Sunrise on the Hills
I stood upon the hills, when heaven's wide archWas glorious with the sun's returning march,And woods were brightened, and soft galesWent forth to kiss the sun-clad vales.The clouds were far beneath me; bathed in light,They gathered mid-way round the wooded height,And, in their fading glory, shoneLike hosts in battle overthrown.As many a pinnacle, with shifting glance.Through the gray mist thrust up its shattered lance,And rocking on the cliff was leftThe dark pine blasted, bare, and cleft.The veil of cloud was lifted, and belowGlowed the rich valley, and the river's flowWas darkened by the forest's shade,Or glistened in the white cascade;Where upward, in the mellow blush of day,The noisy bittern wheeled his spiral way.
I heard the distant waters dash,I saw the current whirl and flash,And richly, by the blue lake's silver beach,The woods were bending with a silent reach.Then o'er the vale, with gentle swell,The music of the village bellCame sweetly to the echo-giving hills;And the wild horn, whose voice the woodland fills,Was ringing to the merry shout,That faint and far the glen sent out,Where, answering to the sudden shot, thin smoke,Through thick-leaved branches, from the dingle broke.
If thou art worn and hard besetWith sorrows, that thou wouldst forget,If thou wouldst read a lesson, that will keepThy heart from fainting and thy soul from sleep,Go to the woods and hills! No tearsDim the sweet look that Nature wears.
Words in this poem
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- went n.
- Course; way; path; journey; direction.
- clad v.
- To clothe. Holland.
- fading n.
- An Irish dance; also, the burden of a song.
- pinnacle n.
- An architectural member, upright, and generally ending in a small spire, -- used to finish a buttress, to constitute a part in a proportion, as where pinnacles flank a gable or spire, and the like. [OE. pinacle, F. pinacle, L. pinnaculum, fr. pinna pinnacle, feather. See Pin a peg.]
- blasted a.
- Blighted; withered.
- cascade n.
- A fall of water over a precipice, as in a river or brook; a waterfall less than a cataract. [F. cascade, fr. It. cascata, fr. cascare to ball.]
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- dingle n.
- A narrow dale; a small dell; a small, secluded, and embowered valley. [Of uncertain origin: cf. AS. ding prison; or perh. akin to dimble.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Sunrise on the Hills is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Sunrise on the Hills, in A Psalm of Life, and Other Poems (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/sunrise-on-the-hills.html, id L17491.
Form and metre
Sunrise on the Hills is 36 lines in 3 verse paragraphs. It is in rhyming couplets: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 28% of the lines run on without a stop at the line end.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHII archA · marchA · galesB · valesB · lightC · heightC · shoneD · overthrownD · glanceE · lanceE · leftF · cleftF · belowG · flowG · shadeH · cascadeH · dayI · wayI
- 2 AABBCCDDEEFF dashA · flashA · beachB · reachB · swellC · bellC · hillsD · fillsD · shoutE · outE · smokeF · brokeF
- 3 AABBCC besetA · forgetA · keepB · sleepB · tearsC · wearsC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I stood upon the hills, when heaven's wide arch | 11 | ·······/˘·· |
| Was glorious with the sun's returning march, | 10 | ·/˘···˘/˘· |
| And woods were brightened, and soft gales | 8 | ···/˘··· |
| Went forth to kiss the sun-clad vales. | 8 | ········ |
| The clouds were far beneath me; bathed in light, | 10 | ·········· |
| They gathered mid-way round the wooded height, | 10 | ·/˘····/˘· |
| And, in their fading glory, shone | 8 | ···/˘/˘· |
| Like hosts in battle overthrown. | 8 | ···/˘·˘/ |
| As many a pinnacle, with shifting glance. | 9 | ·/·/˘·/˘· |
| Through the gray mist thrust up its shattered lance, | 10 | ·······/˘· |
| And rocking on the cliff was left | 8 | ·/˘····· |
| The dark pine blasted, bare, and cleft. | 8 | ···/˘··· |
| The veil of cloud was lifted, and below | 10 | ·····/˘··· |
| Glowed the rich valley, and the river's flow | 10 | ···/˘··/˘· |
| Was darkened by the forest's shade, | 8 | ·/˘··/˘· |
| Or glistened in the white cascade; | 8 | ·/˘···˘/ |
| Where upward, in the mellow blush of day, | 10 | ·/˘··/˘··· |
| The noisy bittern wheeled his spiral way. | 10 | ·/˘/˘··/˘· |
| I heard the distant waters dash, | 8 | ···/˘/˘· |
| I saw the current whirl and flash, | 8 | ···/˘··· |
| And richly, by the blue lake's silver beach, | 10 | ·/˘····/˘· |
| The woods were bending with a silent reach. | 10 | ···/˘··/˘· |
| Then o'er the vale, with gentle swell, | 8 | ·····/˘· |
| The music of the village bell | 8 | ·/˘··/˘· |
| Came sweetly to the echo-giving hills; | 10 | ·/˘··/˘/˘· |
| And the wild horn, whose voice the woodland fills, | 10 | ·······/·· |
| Was ringing to the merry shout, | 8 | ·/˘··/˘· |
| That faint and far the glen sent out, | 8 | ········ |
| Where, answering to the sudden shot, thin smoke, | 10 | ·/˘··/˘··· |
| Through thick-leaved branches, from the dingle broke. | 10 | ···/˘··/˘· |
| If thou art worn and hard beset | 8 | ······˘/ |
| With sorrows, that thou wouldst forget, | 8 | ·/˘···˘/ |
| If thou wouldst read a lesson, that will keep | 10 | ·····/˘··· |
| Thy heart from fainting and thy soul from sleep, | 10 | ···/˘····· |
| Go to the woods and hills! No tears | 8 | ········ |
| Dim the sweet look that Nature wears. | 8 | ·····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.