Gérard de Nerval: An Old Tune

Various, translated by Andrew Lang · 1872

iambic pentameter · ABAB · 16 lines · from Ballads and Lyrics of Old France

THERE is an air for which I would disownMozart’s, Rossini’s, Weber’s melodies,—A sweet sad air that languishes and sighs,And keeps its secret charm for me alone.

Whene’er I hear that music vague and old,Two hundred years are mist that rolls away;The thirteenth Louis reigns, and I beholdA green land golden in the dying day.

An old red castle, strong with stony towers,The windows gay with many coloured glass;Wide plains, and rivers flowing among flowers,That bathe the castle basement as they pass.

In antique weed, with dark eyes and gold hair,A lady looks forth from her window high;It may be that I knew and found her fair,In some forgotten life, long time gone by.

Words in this poem

coloured a.
Having color; tinged; dyed; painted; stained.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Gérard de Nerval: An Old Tune is in the public domain. This text is taken from Ballads and Lyrics of Old France, with Other Poems, Project Gutenberg ebook #795, the Andrew Lang translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Various, Gérard de Nerval: An Old Tune, in Ballads and Lyrics of Old France (1872), text of Project Gutenberg ebook #795, Laurel, https://laurelpoetry.com/poem/lang-old-france/an-old-tune.html, id L26910.

Form and metre

Gérard de Nerval: An Old Tune is 16 lines in 4 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 3 of its 4 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBA disownA · melodiesB · sighsB · aloneA
  2. 2 ABAB oldA · awayB · beholdA · dayB
  3. 3 ABAB towersA · glassB · flowersA · passB
  4. 4 ABAB hairA · highB · fairA · byB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
THERE is an air for which I would disown10········˘/
Mozart’s, Rossini’s, Weber’s melodies,—10/˘˘/˘/˘/˘˘
A sweet sad air that languishes and sighs,10·····/˘˘··
And keeps its secret charm for me alone.10···/˘···˘/
Whene’er I hear that music vague and old,11······/˘···
Two hundred years are mist that rolls away;10·/˘·····˘/
The thirteenth Louis reigns, and I behold10·///˘···˘/
A green land golden in the dying day.10···/˘··/˘·
An old red castle, strong with stony towers,11···/˘··/˘/˘
The windows gay with many coloured glass;10·/˘··/˘/˘·
Wide plains, and rivers flowing among flowers,11···/˘/˘··/˘
That bathe the castle basement as they pass.10···/˘/˘···
In antique weed, with dark eyes and gold hair,10·˘/·······
A lady looks forth from her window high;10·/˘····/˘·
It may be that I knew and found her fair,10··········
In some forgotten life, long time gone by.10··˘/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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