Devereux Farm, Near Marblehead
We sat within the farm-house old,Whose windows, looking o'er the bay,Gave to the sea-breeze, damp and cold,An easy entrance, night and day.
Not far away we saw the port,The strange, old-fashioned, silent town,The lighthouse, the dismantled fort,The wooden houses, quaint and brown.
We sat and talked until the night,Descending, filled the little room;Our faces faded from the sight,Our voices only broke the gloom.
We spake of many a vanished scene,Of what we once had thought and said,Of what had been, and might have been,And who was changed, and who was dead;
And all that fills the hearts of friends,When first they feel, with secret pain,Their lives thenceforth have separate ends,And never can be one again;
The first slight swerving of the heart,That words are powerless to express,And leave it still unsaid in part,Or say it in too great excess.
The very tones in which we spakeHad something strange, I could but mark;The leaves of memory seemed to makeA mournful rustling in the dark.
Oft died the words upon our lips,As suddenly, from out the fireBuilt of the wreck of stranded ships,The flames would leap and then expire.
And, as their splendor flashed and failed,We thought of wrecks upon the main,Of ships dismasted, that were hailedAnd sent no answer back again.
The windows, rattling in their frames,The ocean, roaring up the beach,The gusty blast, the bickering flames,All mingled vaguely in our speech.
Until they made themselves a partOf fancies floating through the brain,The long-lost ventures of the heart,That send no answers back again.
O flames that glowed! O hearts that yearned!They were indeed too much akin,The drift-wood fire without that burned,The thoughts that burned and glowed within.
Words in this poem
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- thenceforth adv.
- From that time; thereafter.
- gusty a.
- Subject to, or characterized by, gusts or squalls; windy; stormy; tempestuous.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Devereux Farm, Near Marblehead is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Devereux Farm, Near Marblehead, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/devereux-farm-near-marblehead.html, id L17565.
Form and metre
Devereux Farm, Near Marblehead is 48 lines in 12 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 11 of its 12 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 93%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 8.6 syllables. 5 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB oldA · bayB · coldA · dayB
- 2 ABAB portA · townB · fortA · brownB
- 3 ABAB nightA · roomB · sightA · gloomB
- 4 -A-A scene · saidA · been · deadA
- 5 ABAB friendsA · painB · endsA · againB
- 6 ABAB heartA · expressB · partA · excessB
- 7 ABAB spakeA · markB · makeA · darkB
- 8 ABAB lipsA · fireB · shipsA · expireB
- 9 ABAB failedA · mainB · hailedA · againB
- 10 ABAB framesA · beachB · flamesA · speechB
- 11 ABAB partA · brainB · heartA · againB
- 12 ABAB yearnedA · akinB · burnedA · withinB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| We sat within the farm-house old, | 8 | ········ |
| Whose windows, looking o'er the bay, | 8 | ·/˘/˘··· |
| Gave to the sea-breeze, damp and cold, | 8 | ········ |
| An easy entrance, night and day. | 8 | ·/˘/˘··· |
| Not far away we saw the port, | 8 | ··˘/···· |
| The strange, old-fashioned, silent town, | 9 | ···/˘˘/˘· |
| The lighthouse, the dismantled fort, | 9 | ·/··˘/˘˘· |
| The wooden houses, quaint and brown. | 8 | ·/˘/˘··· |
| We sat and talked until the night, | 9 | ····˘···· |
| Descending, filled the little room; | 9 | ˘/˘·˘·/˘· |
| Our faces faded from the sight, | 9 | /˘/˘/˘··· |
| Our voices only broke the gloom. | 9 | /˘/˘/˘··· |
| We spake of many a vanished scene, | 10 | ···/˘·/˘˘· |
| Of what we once had thought and said, | 8 | ········ |
| Of what had been, and might have been, | 8 | ········ |
| And who was changed, and who was dead; | 9 | ····˘···· |
| And all that fills the hearts of friends, | 8 | ········ |
| When first they feel, with secret pain, | 8 | ·····/˘· |
| Their lives thenceforth have separate ends, | 9 | ···/·/˘·· |
| And never can be one again; | 8 | ·/˘···˘/ |
| The first slight swerving of the heart, | 8 | ···/˘··· |
| That words are powerless to express, | 9 | ···/˘˘·˘/ |
| And leave it still unsaid in part, | 8 | ····˘/·· |
| Or say it in too great excess. | 8 | ······/· |
| The very tones in which we spake | 8 | ·/˘····· |
| Had something strange, I could but mark; | 8 | ·/˘····· |
| The leaves of memory seemed to make | 10 | ···/˘˘·˘·· |
| A mournful rustling in the dark. | 8 | ·/˘/˘··· |
| Oft died the words upon our lips, | 9 | ······/˘· |
| As suddenly, from out the fire | 9 | ·/˘˘···/˘ |
| Built of the wreck of stranded ships, | 8 | ·····/˘· |
| The flames would leap and then expire. | 8 | ······˘/ |
| And, as their splendor flashed and failed, | 10 | ···/˘·˘··˘ |
| We thought of wrecks upon the main, | 8 | ········ |
| Of ships dismasted, that were hailed | 9 | ········˘ |
| And sent no answer back again. | 8 | ···/˘·˘/ |
| The windows, rattling in their frames, | 8 | ·/˘/˘··· |
| The ocean, roaring up the beach, | 8 | ·/˘/˘··· |
| The gusty blast, the bickering flames, | 9 | ·/˘··/˘˘· |
| All mingled vaguely in our speech. | 10 | ·/˘˘/˘·/˘· |
| Until they made themselves a part | 8 | ····˘/·· |
| Of fancies floating through the brain, | 8 | ·/˘/˘··· |
| The long-lost ventures of the heart, | 8 | ···/˘··· |
| That send no answers back again. | 8 | ···/˘·˘/ |
| O flames that glowed! O hearts that yearned! | 10 | ····˘····˘ |
| They were indeed too much akin, | 8 | ··˘/··˘/ |
| The drift-wood fire without that burned, | 10 | ···/˘····˘ |
| The thoughts that burned and glowed within. | 10 | ····˘··˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.