Resignation

Henry Wadsworth Longfellow (1807–1882) · 1839–1882

iambic tetrameter · ABAB · 52 lines · from The Complete Poetical Works

There is no flock, however watched and tended,But one dead lamb is there!There is no fireside, howsoe'er defended,But has one vacant chair!

The air is full of farewells to the dying,And mournings for the dead;The heart of Rachel, for her children crying,Will not be comforted!

Let us be patient! These severe afflictionsNot from the ground arise,But oftentimes celestial benedictionsAssume this dark disguise.

We see but dimly through the mists and vapors;Amid these earthly dampsWhat seem to us but sad, funereal tapersMay be heaven's distant lamps.

There is no Death! What seems so is transition;This life of mortal breathIs but a suburb of the life elysian,Whose portal we call Death.

She is not dead,--the child of our affection,--But gone unto that schoolWhere she no longer needs our poor protection,And Christ himself doth rule.

In that great cloister's stillness and seclusion,By guardian angels led,Safe from temptation, safe from sin's pollution,She lives, whom we call dead.

Day after day we think what she is doingIn those bright realms of air;Year after year, her tender steps pursuing,Behold her grown more fair.

Thus do we walk with her, and keep unbrokenThe bond which nature gives,Thinking that our remembrance, though unspoken,May reach her where she lives.

Not as a child shall we again behold her;For when with raptures wildIn our embraces we again enfold her,She will not be a child;

But a fair maiden, in her Father's mansion,Clothed with celestial grace;And beautiful with all the soul's expansionShall we behold her face.

And though at times impetuous with emotionAnd anguish long suppressed,The swelling heart heaves moaning like the ocean,That cannot be at rest,--

We will be patient, and assuage the feelingWe may not wholly stay;By silence sanctifying, not concealing,The grief that must have way.

Words in this poem

fireside n.
A place near the fire or hearth; home; domestic life or retirement.
oftentimes adv.
Frequently; often; many times. [Often + time. Cf. -wards.]
dimly adv.
In a dim or obscure manner; not brightly or clearly; with imperfect sight.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
elysian a.
Pertaining, or the abode of the blessed after death; hence, yielding the highest pleasures; exceedingly delightful; beatific. [L. Elysius, fr. Elysium.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
stillness n.
The quality or state of being still; quietness; silence; calmness; inactivity.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
enfold v. t.
To infold. See Infold.
mansion n.
A dwelling place, -- whether a part or whole of a house or other shelter. [OF. mansion, F. maison, fr. L. mansio a staying, remaining, a dwelling, habitation, fr. manere, mansum, to stay, dwell; akin to Gr. Manse, Manor, Menagerie, Men]
heaves n.
A disease of horses, characterized by difficult breathing, with heaving of the flank, wheezing, flatulency, and a peculiar cough; broken wind.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Resignation is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, Resignation, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/resignation.html, id L17566.

Form and metre

Resignation is 52 lines in 13 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 11 of its 13 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.6 syllables. 25 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB tendedA · thereB · defendedA · chairB
  2. 2 ABAB dyingA · deadB · cryingA · comfortedB
  3. 3 ABAB afflictionsA · ariseB · benedictionsA · disguiseB
  4. 4 ABAB vaporsA · dampsB · tapersA · lampsB
  5. 5 -A-A transition · breathA · elysian · deathA
  6. 6 ABAB affectionA · schoolB · protectionA · ruleB
  7. 7 -A-A seclusion · ledA · pollution · deadA
  8. 8 ABAB doingA · airB · pursuingA · fairB
  9. 9 ABAB unbrokenA · givesB · unspokenA · livesB
  10. 10 ABAB herA · wildB · herA · childB
  11. 11 ABAB mansionA · graceB · expansionA · faceB
  12. 12 ABAB emotionA · suppressedB · oceanA · restB
  13. 13 ABAB feelingA · stayB · concealingA · wayB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
There is no flock, however watched and tended,11·····/˘··/˘
But one dead lamb is there!6······
There is no fireside, howsoe'er defended,11···/˘···˘/˘
But has one vacant chair!6···/˘·
The air is full of farewells to the dying,11······/··/˘
And mournings for the dead;6·/˘···
The heart of Rachel, for her children crying,11···/˘··/˘/˘
Will not be comforted!6···/˘˘
Let us be patient! These severe afflictions11···/˘·˘/˘/˘
Not from the ground arise,6····˘/
But oftentimes celestial benedictions11·/˘·˘/˘·˘/˘
Assume this dark disguise.6˘/··˘/
We see but dimly through the mists and vapors;11···/˘····/˘
Amid these earthly damps6˘/·/˘·
What seem to us but sad, funereal tapers12······˘/˘˘/˘
May be heaven's distant lamps.7··/˘/˘·
There is no Death! What seems so is transition;11········˘/˘
This life of mortal breath6···/˘·
Is but a suburb of the life elysian,11···/˘···˘/˘
Whose portal we call Death.6·/˘···
She is not dead,--the child of our affection,--11·······/˘/˘
But gone unto that school6······
Where she no longer needs our poor protection,11···/˘·/·˘/˘
And Christ himself doth rule.6··˘/··
In that great cloister's stillness and seclusion,11···/˘/˘·˘/˘
By guardian angels led,7·/˘˘/˘·
Safe from temptation, safe from sin's pollution,11··˘/˘···˘/˘
She lives, whom we call dead.6······
Day after day we think what she is doing11·········/˘
In those bright realms of air;6······
Year after year, her tender steps pursuing,11·····/˘·˘/˘
Behold her grown more fair.6˘/····
Thus do we walk with her, and keep unbroken11········˘/˘
The bond which nature gives,6···/˘·
Thinking that our remembrance, though unspoken,11/˘·/˘/˘·˘/˘
May reach her where she lives.6······
Not as a child shall we again behold her;11······˘/˘/·
For when with raptures wild6···/˘·
In our embraces we again enfold her,11·/˘/˘·˘/˘/·
She will not be a child;6······
But a fair maiden, in her Father's mansion,11···/˘··/˘/˘
Clothed with celestial grace;6··˘/˘·
And beautiful with all the soul's expansion11·/˘˘····˘/˘
Shall we behold her face.6··˘/··
And though at times impetuous with emotion11····˘/˘·˘/˘
And anguish long suppressed,6·/˘·˘/
The swelling heart heaves moaning like the ocean,11·/˘··/˘··/˘
That cannot be at rest,--6·/˘···
We will be patient, and assuage the feeling11···/˘·˘/·/˘
We may not wholly stay;6···/˘·
By silence sanctifying, not concealing,11·/˘/˘˘˘·˘/˘
The grief that must have way.6······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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