Oliver Basselin
In the Valley of the VireStill is seen an ancient mill,With its gables quaint and queer,And beneath the window-sill,On the stone,These words alone:"Oliver Basselin lived here."
Far above it, on the steep,Ruined stands the old Chateau;Nothing but the donjon-keepLeft for shelter or for show.Its vacant eyesStare at the skies,Stare at the valley green and deep.
Once a convent, old and brown,Looked, but ah! it looks no more,From the neighboring hillside downOn the rushing and the roarOf the streamWhose sunny gleamCheers the little Norman town.
In that darksome mill of stone,To the water's dash and din,Careless, humble, and unknown,Sang the poet BasselinSongs that fillThat ancient millWith a splendor of its own.
Never feeling of unrestBroke the pleasant dream he dreamed;Only made to be his nest,All the lovely valley seemed;No desireOf soaring higherStirred or fluttered in his breast.
True, his songs were not divine;Were not songs of that high art,Which, as winds do in the pine,Find an answer in each heart;But the mirthOf this green earthLaughed and revelled in his line.
From the alehouse and the inn,Opening on the narrow street,Came the loud, convivial din,Singing and applause of feet,The laughing laysThat in those daysSang the poet Basselin.
In the castle, cased in steel,Knights, who fought at Agincourt,Watched and waited, spur on heel;But the poet sang for sportSongs that rangAnother clang,Songs that lowlier hearts could feel.
In the convent, clad in gray,Sat the monks in lonely cells,Paced the cloisters, knelt to pray,And the poet heard their bells;But his rhymesFound other chimes,Nearer to the earth than they.
Gone are all the barons bold,Gone are all the knights and squires,Gone the abbot stern and cold,And the brotherhood of friars;Not a nameRemains to fame,From those mouldering days of old!
But the poet's memory hereOf the landscape makes a part;Like the river, swift and clear,Flows his song through many a heart;Haunting stillThat ancient mill,In the Valley of the Vire.
Words in this poem
- vire n.
- An arrow, having a rotary motion, formerly used with the crossbow. Cf. Vireton. Gower. [OF. vire, fr. virer to turn. Cf. Veer, Vireton.]
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- oliver n.
- Etym: [OF. oliviere.]
- chateau n.
- A castle or a fortress in France. [F. château a castle. See Castle.]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- darksome a.
- Dark; gloomy; obscure; shaded; cheerless.
- unrest n.
- Want of rest or repose; unquietness; sleeplessness; uneasiness; disquietude.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- clang v. t.
- To strike together so as to produce a ringing metallic sound. [L. clangere; akin to Gr. clank.]
- clad v.
- To clothe. Holland.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Oliver Basselin is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Oliver Basselin, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/oliver-basselin.html, id L17625.
Form and metre
Oliver Basselin is 77 lines in 11 stanzas of 7 lines each. The rhyme scheme is ABABCCA, complete in 7 of its 11 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 86%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 6.2 syllables. 4 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -ABACCB vire · millA · queerB · sillA · stoneC · aloneC · hereB
- 2 ABABCCA steepA · chateauB · keepA · showB · eyesC · skiesC · deepA
- 3 ABABCCA brownA · moreB · downA · roarB · streamC · gleamC · townA
- 4 A-A-BBA stoneA · din · unknownA · basselin · fillB · millB · ownA
- 5 ABABCCA unrestA · dreamedB · nestA · seemedB · desireC · higherC · breastA
- 6 ABABCCA divineA · artB · pineA · heartB · mirthC · earthC · lineA
- 7 ABABCC- innA · streetB · dinA · feetB · laysC · daysC · basselin
- 8 ABABCCA steelA · agincourtB · heelA · sportB · rangC · clangC · feelA
- 9 ABABCCA grayA · cellsB · prayA · bellsB · rhymesC · chimesC · theyA
- 10 ABABCCA boldA · squiresB · coldA · friarsB · nameC · fameC · oldA
- 11 ABABCC- hereA · partB · clearA · heartB · stillC · millC · vire
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In the Valley of the Vire | 7 | ··/˘··· |
| Still is seen an ancient mill, | 7 | ····/˘· |
| With its gables quaint and queer, | 7 | ··/˘··· |
| And beneath the window-sill, | 7 | ····/˘· |
| On the stone, | 3 | ··· |
| These words alone: | 4 | ··˘/ |
| "Oliver Basselin lived here." | 8 | /˘˘····· |
| Far above it, on the steep, | 7 | ······· |
| Ruined stands the old Chateau; | 8 | /˘˘···˘/ |
| Nothing but the donjon-keep | 7 | /˘··/˘· |
| Left for shelter or for show. | 7 | ··/˘··· |
| Its vacant eyes | 4 | ·/˘· |
| Stare at the skies, | 4 | ···· |
| Stare at the valley green and deep. | 8 | ···/˘··· |
| Once a convent, old and brown, | 7 | ··/˘··· |
| Looked, but ah! it looks no more, | 8 | ·˘······ |
| From the neighboring hillside down | 8 | ··/˘˘/·· |
| On the rushing and the roar | 7 | ··/˘··· |
| Of the stream | 3 | ··· |
| Whose sunny gleam | 4 | ·/˘· |
| Cheers the little Norman town. | 7 | ··/˘/˘· |
| In that darksome mill of stone, | 7 | ··/˘··· |
| To the water's dash and din, | 7 | ··/˘··· |
| Careless, humble, and unknown, | 7 | /˘/˘·˘/ |
| Sang the poet Basselin | 7 | ··/˘··· |
| Songs that fill | 3 | ··· |
| That ancient mill | 4 | ·/˘· |
| With a splendor of its own. | 7 | ··/˘··· |
| Never feeling of unrest | 7 | /˘/˘·˘/ |
| Broke the pleasant dream he dreamed; | 8 | ··/˘···˘ |
| Only made to be his nest, | 7 | /˘····· |
| All the lovely valley seemed; | 8 | ··/˘/˘·˘ |
| No desire | 4 | ·˘/˘ |
| Of soaring higher | 5 | ·/˘/˘ |
| Stirred or fluttered in his breast. | 8 | ·˘·/˘··· |
| True, his songs were not divine; | 7 | ·····˘/ |
| Were not songs of that high art, | 7 | ······· |
| Which, as winds do in the pine, | 7 | ······· |
| Find an answer in each heart; | 7 | ··/˘··· |
| But the mirth | 3 | ··· |
| Of this green earth | 4 | ···· |
| Laughed and revelled in his line. | 8 | ·˘·˘/··· |
| From the alehouse and the inn, | 7 | ··/···· |
| Opening on the narrow street, | 8 | /˘˘··/˘· |
| Came the loud, convivial din, | 8 | ···˘/˘˘· |
| Singing and applause of feet, | 7 | /˘·˘/·· |
| The laughing lays | 4 | ·/˘· |
| That in those days | 4 | ···· |
| Sang the poet Basselin. | 7 | ··/˘··· |
| In the castle, cased in steel, | 8 | ··/˘·˘·· |
| Knights, who fought at Agincourt, | 7 | ····/˘· |
| Watched and waited, spur on heel; | 8 | ·˘·/˘··· |
| But the poet sang for sport | 7 | ··/˘··· |
| Songs that rang | 3 | ··· |
| Another clang, | 4 | ˘/˘· |
| Songs that lowlier hearts could feel. | 7 | ······· |
| In the convent, clad in gray, | 7 | ··/˘··· |
| Sat the monks in lonely cells, | 7 | ····/˘· |
| Paced the cloisters, knelt to pray, | 8 | ·˘·/˘··· |
| And the poet heard their bells; | 7 | ··/˘··· |
| But his rhymes | 3 | ··· |
| Found other chimes, | 4 | ·/˘· |
| Nearer to the earth than they. | 7 | /˘····· |
| Gone are all the barons bold, | 7 | ····/˘· |
| Gone are all the knights and squires, | 8 | ······/˘ |
| Gone the abbot stern and cold, | 7 | ··/˘··· |
| And the brotherhood of friars; | 8 | ··/˘··/˘ |
| Not a name | 3 | ··· |
| Remains to fame, | 4 | ˘/·· |
| From those mouldering days of old! | 8 | ··/˘˘··· |
| But the poet's memory here | 8 | ··/˘/˘˘· |
| Of the landscape makes a part; | 7 | ··/···· |
| Like the river, swift and clear, | 7 | ··/˘··· |
| Flows his song through many a heart; | 8 | ····/˘·· |
| Haunting still | 3 | /˘· |
| That ancient mill, | 4 | ·/˘· |
| In the Valley of the Vire. | 7 | ··/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.