A Panegyrick to the Best Picture of Friendship, Mr. Pet. Lilly
If Pliny, Lord High Treasurer of allNatures exchequer shuffled in this our ball,Peinture her richer rival did admire,And cry'd she wrought with more almighty fire,That judg'd the unnumber'd issue of her scrowl,Infinite and various as her mother soul,That contemplation into matter brought,Body'd Ideas, and could form a thought.Why do I pause to couch the cataract,And the grosse pearls from our dull eyes abstract,That, pow'rful Lilly, now awaken'd weThis new creation may behold by thee?
To thy victorious pencil all, that eyesAnd minds call reach, do bow. The deitiesBold Poets first but feign'd, you do and make,And from your awe they our devotion take.Your beauteous pallet first defin'd Love's Queen,And made her in her heav'nly colours seen;You strung the bow of the Bandite her son,And tipp'd his arrowes with religion.Neptune as unknown as his fish might dwell,But that you seat him in his throne of shell.The thunderers artillery and brand,You fancied Rome in his fantastick hand;And the pale frights, the pains, and fears of hellFirst from your sullen melancholy fell.Who cleft th' infernal dog's loath'd head in three,And spun out Hydra's fifty necks? by theeAs prepossess'd w' enjoy th' Elizian plain,Which but before was flatter'd in our brain.Who ere yet view'd airs child invisible,A hollow voice, but in thy subtile skill?Faint stamm'ring Eccho you so draw, that weThe very repercussion do see.Cheat-HOCUS-POCUS-Nature an assayO' th' spring affords us: praesto, and away!You all the year do chain her and her fruits,Roots to their beds, and flowers to their roots.Have not mine eyes feasted i' th' frozen ZoneUpon a fresh new-grown collationOf apples, unknown sweets, that seem'd to meHanging to tempt as on the fatal tree,So delicately limn'd I vow'd to tryMy appetite impos'd upon my eye?You, sir, alone, fame, and all-conqu'ring rime,File the set teeth of all-devouring time.When beauty once thy vertuous paint hath on,Age needs not call her to vermilion;Her beams nere shed or change like th' hair of day,She scatters fresh her everlasting ray.Nay, from her ashes her fair virgin fireAscends, that doth new massacres conspire,Whilst we wipe off the num'rous score of years,And do behold our grandsires as our peers;With the first father of our house compareWe do the features of our new-born heir:For though each coppied a son, they allMeet in thy first and true original.Sacred! luxurious! what princesse notBut comes to you to have her self begot?As, when first man was kneaded, from his sideIs born to's hand a ready-made-up bride.He husband to his issue then doth play,And for more wives remove the obstructed way:So by your art you spring up in two noonsWhat could not else be form'd by fifteen suns;Thy skill doth an'mate the prolifick flood,And thy red oyl assimilates to blood.Where then, when all the world pays its respect,Lies our transalpine barbarous neglect?When the chast hands of pow'rful TitianHad drawn the scourges of our God and man,And now the top of th' altar did ascendTo crown the heav'nly piece with a bright end;Whilst he, who in seven languages gave law,And always, like the Sun, his subjects saw,Did, in his robes imperial and gold,The basis of the doubtful ladder hold.O Charls! a nobler monument than that,Which thou thine own executor wert at!When to our huffling Henry there complain'dA grieved earl, that thought his honor stain'd:Away (frown'd he), for your own safeties, hast!In one cheap hour ten coronets I'l cast;But Holbeen's noble and prodigious worthOnely the pangs of an whole age brings forth.Henry! a word so princely saving said,It might new raise the ruines thou hast made.O sacred Peincture! that dost fairly draw,What but in mists deep inward Poets saw;'Twixt thee and an Intelligence no odds,That art of privy council to the gods!By thee unto our eyes they do preferA stamp of their abstracted character;Thou, that in frames eternity dost bind,And art a written and a body'd mind;To thee is ope the Juncto o' th' abysse,And its conspiracy detected is;Whilest their cabal thou to our sense dost show,And in thy square paint'st what they threat below.Now, my best Lilly, let's walk hand in hand,And smile at this un-understanding land;Let them their own dull counterfeits adore,Their rainbow-cloaths admire, and no more.Within one shade of thine more substance is,Than all their varnish'd idol-mistresses:Whilst great Vasari and Vermander shallInterpret the deep mystery of all,And I unto our modern Picts shall show,What due renown to thy fair art they oweIn the delineated lives of those,By whom this everlasting lawrel grows.Then, if they will not gently apprehend,Let one great blot give to their fame an end;Whilst no poetick flower their herse doth dresse,But perish they and their effigies.
The day is curl'd about agenTo view the splendor she was in;When first with hallow'd handsThe holy man knit the mysterious bandsWhen you two your contracted souls did moveLike cherubims above,And did make love,As your un-understanding issue now,In a glad sigh, a smile, a tear, a vow.
Tell me, O self-reviving Sun,In thy perigrinationHast thou beheld a pairTwist their soft beams like these in their chast air?As from bright numberlesse imbracing rayesAre sprung th' industrious dayes,So when they gaze,And change their fertile eyes with the new morn,A beauteous offspring is shot forth, not born.
Be witness then, all-seeing Sun,Old spy, thou that thy race hast runIn full five thousand rings;To thee were ever purer offeringsSent on the wings of Faith? and thou, O Night,Curtain of their delight,By these made bright,Have you not mark'd their coelestial play,And no more peek'd the gayeties of day?
Come then, pale virgins, roses strow,Mingled with Ios as you go.The snowy ox is kill'd,The fane with pros'lyte lads and lasses fill'd,You too may hope the same seraphic joy,Old time cannot destroy,Nor fulnesse cloy;When, like these, you shall stamp by sympathiesThousands of new-born-loves with your chaste eyes.
Words in this poem 28
- admire v. t.
- To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
- grosse n.
- A heavy silk with a dull finish; as, gros de Naples; gros de Tours. [F. See Gross.]
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- pallet n.
- A small and mean bed; a bed of straw. [OE. paillet, F. paillet a heap of straw, fr. paille straw, fr. L. palea chaff; cf. Gr. pala straw, palava chaff. Cf. Paillasse.]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- artillery n.
- Munitions of war; implements for warfare, as slings, bows, and arrows. [OE. artilrie, OF. artillerie, arteillerie, fr. LL. artillaria, artilleria, machines and apparatus of all kinds used in war, vans laden with arms of any kind whi]
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- collation v. i.
- To partake of a collation.
- rime n.
- A rent or long aperture; a chink; a fissure; a crack. Sir T. [L. rima.]
- vertuous a.
- Virtuous; powerful.
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- princesse a.
- A term applied to a lady's long, close-fitting dress made with waist and skirt in one. [F., a princess.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- prodigious a.
- Of the nature of a prodigy; marvelous; wonderful; portentous. [L. prodigiosus, fr. prodigium a prodigy; cf. F. prodigieux. See Prodigy.]
- fairly adv.
- In a fairmanner; clearly; openly; plainly; fully; distinctly; frankly.
- odds n.
- Difference in favor of one and against another; excess of one of two things or numbers over the other; inequality; advantage; superiority; hence, excess of chances; probability. [See Odd, a.]
- cabal n.
- Tradition; occult doctrine. See Cabala Hakewill. [F. cabale cabal, cabala LL. cabala cabala, fr. Heb. qabbaleh reception, tradition, mysterious doctrine, fr. qabal to take or receive, in Piël qibbel to abopt (a]
- adore v. t.
- To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
- idol n.
- An image or representation of anything. [OE. idole, F. idole, L. idolum, fr. Gr. Wit, and cf. Eidolon.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- picts n.
- A race of people of uncertain origin, who inhabited Scotland in early times. [L. Picti; cf. AS. Peohtas.]
- herse n.
- A kind of gate or portcullis, having iron bars, like a harrow, studded with iron spikes. It is hung above gateways so that it may be quickly lowered, to impede the advance of an enemy. Farrow. [F. herse harrow, portcullis, OF. herce, LL. hercia, L. hirpex, gen. hirpicis, and irpex, gen. irpicis, harrow. The LL. hercia signifies also a kind of candlesti]
- industrious a.
- Given to industry; characterized by diligence; constantly, regularly, or habitually occupied; busy; assiduous; not slothful or idle; -- commonly implying devotion to lawful and useful labor. [L. industrius, industriosus: cf. F. industrieux. See Industry.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- snowy a.
- White like snow.
- fane n.
- A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
- seraphic a.
- Of or pertaining to a seraph; becoming, or suitable to, a seraph; angelic; sublime; pure; refined. [Cf. F. séraphique.]
- cloy v. t.
- To fill or choke up; to stop up; to clog. [OE. cloer to nail up, F. clouer, fr. OF. clo nail, F. clou, fr. L. clavus nail. Cf. 3d Clove.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Panegyrick to the Best Picture of Friendship, Mr. Pet. Lilly is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Richard Lovelace, A Panegyrick to the Best Picture of Friendship, Mr. Pet. Lilly, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/a-panegyrick-to-the-best-picture-of-friendship-mr-pet-lilly.html, id L13064.
Form and metre
A Panegyrick to the Best Picture of Friendship, Mr. Pet. Lilly is 152 lines in 6 verse paragraphs. It is in rhyming couplets, 74% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 83%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 9.5 syllables. 17 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB--CC--DD allA · ballA · admireB · fireB · scrowl · soul · broughtC · thoughtC · cataract · abstract · weD · theeD
- 2 AABBCCCCDDEEDDFFGGHHII--JJ--KKKKLLMMNNOOPPQQRR--SSTT--UUVVWWXXYYZZaabbcc----ddee--ff--gghhiijj--kkllmm-l eyesA · deitiesA · makeB · takeB · queenC · seenC · sonC · religionC · dwellD · shellD · brandE · handE · hellD · fellD · threeF · theeF · plainG · brainG · invisibleH · skillH · weI · seeI · assay · away · fruitsJ · rootsJ · zone · collation · meK · treeK · tryK · eyeK · rimeL · timeL · onM · vermilionM · dayN · rayN · fireO · conspireO · yearsP · peersP · compareQ · heirQ · allR · originalR · not · begot · sideS · brideS · playT · wayT · noons · suns · floodU · bloodU · respectV · neglectV · titianW · manW · ascendX · endX · lawY · sawY · goldZ · holdZ · thata · ata · complain'db · stain'db · hastc · castc · worth · forth · said · made · drawd · sawd · oddse · godse · prefer · character · bindf · mindf · abysse · is · showg · belowg · handh · landh · adorei · morei · isj · mistressesj · shall · all · showk · owek · thosel · growsl · apprehendm · endm · dresse · effigiesl
- 3 --AABBBCC agen · in · handsA · bandsA · moveB · aboveB · loveB · nowC · vowC
- 4 --AABBBCC sun · perigrination · pairA · airA · rayesB · dayesB · gazeB · mornC · bornC
- 5 AABBCCCDD sunA · runA · ringsB · offeringsB · nightC · delightC · brightC · playD · dayD
- 6 AABBCCCDD strowA · goA · kill'dB · fill'dB · joyC · destroyC · cloyC · sympathiesD · eyesD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| If Pliny, Lord High Treasurer of all | 10 | ·/˘··/˘˘·· |
| Natures exchequer shuffled in this our ball, | 11 | /˘/·˘/˘··/· |
| Peinture her richer rival did admire, | 10 | ···/˘/˘·˘/ |
| And cry'd she wrought with more almighty fire, | 11 | ······˘/˘/˘ |
| That judg'd the unnumber'd issue of her scrowl, | 11 | ······/˘··· |
| Infinite and various as her mother soul, | 10 | /˘·/˘··/˘· |
| That contemplation into matter brought, | 10 | ··˘/˘··/˘· |
| Body'd Ideas, and could form a thought. | 10 | ··˘/˘····· |
| Why do I pause to couch the cataract, | 10 | ·······/˘˘ |
| And the grosse pearls from our dull eyes abstract, | 10 | ·····/··˘/ |
| That, pow'rful Lilly, now awaken'd we | 10 | ···/˘·˘/˘· |
| This new creation may behold by thee? | 10 | ··˘/˘·˘/·· |
| To thy victorious pencil all, that eyes | 10 | ··˘/˘/˘··· |
| And minds call reach, do bow. The deities | 10 | ·······/˘˘ |
| Bold Poets first but feign'd, you do and make, | 10 | ·/˘······· |
| And from your awe they our devotion take. | 10 | ·····/˘/˘· |
| Your beauteous pallet first defin'd Love's Queen, | 11 | ·/˘˘/˘·˘/·· |
| And made her in her heav'nly colours seen; | 10 | ·······/˘· |
| You strung the bow of the Bandite her son, | 10 | ·········· |
| And tipp'd his arrowes with religion. | 9 | ···/˘·˘/˘ |
| Neptune as unknown as his fish might dwell, | 10 | /˘·˘/····· |
| But that you seat him in his throne of shell. | 10 | ·········· |
| The thunderers artillery and brand, | 10 | ····˘/˘˘·· |
| You fancied Rome in his fantastick hand; | 10 | ·/˘······· |
| And the pale frights, the pains, and fears of hell | 10 | ·········· |
| First from your sullen melancholy fell. | 10 | ···/˘/˘·˘· |
| Who cleft th' infernal dog's loath'd head in three, | 10 | ··˘/˘····· |
| And spun out Hydra's fifty necks? by thee | 10 | ···/˘/˘··· |
| As prepossess'd w' enjoy th' Elizian plain, | 12 | ····/˘˘/···· |
| Which but before was flatter'd in our brain. | 10 | ·····/˘·/· |
| Who ere yet view'd airs child invisible, | 10 | ······˘/˘˘ |
| A hollow voice, but in thy subtile skill? | 10 | ·/˘····/˘· |
| Faint stamm'ring Eccho you so draw, that we | 10 | ·········· |
| The very repercussion do see. | 9 | ·/˘·˘/˘·· |
| Cheat-HOCUS-POCUS-Nature an assay | 10 | ·/˘/˘/˘·/˘ |
| O' th' spring affords us: praesto, and away! | 10 | ··˘/····˘/ |
| You all the year do chain her and her fruits, | 10 | ·········· |
| Roots to their beds, and flowers to their roots. | 10 | ·····/˘··· |
| Have not mine eyes feasted i' th' frozen Zone | 10 | ····/˘·/˘· |
| Upon a fresh new-grown collation | 9 | ······˘/˘ |
| Of apples, unknown sweets, that seem'd to me | 10 | ·/˘˘/····· |
| Hanging to tempt as on the fatal tree, | 10 | /˘·····/˘· |
| So delicately limn'd I vow'd to try | 10 | ·/˘˘˘····· |
| My appetite impos'd upon my eye? | 10 | ·/˘·˘/···· |
| You, sir, alone, fame, and all-conqu'ring rime, | 11 | ··˘/······· |
| File the set teeth of all-devouring time. | 10 | ······˘/˘· |
| When beauty once thy vertuous paint hath on, | 11 | ·/˘··/˘˘··· |
| Age needs not call her to vermilion; | 9 | ······˘/˘ |
| Her beams nere shed or change like th' hair of day, | 10 | ·········· |
| She scatters fresh her everlasting ray. | 10 | ·/˘···˘/˘· |
| Nay, from her ashes her fair virgin fire | 11 | ···/˘··/˘/˘ |
| Ascends, that doth new massacres conspire, | 11 | ˘/···/˘˘˘/˘ |
| Whilst we wipe off the num'rous score of years, | 10 | ·········· |
| And do behold our grandsires as our peers; | 10 | ··˘//···/· |
| With the first father of our house compare | 10 | ···/˘·/·˘/ |
| We do the features of our new-born heir: | 10 | ···/˘·/··· |
| For though each coppied a son, they all | 8 | ········ |
| Meet in thy first and true original. | 10 | ······˘/˘˘ |
| Sacred! luxurious! what princesse not | 10 | /˘˘/˘˘·/˘· |
| But comes to you to have her self begot? | 10 | ········˘/ |
| As, when first man was kneaded, from his side | 10 | ·····/˘··· |
| Is born to's hand a ready-made-up bride. | 10 | ·····/˘··· |
| He husband to his issue then doth play, | 10 | ·/˘··/˘··· |
| And for more wives remove the obstructed way: | 11 | ····˘/·˘/˘· |
| So by your art you spring up in two noons | 10 | ·········· |
| What could not else be form'd by fifteen suns; | 10 | ·······˘/· |
| Thy skill doth an'mate the prolifick flood, | 10 | ·········· |
| And thy red oyl assimilates to blood. | 10 | ····˘/˘··· |
| Where then, when all the world pays its respect, | 10 | ········˘/ |
| Lies our transalpine barbarous neglect? | 10 | ·/˘/˘/˘˘˘/ |
| When the chast hands of pow'rful Titian | 9 | ·······/˘ |
| Had drawn the scourges of our God and man, | 10 | ···/˘·/··· |
| And now the top of th' altar did ascend | 10 | ·····/˘·˘/ |
| To crown the heav'nly piece with a bright end; | 10 | ·········· |
| Whilst he, who in seven languages gave law, | 10 | ····//˘˘·· |
| And always, like the Sun, his subjects saw, | 10 | ·/·····/˘· |
| Did, in his robes imperial and gold, | 10 | ····˘/˘˘·· |
| The basis of the doubtful ladder hold. | 10 | ·/˘··/˘/˘· |
| O Charls! a nobler monument than that, | 10 | ···/˘/˘˘·· |
| Which thou thine own executor wert at! | 10 | ····˘/˘˘·· |
| When to our huffling Henry there complain'd | 10 | ··/··/˘·˘/ |
| A grieved earl, that thought his honor stain'd: | 10 | ··˘····/˘· |
| Away (frown'd he), for your own safeties, hast! | 10 | ˘/·····/˘· |
| In one cheap hour ten coronets I'l cast; | 10 | ···/·/˘/·· |
| But Holbeen's noble and prodigious worth | 10 | ···/˘·˘/˘· |
| Onely the pangs of an whole age brings forth. | 10 | /˘········ |
| Henry! a word so princely saving said, | 10 | /˘···/˘/˘· |
| It might new raise the ruines thou hast made. | 10 | ·····/˘··· |
| O sacred Peincture! that dost fairly draw, | 10 | ·/˘····/˘· |
| What but in mists deep inward Poets saw; | 10 | ·····/˘/˘· |
| 'Twixt thee and an Intelligence no odds, | 10 | ····˘/˘˘·· |
| That art of privy council to the gods! | 10 | ···/˘/˘··· |
| By thee unto our eyes they do prefer | 10 | ····/···˘/ |
| A stamp of their abstracted character; | 10 | ····/·˘/˘˘ |
| Thou, that in frames eternity dost bind, | 10 | ····˘/˘˘·· |
| And art a written and a body'd mind; | 10 | ···/˘····· |
| To thee is ope the Juncto o' th' abysse, | 10 | ·········· |
| And its conspiracy detected is; | 10 | ··˘/˘˘˘/˘· |
| Whilest their cabal thou to our sense dost show, | 11 | /˘·˘/··/··· |
| And in thy square paint'st what they threat below. | 10 | ·········· |
| Now, my best Lilly, let's walk hand in hand, | 10 | ···/˘····· |
| And smile at this un-understanding land; | 10 | ······˘/˘· |
| Let them their own dull counterfeits adore, | 10 | ·····/˘·˘/ |
| Their rainbow-cloaths admire, and no more. | 9 | ·/··˘/··· |
| Within one shade of thine more substance is, | 10 | ·······/˘· |
| Than all their varnish'd idol-mistresses: | 10 | ···/˘/˘/˘˘ |
| Whilst great Vasari and Vermander shall | 10 | ·········· |
| Interpret the deep mystery of all, | 10 | ˘/˘··/˘˘·· |
| And I unto our modern Picts shall show, | 10 | ····//˘··· |
| What due renown to thy fair art they owe | 10 | ··˘/······ |
| In the delineated lives of those, | 10 | ··˘/˘·˘··· |
| By whom this everlasting lawrel grows. | 10 | ····˘/˘··· |
| Then, if they will not gently apprehend, | 10 | ·····/˘·˘/ |
| Let one great blot give to their fame an end; | 10 | ·········· |
| Whilst no poetick flower their herse doth dresse, | 10 | ····/˘···· |
| But perish they and their effigies. | 9 | ·/˘···/˘˘ |
| The day is curl'd about agen | 8 | ······˘/ |
| To view the splendor she was in; | 8 | ···/˘··· |
| When first with hallow'd hands | 6 | ···/˘· |
| The holy man knit the mysterious bands | 10 | ·/˘···˘/˘· |
| When you two your contracted souls did move | 10 | ····/˘˘··· |
| Like cherubims above, | 6 | ······ |
| And did make love, | 4 | ···· |
| As your un-understanding issue now, | 10 | ····˘/˘/˘· |
| In a glad sigh, a smile, a tear, a vow. | 10 | ·········· |
| Tell me, O self-reviving Sun, | 8 | ····˘/˘· |
| In thy perigrination | 7 | ······· |
| Hast thou beheld a pair | 6 | ··˘/·· |
| Twist their soft beams like these in their chast air? | 10 | ·········· |
| As from bright numberlesse imbracing rayes | 10 | ·········· |
| Are sprung th' industrious dayes, | 7 | ··˘/˘˘· |
| So when they gaze, | 4 | ···· |
| And change their fertile eyes with the new morn, | 10 | ···/˘····· |
| A beauteous offspring is shot forth, not born. | 11 | ·/˘˘/······ |
| Be witness then, all-seeing Sun, | 8 | ·/˘··/˘· |
| Old spy, thou that thy race hast run | 8 | ········ |
| In full five thousand rings; | 6 | ···/˘· |
| To thee were ever purer offerings | 10 | ···/˘/˘/˘˘ |
| Sent on the wings of Faith? and thou, O Night, | 10 | ·········· |
| Curtain of their delight, | 6 | /˘··˘/ |
| By these made bright, | 4 | ···· |
| Have you not mark'd their coelestial play, | 9 | ········· |
| And no more peek'd the gayeties of day? | 8 | ········ |
| Come then, pale virgins, roses strow, | 8 | ···/˘/˘· |
| Mingled with Ios as you go. | 9 | /˘˘·/˘··· |
| The snowy ox is kill'd, | 6 | ·/˘··· |
| The fane with pros'lyte lads and lasses fill'd, | 10 | ·······/˘· |
| You too may hope the same seraphic joy, | 10 | ·········· |
| Old time cannot destroy, | 6 | ··˘/˘/ |
| Nor fulnesse cloy; | 4 | ···· |
| When, like these, you shall stamp by sympathies | 10 | ·······/˘˘ |
| Thousands of new-born-loves with your chaste eyes. | 10 | /˘········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.