The Terrestrial Paradise

Henry Wadsworth Longfellow (1807–1882) · 1839–1882

iambic pentameter · unrhymed · 33 lines · from A Psalm of Life, and Other Poems

Longing already to search in and roundThe heavenly forest, dense and living-green,Which tempered to the eyes the newborn day,Withouten more delay I left the bank,Crossing the level country slowly, slowly,Over the soil, that everywhere breathed fragrance.A gently-breathing air, that no mutationHad in itself, smote me upon the forehead,No heavier blow, than of a pleasant breeze,Whereat the tremulous branches readilyDid all of them bow downward towards that sideWhere its first shadow casts the Holy Mountain;Yet not from their upright direction bentSo that the little birds upon their topsShould cease the practice of their tuneful art;But with full-throated joy, the hours of primeSinging received they in the midst of foliageThat made monotonous burden to their rhymes,Even as from branch to branch it gathering swells,Through the pine forests on the shore of Chiassi,When Aeolus unlooses the Sirocco.Already my slow steps had led me onInto the ancient wood so far, that ICould see no more the place where I had entered.And lo! my further course cut off a river,Which, tow'rds the left hand, with its little waves,Bent down the grass, that on its margin sprang.All waters that on earth most limpid are,Would seem to have within themselves some mixture,Compared with that, which nothing doth conceal,Although it moves on with a brown, brown current,Under the shade perpetual, that neverRay of the sun lets in, nor of the moon.

Words in this poem

whereat adv.
At which; upon which; whereupon; -- used relatively.
tuneful a.
Harmonious; melodious; musical; as, tuneful notes.
sirocco n.
An oppressive, relaxing wind from the Libyan deserts, chiefly experienced in Italy, Malta, and Sicily. [It. sirocco, scirocco, Ar. shorug, fr. sharq the rising of the sun, the east, fr, sharaca to rise as the sun. Cf. Saracen.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Terrestrial Paradise is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, The Terrestrial Paradise, in A Psalm of Life, and Other Poems (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/purgatorio-xxviii-1-33.html, id L18089.

Form and metre

The Terrestrial Paradise is 33 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.4 syllables. 13 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -------A--A---------------------- round · green · day · bank · slowly · fragrance · mutation · foreheadA · breeze · readily · sideA · mountain · bent · tops · art · prime · foliage · rhymes · swells · chiassi · sirocco · on · i · entered · river · waves · sprang · are · mixture · conceal · current · never · moon
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Longing already to search in and round10/˘˘/˘·····
The heavenly forest, dense and living-green,11·/˘˘/˘··/˘·
Which tempered to the eyes the newborn day,11·/˘˘····/˘·
Withouten more delay I left the bank,10˘/˘·˘/····
Crossing the level country slowly, slowly,11/˘·/˘/˘/˘/˘
Over the soil, that everywhere breathed fragrance.11·····/˘··/˘
A gently-breathing air, that no mutation11·/˘/˘···˘/˘
Had in itself, smote me upon the forehead,11··˘/·····/˘
No heavier blow, than of a pleasant breeze,11·/˘˘····/˘·
Whereat the tremulous branches readily11˘/·/˘˘/˘/˘˘
Did all of them bow downward towards that side11·····/˘····
Where its first shadow casts the Holy Mountain;11···/···/˘/˘
Yet not from their upright direction bent10····˘/˘/˘·
So that the little birds upon their tops10···/˘·····
Should cease the practice of their tuneful art;10···/˘··/˘·
But with full-throated joy, the hours of prime11···/˘··/˘··
Singing received they in the midst of foliage11/˘˘/·····/˘
That made monotonous burden to their rhymes,11··˘/˘˘/˘···
Even as from branch to branch it gathering swells,11/······/˘˘·
Through the pine forests on the shore of Chiassi,11···/˘······
When Aeolus unlooses the Sirocco.10·······˘/˘
Already my slow steps had led me on10˘/˘·······
Into the ancient wood so far, that I10···/˘·····
Could see no more the place where I had entered.11·········/˘
And lo! my further course cut off a river,11···/˘····/˘
Which, tow'rds the left hand, with its little waves,10·······/˘·
Bent down the grass, that on its margin sprang.10·······/˘·
All waters that on earth most limpid are,10·/˘····/˘·
Would seem to have within themselves some mixture,11······˘/·/˘
Compared with that, which nothing doth conceal,11˘/˘···/˘·˘/
Although it moves on with a brown, brown current,11·········/˘
Under the shade perpetual, that never11····˘/˘˘·/˘
Ray of the sun lets in, nor of the moon.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Henry Wadsworth Longfellow