Scenes of the Mind
I have run where festival was loudWith drum and brass among the crowdOf panic revellers, whose criesAffront the quiet of the skies;Whose dancing lights contract the deepInfinity of night and sleepTo a narrow turmoil of troubled fire.And I have found my heart's desireIn beechen caverns that autumn fillsWith the blue shadowiness of distant hills;Whose luminous grey pillars bearThe stooping sky: calm is the air,Nor any sound is heard to marThat crystal silence--as from far,Far off a man may seeThe busy world all utterlyHushed as an old memorial scene.Long evenings I have sat and beenStrangely content, while in my handsI held a wealth of coloured strands,Shimmering plaits of silk and skeinsOf soft bright wool. Each colour drainsNew life at the lamp's round pool of gold;Each sinks again when I withholdThe quickening radiance, to a wanAnd shadowy oblivionOf what it was. And in my mindBeauty or sudden love has shinedAnd wakened colour in what was deadAnd turned to gold the sullen leadOf mean desires and everyday'sPoor thoughts and customary ways.Sometimes in lands where mountains throwTheir silent spell on all below,Drawing a magic circle wideAbout their feet on every side,Robbed of all speech and thought and act,I have seen God in the cataract.In falling water and in flame,Never at rest, yet still the same,God shows himself. And I have knownThe swift fire frozen into stone,And water frozen changelesslyInto the death of gems. And ILong sitting by the thunderous millHave seen the headlong wheel made still,And in the silence that ensuedHave known the endless solitudeOf being dead and utterly nought.Inhabitant of mine own thought,I look abroad, and all I seeIs my creation, made for me:Along my thread of life are pearledThe moments that make up the world.
Words in this poem
- turmoil v. t.
- To harass with commotion; to disquiet; to worry.
- beechen a.
- Consisting, or made, of the wood or bark of the beech; belonging to the beech. [AS. b.]
- shadowiness n.
- The quality or state of being shadowy.
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- coloured a.
- Having color; tinged; dyed; painted; stained.
- shimmering n.
- A gleam or glimmering.
- quickening n.
- The act or process of making or of becoming quick.
- oblivion n.
- The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- thunderous a.
- Producing thunder. [Written also thundrous.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Scenes of the Mind is in the public domain. This text is taken from The Defeat of Youth, and Other Poems, Project Gutenberg ebook #24364; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Aldous Huxley, Scenes of the Mind, in The Defeat of Youth, and Other Poems (1918), text of Project Gutenberg ebook #24364, Laurel, https://laurelpoetry.com/poem/huxley-defeat-of-youth/scenes-of-the-mind.html, id L22039.
Form and metre
Scenes of the Mind is 54 lines in a single stanza. It is in rhyming couplets, 85% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGG----HHIIJJKKLLMMNNOOPP--QQRR--SSTTUUVVWW loudA · crowdA · criesB · skiesB · deepC · sleepC · fireD · desireD · fillsE · hillsE · bearF · airF · marG · farG · see · utterly · scene · been · handsH · strandsH · skeinsI · drainsI · goldJ · withholdJ · wanK · oblivionK · mindL · shinedL · deadM · leadM · everyday'sN · waysN · throwO · belowO · wideP · sideP · act · cataract · flameQ · sameQ · knownR · stoneR · changelessly · i · millS · stillS · ensuedT · solitudeT · noughtU · thoughtU · seeV · meV · pearledW · worldW
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I have run where festival was loud | 8 | ····/˘·· |
| With drum and brass among the crowd | 8 | ········ |
| Of panic revellers, whose cries | 8 | ·/˘/˘˘·· |
| Affront the quiet of the skies; | 8 | ˘/·/˘··· |
| Whose dancing lights contract the deep | 8 | ·/˘·˘/·· |
| Infinity of night and sleep | 8 | ˘/˘˘···· |
| To a narrow turmoil of troubled fire. | 10 | ··/˘/··/˘/ |
| And I have found my heart's desire | 9 | ······˘/˘ |
| In beechen caverns that autumn fills | 9 | ·/˘/˘·/˘· |
| With the blue shadowiness of distant hills; | 11 | ···/˘˘˘·/˘· |
| Whose luminous grey pillars bear | 8 | ·/˘˘·/˘· |
| The stooping sky: calm is the air, | 8 | ·/˘····· |
| Nor any sound is heard to mar | 8 | ·/˘····· |
| That crystal silence--as from far, | 8 | ·/˘/˘··· |
| Far off a man may see | 6 | ······ |
| The busy world all utterly | 8 | ·/˘··/˘˘ |
| Hushed as an old memorial scene. | 8 | ····˘/˘· |
| Long evenings I have sat and been | 8 | ·/˘····· |
| Strangely content, while in my hands | 8 | /˘/˘···· |
| I held a wealth of coloured strands, | 8 | ·····/˘· |
| Shimmering plaits of silk and skeins | 8 | /˘˘····· |
| Of soft bright wool. Each colour drains | 8 | ·····/˘· |
| New life at the lamp's round pool of gold; | 9 | ········· |
| Each sinks again when I withhold | 8 | ··˘/··˘/ |
| The quickening radiance, to a wan | 8 | ·/˘/˘··· |
| And shadowy oblivion | 8 | ·/˘˘˘/˘˘ |
| Of what it was. And in my mind | 8 | ········ |
| Beauty or sudden love has shined | 8 | /˘·/˘··· |
| And wakened colour in what was dead | 9 | ·/˘/˘···· |
| And turned to gold the sullen lead | 8 | ·····/˘· |
| Of mean desires and everyday's | 8 | ··˘/·/˘/ |
| Poor thoughts and customary ways. | 8 | ···/˘·˘· |
| Sometimes in lands where mountains throw | 8 | ˘/···/˘· |
| Their silent spell on all below, | 8 | ·/˘····· |
| Drawing a magic circle wide | 8 | /˘·/˘/˘· |
| About their feet on every side, | 8 | ·····/˘· |
| Robbed of all speech and thought and act, | 8 | ········ |
| I have seen God in the cataract. | 9 | ······/˘˘ |
| In falling water and in flame, | 8 | ·/˘/˘··· |
| Never at rest, yet still the same, | 8 | /˘······ |
| God shows himself. And I have known | 8 | ··˘/···· |
| The swift fire frozen into stone, | 8 | ··//˘··· |
| And water frozen changelessly | 9 | ·/˘/˘···· |
| Into the death of gems. And I | 8 | ········ |
| Long sitting by the thunderous mill | 8 | ·/˘··/˘· |
| Have seen the headlong wheel made still, | 8 | ···/···· |
| And in the silence that ensued | 8 | ···/˘·˘/ |
| Have known the endless solitude | 8 | ···/˘/˘· |
| Of being dead and utterly nought. | 8 | ·/··/˘˘· |
| Inhabitant of mine own thought, | 8 | ˘/˘˘···· |
| I look abroad, and all I see | 8 | ··˘/···· |
| Is my creation, made for me: | 8 | ··˘/˘··· |
| Along my thread of life are pearled | 8 | ˘/······ |
| The moments that make up the world. | 8 | ·/˘····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.