in arms.O more then conqu'ror of the world, great Rome!Thy heros did with gentleness or'e comeThy foes themselves, but one another first,Whilst envy stript alone was left, and burst.The learn'd Decemviri, 'tis true, did strive,But to add flames to keep their fame alive;Whilst the eternal lawrel hung ith' air:Nor of these ten sons was there found one heir.Like to the golden tripod, it did passFrom this to this, till 't came to him, whose 'twas.Caesar to Gallus trundled it, and heTo Maro: Maro, Naso, unto thee?Naso to his Tibullus flung the wreath,He to Catullus thus did bequeath.This glorious circle, to another round,At last the temples of their god it bound.I might believe at least, that each might haveA quiet fame contented in his grave,Envy the living, not the dead, doth bite:For after death all men receave their right.If it be sacriledge for to profaneTheir holy ashes, what is't then their flame?He does that wrong unweeting or in ire,As if one should put out the vestal fire.Let earths four quarters speak, and thou, Sun, bearNow witnesse for thy fellow-traveller.I was ally'd, dear Uncle, unto theeIn blood, but thou, alas, not unto me;Your vertues, pow'rs, and mine differ'd at best,As they whose springs you saw, the east and west.Let me awhile be twisted in thy shine,And pay my due devotions at thy shrine.Might learned Waynman rise, who went with theeIn thy heav'ns work beside divinity,I should sit still; or mighty Falkland standTo justifie with breath his pow'rful hand;The glory, that doth circle your pale urn,Might hallow'd still and undefiled burn:But I forbear. Flames, that are wildly thrownAt sacred heads, curle back upon their own;Sleep, heavenly Sands, whilst what they do or write,Is to give God himself and you your right.There is not in my mind one sullen fateOf old, but is concentred in our state:Vandall ore-runners, Goths in literature:Ploughmen that would Parnassus new-manure;Ringers of verse that all-in-chime,And toll the changes upon every rime.A mercer now by th' yard does measure oreAn ode, which was but by the foot before;Deals you an ell of epigram, and swearsIt is the strongest and the finest wears.No wonder, if a drawer verses rack,If 'tis not his, 't may be the spir't of sack;Whilst the fair bar-maid stroaks the muses teat,For milk to make the posset up compleat.Arise, thou rev'rend shade, great Johnson, rise!Break through thy marble natural disguise!Behold a mist of insects, whose meer breathWill melt thy hallow'd leaden house of death.What was Crispinus, that you should defieThe age for him? He durst not look so highAs your immortal rod, he still did standHonour'd, and held his forehead to thy brand.These scorpions, with which we have to do,Are fiends, not only small but deadly too.Well mightst thou rive thy quill up to the back,And scrue thy lyre's grave chords, untill they crack.For though once hell resented musick, theseDivels will not, but are in worse disease.How would thy masc'line spirit, father Ben,Sweat to behold basely deposed men,Justled from the prerog'tive of their bed,Whilst wives are per'wig'd with their husbands head?Each snatches the male quill from his faint hand,And must both nobler write and understand,He to her fury the soft plume doth bow:O pen, nere truely justly slit till now!Now as her self a poem she doth dresse.And curls a line, as she would do a tresse;Powders a sonnet as she does her hair,Then prostitutes them both to publick aire.Nor is 't enough, that they their faces blindWith a false dye; but they must paint their mind,In meeter scold, and in scann'd order brawl,Yet there's one Sapho left may save them all.But now let me recal my passion.Oh! (from a noble father, nobler son)You, that alone are the Clarissimi,And the whole gen'rous state of Venice be,It shall not be recorded SanazarShall boast inthron'd alone this new made star;You, whose correcting sweetnesse hath forbadShame to the good, and glory to the bad;Whose honour hath ev'n into vertue tam'dThese swarms, that now so angerly I nam'd.Forgive what thus distemper'd I indite:For it is hard a SATYRE not to write.Yet, as a virgin that heats all her bloodAt the first motion of bad understood,Then, at meer thought of fair chastity,Straight cools again the tempests of her sea:So when to you I my devotions raise,All wrath and storms do end in calm and praise.

Edwin Sandys, === Cecilia, da. of ThomasArchbishop of ! Wilford, of Cranbrook,York, ob. 1588. ! Co. Kent, Esq. ob. 1610.Edwin ! da. of Sir R. lator of the Barnes, ofSandys ! Bulkeley, of Psalms, &c., Woolwich,! Anglesey. ob. 1643-4, the poet's! Lovelace's maternal! GREAT-uncle. grandfather.Richard Sandys Esq.===Hester, da. of Edwin Aucher, secondson of Anthony Aucher, Esq., ofBishopsbourne.

"Come, leave the loathed stage,And the more loathsome age,"

"Ben, doe not leave the stage,'Cause 'tis a loathsome age."Randolph's POEMS, 1640, p. 64.Carew and others did the same.

Words in this poem 50
zany n.
A merry-andrew; a buffoon. [It. zanni a buffoon, merry-andrew, orig. same as Giovanni John, i. e., merry John, L. Ioannes, Gr. Yokhanan, prop., the Lord graciously gave: cf. F. zani, fr. t]
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
fasces n.
A bundle of rods, having among them an ax with the blade projecting, borne before the Roman magistrates as a badge of their authority.
phoebus n.
Apollo; the sun god.
dine v. i.
To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
capuchin n.
A Franciscan monk of the austere branch established in 1526 by Matteo di Baschi, distinguished by wearing the long pointed cowl or capoch of St. Francis. [F. capucin a monk who wears a cowl, fr. It. cappuccio hood. See Capoch.]
apocrypha n.
Something, as a writing, that is of doubtful authorship or authority; -- formerly used also adjectively.
olio n.
A dish of stewed meat of different kinds. [Sp. olla a round earthen pot, a dish of boiled or stewed meat, fr. L. olla a pot, dish. Cf. Olla, Olla-podrida.]
nobly adv.
Of noble extraction; as, nobly born or descended.
furl v. t.
To draw up or gather into close compass; to wrap or roll, as a sail, close to the yard, stay, or mast, or, as a flag, close to or around its staff, securing it there by a gasket or line. Totten. [Contr. fr. furdle, fr. fardel bundle: cf. F. ferler to furl, OF. fardeler to pack. See Furdle, Fardel, and cf. Farl.]
sowre n.
One who, or that which, sows.
chaw v. t.
To grind with the teeth; to masticate, as food in eating; to chew, as the cud; to champ, as the bit. [See Chew.]
beware v. t.
To avoid; to take care of; to have a care for.
reverend a.
Worthy of reverence; entitled to respect mingled with fear and affection; venerable. [F. révérend, L. reverendus, fr. revereri. See Revere.]
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
errour n.
A wandering; a roving or irregular course. [OF. error, errur, F. erreur, L. error, fr. errare to err. See Err.]
scurrility n.
The quality or state of being scurrile or scurrilous; mean, vile, or obscene jocularity. [L. scurrilitas: cf. F.scurrilité.]
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
princesse a.
A term applied to a lady's long, close-fitting dress made with waist and skirt in one. [F., a princess.]
anatomize v. t.
To dissect; to cut in pieces, as an animal vegetable body, for the purpose of displaying or examining the structure and use of the several parts. [Cf. F. anatomiser.]
boon n.
A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
homeward a.
Being in the direction of home; as, the homeward way.
pyre n.
A funeral pile; a combustible heap on which the dead are burned; hence, any pile to be burnt. [L. pure, Gr. Fire.]
fricace n.
Meat sliced and dressed with strong sauce. King. [See Fricassee.]
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
downright adv.
Straight down; perpendicularly.
helicon n.
A mountain in Boeotia, in Greece, supposed by the Greeks to be the residence of Apollo and the Muses.
parnassus n.
A mountain in Greece, sacred to Apollo and the Muses, and famous for a temple of Apollo and for the Castalian spring. Grass of Parnassus. (Bot.) See under Grass, and Parnassia.
minerva n.
The goddess of wisdom, of war, of the arts and sciences, of poetry, and of spinning and weaving; -- identified with the Grecian Pallas Athene. [L.]
tripod n.
Any utensil or vessel, as a stool, table, altar, caldron, etc., supported on three feet. [L. tripus, -odis, Gr. Tri-) + Foot, and cf. Tripos, Trivet.]
bequeath v. t.
To give or leave by will; to give by testament; -- said especially of personal property. [OE. biquethen, AS. becwe to say, affirm, bequeath; pref. be- + cwe to say, speak. See Quoth.]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
unweeting a.
Unwitting. Chaucer. [See Un- not, and Weet, Wit.]
vestal a.
Of or pertaining to Vesta, the virgin goddess of the hearth; hence, pure; chaste. [L. Vestalis belonging to Vesta, vestal. See Vesta.]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
went n.
Course; way; path; journey; direction.
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
rime n.
A rent or long aperture; a chink; a fissure; a crack. Sir T. [L. rima.]
mercer n.
Originally, a dealer in any kind of goods or wares; now restricted to a dealer in textile fabrics, as silks or woolens. [F. mercier, fr. L. merx, mercis, wares, merchandise. See Merchant.]
posset v. t.
To curdle; to turn, as milk; to coagulate; as, to posset the blood.
meer a.
Simple; unmixed. See Mere, a.
untill prep.
To; unto; towards; -- used of material objects. [OE. until, ontil; un- (as in unto) + til till; cf. Dan. indtil, Sw. intill. See Unto, and Till, prep.]
basely adv.
In a base manner; with despicable meanness; dishonorably; shamefully.
sonnet n.
A short poem, -- usually amatory. [F., fr. It. sonetto, fr. suono a sound, a song, fr. L. sonus a sound. See Sound noise.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
indite v. t.
To compose; to write; to be author of; to dictate; to prompt. [OE. enditen to indite, indict, OF. enditer to indicate, show, dictate, write, inform, and endicter to accuse; both fr. LL. indictare to show, to accuse, fr. L. ]
maternal a.
Of or pertaining to a mother; becoming to a mother; motherly; as, maternal love; maternal tenderness. [F. maternel, L. maternus, fr. mater mother. See Mother.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Satyre is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Lovelace, A Satyre, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/a-satyre.html, id L13065.

Form and metre

A Satyre is 284 lines in 4 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 19 lines end on an unstressed syllable, a feminine ending. 22% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCC--DD------EEFF----GGHHIIJJKK--LL--MMNNOOPPQQRRSSTT--UU--VVWWXX--YYZZaabbccdd--eeffgghh--ii--jjkkk--llmmnnoo--ppqq--rrss--ttuuttvvwwxxyy--zz--AA--BB--CC----DDEEFFGGHH--IIJJKKLLMM------NNOOPP--QQRRSSTTUU--VVWWXXYYZZaabb--ccddeeffgghhiijjkkllmmnnoo--ppqqrrsstt--uu crownsA · clownsA · tellB · miracleB · markC · arkC · sea · poesie · merchandiseD · eyesD · pass · was · shown · moon · victorie · see · feelE · wheelE · stateF · imitateF · we · deformitie · baboon · sun · singG · kingG · fraughtH · foughtH · feelI · steelI · affordJ · cordJ · renownK · crownK · lay · statua · dineL · wineL · bin · capuchin · seeM · highM · fitN · itN · maintainO · brainO · droll'dP · roll'dP · suitQ · bootQ · noneR · oneR · hairS · dearS · curlT · furlT · may · opera · tubU · clubU · blood · food · praiseV · plaiesV · liceW · viceW · fearX · earX · glasse · has · drainY · stainY · knownZ · ownZ · writa · wita · scornb · adornb · knowc · soc · throatd · noted · free · scurrility · buffoone · lampoone · disputef · prostitutef · toog · whog · callh · fallh · high · divinity · lighti · nighti · abysse · fish · stripj · lipj · repairk · hairk · chairk · sir · far · stonel · bonel · nerem · fearm · hostn · toastn · straino · raino · get · meat · boonp · maccaroonp · comeq · drumq · retire · pyre · feedr · speedr · delays · days · sat · alphabet · anagramet · flamet · byu · pyeu · namet · samet · jawv · mawv · winew · pinew · playx · dayx · starty · arty · pissmire · fire · adorez · beforez · see · poesie · rageA · stageA · executioner · tear · writesB · bitesB · see · mutinie · compleatC · heatC · though · too · see · naumachie · alarmsD · armsD · romeE · comeE · firstF · burstF · striveG · aliveG · airH · heirH · pass · twas · heI · theeI · wreathJ · bequeathJ · roundK · boundK · haveL · graveL · biteM · rightM · profane · flame · ire · fire · bear · traveller · theeN · meN · bestO · westO · shineP · shrineP · thee · divinity · standQ · handQ · urnR · burnR · thrownS · ownS · writeT · rightT · fateU · stateU · literature · manure · chimeV · rimeV · oreW · beforeW · swearsX · wearsX · rackY · sackY · teatZ · compleatZ · risea · disguisea · breathb · deathb · defie · high · standc · brandc · dod · tood · backe · cracke · thesef · diseasef · beng · meng · bedh · headh · handi · understandi · bowj · nowj · dressek · tressek · hairl · airel · blindm · mindm · brawln · alln · passiono · sono · clarissimi · be · sanazarp · starp · forbadq · badq · tam'dr · nam'dr · indites · writes · bloodt · understoodt · chastity · sea · raiseu · praiseu
  2. 2 ---A-----A- thomas · cranbrook · — · ofA · woolwich · poet's · maternal · grandfather · second · ofA · bishopsbourne
  3. 3 AA stageA · ageA
  4. 4 AA-- stageA · ageA · — · same
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Twas a blith prince exchang'd five hundred crowns10····˘/·/˘·
For a fair turnip. Dig, dig on, O clowns10···/˘·····
But how this comes about, Fates, can you tell,10··········
This more then Maid of Meurs, this miracle?10·······/˘˘
Let me not live, if I think not St. Mark10··········
Has all the oar, as well as beasts, in's ark!10··········
No wonder 'tis he marries the rich sea,10·/˘··/˘···
But to betroth him to nak'd Poesie,10··˘/··/˘··
And with a bankrupt muse to merchandise;10···/˘··/˘·
His treasures beams, sure, have put out his eyes.10·/˘·······
His conquest at Lepanto I'l let pass,10·/˘·······
When the sick sea with turbants night-cap'd was;10··········
And now at Candie his full courage shown,10···/˘··/˘·
That wan'd to a wan line the half-half moon.10··········
This is a wreath, this is a victorie,10··········
Caesar himself would have look'd pale to see,10/˘˘/······
And in the height of all his triumphs feel10·······/˘·
Himself but chain'd to such a mighty wheel.10˘/·····/˘·
And now me thinks we ape Augustus state,10······˘/˘·
So ugly we his high worth imitate,10·/˘····/˘·
Monkey his godlike glories; so that we10/˘·/˘/˘···
Keep light and form with such deformitie,10··········
As I have seen an arrogant baboon10·····/˘˘˘/
With a small piece of glasse zany the sun.10······/˘··
Rome to her bard, who did her battails sing,10··········
Indifferent gave to poet and to king;10˘/˘··/˘···
With the same lawrells were his temples fraught,10·······/˘·
Who best had written, and who best had fought;10···/˘·····
The self same fame they equally did feel,10·····/˘˘··
One's style ador'd as much as t' other's steel.11··˘/····/˘·
A chain or fasces she could then afford10···/˘···˘/
The sons of Phoebus, we, an axe or cord;10···/˘·····
Sometimes a coronet was her renown,10˘/·/˘/··˘/
And ours, the dear prerogative of a crown.10·/··˘/˘···
In marble statu'd walks great Lucan lay,10·/˘·······
And now we walk, our own pale statua.11····/˘··/˘˘
They the whole year with roses crownd would dine,10·····/˘···
And we in all December know no wine;10····˘/˘···
Disciplin'd, dieted, sure there hath bin10/˘˘/˘˘····
Ods 'twixt a poet and a Capuchin.10···/˘·····
Of princes, women, wine, to sing I see10·/˘/˘·····
Is no apocrypha: for to rise high10··˘/˘˘····
Commend this olio of this lord 'tis fit:11˘/·/˘˘·····
Nay, ten to one, but you have part of it;10··········
There is that justice left, since you maintain10···/˘···˘/
His table, he should counter-feed your brain.10·/˘··/˘···
Then write how well he in his sack hath droll'd,10··········
Straight there's a bottle to your chamber roll'd,10···/˘··/˘·
Or with embroider'd words praise his French suit,10··˘/˘·····
Month hence 'tis yours with his mans, to boot;9·········
Or but applaud his boss'd legs: two to none,10··˘/······
But he most nobly doth give you one.9···/˘····
Or spin an elegie on his false hair:10··········
'Tis well, he cries, but living hair is dear.10·····/˘···
Yet say that out of order ther's one curl,10·····/˘···
And all the hopes of your reward you furl.10······˘/··
Write a deep epick poem, and you may10·····/˘···
As soon delight them as the opera,9··˘/···/˘
Where they Diogenes thought in his tub,10··˘/˘˘····
Never so sowre did look so sweet a club.10/·/˘······
You that do suck for thirst your black quil's blood,10··········
And chaw your labour'd papers for your food,10·····/˘···
I will inform you how and what to praise,10··˘/······
Then skin y' in satin as young Lovelace plaies.11····/˘··/··
Beware, as you would your fierce guests, your lice,10˘/········
To strip the cloath of gold from cherish'd vice;10·······/˘·
Rather stand off with awe and reverend fear,10/˘·····/˘·
Hang a poetick pendant in her ear,9····/˘···
Court her as her adorers do their glasse,10··········
Though that as much of a true substance has,10·······/˘·
Whilst all the gall from your wild ink you drain,10··········
The beauteous sweets of vertues cheeks to stain;10·/˘˘······
And in your livery let her be known,10···/˘˘····
As poor and tatter'd as in her own.9···/˘····
Nor write, nor speak you more of sacred writ,10·······/˘·
But what shall force up your arrested wit.10······˘/˘·
Be chast; religion and her priests your scorn,10··˘/˘·····
Whilst the vain fanes of idiots you adorn.10·····/˘·˘/
It is a mortal errour, you must know,10···/˘/˘···
Of any to speak good, if he be so.10·/˘·······
Rayl, till your edged breath flea your raw throat,10····˘·····
And burn remarks on all of gen'rous note;10··˘/······
Each verse be an indictment, be not free10····˘/˘···
Sanctity 't self from thy scurrility.11/˘˘····˘/˘˘
Libel your father, and your dam buffoon,10/˘·/˘···˘/
The noblest matrons of the isle lampoon,10·/˘/˘···˘/
Whilst Aretine and 's bodies you dispute,11······/˘·˘/
And in your sheets your sister prostitute.10·····/˘/˘·
Yet there belongs a sweetnesse, softnesse too,10··˘/······
Which you must pay, but first, pray, know to who.10··········
There is a creature, (if I may so call10···/˘·····
That unto which they do all prostrate fall)10·······/˘·
Term'd mistress, when they'r angry; but, pleas'd high,10·/˘··/˘···
It is a princesse, saint, divinity.10···/˘·˘/˘˘
To this they sacrifice the whole days light,10···/˘·····
Then lye with their devotion all night;9····˘/˘··
For this you are to dive to the abysse,10··········
And rob for pearl the closet of some fish.10·····/˘···
Arabia and Sabaea you must strip10˘/˘˘······
Of all their sweets, for to supply her lip;10······˘/··
And steal new fire from heav'n, for to repair10···/····˘/
Her unfledg'd scalp with Berenice's hair;10··········
Then seat her in Cassiopeia's chair.8········
As now you're in your coach: save you, bright sir,10··········
(O, spare your thanks) is not this finer far10·······/˘·
Then walk un-hided, when that every stone10·······/˘·
Has knock'd acquaintance with your ankle-bone?10··˘/˘··/˘·
When your wing'd papers, like the last dove, nere10···/˘·····
Return'd to quit you of your hope or fear,10˘/········
But left you to the mercy of your host10·····/˘···
And your days fare, a fortified toast.9·····/˘··
How many battels, sung in epick strain,10·/˘·······
Would have procur'd your head thatch from the rain10··˘/······
Not all the arms of Thebes and Troy would get10··········
One knife but to anatomize your meat,10····˘/˘˘··
A funeral elegie, with a sad boon,10·/˘·······
Might make you (hei!) sip wine like maccaroon;10··········
But if perchance there did a riband come,10··˘/···/˘·
Not the train-band so fierce with all its drum:10··········
Yet with your torch you homeward would retire,10·····/˘·˘/
And heart'ly wish your bed your fun'ral pyre.11·········/˘
With what a fury have I known you feed10···/˘·····
Upon a contract and the hopes 't might speed!11···/·······
Not the fair bride, impatient of delay,10····˘/˘·˘/
Doth wish like you the beauties of that day;10·····/˘···
Hotter than all the roasted cooks you sat10/˘···/˘···
To dresse the fricace of your alphabet,10···/˘··/˘·
Which sometimes would be drawn dough anagrame,10·˘/·······
Sometimes acrostick parched in the flame;10˘/····˘···
Then posies stew'd with sippets, mottos by:9······/˘·
Of minced verse a miserable pye.10··˘··/˘˘˘·
How many knots slip'd, ere you twist their name10·/˘·······
With th' old device, as both their heart's the same!10··˘/······
Whilst like to drills the feast in your false jaw10··········
You would transmit at leisure to your maw;10··˘/·/˘···
Then after all your fooling, fat, and wine,10·····/˘···
Glutton'd at last, return at home to pine.10····˘/····
Tell me, O Sun, since first your beams did play10··········
To night, and did awake the sleeping day;10····˘/·/˘·
Since first your steeds of light their race did start,10··········
Did you ere blush as now? Oh thou, that art10··········
The common father to the base pissmire,10·/˘/˘·····
As well as great Alcides, did the fire10····/···/˘
From thine owne altar which the gods adore,10···/˘···˘/
Kindle the souls of gnats and wasps before?10/˘········
Who would delight in his chast eyes to see10··˘/······
Dormise to strike at lights of poesie?9·········
Faction and envy now are downright rage.10/˘·/˘··/··
Once a five-knotted whip there was, the stage:10···/˘·····
The beadle and the executioner,10·/˘···˘/˘˘
To whip small errors, and the great ones tear;10···/˘·····
Now, as er'e Nimrod the first king, he writes:10···/˘·····
That's strongest, th' ablest deepest bites.8·/˘/˘/˘·
The muses weeping fly their hill, to see10·/˘/˘·····
Their noblest sons of peace in mutinie.10·/˘·······
Could there nought else this civil war compleat,10·····/˘···
But poets raging with poetic heat,10·/˘/˘·˘/˘·
Tearing themselves and th' endlesse wreath, as though10/˘˘/······
Immortal they, their wrath should be so, too?10˘/˘·······
And doubly fir'd Apollo burns to see10·/˘/˘/˘···
In silent Helicon a naumachie.10·/˘/˘·····
Parnassus hears these at his first alarms;10·/˘·····˘/
Never till now Minerva was in arms.10/˘··˘/˘···
O more then conqu'ror of the world, great Rome!11···········
Thy heros did with gentleness or'e come10·/˘··/˘˘··
Thy foes themselves, but one another first,10··˘/··˘/˘·
Whilst envy stript alone was left, and burst.10·/˘·˘/····
The learn'd Decemviri, 'tis true, did strive,10··········
But to add flames to keep their fame alive;10········˘/
Whilst the eternal lawrel hung ith' air:10··˘/˘·····
Nor of these ten sons was there found one heir.10··········
Like to the golden tripod, it did pass10···/˘/····
From this to this, till 't came to him, whose 'twas.11···········
Caesar to Gallus trundled it, and he10/˘·/˘/˘···
To Maro: Maro, Naso, unto thee?10·/˘/˘/˘···
Naso to his Tibullus flung the wreath,10/˘········
He to Catullus thus did bequeath.9·······˘/
This glorious circle, to another round,10·/˘/˘·˘/˘·
At last the temples of their god it bound.10···/˘·····
I might believe at least, that each might have10··˘/······
A quiet fame contented in his grave,10·/˘·˘/˘···
Envy the living, not the dead, doth bite:10/˘·/˘·····
For after death all men receave their right.10··········
If it be sacriledge for to profane10········˘/
Their holy ashes, what is't then their flame?10·/˘/˘·····
He does that wrong unweeting or in ire,10····˘/˘···
As if one should put out the vestal fire.11·······/˘/˘
Let earths four quarters speak, and thou, Sun, bear10···/˘·····
Now witnesse for thy fellow-traveller.10·····/˘/˘˘
I was ally'd, dear Uncle, unto thee10·····/˘···
In blood, but thou, alas, not unto me;10····˘/····
Your vertues, pow'rs, and mine differ'd at best,9·····/˘··
As they whose springs you saw, the east and west.10··········
Let me awhile be twisted in thy shine,10··˘/·/˘···
And pay my due devotions at thy shrine.10····˘/˘···
Might learned Waynman rise, who went with thee10··˘·······
In thy heav'ns work beside divinity,10····˘/˘/˘˘
I should sit still; or mighty Falkland stand10·····/˘/˘·
To justifie with breath his pow'rful hand;10··········
The glory, that doth circle your pale urn,10·/˘··/˘···
Might hallow'd still and undefiled burn:10·/˘·····˘·
But I forbear. Flames, that are wildly thrown10··˘/···/˘·
At sacred heads, curle back upon their own;11·/˘·/˘·····
Sleep, heavenly Sands, whilst what they do or write,10·/˘·······
Is to give God himself and you your right.10····˘/····
There is not in my mind one sullen fate10·······/˘·
Of old, but is concentred in our state:10·······/˘·
Vandall ore-runners, Goths in literature:11·/·/˘··/˘˘˘
Ploughmen that would Parnassus new-manure;10·····/˘·˘/
Ringers of verse that all-in-chime,8/˘······
And toll the changes upon every rime.10···/˘··/˘·
A mercer now by th' yard does measure ore10·/˘····/˘·
An ode, which was but by the foot before;10··········
Deals you an ell of epigram, and swears10·····/˘···
It is the strongest and the finest wears.10···/˘··/˘·
No wonder, if a drawer verses rack,9·/˘···/˘·
If 'tis not his, 't may be the spir't of sack;11···········
Whilst the fair bar-maid stroaks the muses teat,10·······/˘·
For milk to make the posset up compleat.10·····/˘···
Arise, thou rev'rend shade, great Johnson, rise!10˘/·····/˘·
Break through thy marble natural disguise!10···/˘/˘˘˘/
Behold a mist of insects, whose meer breath11˘/···/··/˘·
Will melt thy hallow'd leaden house of death.10···/˘/˘···
What was Crispinus, that you should defie10··········
The age for him? He durst not look so high10··········
As your immortal rod, he still did stand10··˘/˘·····
Honour'd, and held his forehead to thy brand.10·····/˘···
These scorpions, with which we have to do,10·/˘˘······
Are fiends, not only small but deadly too.10···/˘··/˘·
Well mightst thou rive thy quill up to the back,10··········
And scrue thy lyre's grave chords, untill they crack.10······˘/··
For though once hell resented musick, these10····˘/˘/˘·
Divels will not, but are in worse disease.10········˘/
How would thy masc'line spirit, father Ben,10·····/˘/˘·
Sweat to behold basely deposed men,10··˘//˘˘/˘·
Justled from the prerog'tive of their bed,10·˘········
Whilst wives are per'wig'd with their husbands head?10·······/˘·
Each snatches the male quill from his faint hand,10·/˘·······
And must both nobler write and understand,10···/˘···˘/
He to her fury the soft plume doth bow:10···/˘·····
O pen, nere truely justly slit till now!10·····/˘···
Now as her self a poem she doth dresse.10·····/˘···
And curls a line, as she would do a tresse;10··········
Powders a sonnet as she does her hair,10/˘·/˘·····
Then prostitutes them both to publick aire.10·/˘·······
Nor is 't enough, that they their faces blind11···˘/···/˘·
With a false dye; but they must paint their mind,10··········
In meeter scold, and in scann'd order brawl,10·/˘····/˘·
Yet there's one Sapho left may save them all.10··········
But now let me recal my passion.9·······/˘
Oh! (from a noble father, nobler son)10···/˘/˘/˘·
You, that alone are the Clarissimi,10··˘/······
And the whole gen'rous state of Venice be,10·······/˘·
It shall not be recorded Sanazar10····˘/˘···
Shall boast inthron'd alone this new made star;10····˘/····
You, whose correcting sweetnesse hath forbad10··˘/˘···˘/
Shame to the good, and glory to the bad;10·····/˘···
Whose honour hath ev'n into vertue tam'd9·/˘······
These swarms, that now so angerly I nam'd.10·····/˘˘··
Forgive what thus distemper'd I indite:10˘/······˘/
For it is hard a SATYRE not to write.10··········
Yet, as a virgin that heats all her blood10···/˘·····
At the first motion of bad understood,10···/˘···˘/
Then, at meer thought of fair chastity,10··/˘···/˘˘
Straight cools again the tempests of her sea:10··˘/·/˘···
So when to you I my devotions raise,10······˘/˘·
All wrath and storms do end in calm and praise.10··········
Edwin Sandys, === Cecilia, da. of Thomas11/˘/˘˘/˘··/˘
Archbishop of ! Wilford, of Cranbrook,9//˘·/˘···
York, ob. 1588. ! Co. Kent, Esq. ob. 1610.6······
Edwin ! da. of Sir R. lator of the Barnes, of12/˘··········
Sandys ! Bulkeley, of Psalms, &c., Woolwich,10/˘/˘˘·····
! Anglesey. ob. 1643-4, the poet's7·····/˘
! Lovelace's maternal6/·˘˘/˘
! GREAT-uncle. grandfather.6·/˘/·˘
Richard Sandys Esq.===Hester, da. of Edwin Aucher, second15/˘/˘·/˘··/˘··/˘
son of Anthony Aucher, Esq., of9··/˘˘····
Bishopsbourne.3···
"Come, leave the loathed stage,5·····
And the more loathsome age,"6···/˘·
"Ben, doe not leave the stage,6······
'Cause 'tis a loathsome age."6···/˘·
Randolph's POEMS, 1640, p. 64.5/˘/˘·
Carew and others did the same.8/˘·/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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