Charity

Victor Hugo (1802–1885), translated by various hands · 1888

iambic tetrameter · ABAB · 60 lines · from Poems

"Lo! I am Charity," she cries,"Who waketh up before the day;While yet asleep all nature lies,God bids me rise and go my way."

How fair her glorious features shine,Whereon the hand of God hath setAn angel's attributes divine,With all a woman's sweetness met.

Above the old man's couch of woeShe bows her forehead, pure and even.There's nothing fairer here below,There's nothing grander up in heaven,

Than when caressingly she stands(The cold hearts wakening 'gain their beat),And holds within her holy handsThe little children's naked feet.

To every den of want and toilShe goes, and leaves the poorest fed;Leaves wine and bread, and genial oil,And hopes that blossom in her tread,

And fire, too, beautiful bright fire,That mocks the glowing dawn begun,Where, having set the blind old sire,He dreams he's sitting in the sun.

Then, over all the earth she runs,And seeks, in the cold mists of life,Those poor forsaken little onesWho droop and weary in the strife.

Ah, most her heart is stirred for them,Whose foreheads, wrapped in mists obscure,Still wear a triple diadem--The young, the innocent, the poor.

And they are better far than we,And she bestows a worthier meed;For, with the loaf of charity,She gives the kiss that children need.

She gives, and while they wondering eatThe tear-steeped bread by love supplied,She stretches round them in the streetHer arm that passers push aside.

If, with raised head and step alert,She sees the rich man stalking by,She touches his embroidered skirt,And gently shows them where they lie.

She begs for them of careless crowd,Of earnest brows and narrow hearts,That when it hears her cry aloud,Turns like the ebb-tide and departs.

O miserable he who singsSome strain impure, whose numbers fallAlong the cruel wind that bringsDeath to some child beneath his wall.

O strange and sad and fatal thing,When, in the rich man's gorgeous hall,The huge fire on the hearth doth flingA light on some great festival,

To see the drunkard smile in state,In purple wrapt, with myrtle crowned,While Jesus lieth at the gateWith only rags to wrap him round.

Words in this poem

glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
whereon adv.
On which; -- used relatively; as, the earth whereon we live.
caressingly
In caressing manner.
wakening n.
The act of one who wakens; esp., the act of ceasing to sleep; an awakening.
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
sire n.
A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
meed v. t.
To reward; to repay. Waytt.
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
gorgeous a.
Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Charity is in the public domain. This text is taken from Poems, Project Gutenberg ebook #8775, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Victor Hugo, Charity, in Poems (1888), text of Project Gutenberg ebook #8775, Laurel, https://laurelpoetry.com/poem/hugo-poems/charity.html, id L26854.

Form and metre

Charity is 60 lines in 15 stanzas of 4 lines each. Every stanza rhymes ABAB. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB criesA · dayB · liesA · wayB
  2. 2 ABAB shineA · setB · divineA · metB
  3. 3 ABAB woeA · evenB · belowA · heavenB
  4. 4 ABAB standsA · beatB · handsA · feetB
  5. 5 ABAB toilA · fedB · oilA · treadB
  6. 6 ABAB fireA · begunB · sireA · sunB
  7. 7 ABAB runsA · lifeB · onesA · strifeB
  8. 8 ABAB themA · obscureB · diademA · poorB
  9. 9 ABAB weA · meedB · charityA · needB
  10. 10 ABAB eatA · suppliedB · streetA · asideB
  11. 11 ABAB alertA · byB · skirtA · lieB
  12. 12 ABAB crowdA · heartsB · aloudA · departsB
  13. 13 ABAB singsA · fallB · bringsA · wallB
  14. 14 ABAB thingA · hallB · flingA · festivalB
  15. 15 ABAB stateA · crownedB · gateA · roundB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
"Lo! I am Charity," she cries,8···/˘˘··
"Who waketh up before the day;8········
While yet asleep all nature lies,8··˘/·/˘·
God bids me rise and go my way."8········
How fair her glorious features shine,8···/˘/˘·
Whereon the hand of God hath set8˘/······
An angel's attributes divine,8·/˘/˘·˘/
With all a woman's sweetness met.8···/˘/˘·
Above the old man's couch of woe8········
She bows her forehead, pure and even.9···/˘··/˘
There's nothing fairer here below,8·/˘/˘···
There's nothing grander up in heaven,9·/˘/˘··/˘
Than when caressingly she stands8··˘/˘˘··
(The cold hearts wakening 'gain their beat),8···/˘···
And holds within her holy hands8·····/˘·
The little children's naked feet.8·/˘/˘/˘·
To every den of want and toil8·/˘·····
She goes, and leaves the poorest fed;8·····/˘·
Leaves wine and bread, and genial oil,8·····/˘·
And hopes that blossom in her tread,8···/˘···
And fire, too, beautiful bright fire,9·/·/˘˘·/˘
That mocks the glowing dawn begun,8···/˘·˘/
Where, having set the blind old sire,9·/˘····/˘
He dreams he's sitting in the sun.8···/˘···
Then, over all the earth she runs,8········
And seeks, in the cold mists of life,8········
Those poor forsaken little ones8··˘/˘/˘·
Who droop and weary in the strife.8···/˘···
Ah, most her heart is stirred for them,8········
Whose foreheads, wrapped in mists obscure,8·/····˘/
Still wear a triple diadem--8···/˘/˘·
The young, the innocent, the poor.8···/˘˘··
And they are better far than we,8···/˘···
And she bestows a worthier meed;8··˘/·/˘·
For, with the loaf of charity,8·····/˘˘
She gives the kiss that children need.8·····/˘·
She gives, and while they wondering eat8·····/˘·
The tear-steeped bread by love supplied,8······˘/
She stretches round them in the street8·/˘·····
Her arm that passers push aside.8···/˘·˘/
If, with raised head and step alert,8······˘/
She sees the rich man stalking by,8·····/˘·
She touches his embroidered skirt,8·/˘·˘/˘·
And gently shows them where they lie.8·/˘·····
She begs for them of careless crowd,8·····/˘·
Of earnest brows and narrow hearts,8·/˘··/˘·
That when it hears her cry aloud,8······˘/
Turns like the ebb-tide and departs.8······˘/
O miserable he who sings8·/˘˘˘···
Some strain impure, whose numbers fall8··˘/·/˘·
Along the cruel wind that brings8˘/·/˘···
Death to some child beneath his wall.8········
O strange and sad and fatal thing,8·····/˘·
When, in the rich man's gorgeous hall,8·····/˘·
The huge fire on the hearth doth fling8··/·····
A light on some great festival,8·····/˘˘
To see the drunkard smile in state,8···/˘···
In purple wrapt, with myrtle crowned,8·/˘··/˘·
While Jesus lieth at the gate7·/˘····
With only rags to wrap him round.8·/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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