Alfred de Musset: Juana

Various, translated by Andrew Lang · 1872

iambic tetrameter · AABCCB · 43 lines · from Ballads and Lyrics of Old France

AGAIN I see you, ah my queen,Of all my old loves that have been,The first love, and the tenderest;Do you remember or forget—Ah me, for I remember yet—How the last summer days were blest?

Ah lady, when we think of this,The foolish hours of youth and bliss,How fleet, how sweet, how hard to hold!How old we are, ere spring be green!You touch the limit of eighteenAnd I am twenty winters old.

My rose, that mid the red roses,Was brightest, ah, how pale she is!Yet keeps the beauty of her prime;Child, never Spanish lady’s faceWas lovely with so wild a grace;Remember the dead summer time.

Think of our loves, our feuds of old,And how you gave your chain of goldTo me for a peace offering;And how all night I lay awakeTo touch and kiss it for your sake,—To touch and kiss the lifeless thing.

Lady, beware, for all we say,This Love shall live another day,Awakened from his deathly sleep;The heart that once has been your shrineFor other loves is too divine;A home, my dear, too wide and deep.

What did I say—why do I dream?Why should I struggle with the streamWhose waves return not any day?Close heart, and eyes, and arms from me;Farewell, farewell! so must it be,So runs, so runs, the world away,

The season bears upon its wingThe swallows and the songs of spring,And days that were, and days that flit;The loved lost hours are far away;And hope and fame are scattered sprayFor me, that gave you love a dayFor you that not remember it.

Words in this poem

beware v. t.
To avoid; to take care of; to have a care for.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
deathly a.
Deadly; fatal; mortal; destructive.
flit a.
Nimble; quick; swift. See Fleet.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Alfred de Musset: Juana is in the public domain. This text is taken from Ballads and Lyrics of Old France, with Other Poems, Project Gutenberg ebook #795, the Andrew Lang translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Various, Alfred de Musset: Juana, in Ballads and Lyrics of Old France (1872), text of Project Gutenberg ebook #795, Laurel, https://laurelpoetry.com/poem/lang-old-france/juana.html, id L26911.

Form and metre

Alfred de Musset: Juana is 43 lines in 7 stanzas. The rhyme scheme is AABCCB, complete in 6 of its 7 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCB queenA · beenA · tenderestB · forgetC · yetC · blestB
  2. 2 AABCCB thisA · blissA · holdB · greenC · eighteenC · oldB
  3. 3 AABCCB rosesA · isA · primeB · faceC · graceC · timeB
  4. 4 AABCCB oldA · goldA · offeringB · awakeC · sakeC · thingB
  5. 5 AABCCB sayA · dayA · sleepB · shrineC · divineC · deepB
  6. 6 AABCCB dreamA · streamA · dayB · meC · beC · awayB
  7. 7 AABCCCB wingA · springA · flitB · awayC · sprayC · dayC · itB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
AGAIN I see you, ah my queen,8˘/······
Of all my old loves that have been,8········
The first love, and the tenderest;8·····/˘˘
Do you remember or forget—8··˘/˘·˘/
Ah me, for I remember yet—8····˘/˘·
How the last summer days were blest?8···/˘···
Ah lady, when we think of this,8·/˘·····
The foolish hours of youth and bliss,8·/˘/····
How fleet, how sweet, how hard to hold!8········
How old we are, ere spring be green!8········
You touch the limit of eighteen8···/˘·˘/
And I am twenty winters old.8···/˘/˘·
My rose, that mid the red roses,8······/˘
Was brightest, ah, how pale she is!8·/˘·····
Yet keeps the beauty of her prime;8···/˘···
Child, never Spanish lady’s face8·/˘/˘/˘·
Was lovely with so wild a grace;8·/˘·····
Remember the dead summer time.8˘/˘··/˘·
Think of our loves, our feuds of old,8··/·/···
And how you gave your chain of gold8········
To me for a peace offering;8·····/˘˘
And how all night I lay awake8······˘/
To touch and kiss it for your sake,—8········
To touch and kiss the lifeless thing.8·····/˘·
Lady, beware, for all we say,8/˘˘/····
This Love shall live another day,8····˘/˘·
Awakened from his deathly sleep;8˘/˘··/˘·
The heart that once has been your shrine8········
For other loves is too divine;8·/˘···˘/
A home, my dear, too wide and deep.8········
What did I say—why do I dream?8········
Why should I struggle with the stream8···/˘···
Whose waves return not any day?8··˘/·/˘·
Close heart, and eyes, and arms from me;8········
Farewell, farewell! so must it be,8·/·/····
So runs, so runs, the world away,8······˘/
The season bears upon its wing8·/˘·····
The swallows and the songs of spring,8·/˘·····
And days that were, and days that flit;8········
The loved lost hours are far away;8···/··˘/
And hope and fame are scattered spray8·····/˘·
For me, that gave you love a day8········
For you that not remember it.8····˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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