Interlude
Thus ran the Student's pleasant rhymeOf Eginhard and love and youth;Some doubted its historic truth,But while they doubted, ne'erthelessSaw in it gleams of truthfulness,And thanked the Monk of Lauresheim.
This they discussed in various mood;Then in the silence that ensuedWas heard a sharp and sudden soundAs of a bowstring snapped in air;And the Musician with a boundSprang up in terror from his chair,And for a moment listening stood,Then strode across the room, and foundHis dear, his darling violinStill lying safe asleep withinIts little cradle, like a childThat gives a sudden cry of pain,And wakes to fall asleep again;And as he looked at it and smiled,By the uncertain light beguiled,Despair! two strings were broken in twain.
While all lamented and made moan,With many a sympathetic wordAs if the loss had been their own,Deeming the tones they might have heardSweeter than they had heard before,They saw the Landlord at the door,The missing man, the portly Squire!He had not entered, but he stoodWith both arms full of seasoned wood,To feed the much-devouring fire,That like a lion in a cageLashed its long tail and roared with rage.
The missing man! Ah, yes, they said,Missing, but whither had he fled?Where had he hidden himself away?No farther than the barn or shed;He had not hidden himself, nor fled;How should he pass the rainy dayBut in his barn with hens and hay,Or mending harness, cart, or sled?Now, having come, he needs must stayAnd tell his tale as well as they.
The Landlord answered only: "TheseAre logs from the dead apple-treesOf the old orchard planted hereBy the first Howe of Sudbury.Nor oak nor maple has so clearA flame, or burns so quietly,Or leaves an ash so clean and white";Thinking by this to put asideThe impending tale that terrified;When suddenly, to his delight,The Theologian interposed,Saying that when the door was closed,And they had stopped that draft of cold,Unpleasant night air, he proposedTo tell a tale world-wide apartFrom that the Student had just told;World-wide apart, and yet akin,As showing that the human heartBeats on forever as of old,As well beneath the snow-white foldOf Quaker kerchief, as withinSendal or silk or cloth of gold,And without preface would begin.
And then the clamorous clock struck eight,Deliberate, with sonorous chimeSlow measuring out the march of time,Like some grave Consul of old RomeIn Jupiter's temple driving homeThe nails that marked the year and date.Thus interrupted in his rhyme,The Theologian needs must wait;But quoted Horace, where he singsThe dire Necessity of things,That drives into the roofs sublimeOf new-built houses of the greatThe adamantine nails of Fate.
When ceased the little carillonTo herald from its wooden towerThe important transit of the hour,The Theologian hastened on,Content to be all owed at lastTo sing his Idyl of the Past.
Words in this poem
- historic a.
- Of or pertaining to history, or the record of past events; as, an historical poem; the historic page. [L. historicus, Gr. historique. See History.]
- bowstring n.
- The string of a bow.
- twain a.
- Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
- lamented a.
- Mourned for; bewailed.
- portly a.
- Having a dignified port or mien; of a noble appearance; imposing. [From Port demeanor.]
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- quaker n.
- One who quakes.
- sendal n.
- A light thin stuff of silk.
- chime n.
- The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
- dire a.
- Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
- carillon n.
- A chime of bells diatonically tuned, played by clockwork or by finger keys. [F. carillon a chime of bells, originally consisting of four bells, as if fr.. (assumed) L. quadrilio, fr. quatuer four.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Interlude is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Interlude, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/interlude-9.html, id L17695.
Form and metre
Interlude is 86 lines in 7 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%). 89% of its stressed syllables fall where the metre puts the beat. The lines average 8.4 syllables. 12 lines end on an unstressed syllable, a feminine ending. 40% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBCCA rhymeA · youthB · truthB · ne'erthelessC · truthfulnessC · lauresheimA
- 2 AABCBC-BDDEFFEEF moodA · ensuedA · soundB · airC · boundB · chairC · stood · foundB · violinD · withinD · childE · painF · againF · smiledE · beguiledE · twainF
- 3 ABABCCDEEDFF moanA · wordB · ownA · heardB · beforeC · doorC · squireD · stoodE · woodE · fireD · cageF · rageF
- 4 AABAABBABB saidA · fledA · awayB · shedA · fledA · dayB · hayB · sledA · stayB · theyB
- 5 AAB-B-CDDCEEFEGFHGFFHFH theseA · treesA · hereB · sudbury · clearB · quietly · whiteC · asideD · terrifiedD · delightC · interposedE · closedE · coldF · proposedE · apartG · toldF · akinH · heartG · oldF · foldF · withinH · goldF · beginH
- 6 ABBCCABADDBAA eightA · chimeB · timeB · romeC · homeC · dateA · rhymeB · waitA · singsD · thingsD · sublimeB · greatA · fateA
- 7 ABBACC carillonA · towerB · hourB · onA · lastC · pastC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Thus ran the Student's pleasant rhyme | 8 | ···/˘/˘· |
| Of Eginhard and love and youth; | 8 | ········ |
| Some doubted its historic truth, | 8 | ·/˘·˘/˘· |
| But while they doubted, ne'ertheless | 8 | ···/˘··· |
| Saw in it gleams of truthfulness, | 8 | ·····/˘˘ |
| And thanked the Monk of Lauresheim. | 8 | ········ |
| This they discussed in various mood; | 8 | ··˘/·/˘· |
| Then in the silence that ensued | 8 | ···/˘·˘/ |
| Was heard a sharp and sudden sound | 8 | ·····/˘· |
| As of a bowstring snapped in air; | 8 | ···/˘··· |
| And the Musician with a bound | 8 | ··˘/˘··· |
| Sprang up in terror from his chair, | 8 | ···/˘··· |
| And for a moment listening stood, | 8 | ···/˘/˘· |
| Then strode across the room, and found | 8 | ··˘/···· |
| His dear, his darling violin | 8 | ···/˘˘˘/ |
| Still lying safe asleep within | 8 | ·/˘·˘/·· |
| Its little cradle, like a child | 8 | ·/˘/˘··· |
| That gives a sudden cry of pain, | 8 | ···/˘··· |
| And wakes to fall asleep again; | 8 | ····˘/˘/ |
| And as he looked at it and smiled, | 8 | ········ |
| By the uncertain light beguiled, | 8 | ··˘/˘·˘/ |
| Despair! two strings were broken in twain. | 9 | ˘/···/˘·· |
| While all lamented and made moan, | 8 | ··˘/˘··· |
| With many a sympathetic word | 8 | ·/··˘/˘· |
| As if the loss had been their own, | 8 | ········ |
| Deeming the tones they might have heard | 8 | /˘······ |
| Sweeter than they had heard before, | 8 | /˘······ |
| They saw the Landlord at the door, | 8 | ···/···· |
| The missing man, the portly Squire! | 8 | ·/˘··/˘· |
| He had not entered, but he stood | 8 | ···/˘··· |
| With both arms full of seasoned wood, | 8 | ·····/˘· |
| To feed the much-devouring fire, | 8 | ····˘/˘/ |
| That like a lion in a cage | 8 | ···/˘··· |
| Lashed its long tail and roared with rage. | 8 | ········ |
| The missing man! Ah, yes, they said, | 8 | ·/˘····· |
| Missing, but whither had he fled? | 8 | /˘·/˘··· |
| Where had he hidden himself away? | 9 | ···/˘˘/˘/ |
| No farther than the barn or shed; | 8 | ·/˘····· |
| He had not hidden himself, nor fled; | 9 | ···/˘˘/·· |
| How should he pass the rainy day | 8 | ·····/˘· |
| But in his barn with hens and hay, | 8 | ········ |
| Or mending harness, cart, or sled? | 8 | ·/˘/˘··· |
| Now, having come, he needs must stay | 8 | ·/˘····· |
| And tell his tale as well as they. | 8 | ········ |
| The Landlord answered only: "These | 8 | ·/·/˘/˘· |
| Are logs from the dead apple-trees | 8 | ·····/˘· |
| Of the old orchard planted here | 8 | ···/˘/˘· |
| By the first Howe of Sudbury. | 8 | ·····/·˘ |
| Nor oak nor maple has so clear | 8 | ···/˘··· |
| A flame, or burns so quietly, | 8 | ·····/˘˘ |
| Or leaves an ash so clean and white"; | 8 | ········ |
| Thinking by this to put aside | 8 | /˘····˘/ |
| The impending tale that terrified; | 9 | ·˘/˘··/˘· |
| When suddenly, to his delight, | 8 | ·/˘˘··˘/ |
| The Theologian interposed, | 8 | ··˘/˘·˘/ |
| Saying that when the door was closed, | 8 | /˘······ |
| And they had stopped that draft of cold, | 8 | ········ |
| Unpleasant night air, he proposed | 8 | ˘/˘···˘/ |
| To tell a tale world-wide apart | 8 | ······˘/ |
| From that the Student had just told; | 8 | ···/˘··· |
| World-wide apart, and yet akin, | 8 | ··˘/··˘/ |
| As showing that the human heart | 8 | ·/˘··/˘· |
| Beats on forever as of old, | 8 | ··˘/˘··· |
| As well beneath the snow-white fold | 8 | ········ |
| Of Quaker kerchief, as within | 8 | ·/˘/˘··· |
| Sendal or silk or cloth of gold, | 8 | /˘······ |
| And without preface would begin. | 8 | ···/˘·˘/ |
| And then the clamorous clock struck eight, | 9 | ···/˘˘··· |
| Deliberate, with sonorous chime | 8 | ˘/˘·/˘˘· |
| Slow measuring out the march of time, | 8 | ·/˘····· |
| Like some grave Consul of old Rome | 8 | ···/˘··· |
| In Jupiter's temple driving home | 8 | ·/˘/˘/˘· |
| The nails that marked the year and date. | 8 | ········ |
| Thus interrupted in his rhyme, | 8 | ··˘/˘··· |
| The Theologian needs must wait; | 8 | ··˘/˘··· |
| But quoted Horace, where he sings | 8 | ·/˘/˘··· |
| The dire Necessity of things, | 8 | ··˘/˘˘·· |
| That drives into the roofs sublime | 8 | ······˘/ |
| Of new-built houses of the great | 8 | ···/˘··· |
| The adamantine nails of Fate. | 8 | ········ |
| When ceased the little carillon | 8 | ···/˘/˘· |
| To herald from its wooden tower | 9 | ·/˘··/˘/˘ |
| The important transit of the hour, | 9 | ·˘/˘/˘··/ |
| The Theologian hastened on, | 8 | ··˘/˘/˘· |
| Content to be all owed at last | 8 | /˘······ |
| To sing his Idyl of the Past. | 8 | ···/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.