Carillon

Henry Wadsworth Longfellow (1807–1882) · 1839–1882

trochaic tetrameter · 69 lines · from The Complete Poetical Works

In the ancient town of Bruges,In the quaint old Flemish city,As the evening shades descended,Low and loud and sweetly blended,Low at times and loud at times,And changing like a poet's rhymes,Rang the beautiful wild chimesFrom the Belfry in the marketOf the ancient town of Bruges.

Then, with deep sonorous clangorCalmly answering their sweet anger,When the wrangling bells had ended,Slowly struck the clock eleven,And, from out the silent heaven,Silence on the town descended.Silence, silence everywhere,On the earth and in the air,Save that footsteps here and thereOf some burgher home returning,By the street lamps faintly burning,For a moment woke the echoesOf the ancient town of Bruges.

But amid my broken slumbersStill I heard those magic numbers,As they loud proclaimed the flightAnd stolen marches of the night;Till their chimes in sweet collisionMingled with each wandering vision,Mingled with the fortune-tellingGypsy-bands of dreams and fancies,Which amid the waste expansesOf the silent land of trancesHave their solitary dwelling;All else seemed asleep in Bruges,In the quaint old Flemish city.

And I thought how like these chimesAre the poet's airy rhymes,All his rhymes and roundelays,His conceits, and songs, and ditties,From the belfry of his brain,Scattered downward, though in vain,On the roofs and stones of cities!For by night the drowsy earUnder its curtains cannot hear,And by day men go their ways,Hearing the music as they pass,But deeming it no more, alas!Than the hollow sound of brass.

Yet perchance a sleepless wight,Lodging at some humble innIn the narrow lanes of life,When the dusk and hush of nightShut out the incessant dinOf daylight and its toil and strife,May listen with a calm delightTo the poet's melodies,Till he hears, or dreams he hears,Intermingled with the song,Thoughts that he has cherished long;Hears amid the chime and singingThe bells of his own village ringing,And wakes, and finds his slumberous eyesWet with most delicious tears.

Thus dreamed I, as by night I layIn Bruges, at the Fleur-de-Ble,Listening with a wild delightTo the chimes that, through the nightBang their changes from the BelfryOf that quaint old Flemish city.

Words in this poem

quaint a.
Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
belfry n.
A movable tower erected by besiegers for purposes of attack and defense. [OE. berfray movable tower used in sieges, OF. berfreit, berfroit, F. beffroi, fr. MHG. bervrit, bercvrit, G. bergfriede, fr. MHG. bergen to protect (G. bergen t]
clangor n.
A sharp, harsh, ringing sound. [L., fr. clangere. See Clang, v. t.]
burgher n.
A freeman of a burgh or borough, entitled to enjoy the privileges of the place; any inhabitant of a borough. [From burgh; akin to D. burger, G. bürger, Dan. borger, Sw. borgare. See Burgh.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
sleepless a.
Having no sleep; wakeful.
wight n.
A whit; a bit; a jot. [OE. wight, wiht, a wight, a whit, AS. wiht, wuht, a creature, a thing; skin to D. wicht a child, OS. & OHG. wiht a creature, thing, G. wicht a creature, Icel. v]
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
slumberous a.
Inviting slumber; soporiferous.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Carillon is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, Carillon, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/carillon.html, id L17524.

Form and metre

Carillon is 69 lines in 6 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 7.8 syllables. 34 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.

See other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-BBCCC-A brugesA · city · descendedB · blendedB · timesC · rhymesC · chimesC · market · brugesA
  2. 2 AABCCBDDDEE-- clangorA · angerA · endedB · elevenC · heavenC · descendedB · everywhereD · airD · thereD · returningE · burningE · echoes · bruges
  3. 3 AABBCCD-EED-- slumbersA · numbersA · flightB · nightB · collisionC · visionC · tellingD · fancies · expansesE · trancesE · dwellingD · bruges · city
  4. 4 AABCDDCEEBFFF chimesA · rhymesA · roundelaysB · dittiesC · brainD · vainD · citiesC · earE · hearE · waysB · passF · alasF · brassF
  5. 5 ABCABCA-DEEFF-D wightA · innB · lifeC · nightA · dinB · strifeC · delightA · melodies · hearsD · songE · longE · singingF · ringingF · eyes · tearsD
  6. 6 --AA-- lay · ble · delightA · nightA · belfry · city
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
In the ancient town of Bruges,8··/˘··/˘
In the quaint old Flemish city,8····/˘/˘
As the evening shades descended,8··/˘·˘/˘
Low and loud and sweetly blended,8····/˘/˘
Low at times and loud at times,7·······
And changing like a poet's rhymes,8·/˘··/˘·
Rang the beautiful wild chimes7··/˘˘··
From the Belfry in the market8··/˘··/˘
Of the ancient town of Bruges.8··/˘··/˘
Then, with deep sonorous clangor8···/˘˘/˘
Calmly answering their sweet anger,9/˘/˘˘··/˘
When the wrangling bells had ended,9··/˘˘··/˘
Slowly struck the clock eleven,8/˘···˘/˘
And, from out the silent heaven,8····/˘/˘
Silence on the town descended.8/˘···˘/˘
Silence, silence everywhere,7/˘/˘/˘·
On the earth and in the air,7·······
Save that footsteps here and there7··/····
Of some burgher home returning,8··/˘·˘/˘
By the street lamps faintly burning,8····/˘/˘
For a moment woke the echoes8··/˘··/˘
Of the ancient town of Bruges.8··/˘··/˘
But amid my broken slumbers8·˘/·/˘/˘
Still I heard those magic numbers,8····/˘/˘
As they loud proclaimed the flight8···˘/˘··
And stolen marches of the night;8·/˘/˘···
Till their chimes in sweet collision8·····˘/˘
Mingled with each wandering vision,9/˘··/˘˘/˘
Mingled with the fortune-telling8/˘··/˘/˘
Gypsy-bands of dreams and fancies,8/˘····/˘
Which amid the waste expanses8·˘/··˘/˘
Of the silent land of trances8··/˘··/˘
Have their solitary dwelling;8··/˘·˘/˘
All else seemed asleep in Bruges,8···˘/·/˘
In the quaint old Flemish city.8····/˘/˘
And I thought how like these chimes7·······
Are the poet's airy rhymes,7··/˘/˘·
All his rhymes and roundelays,7·······
His conceits, and songs, and ditties,8·˘/···/˘
From the belfry of his brain,7··/˘···
Scattered downward, though in vain,8/˘˘/˘···
On the roofs and stones of cities!8······/˘
For by night the drowsy ear7····/˘·
Under its curtains cannot hear,8···/˘/˘·
And by day men go their ways,7·······
Hearing the music as they pass,8/˘·/˘···
But deeming it no more, alas!8·/˘···˘/
Than the hollow sound of brass.7··/˘···
Yet perchance a sleepless wight,7·˘/·/˘·
Lodging at some humble inn7/˘··/˘·
In the narrow lanes of life,7··/˘···
When the dusk and hush of night7·······
Shut out the incessant din7···˘/˘·
Of daylight and its toil and strife,8·/······
May listen with a calm delight8·/˘···˘/
To the poet's melodies,7··/˘/˘˘
Till he hears, or dreams he hears,7·······
Intermingled with the song,8·˘/˘˘···
Thoughts that he has cherished long;8····/˘˘·
Hears amid the chime and singing8·˘/···/˘
The bells of his own village ringing,9·····/˘/˘
And wakes, and finds his slumberous eyes9·····/˘˘·
Wet with most delicious tears.7···˘/˘·
Thus dreamed I, as by night I lay8········
In Bruges, at the Fleur-de-Ble,8·/˘·····
Listening with a wild delight8/˘˘···˘/
To the chimes that, through the night7·······
Bang their changes from the Belfry8··/˘··/˘
Of that quaint old Flemish city.8····/˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Henry Wadsworth Longfellow