The Drover's Sweetheart
An hour before the sun goes downBehind the ragged boughs,I go across the little runAnd bring the dusty cows;And once I used to sit and restBeneath the fading dome,For there was one that I loved bestWho'd bring the cattle home.
Our yard is fixed with double bails,Round one the grass is green,The bush is growing through the rails,The spike is rusted in;And 'twas from there his freckled faceWould turn and smile at me --He'd milk a dozen in the raceWhile I was milking three.
I milk eleven cows myselfWhere once I milked but four;I set the dishes on the shelfAnd close the dairy door;And when the glaring sunlight failsAnd the fire shines through the cracks,I climb the broken stockyard railsAnd watch the bridle-tracks.
He kissed me twice and once againAnd rode across the hill,The pint-pots and the hobble-chainI hear them jingling still;He'll come at night or not at all --He left in dust and heat,And when the soft, cool shadows fallIs the best time to meet.
And he is coming back again,He wrote to let me know,The floods were in the Darling then --It seems so long ago;He'd come through miles of slush and mud,And it was weary work,The creeks were bankers, and the floodWas forty miles round Bourke.
He said the floods had formed a block,The plains could not be crossed,And there was foot-rot in the flockAnd hundreds had been lost;The sheep were falling thick and fastA hundred miles from town,And when he reached the line at lastHe trucked the remnant down.
And so he'll have to stand the cost;His luck was always bad,Instead of making more, he lostThe money that he had;And how he'll manage, heaven knows(My eyes are getting dim),He says -- he says -- he don't -- supposeI'll want -- to -- marry -- him.
As if I wouldn't take his handWithout a golden glove --Oh! Jack, you men won't understandHow much a girl can love.I long to see his face once more --Jack's dog! thank God, it's Jack! --(I never thought I'd faint before)He's coming -- up -- the track.
Words in this poem
- fading n.
- An Irish dance; also, the burden of a song.
- freckled a.
- Marked with freckles; spotted.
- glaring a.
- Clear; notorious; open and bold; barefaced; as, a glaring crime.
- rode n.
- Redness; complexion. [See Rud.]
- jingling n.
- The act or process of producing a jingle; also, the sound itself; a chink.
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- creeks n.
- A tribe or confederacy of North American Indians, including the Muskogees, Seminoles, Uchees, and other subordinate tribes. They formerly inhabited Georgia, Florida, and Alabama.
- thank n.
- A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Drover's Sweetheart is in the public domain. This text is taken from In the Days When the World Was Wide, and Other Verses, Project Gutenberg ebook #214; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Lawson, The Drover's Sweetheart, in In the Days When the World Was Wide (1896), text of Project Gutenberg ebook #214, Laurel, https://laurelpoetry.com/poem/lawson-world-was-wide/the-drover-s-sweetheart.html, id L23206.
Form and metre
The Drover's Sweetheart is 64 lines in 8 stanzas of 8 lines each. The rhyme scheme is ABABCDCD, complete in 6 of its 8 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-ABCBC down · boughsA · run · cowsA · restB · domeC · bestB · homeC
- 2 ABABCDCD bailsA · greenB · railsA · inB · faceC · meD · raceC · threeD
- 3 ABABCDCD myselfA · fourB · shelfA · doorB · failsC · cracksD · railsC · tracksD
- 4 ABABCDCD againA · hillB · chainA · stillB · allC · heatD · fallC · meetD
- 5 ABABCDCD againA · knowB · thenA · agoB · mudC · workD · floodC · bourkeD
- 6 ABABBCBC blockA · crossedB · flockA · lostB · fastB · townC · lastB · downC
- 7 ABABCDCD costA · badB · lostA · hadB · knowsC · dimD · supposeC · himD
- 8 ABABCDCD handA · gloveB · understandA · loveB · moreC · jackD · beforeC · trackD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| An hour before the sun goes down | 9 | ·/˘······ |
| Behind the ragged boughs, | 6 | ···/˘· |
| I go across the little run | 8 | ··˘/·/˘· |
| And bring the dusty cows; | 6 | ···/˘· |
| And once I used to sit and rest | 8 | ········ |
| Beneath the fading dome, | 6 | ···/˘· |
| For there was one that I loved best | 8 | ········ |
| Who'd bring the cattle home. | 6 | ···/˘· |
| Our yard is fixed with double bails, | 9 | /˘····/˘· |
| Round one the grass is green, | 6 | ······ |
| The bush is growing through the rails, | 8 | ···/˘··· |
| The spike is rusted in; | 6 | ···/˘· |
| And 'twas from there his freckled face | 8 | ·····/˘· |
| Would turn and smile at me -- | 6 | ······ |
| He'd milk a dozen in the race | 8 | ···/˘··· |
| While I was milking three. | 6 | ···/˘· |
| I milk eleven cows myself | 8 | ··˘/˘··/ |
| Where once I milked but four; | 6 | ······ |
| I set the dishes on the shelf | 8 | ···/˘··· |
| And close the dairy door; | 6 | ···/˘· |
| And when the glaring sunlight fails | 8 | ···/˘/·· |
| And the fire shines through the cracks, | 8 | ··/˘···· |
| I climb the broken stockyard rails | 8 | ···/˘/·· |
| And watch the bridle-tracks. | 6 | ···/˘· |
| He kissed me twice and once again | 8 | ······˘/ |
| And rode across the hill, | 6 | ··˘/·· |
| The pint-pots and the hobble-chain | 8 | ·····/˘· |
| I hear them jingling still; | 7 | ···/˘˘· |
| He'll come at night or not at all -- | 8 | ········ |
| He left in dust and heat, | 6 | ······ |
| And when the soft, cool shadows fall | 8 | ·····/·· |
| Is the best time to meet. | 6 | ······ |
| And he is coming back again, | 8 | ···/˘·˘/ |
| He wrote to let me know, | 6 | ······ |
| The floods were in the Darling then -- | 8 | ·····/˘· |
| It seems so long ago; | 6 | ····˘/ |
| He'd come through miles of slush and mud, | 8 | ········ |
| And it was weary work, | 6 | ···/˘· |
| The creeks were bankers, and the flood | 8 | ···/˘··· |
| Was forty miles round Bourke. | 6 | ·/˘··· |
| He said the floods had formed a block, | 8 | ········ |
| The plains could not be crossed, | 6 | ······ |
| And there was foot-rot in the flock | 8 | ········ |
| And hundreds had been lost; | 6 | ·/˘··· |
| The sheep were falling thick and fast | 8 | ···/˘··· |
| A hundred miles from town, | 6 | ·/˘··· |
| And when he reached the line at last | 8 | ········ |
| He trucked the remnant down. | 6 | ···/˘· |
| And so he'll have to stand the cost; | 8 | ········ |
| His luck was always bad, | 6 | ···/·· |
| Instead of making more, he lost | 8 | ˘/·/˘··· |
| The money that he had; | 6 | ·/˘··· |
| And how he'll manage, heaven knows | 8 | ···/˘/˘· |
| (My eyes are getting dim), | 6 | ···/˘· |
| He says -- he says -- he don't -- suppose | 8 | ······˘/ |
| I'll want -- to -- marry -- him. | 6 | ···/˘· |
| As if I wouldn't take his hand | 8 | ···/˘··· |
| Without a golden glove -- | 6 | ···/˘· |
| Oh! Jack, you men won't understand | 8 | ······˘/ |
| How much a girl can love. | 6 | ······ |
| I long to see his face once more -- | 8 | ········ |
| Jack's dog! thank God, it's Jack! -- | 6 | ······ |
| (I never thought I'd faint before) | 8 | ·/˘····· |
| He's coming -- up -- the track. | 6 | ·/˘··· |
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