King
Plovers that fly from mountain-caves,Steeds that quick-flashing lightning laves,And chariot-wheels that drip with spray--A path o'er pregnant clouds betray.
The plains appear to melt and fallFrom mountain peaks that grow more tall;The trunks of trees no longer hideNor in their leafy nests abide;The river network now is clear,For smaller streams at last appear:It seems as if some being threwThe world to me, for clearer view.
Matali. O King, this is Gold Peak, the mountain of the fairycentaurs. Here it is that ascetics most fully attain to magic powers.See!
The ancient sage, Marichi's son,Child of the Uncreated One,Father of superhuman life,Dwells here austerely with his wife.
The wheels are mute on whirling rim;Unstirred, the dust is lying there;We do not bump the earth, but skim:Still, still we seem to fly through air.
Where stands the hermit, horridly austere,Whom clinging vines are choking, tough and sore;Half-buried in an ant-hill that has grownAbout him, standing post-like and alone;Sun-staring with dim eyes that know no rest,The dead skin of a serpent on his breast:So long he stood unmoved, insensate thereThat birds build nests within his mat of hair.
Matali. The chariot obeys the word of command. I too will descend.(He does so.) Before you, O King, are the groves where the holiesthermits lead their self-denying life.
Their appetites are fed with airWhere grows whatever is most fair;They bathe religiously in poolsWhich golden lily-pollen cools;They pray within a jewelled home,Are chaste where nymphs of heaven roam:They mortify desire and sinWith things that others fast to win.
I dare not hope for what I pray;Why thrill--in vain?For heavenly bliss once thrown awayTurns into pain.
He drags a struggling lion cub,The lioness' milk half-sucked, half-missed,Towzles his mane, and tries to drubHim tame with small, imperious fist.
The boy is seed of fireWhich, when it grows, will burn;A tiny spark that soonTo awful flame may turn.
King (looking at the hand.) He has one of the imperial birthmarks!For
Between the eager fingers growThe close-knit webs together drawn,Like some lone lily opening slowTo meet the kindling blush of dawn.
They show their little buds of teethIn peals of causeless laughter;They hide their trustful heads beneathYour heart. And stumbling afterCome sweet, unmeaning sounds that singTo you. The father warmsAnd loves the very dirt they bringUpon their little forms.
Your conduct in this place apart,Is most unfit;'Twould grieve your father's pious heartAnd trouble it.
To animals he is as goodAs good can be;You spoil it, like a black snake's broodIn sandal tree.
It makes me thrill to touch the boy,The stranger's son, to me unknown;What measureless content must fillThe man who calls the child his own!
Hermit-woman. I am astonished to see how much the boy looks likeyou, sir. You are not related. Besides, he is a perverse littlecreature and he does not know you. Yet he takes no dislike toyou.
In glittering palaces they dwellWhile men, and rule the country well;Then make the grove their home in age,And die in austere hermitage.
First woman. Look, All-tamer. Here is the bird, the shakunta.Isn't the shakunta lovely?
King (smiling). You show I am right by contradicting me. (EnterSHAKUNTALA, wearing her hair in a single braid.)
Shakuntala (doubtfully). I have heard that All-tamer's amulet didnot change when it should have done so. But I do not trust my ownhappiness. Yet perhaps it is as Mishrakeshi told me. (She walksabout.)
The pale, worn face, the careless dress,The single braid,Show her still true, me pitiless,The long vow paid.
Shakuntala (seeing the king pale with remorse. Doubtfully). It isnot my husband. Who is the man that soils my boy with his caresses?The amulet should protect him. Boy (running to his mother).Mother, he is a man that belongs to other people. And he calls me hisson.
King. My darling, the cruelty I showed you has turned to happiness.Will you not recognise me?
Black madness flies;Comes memory;Before my eyesMy love I see.
Eclipse flees far;Light follows soon;The loving starDraws to the moon.
The tears would choke you, sweet, in vain;My soul with victory is fed,Because I see your face again--No jewels, but the lips are red.
Dear, graceful wife, forget;Let the sin vanish;Strangely did madness striveReason to banish.
Thus blindness works in men,Love's joy to shake;Spurning a garland, lestIt prove a snake. (He falls at her feet.)
'Twas madness, sweet, that could let slipA tear to burden your dear lip;On graceful lashes seen to-day,I wipe it, and our grief, away. (He does so.)
'Tis King Dushyanta, he who goes beforeYour son in battle, and who rules the earth,Whose bow makes Indra's weapon seem no moreThan a fine plaything, lacking sterner worth.
Sprung from the Creator's children, do I seeGreat Kashyapa and Mother Aditi?The pair that did produce the sun in heaven,To which each year twelve changing forms are given;That brought the king of all the gods to birth,Who rules in heaven, in hell, and on the earth;That Vishnu, than the Uncreated higher,Chose as his parents with a fond desire.
Your husband equals Indra, kingOf gods; your son is like his son;No further blessing need I bring:Win bliss such as his wife has won.
Faithful Shakuntala, the boy,And you, O King, I seeA trinity to bless the world--Faith, Treasure, Piety.
The flower comes first, and then the fruit;The clouds appear before the rain;Effect comes after cause; but youFirst helped, then made your favour plain.
Like one who doubts an elephant,Though seeing him stride by,And yet believes when he has seenThe footprints left; so I.
The curse it was that brought defeat and pain;The darkness flies; you are his queen again.Reflections are not seen in dusty glass,Which, cleaned, will mirror all the things that pass.
Journeying over every sea,His car will travel easily;The seven islands of the earthWill bow before his matchless worth;Because wild beasts to him were tame,All-tamer was his common name;As Bharata he shall be known,For he will bear the world alone.
May Indra send abundant rain,Repaid by sacrificial gain;With aid long mutually given,Rule you on earth, and he in heaven.
May kingship benefit the land,And wisdom grow in scholars' band;May Shiva see my faith on earthAnd make me free of all rebirth.
Words in this poem 29
- drip v. i.
- To fall in drops; as, water drips from the eaves. [Akin to LG. drippen, Dan. dryppe, from a noun. See Drop.]
- clearer n.
- One who, or that which, clears.
- austerely adv.
- Severely; rigidly; sternly.
- bump v. t.
- To strike, as with or against anything large or solid; to thump; as, to bump the head against a wall. [Cf. W. pwmp round mass, pwmpiaw to thump, bang, and E. bum, v.i., boom to roar.]
- horridly adv.
- In a horrid manner.
- choking a.
- That chokes; producing the feeling of strangulation.
- unmoved a.
- Not moved; fixed; firm; unshaken; calm; apathetic.
- insensate a.
- Wanting sensibility; destitute of sense; stupid; foolish. [L. insensatus. See In- not, and Sensate.]
- religiously adv.
- In a religious manner. Drayton.
- pollen n.
- Fine bran or flour. Bailey.
- drub v. t.
- To beat with a stick; to thrash; to cudgel. [Cf. Prov. E. drab to beat, Icel. & Sw. drabba to hit, beat, Dan. dræbe to slay, and perh. OE. drepen to strike, kill, AS. drepan to strike, G. & D. freffen to h]
- imperious a.
- Commanding; ascendant; imperial; lordly; majestic. [L. imperiosus: cf. F. impérieux. See Imperial.]
- lone n.
- A lane. See Loanin.
- causeless a.
- 1. Self-originating; uncreated.
- trustful a.
- Full of trust; trusting.
- measureless a.
- Without measure; unlimited; immeasurable.
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- hermitage n.
- The habitation of a hermit; a secluded residence. [OE. hermitage, ermitage, F. hermitage, ermitage. See Hermit.]
- doubtfully adv.
- In a doubtful manner.
- recognise v. t.
- To know again; to perceive the identity of, with a person or thing previously known; to recover or recall knowledge of. [From Recognizance; see Cognition, and cf. Reconnoiter.]
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- plaything n.
- A thing to play with; a toy; anything that serves to amuse.
- sterner n.
- A director. Dr. R. Clerke. [See 3d Stern.]
- favour n.
- Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
- stride v. t.
- To walk with long steps, especially in a measured or pompous manner. [AS. stridan to stride, to strive; akin to LG. striden, OFries. strida to strive, D. strijden to strive, to contend, G. streiten, OHG. stritan; of uncertain orig]
- defeat v. t.
- To undo; to disfigure; to destroy. [From F. défait, OF. desfait, p. p. ofe défaire, OF. desfaire, to undo; L. dis- + facere to do. See Feat, Fact, and cf. Disfashion.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- sacrificial a.
- Of or pertaining to sacrifice or sacrifices; consisting in sacrifice; performing sacrifice.
- kingship n.
- The state, office, or dignity of a king; royalty. Landor.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
King is in the public domain. This text is taken from Shakuntala and Other Works, Project Gutenberg ebook #16659, the Arthur W. Ryder translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Kalidasa, King, in Shakuntala and Other Works (1912), text of Project Gutenberg ebook #16659, Laurel, https://laurelpoetry.com/poem/kalidasa-shakuntala/king-5.html, id L15647.
Form and metre
King is 179 lines in 41 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 85%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 8.5 syllables. 24 lines end on an unstressed syllable, a feminine ending. 28% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB cavesA · lavesA · sprayB · betrayB
- 2 AABBCCDD fallA · tallA · hideB · abideB · clearC · appearC · threwD · viewD
- 4 AABB sonA · oneA · lifeB · wifeB
- 5 ABAB rimA · thereB · skimA · airB
- 6 --AABBCC austere · sore · grownA · aloneA · restB · breastB · thereC · hairC
- 8 AABBCCDD airA · fairA · poolsB · coolsB · homeC · roamC · sinD · winD
- 9 ABAB prayA · vainB · awayA · painB
- 10 ABAB cubA · missedB · drubA · fistB
- 11 -A-A fire · burnA · soon · turnA
- 13 ABAB growA · drawnB · slowA · dawnB
- 14 ABABCDCD teethA · laughterB · beneathA · afterB · singC · warmsD · bringC · formsD
- 15 ABAB apartA · unfitB · heartA · itB
- 16 -A-A good · beA · brood · treeA
- 17 -A-A boy · unknownA · fill · ownA
- 18 --AA like · little · toA · youA
- 19 AABB dwellA · wellA · ageB · hermitageB
- 23 ABAB dressA · braidB · pitilessA · paidB
- 24 AA-A- isA · caressesA · mother · hisA · son
- 26 A-A- fliesA · memory · eyesA · see
- 27 ABAB farA · soonB · starA · moonB
- 28 ABAB vainA · fedB · againA · redB
- 29 -A-A forget · vanishA · strive · banishA
- 31 AA-- slipA · lipA · day · so
- 32 ABAB beforeA · earthB · moreA · worthB
- 33 ----AABB see · aditi · heaven · given · birthA · earthA · higherB · desireB
- 34 ABAB kingA · sonB · bringA · wonB
- 36 -A-A fruit · rainA · you · plainA
- 37 -A-A elephant · byA · seen · iA
- 38 AABB painA · againA · glassB · passB
- 39 --AABBCC sea · easily · earthA · worthA · tameB · nameB · knownC · aloneC
- 40 AAAA rainA · gainA · givenA · heavenA
- 41 AABB landA · bandA · earthB · rebirthB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Plovers that fly from mountain-caves, | 8 | /˘···/˘· |
| Steeds that quick-flashing lightning laves, | 8 | ···/˘/˘· |
| And chariot-wheels that drip with spray-- | 9 | ·/˘˘····· |
| A path o'er pregnant clouds betray. | 8 | ···/˘·˘/ |
| The plains appear to melt and fall | 8 | ··˘/···· |
| From mountain peaks that grow more tall; | 8 | ·/˘····· |
| The trunks of trees no longer hide | 8 | ·····/˘· |
| Nor in their leafy nests abide; | 8 | ···/˘·˘/ |
| The river network now is clear, | 8 | ·/˘/···· |
| For smaller streams at last appear: | 8 | ·/˘···˘/ |
| It seems as if some being threw | 8 | ·····/˘· |
| The world to me, for clearer view. | 8 | ·····/˘· |
| Matali. O King, this is Gold Peak, the mountain of the fairy | 16 | ··········/˘··/˘ |
| centaurs. Here it is that ascetics most fully attain to magic powers. | 18 | /·····˘/˘·/˘˘/·/˘/ |
| See! | 1 | · |
| The ancient sage, Marichi's son, | 8 | ·/˘····· |
| Child of the Uncreated One, | 7 | ······· |
| Father of superhuman life, | 8 | /˘··˘/˘· |
| Dwells here austerely with his wife. | 8 | ···/˘··· |
| The wheels are mute on whirling rim; | 8 | ·····/˘· |
| Unstirred, the dust is lying there; | 9 | ··˘···/˘· |
| We do not bump the earth, but skim: | 8 | ········ |
| Still, still we seem to fly through air. | 8 | ········ |
| Where stands the hermit, horridly austere, | 10 | ···/˘/˘˘˘/ |
| Whom clinging vines are choking, tough and sore; | 10 | ·/˘··/˘··· |
| Half-buried in an ant-hill that has grown | 10 | ·/˘······· |
| About him, standing post-like and alone; | 10 | ···/˘···˘/ |
| Sun-staring with dim eyes that know no rest, | 10 | ·/˘······· |
| The dead skin of a serpent on his breast: | 10 | ·····/˘··· |
| So long he stood unmoved, insensate there | 10 | ····˘/˘/˘· |
| That birds build nests within his mat of hair. | 10 | ·········· |
| Matali. The chariot obeys the word of command. I too will descend. | 18 | ····/˘˘/···˘/···˘/ |
| (He does so.) Before you, O King, are the groves where the holiest | 15 | ·············/˘ |
| hermits lead their self-denying life. | 9 | /˘···˘/˘· |
| Their appetites are fed with air | 8 | ·/˘····· |
| Where grows whatever is most fair; | 8 | ···/˘··· |
| They bathe religiously in pools | 8 | ··˘/˘˘·· |
| Which golden lily-pollen cools; | 8 | ·/˘/˘/˘· |
| They pray within a jewelled home, | 9 | ·····/˘˘· |
| Are chaste where nymphs of heaven roam: | 8 | ·····/˘· |
| They mortify desire and sin | 9 | ·/˘·˘/˘·· |
| With things that others fast to win. | 8 | ···/˘··· |
| I dare not hope for what I pray; | 8 | ········ |
| Why thrill--in vain? | 4 | ···· |
| For heavenly bliss once thrown away | 9 | ·/˘˘···˘/ |
| Turns into pain. | 4 | ···· |
| He drags a struggling lion cub, | 9 | ···/˘˘/˘· |
| The lioness' milk half-sucked, half-missed, | 10 | ·/˘˘···˘·· |
| Towzles his mane, and tries to drub | 7 | ······· |
| Him tame with small, imperious fist. | 9 | ····˘/˘˘· |
| The boy is seed of fire | 7 | ·····/˘ |
| Which, when it grows, will burn; | 6 | ······ |
| A tiny spark that soon | 6 | ·/˘··· |
| To awful flame may turn. | 6 | ·/˘··· |
| King (looking at the hand.) He has one of the imperial birthmarks! | 16 | ·/˘········˘/˘/· |
| For | 1 | · |
| Between the eager fingers grow | 8 | ···/˘/˘· |
| The close-knit webs together drawn, | 8 | ····˘/˘· |
| Like some lone lily opening slow | 9 | ···/˘/˘˘· |
| To meet the kindling blush of dawn. | 8 | ···/˘··· |
| They show their little buds of teeth | 8 | ···/˘··· |
| In peals of causeless laughter; | 7 | ···/˘/˘ |
| They hide their trustful heads beneath | 8 | ···/˘··· |
| Your heart. And stumbling after | 8 | ···/˘˘·· |
| Come sweet, unmeaning sounds that sing | 8 | ··˘/˘··· |
| To you. The father warms | 6 | ···/˘· |
| And loves the very dirt they bring | 8 | ···/˘··· |
| Upon their little forms. | 6 | ···/˘· |
| Your conduct in this place apart, | 8 | ·/˘···˘/ |
| Is most unfit; | 4 | ··˘/ |
| 'Twould grieve your father's pious heart | 8 | ···/˘/˘· |
| And trouble it. | 4 | ·/˘· |
| To animals he is as good | 8 | ·/˘˘···· |
| As good can be; | 4 | ···· |
| You spoil it, like a black snake's brood | 8 | ········ |
| In sandal tree. | 4 | ·/˘· |
| It makes me thrill to touch the boy, | 8 | ········ |
| The stranger's son, to me unknown; | 8 | ·/˘···˘/ |
| What measureless content must fill | 8 | ·/˘˘˘/·· |
| The man who calls the child his own! | 8 | ········ |
| Hermit-woman. I am astonished to see how much the boy looks like | 17 | /˘/˘··˘/˘········ |
| you, sir. You are not related. Besides, he is a perverse little | 17 | ·····˘/˘·/···˘//˘ |
| creature and he does not know you. Yet he takes no dislike to | 15 | /˘··········˘/· |
| you. | 1 | · |
| In glittering palaces they dwell | 9 | ·/˘˘/˘˘·· |
| While men, and rule the country well; | 8 | ·····/˘· |
| Then make the grove their home in age, | 8 | ········ |
| And die in austere hermitage. | 8 | ···˘//˘˘ |
| First woman. Look, All-tamer. Here is the bird, the shakunta. | 15 | ·/˘··/˘········ |
| Isn't the shakunta lovely? | 8 | /˘····/˘ |
| King (smiling). You show I am right by contradicting me. (Enter | 16 | ·/˘·······˘/˘·/˘ |
| SHAKUNTALA, wearing her hair in a single braid.) | 13 | ····/˘····/˘· |
| Shakuntala (doubtfully). I have heard that All-tamer's amulet did | 17 | ····/˘˘·····/˘/˘· |
| not change when it should have done so. But I do not trust my own | 15 | ··············· |
| happiness. Yet perhaps it is as Mishrakeshi told me. (She walks | 16 | /˘·˘/··········· |
| about.) | 2 | ·· |
| The pale, worn face, the careless dress, | 8 | ·····/˘· |
| The single braid, | 4 | ·/˘· |
| Show her still true, me pitiless, | 8 | ·····/˘˘ |
| The long vow paid. | 4 | ···· |
| Shakuntala (seeing the king pale with remorse. Doubtfully). It is | 16 | ····/····˘//˘˘·· |
| not my husband. Who is the man that soils my boy with his caresses? | 17 | ··/˘··········˘/˘ |
| The amulet should protect him. Boy (running to his mother). | 14 | ·/˘·˘/··/˘··/˘ |
| Mother, he is a man that belongs to other people. And he calls me his | 19 | /˘·····˘/·/˘/˘····· |
| son. | 1 | · |
| King. My darling, the cruelty I showed you has turned to happiness. | 15 | ··/˘·/˘······/˘ |
| Will you not recognise me? | 7 | ···/˘·· |
| Black madness flies; | 4 | ·/˘· |
| Comes memory; | 4 | ·/˘˘ |
| Before my eyes | 4 | ···· |
| My love I see. | 4 | ···· |
| Eclipse flees far; | 4 | ˘/·· |
| Light follows soon; | 4 | ·/˘· |
| The loving star | 4 | ·/˘· |
| Draws to the moon. | 4 | ···· |
| The tears would choke you, sweet, in vain; | 8 | ········ |
| My soul with victory is fed, | 8 | ···/˘˘·· |
| Because I see your face again-- | 8 | ······˘/ |
| No jewels, but the lips are red. | 8 | ·/˘····· |
| Dear, graceful wife, forget; | 6 | ·/˘·˘/ |
| Let the sin vanish; | 5 | ···/˘ |
| Strangely did madness strive | 6 | /˘·/˘· |
| Reason to banish. | 5 | /˘·/˘ |
| Thus blindness works in men, | 6 | ·/˘··· |
| Love's joy to shake; | 4 | ···· |
| Spurning a garland, lest | 6 | /˘·/˘· |
| It prove a snake. (He falls at her feet.) | 9 | ········· |
| 'Twas madness, sweet, that could let slip | 8 | ·/˘····· |
| A tear to burden your dear lip; | 8 | ···/˘··· |
| On graceful lashes seen to-day, | 8 | ·/˘/˘··· |
| I wipe it, and our grief, away. (He does so.) | 11 | ····/·˘/··· |
| 'Tis King Dushyanta, he who goes before | 10 | ·········· |
| Your son in battle, and who rules the earth, | 10 | ···/˘····· |
| Whose bow makes Indra's weapon seem no more | 10 | ·····/˘··· |
| Than a fine plaything, lacking sterner worth. | 10 | ···/·/˘/˘· |
| Sprung from the Creator's children, do I see | 11 | ···˘/˘/˘··· |
| Great Kashyapa and Mother Aditi? | 10 | ·····/˘··· |
| The pair that did produce the sun in heaven, | 11 | ····˘/···/˘ |
| To which each year twelve changing forms are given; | 11 | ·····/˘··/˘ |
| That brought the king of all the gods to birth, | 10 | ·········· |
| Who rules in heaven, in hell, and on the earth; | 10 | ···/······ |
| That Vishnu, than the Uncreated higher, | 10 | ·/˘·····/˘ |
| Chose as his parents with a fond desire. | 11 | ···/˘···˘/˘ |
| Your husband equals Indra, king | 8 | ·/˘/˘··· |
| Of gods; your son is like his son; | 8 | ········ |
| No further blessing need I bring: | 8 | ·/˘/˘··· |
| Win bliss such as his wife has won. | 8 | ········ |
| Faithful Shakuntala, the boy, | 8 | /˘······ |
| And you, O King, I see | 6 | ······ |
| A trinity to bless the world-- | 8 | ·/˘˘···· |
| Faith, Treasure, Piety. | 6 | ·/˘/˘˘ |
| The flower comes first, and then the fruit; | 9 | ·/˘······ |
| The clouds appear before the rain; | 8 | ··˘/···· |
| Effect comes after cause; but you | 8 | ˘/······ |
| First helped, then made your favour plain. | 9 | ··˘···/˘· |
| Like one who doubts an elephant, | 8 | ·····/˘˘ |
| Though seeing him stride by, | 6 | ·/˘··· |
| And yet believes when he has seen | 8 | ··˘/···· |
| The footprints left; so I. | 6 | ·/···· |
| The curse it was that brought defeat and pain; | 10 | ······˘/·· |
| The darkness flies; you are his queen again. | 10 | ·/˘·····˘/ |
| Reflections are not seen in dusty glass, | 10 | ˘/˘····/˘· |
| Which, cleaned, will mirror all the things that pass. | 10 | ···/˘····· |
| Journeying over every sea, | 9 | /˘˘··/˘˘· |
| His car will travel easily; | 8 | ···/˘/˘˘ |
| The seven islands of the earth | 8 | ·/˘/˘··· |
| Will bow before his matchless worth; | 8 | ·····/˘· |
| Because wild beasts to him were tame, | 8 | ········ |
| All-tamer was his common name; | 8 | ·/˘··/˘· |
| As Bharata he shall be known, | 8 | ··/˘···· |
| For he will bear the world alone. | 8 | ······˘/ |
| May Indra send abundant rain, | 8 | ····˘/˘· |
| Repaid by sacrificial gain; | 8 | ˘/··˘/˘· |
| With aid long mutually given, | 9 | ···/˘˘˘/˘ |
| Rule you on earth, and he in heaven. | 9 | ·······/˘ |
| May kingship benefit the land, | 8 | ·/˘/˘˘·· |
| And wisdom grow in scholars' band; | 8 | ·/˘··/˘· |
| May Shiva see my faith on earth | 8 | ·/˘····· |
| And make me free of all rebirth. | 8 | ······˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.