To My Dear Friend Mr. E[Ldred] R on His Poems Moral and Divine
Cleft as the top of the inspired hill,Struggles the soul of my divided quill,Whilst this foot doth the watry mount aspire,That Sinai's living and enlivening fire,Behold my powers storm'd by a twisted lightO' th' Sun and his, first kindled his sight,And my lost thoughts invoke the prince of day,My right to th' spring of it and him do pray.
Say, happy youth, crown'd with a heav'nly rayOf the first flame, and interwreathed bay,Inform my soul in labour to begin,Ios or Anthems, Poeans or a Hymne.Shall I a hecatombe on thy tripod slay,Or my devotions at thy altar pay?While which t' adore th' amaz'd world cannot tell,The sublime Urim or deep oracle.
Heark! how the moving chords temper our brain,As when Apollo serenades the main,Old Ocean smooths his sullen furrow'd front,And Nereids do glide soft measures on't;Whilst th' air puts on its sleekest, smoothest face,And each doth turn the others looking-glasse;So by the sinewy lyre now strook we seeInto soft calms all storm of poesie,And former thundering and lightning lines,And verse now in its native lustre shines.
How wert thou hid within thyself! how shut!Thy pretious Iliads lock'd up in a nut!Not hearing of thee thou dost break out strong,Invading forty thousand men in song;And we, secure in our thin empty heat,Now find ourselves at once surprised and beat,Whilst the most valiant of our wits now sue,Fling down their arms, ask quarter too of you.
So cabin'd up in its disguis'd coarse rust,And scurf'd all ore with its unseemly crust,The diamond, from 'midst the humbler stones,Sparkling shoots forth the price of nations.Ye safe unriddlers of the stars, pray tell,By what name shall I stamp my miracle?Thou strange inverted Aeson, that leap'st oreFrom thy first infancy into fourscore,That to thine own self hast the midwife play'd,And from thy brain spring'st forth the heav'nly maid!Thou staffe of him bore him, that bore our sins,Which, but set down, to bloom and bear begins!Thou rod of Aaron, with one motion hurl'd,Bud'st a perfume of flowers through the world!You strange calcined seeds within a glass,Each species Idaea spring'st as 'twas!Bright vestal flame that, kindled but ev'n now,For ever dost thy sacred fires throw!
Thus the repeated acts of Nestor's age,That now had three times ore out-liv'd the stage,And all those beams contracted into one,Alcides in his cradle hath outdone.
But all these flour'shing hiews, with which I dieThy virgin paper, now are vain as I:For 'bove the poets Heav'n th' art taught to shineAnd move, as in thy proper crystalline;Whence that mole-hill Parnassus thou dost view,And us small ants there dabbling in its dew;Whence thy seraphic soul such hymns doth play,As those to which first danced the first day,Where with a thorn from the world-ransoming wreathThou stung, dost antiphons and anthems breathe;Where with an Angels quil dip'd i' th' Lambs blood,Thou sing'st our Pelicans all-saving flood,And bath'st thy thoughts in ever-living streams,Rench'd from earth's tainted, fat and heavy steams.There move translated youth inroll'd i' th' quire,That only doth with wholy lays inspire;To whom his burning coach Eliah sent,And th' royal prophet-priest his harp hath lent;Which thou dost tune in consort unto thoseClap wings for ever at each hallow'd close:Whilst we, now weak and fainting in our praise,Sick echo ore thy Halleluiahs.
"When all the vertue we can here put onIs but refined imperfection,Corruption calcined--"
Words in this poem 17
- aspire v. t.
- To aspire to; to long for; to try to reach; to mount to.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- tripod n.
- Any utensil or vessel, as a stool, table, altar, caldron, etc., supported on three feet. [L. tripus, -odis, Gr. Tri-) + Foot, and cf. Tripos, Trivet.]
- adore v. t.
- To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
- urim n.
- A part or decoration of the breastplate of the high priest among the ancient Jews, by which Jehovah revealed his will on certain occasions. Its nature has been the subject of conflicting conjectures. [Heb. , pl. of , fire light.]
- oracle v. i.
- To utter oracles.
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- thundering a.
- Emitting thunder.
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- valiant a.
- Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
- humbler n.
- One who, or that which, humbles some one.
- fourscore a.
- Four times twenty; eighty. [Four + core, n.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- vestal a.
- Of or pertaining to Vesta, the virgin goddess of the hearth; hence, pure; chaste. [L. Vestalis belonging to Vesta, vestal. See Vesta.]
- parnassus n.
- A mountain in Greece, sacred to Apollo and the Muses, and famous for a temple of Apollo and for the Castalian spring. Grass of Parnassus. (Bot.) See under Grass, and Parnassia.
- seraphic a.
- Of or pertaining to a seraph; becoming, or suitable to, a seraph; angelic; sublime; pure; refined. [Cf. F. séraphique.]
- quire v. i.
- To sing in concert.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To My Dear Friend Mr. E[Ldred] R on His Poems Moral and Divine is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Richard Lovelace, To My Dear Friend Mr. E[Ldred] R on His Poems Moral and Divine, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/to-my-dear-friend-mr-e-ldred-r-on-his-poems-moral-and-divine.html, id L13066.
Form and metre
To My Dear Friend Mr. E[Ldred] R on His Poems Moral and Divine is 81 lines in 8 verse paragraphs. It is in rhyming couplets, 81% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 5 lines end on an unstressed syllable, a feminine ending. 11% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD hillA · quillA · aspireB · fireB · lightC · sightC · dayD · prayD
- 2 AA--AABB rayA · bayA · begin · hymne · slayA · payA · tellB · oracleB
- 3 AABB----CC brainA · mainA · frontB · on'tB · face · glasse · see · poesie · linesC · shinesC
- 4 AABBCCDD shutA · nutA · strongB · songB · heatC · beatC · sueD · youD
- 5 AABBCCDDEEFFGG---- rustA · crustA · stonesB · nationsB · tellC · miracleC · oreD · fourscoreD · play'dE · maidE · sinsF · beginsF · hurl'dG · worldG · glass · twas · now · throw
- 6 AABB ageA · stageA · oneB · outdoneB
- 7 AABBCCDD--EEFFGGHHII-- dieA · iA · shineB · crystallineB · viewC · dewC · playD · dayD · wreath · breathe · bloodE · floodE · streamsF · steamsF · quireG · inspireG · sentH · lentH · thoseI · closeI · praise · halleluiahs
- 8 AA- onA · imperfectionA · calcined
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Cleft as the top of the inspired hill, | 10 | ······˘/˘· |
| Struggles the soul of my divided quill, | 10 | /˘····˘/˘· |
| Whilst this foot doth the watry mount aspire, | 10 | ·····/˘·˘/ |
| That Sinai's living and enlivening fire, | 10 | ·/·/˘·˘/˘/ |
| Behold my powers storm'd by a twisted light | 10 | ˘/·/···/˘· |
| O' th' Sun and his, first kindled his sight, | 10 | ·····/˘˘·· |
| And my lost thoughts invoke the prince of day, | 10 | ····˘/···· |
| My right to th' spring of it and him do pray. | 10 | ·········· |
| Say, happy youth, crown'd with a heav'nly ray | 10 | ·/˘······· |
| Of the first flame, and interwreathed bay, | 10 | ········˘· |
| Inform my soul in labour to begin, | 10 | ˘/···/··˘/ |
| Ios or Anthems, Poeans or a Hymne. | 9 | /˘·/˘···· |
| Shall I a hecatombe on thy tripod slay, | 11 | ········/·· |
| Or my devotions at thy altar pay? | 10 | ··˘/˘··/˘· |
| While which t' adore th' amaz'd world cannot tell, | 11 | ···˘/˘/·/˘· |
| The sublime Urim or deep oracle. | 10 | ·˘//˘··/˘˘ |
| Heark! how the moving chords temper our brain, | 10 | ···/˘·/˘/· |
| As when Apollo serenades the main, | 10 | ··˘/˘·˘/·· |
| Old Ocean smooths his sullen furrow'd front, | 10 | ·/˘··/˘/˘· |
| And Nereids do glide soft measures on't; | 9 | ······/˘· |
| Whilst th' air puts on its sleekest, smoothest face, | 10 | ·····/˘/˘· |
| And each doth turn the others looking-glasse; | 10 | ·····/˘/˘· |
| So by the sinewy lyre now strook we see | 10 | ···/˘····· |
| Into soft calms all storm of poesie, | 9 | ········· |
| And former thundering and lightning lines, | 10 | ·/˘/˘˘·/˘· |
| And verse now in its native lustre shines. | 10 | ·····/˘/˘· |
| How wert thou hid within thyself! how shut! | 10 | ······˘/·· |
| Thy pretious Iliads lock'd up in a nut! | 10 | ···/˘····· |
| Not hearing of thee thou dost break out strong, | 10 | ·/˘······· |
| Invading forty thousand men in song; | 10 | ˘/˘/˘/˘··· |
| And we, secure in our thin empty heat, | 10 | ··˘/·/·/˘· |
| Now find ourselves at once surprised and beat, | 10 | ··˘/··˘/·· |
| Whilst the most valiant of our wits now sue, | 10 | ···/˘·/··· |
| Fling down their arms, ask quarter too of you. | 10 | ·····/˘··· |
| So cabin'd up in its disguis'd coarse rust, | 10 | ······˘/·· |
| And scurf'd all ore with its unseemly crust, | 10 | ······˘/˘· |
| The diamond, from 'midst the humbler stones, | 10 | ·/˘···/˘˘· |
| Sparkling shoots forth the price of nations. | 9 | /˘·····/˘ |
| Ye safe unriddlers of the stars, pray tell, | 10 | ·········· |
| By what name shall I stamp my miracle? | 10 | ·······/˘˘ |
| Thou strange inverted Aeson, that leap'st ore | 10 | ··˘/˘····· |
| From thy first infancy into fourscore, | 10 | ···/˘˘··/˘ |
| That to thine own self hast the midwife play'd, | 10 | ·······/·· |
| And from thy brain spring'st forth the heav'nly maid! | 10 | ·········· |
| Thou staffe of him bore him, that bore our sins, | 10 | ········/· |
| Which, but set down, to bloom and bear begins! | 10 | ········˘/ |
| Thou rod of Aaron, with one motion hurl'd, | 10 | ···/˘··/˘· |
| Bud'st a perfume of flowers through the world! | 10 | ··˘/·/˘··· |
| You strange calcined seeds within a glass, | 10 | ····˘····· |
| Each species Idaea spring'st as 'twas! | 8 | ·/˘····· |
| Bright vestal flame that, kindled but ev'n now, | 10 | ·/˘··/˘··· |
| For ever dost thy sacred fires throw! | 10 | ·/˘··/˘/˘· |
| Thus the repeated acts of Nestor's age, | 10 | ··˘/˘··/˘· |
| That now had three times ore out-liv'd the stage, | 10 | ·········· |
| And all those beams contracted into one, | 10 | ····/˘˘··· |
| Alcides in his cradle hath outdone. | 9 | /···/˘·// |
| But all these flour'shing hiews, with which I die | 10 | ·········· |
| Thy virgin paper, now are vain as I: | 10 | ·/˘/˘····· |
| For 'bove the poets Heav'n th' art taught to shine | 10 | ···/˘····· |
| And move, as in thy proper crystalline; | 10 | ·····/˘/˘· |
| Whence that mole-hill Parnassus thou dost view, | 10 | ·····/˘··· |
| And us small ants there dabbling in its dew; | 10 | ·····/˘··· |
| Whence thy seraphic soul such hymns doth play, | 10 | ·········· |
| As those to which first danced the first day, | 10 | ······˘··· |
| Where with a thorn from the world-ransoming wreath | 10 | ·······/˘· |
| Thou stung, dost antiphons and anthems breathe; | 10 | ···/˘··/˘· |
| Where with an Angels quil dip'd i' th' Lambs blood, | 10 | ···/˘····· |
| Thou sing'st our Pelicans all-saving flood, | 10 | ··//˘˘·/˘· |
| And bath'st thy thoughts in ever-living streams, | 10 | ·····/˘/˘· |
| Rench'd from earth's tainted, fat and heavy steams. | 10 | ···/˘··/˘· |
| There move translated youth inroll'd i' th' quire, | 10 | ··˘/˘····· |
| That only doth with wholy lays inspire; | 10 | ·/˘·····˘/ |
| To whom his burning coach Eliah sent, | 9 | ···/˘···· |
| And th' royal prophet-priest his harp hath lent; | 10 | ·/˘/˘····· |
| Which thou dost tune in consort unto those | 10 | ·····˘/··· |
| Clap wings for ever at each hallow'd close: | 10 | ···/˘··/˘· |
| Whilst we, now weak and fainting in our praise, | 10 | ·····/˘·/· |
| Sick echo ore thy Halleluiahs. | 8 | ·/˘····· |
| "When all the vertue we can here put on | 9 | ········· |
| Is but refined imperfection, | 9 | ··˘/˘·˘/˘ |
| Corruption calcined--" | 5 | ˘/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.