L'Après-Midi D'Un Faune
I would immortalize these nymphs: so brightTheir sunlit colouring, so airy light,It floats like drowsing down. Loved I a dream?My doubts, born of oblivious darkness, seemA subtle tracery of branches grownThe tree's true self--proving that I have knownNo triumph, but the shadow of a rose.But think. These nymphs, their loveliness ... supposeThey bodied forth your senses' fabulous thirst?Illusion! which the blue eyes of the first,As cold and chaste as is the weeping spring,Beget: the other, sighing, passioning,Is she the wind, warm in your fleece at noon?No, through this quiet, when a weary swoonCrushes and chokes the latest faint essayOf morning, cool against the encroaching day,There is no murmuring water, save the gushOf my clear fluted notes; and in the hushBlows never a wind, save that which through my reedPuffs out before the rain of notes can speedUpon the air, with that calm breath of artThat mounts the unwrinkled zenith visibly,Where inspiration seeks its native sky.You fringes of a calm Sicilian lake,The sun's own mirror which I love to take,Silent beneath your starry flowers, tellHow here I cut the hollow rushes, wellTamed by my skill, when on the glaucous goldOf distant lawns about their fountain coldA living whiteness stirs like a lazy wave;And at the first slow notes my panpipes gaveThese flocking swans, these naiads, rather, flyOr dive. Noon burns inert and tawny dry,Nor marks how clean that Hymen slipped awayFrom me who seek in song the real A.Wake, then, to the first ardour and the sight,O lonely faun, of the old fierce white light,With, lilies, one of you for innocence.Other than their lips' delicate pretence,The light caress that quiets treacherous lovers,My breast, I know not how to tell, discoversThe bitten print of some immortal's kiss.But hush! a mystery so great as thisI dare not tell, save to my double reed,Which, sharer of my every joy and need,Dreams down its cadenced monologues that weFalsely confuse the beauties that we seeWith the bright palpable shapes our song creates:My flute, as loud as passion modulates,Purges the common dream of flank and breast,Seen through closed eyes and inwardly caressed,Of every empty and monotonous line.
Bloom then, O Syrinx, in thy flight malign,A reed once more beside our trysting-lake.Proud of my music, let me often makeA song of goddesses and see their rapeProfanely done on many a painted shape.So when the grape's transparent juice I drain,I quell regret for pleasures past and feignA new real grape. For holding towards the skyThe empty skin, I blow it tight and lieDream-drunk till evening, eyeing it.Tell o'erRemembered joys and plump the grape once more.Between the reeds I saw their bodies gleamWho cool no mortal fever in the streamCrying to the woods the rage of their desire:And their bright hair went down in jewelled fireWhere crystal broke and dazzled shudderingly.I check my swift pursuit: for see where lie,Bruised, being twins in love, by languor sweet,Two sleeping girls, clasped at my very feet.I seize and run with them, nor part the pair,Breaking this covert of frail petals, whereRoses drink scent of the sun and our light play'Mid tumbled flowers shall match the death of day.I love that virginal fury--ah, the wildThrill when a maiden body shrinks, defiled,Shuddering like arctic light, from lips that searIts nakedness ... the flesh in secret fear!Contagiously through my linked pair it fliesWhere innocence in either, struggling, dies,Wet with fond tears or some less piteous dew.Gay in the conquest of these fears, I grewSo rash that I must needs the sheaf divideOf ruffled kisses heaven itself had tied.For as I leaned to stifle in the hairOf one my passionate laughter (taking careWith a stretched finger, that her innocenceMight stain with her companion's kindling senseTo touch the younger little one, who layChild-like unblushing) my ungrateful preySlips from me, freed by passion's sudden death,Nor heeds the frenzy of my sobbing breath.
Let it pass! others of their hair shall twistA rope to drag me to those joys I missed.See how the ripe pomegranates bursting redTo quench the thirst of the mumbling bees have bled;So too our blood, kindled by some chance fire,Flows for the swarming legions of desire.At evening, when the woodland green turns goldAnd ashen grey, 'mid the quenched leaves, behold!Red Etna glows, by Venus visited,Walking the lava with her snowy treadWhene'er the flames in thunderous slumber die.I hold the goddess!Ah, sure penalty!
But the unthinking soul and body swoonAt last beneath the heavy hush of noon.Forgetful let me lie where summer's drouthSifts fine the sand and then with gaping mouthDream planet-struck by the grape's round wine-red star.Nymphs, I shall see the shade that now you are.
Words in this poem 35
- immortalize v. t.
- To render immortal; to cause to live or exist forever. S. Clarke. [Cf. F. immortaliser.]
- sunlit a.
- Lighted by the sun.
- colouring n.
- The act of applying color to; also, that which produces color.
- oblivious a.
- Promoting oblivion; causing forgetfulness. [L.obliviosus: cf.F. oblivieux.]
- tracery n.
- Ornamental work with rambled lines. Especially: -- (a) The decorative head of a Gothic window.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- sicilian a.
- Of or pertaining to Sicily or its inhabitants. Sicilian vespers, the great massacre of the French in Sicily, in the year 1282, on the evening of Easter Monday, at the hour of vespers.
- starry a.
- Abounding with stars; adorned with stars.
- glaucous a.
- Of a sea-green color; of a dull green passing into grayish blue.
- hymen n.
- A fold of muscous membrane often found at the orifice of the vagina; the vaginal membrane.
- ardour n.
- Heat, in a literal sense; as, the ardor of the sun's rays. [L. ardor, fr. ardere to burn: cf. OF. ardor, ardur, F. ardeur.]
- faun n.
- A god of fields and shipherds, diddering little from the satyr. [L. Faunus, fr. favere to be favorable. See Favor.]
- pretence n.
- The act of laying claim; the claim laid; assumption; pretension. [LL. praetensus, for L. praetentus, p. p. of praetendere. See Pretend, and cf. Tension.]
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- sharer n.
- One who shares; a participator; a partaker; also, a divider; a distributer.
- profanely adv.
- In a profane manner.
- quell v. t.
- To take the life of; to kill. [OE. quellen to kill, AS. cwellan, causative of cwelan to die; akin to OHG. quellen to torment, Icel. kvelja. See Quail to cower.]
- went n.
- Course; way; path; journey; direction.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- shudderingly adv.
- In a shuddering manner.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- virginal a.
- Of or pertaining to a virgin; becoming a virgin; maidenly. [L. virginalis: cf. F. virginal.]
- nakedness n.
- The condition of being naked.
- contagiously adv.
- In a contagious manner.
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- unblushing a.
- Not blushing; shameless.
- ungrateful a.
- Not grateful; not thankful for favors; making no returns, or making ill return for kindness, attention, etc.; ingrateful. South.
- sobbing n.
- A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
- mumbling a.
- Low; indistinct; inarticulate.
- ashen a.
- Of or pertaining to the ash tree. [See Ash, the tree.]
- etna n.
- A kind of small, portable, cooking apparatus for which heat is furnished by a spirit lamp.
- snowy a.
- White like snow.
- thunderous a.
- Producing thunder. [Written also thundrous.]
- unthinking a.
- Not thinking; not heedful; thoughtless; inconsiderate; as, unthinking youth.
- forgetful a.
- Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
L'Après-Midi D'Un Faune is in the public domain. This text is taken from The Defeat of Youth, and Other Poems, Project Gutenberg ebook #24364; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Aldous Huxley, L'Après-Midi D'Un Faune, in The Defeat of Youth, and Other Poems (1918), text of Project Gutenberg ebook #24364, Laurel, https://laurelpoetry.com/poem/huxley-defeat-of-youth/l-apr-s-midi-d-un-faune.html, id L22040.
Form and metre
L'Après-Midi D'Un Faune is 113 lines in 4 verse paragraphs. It is in rhyming couplets, 60% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJ---KKLLMMNNOO--PPQQRRSSTTUU--VV- brightA · lightA · dreamB · seemB · grownC · knownC · roseD · supposeD · thirstE · firstE · springF · passioningF · noonG · swoonG · essayH · dayH · gushI · hushI · reedJ · speedJ · art · visibly · sky · lakeK · takeK · tellL · wellL · goldM · coldM · waveN · gaveN · flyO · dryO · away · a · sightP · lightP · innocenceQ · pretenceQ · loversR · discoversR · kissS · thisS · reedT · needT · weU · seeU · creates · modulates · breastV · caressedV · line
- 2 -AABBCCDD---EEFF--GGHHIIJJKKLLMMNNOOPPQQRR malign · lakeA · makeA · rapeB · shapeB · drainC · feignC · skyD · lieD · it · o'er · more · gleamE · streamE · desireF · fireF · shudderingly · lie · sweetG · feetG · pairH · whereH · playI · dayI · wildJ · defiledJ · searK · fearK · fliesL · diesL · dewM · grewM · divideN · tiedN · hairO · careO · innocenceP · senseP · layQ · preyQ · deathR · breathR
- 3 AABBCCDDBB--- twistA · missedA · redB · bledB · fireC · desireC · goldD · beholdD · visitedB · treadB · die · goddess · penalty
- 4 AABBCC swoonA · noonA · drouthB · mouthB · starC · areC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I would immortalize these nymphs: so bright | 10 | ··˘/˘˘···· |
| Their sunlit colouring, so airy light, | 10 | ·/·/˘˘·/˘· |
| It floats like drowsing down. Loved I a dream? | 10 | ·········· |
| My doubts, born of oblivious darkness, seem | 10 | ····˘/˘/˘· |
| A subtle tracery of branches grown | 9 | ·/˘/˘·/˘· |
| The tree's true self--proving that I have known | 10 | ····/˘···· |
| No triumph, but the shadow of a rose. | 10 | ·/˘··/···· |
| But think. These nymphs, their loveliness ... suppose | 10 | ·····/˘˘˘/ |
| They bodied forth your senses' fabulous thirst? | 10 | ·/˘··/˘/˘· |
| Illusion! which the blue eyes of the first, | 10 | ˘/˘······· |
| As cold and chaste as is the weeping spring, | 10 | ·······/˘· |
| Beget: the other, sighing, passioning, | 10 | ˘/·/˘/˘/˘˘ |
| Is she the wind, warm in your fleece at noon? | 10 | ·········· |
| No, through this quiet, when a weary swoon | 10 | ···/˘··/˘· |
| Crushes and chokes the latest faint essay | 10 | /˘···/˘·˘/ |
| Of morning, cool against the encroaching day, | 11 | ·/˘····˘/˘· |
| There is no murmuring water, save the gush | 10 | ···/˘/˘··· |
| Of my clear fluted notes; and in the hush | 10 | ···/˘····· |
| Blows never a wind, save that which through my reed | 10 | ·/········ |
| Puffs out before the rain of notes can speed | 10 | ·········· |
| Upon the air, with that calm breath of art | 10 | ·········· |
| That mounts the unwrinkled zenith visibly, | 10 | ·····/˘/˘˘ |
| Where inspiration seeks its native sky. | 10 | ··˘/˘··/˘· |
| You fringes of a calm Sicilian lake, | 10 | ·/˘···˘/˘· |
| The sun's own mirror which I love to take, | 10 | ···/˘····· |
| Silent beneath your starry flowers, tell | 10 | /˘···/˘/˘· |
| How here I cut the hollow rushes, well | 10 | ·····/˘/˘· |
| Tamed by my skill, when on the glaucous gold | 10 | ·······/˘· |
| Of distant lawns about their fountain cold | 10 | ·/˘····/˘· |
| A living whiteness stirs like a lazy wave; | 11 | ·/˘/˘···/˘· |
| And at the first slow notes my panpipes gave | 10 | ·········· |
| These flocking swans, these naiads, rather, fly | 9 | ·/˘···/˘· |
| Or dive. Noon burns inert and tawny dry, | 10 | ····˘/·/˘· |
| Nor marks how clean that Hymen slipped away | 10 | ·····/˘·˘/ |
| From me who seek in song the real A. | 9 | ········· |
| Wake, then, to the first ardour and the sight, | 10 | ·····/˘··· |
| O lonely faun, of the old fierce white light, | 10 | ·/˘······· |
| With, lilies, one of you for innocence. | 10 | ·/˘····/˘˘ |
| Other than their lips' delicate pretence, | 10 | /˘···/˘˘·· |
| The light caress that quiets treacherous lovers, | 11 | ··˘/·/˘/˘/˘ |
| My breast, I know not how to tell, discovers | 11 | ········˘/˘ |
| The bitten print of some immortal's kiss. | 10 | ·/˘···˘/˘· |
| But hush! a mystery so great as this | 10 | ···/˘˘···· |
| I dare not tell, save to my double reed, | 10 | ·······/˘· |
| Which, sharer of my every joy and need, | 10 | ·/˘··/˘··· |
| Dreams down its cadenced monologues that we | 10 | ···/˘/˘··· |
| Falsely confuse the beauties that we see | 10 | /˘˘/·/˘··· |
| With the bright palpable shapes our song creates: | 10 | ···/˘·/·˘/ |
| My flute, as loud as passion modulates, | 10 | ·····/˘/˘˘ |
| Purges the common dream of flank and breast, | 10 | /˘·/˘····· |
| Seen through closed eyes and inwardly caressed, | 10 | ·····/˘˘˘/ |
| Of every empty and monotonous line. | 10 | ·/˘/˘·˘/˘· |
| Bloom then, O Syrinx, in thy flight malign, | 10 | ···/˘···˘/ |
| A reed once more beside our trysting-lake. | 10 | ····˘///˘· |
| Proud of my music, let me often make | 10 | ···/˘··/˘· |
| A song of goddesses and see their rape | 10 | ···/˘˘···· |
| Profanely done on many a painted shape. | 10 | ˘/˘··/·/˘· |
| So when the grape's transparent juice I drain, | 10 | ····˘/˘··· |
| I quell regret for pleasures past and feign | 10 | ··˘/·/˘··· |
| A new real grape. For holding towards the sky | 10 | ·····/˘··· |
| The empty skin, I blow it tight and lie | 10 | ·/˘······· |
| Dream-drunk till evening, eyeing it. | 8 | ···/˘/˘· |
| Tell o'er | 2 | ·· |
| Remembered joys and plump the grape once more. | 10 | ˘/˘······· |
| Between the reeds I saw their bodies gleam | 10 | ·······/˘· |
| Who cool no mortal fever in the stream | 10 | ···/˘/˘··· |
| Crying to the woods the rage of their desire: | 11 | /˘·······˘/ |
| And their bright hair went down in jewelled fire | 11 | ·······/˘/˘ |
| Where crystal broke and dazzled shudderingly. | 11 | ·/˘··/˘/˘˘˘ |
| I check my swift pursuit: for see where lie, | 10 | ····˘/···· |
| Bruised, being twins in love, by languor sweet, | 10 | ·/˘····/˘· |
| Two sleeping girls, clasped at my very feet. | 10 | ·/˘····/˘· |
| I seize and run with them, nor part the pair, | 10 | ·········· |
| Breaking this covert of frail petals, where | 10 | /˘·/˘··/˘· |
| Roses drink scent of the sun and our light play | 11 | /˘······/·· |
| 'Mid tumbled flowers shall match the death of day. | 10 | ·/˘/······ |
| I love that virginal fury--ah, the wild | 10 | ···/˘/˘··· |
| Thrill when a maiden body shrinks, defiled, | 10 | ···/˘/˘··· |
| Shuddering like arctic light, from lips that sear | 10 | /˘·/˘····· |
| Its nakedness ... the flesh in secret fear! | 10 | ·/˘˘···/˘· |
| Contagiously through my linked pair it flies | 10 | ˘/˘˘······ |
| Where innocence in either, struggling, dies, | 10 | ·/˘·/˘/˘˘· |
| Wet with fond tears or some less piteous dew. | 11 | ·······/˘˘· |
| Gay in the conquest of these fears, I grew | 10 | ···/˘····· |
| So rash that I must needs the sheaf divide | 10 | ········˘/ |
| Of ruffled kisses heaven itself had tied. | 10 | ·/˘/˘/˘/·· |
| For as I leaned to stifle in the hair | 10 | ·····/˘··· |
| Of one my passionate laughter (taking care | 10 | ···/˘/˘/˘· |
| With a stretched finger, that her innocence | 10 | ···/˘··/˘˘ |
| Might stain with her companion's kindling sense | 10 | ····˘/˘/˘· |
| To touch the younger little one, who lay | 10 | ···/˘/˘··· |
| Child-like unblushing) my ungrateful prey | 10 | ··˘/˘·˘/˘· |
| Slips from me, freed by passion's sudden death, | 10 | ·····/˘/˘· |
| Nor heeds the frenzy of my sobbing breath. | 10 | ···/˘··/˘· |
| Let it pass! others of their hair shall twist | 10 | ···/˘····· |
| A rope to drag me to those joys I missed. | 10 | ·········· |
| See how the ripe pomegranates bursting red | 11 | ········/˘· |
| To quench the thirst of the mumbling bees have bled; | 11 | ······/˘··· |
| So too our blood, kindled by some chance fire, | 11 | ··/·/˘···/˘ |
| Flows for the swarming legions of desire. | 11 | ···/˘/˘·˘/˘ |
| At evening, when the woodland green turns gold | 10 | ·/˘··/···· |
| And ashen grey, 'mid the quenched leaves, behold! | 10 | ·/˘·····˘/ |
| Red Etna glows, by Venus visited, | 10 | ·/˘··/˘/˘˘ |
| Walking the lava with her snowy tread | 10 | /˘·/˘··/˘· |
| Whene'er the flames in thunderous slumber die. | 11 | ······/˘/˘· |
| I hold the goddess! | 5 | ···/˘ |
| Ah, sure penalty! | 5 | ··/˘˘ |
| But the unthinking soul and body swoon | 10 | ··˘/˘··/˘· |
| At last beneath the heavy hush of noon. | 10 | ·····/˘··· |
| Forgetful let me lie where summer's drouth | 10 | ˘/˘····/˘· |
| Sifts fine the sand and then with gaping mouth | 10 | ·······/˘· |
| Dream planet-struck by the grape's round wine-red star. | 11 | ·/˘········ |
| Nymphs, I shall see the shade that now you are. | 10 | ·········· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.