The Wreck
All night the booming minute-gunHad peal’d along the deep,And mournfully the rising sunLook’d o’er the tide-worn steep.A bark from India’s coral strand,Before the raging blast,Had vail’d her topsails to the sand,And bow’d her noble mast.
The queenly ship!--brave hearts had striven,And true ones died with her!We saw her mighty cable riven,Like floating gossamer.We saw her proud flag struck that morn--A star once o’er the seas,--Her anchor gone, her deck uptorn,And sadder things than these!
We saw her treasures cast away,The rocks with pearls were sown;And, strangely sad, the ruby’s rayFlash’d out o’er fretted stone.And gold was strewn the wet sands o’er,Like ashes by a breeze;And gorgeous robes--but oh! that shoreHad sadder things than these!
We saw the strong man still and low,A crush’d reed thrown aside;Yet, by that rigid lip and brow,Not without strife he died.And near him on the sea-weed lay--Till then we had not wept--But well our gushing hearts might say,That there a mother slept!
For her pale arms a babe had press’dWith such a wreathing grasp,Billows had dash’d o’er that fond breast,Yet not undone the clasp.Her very tresses had been flungTo wrap the fair child’s form,Where still their wet long streamers hungAll tangled by the storm.
And beautiful, midst that wild scene,Gleam’d up the boy’s dead face,Like slumber’s, trustingly serene,In melancholy grace.Deep in her bosom lay his head,With half-shut violet-eye--He had known little of her dread,Naught of her agony!
O human love! whose yearning heart,Through all things vainly true,So stamps upon thy mortal partIts passionate adieu--Surely thou hast another lot:There is some home for thee,Where thou shalt rest, remembering notThe moaning of the sea!
Words in this poem
- peal v. i.
- To appeal. Spencer.
- vail n.
- Avails; profit; return; proceeds. [Aphetic form of avail, n.]
- queenly a.
- Like, becoming, or suitable to, a queen. [AS. cwenlic feminine.]
- gossamer n.
- A fine, filmy substance, like cobwebs, floating in the air, in calm, clear weather, especially in autumn. It is seen in stubble fields and on furze or low bushes, and is formed by small spiders. [OE. gossomer, gossummer, gosesomer, perh. for goose summer, from its downy appearance, or perh. for God's summer, cf. G. mariengarr gossamer, properly Mary's ya]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- gorgeous a.
- Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- babe n.
- An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
- undone a.
- Not done or performed; neglected. [Pref. un- not + done.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- shalt
- 2d per. sing. of Shall.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Wreck is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, The Wreck, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/the-wreck.html, id L19385.
Form and metre
The Wreck is 56 lines in 7 stanzas of 8 lines each. The commonest rhyme scheme is ABABCDCD, in 3 of the 7 stanzas; the rest vary or could not be confirmed. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCD gunA · deepB · sunA · steepB · strandC · blastD · sandC · mastD
- 2 A-A-BCBC strivenA · her · rivenA · gossamer · mornB · seasC · uptornB · theseC
- 3 ABAB-C-C awayA · sownB · rayA · stoneB · o'er · breezeC · shore · theseC
- 4 -A-ABCBC low · asideA · brow · diedA · layB · weptC · sayB · sleptC
- 5 ABABCDCD press'dA · graspB · breastA · claspB · flungC · formD · hungC · stormD
- 6 ABABC-C- sceneA · faceB · sereneA · graceB · headC · eye · dreadC · agony
- 7 ABABCDCD heartA · trueB · partA · adieuB · lotC · theeD · notC · seaD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| All night the booming minute-gun | 8 | ···/˘/˘· |
| Had peal’d along the deep, | 6 | ··˘/·· |
| And mournfully the rising sun | 8 | ·····/˘· |
| Look’d o’er the tide-worn steep. | 6 | ······ |
| A bark from India’s coral strand, | 9 | ···/˘˘/˘· |
| Before the raging blast, | 6 | ···/˘· |
| Had vail’d her topsails to the sand, | 8 | ········ |
| And bow’d her noble mast. | 6 | ···/˘· |
| The queenly ship!--brave hearts had striven, | 9 | ·/˘····/˘ |
| And true ones died with her! | 6 | ······ |
| We saw her mighty cable riven, | 9 | ···/˘/˘/˘ |
| Like floating gossamer. | 6 | ·/˘/˘˘ |
| We saw her proud flag struck that morn-- | 8 | ········ |
| A star once o’er the seas,-- | 6 | ······ |
| Her anchor gone, her deck uptorn, | 8 | ·/˘····· |
| And sadder things than these! | 6 | ·/˘··· |
| We saw her treasures cast away, | 8 | ···/˘·˘/ |
| The rocks with pearls were sown; | 6 | ······ |
| And, strangely sad, the ruby’s ray | 8 | ·/˘··/˘· |
| Flash’d out o’er fretted stone. | 6 | ···/˘· |
| And gold was strewn the wet sands o’er, | 8 | ········ |
| Like ashes by a breeze; | 6 | ·/˘··· |
| And gorgeous robes--but oh! that shore | 8 | ·/˘····· |
| Had sadder things than these! | 6 | ·/˘··· |
| We saw the strong man still and low, | 8 | ········ |
| A crush’d reed thrown aside; | 6 | ····˘/ |
| Yet, by that rigid lip and brow, | 8 | ···/˘··· |
| Not without strife he died. | 6 | ······ |
| And near him on the sea-weed lay-- | 8 | ········ |
| Till then we had not wept-- | 6 | ······ |
| But well our gushing hearts might say, | 9 | ··/˘/˘··· |
| That there a mother slept! | 6 | ···/˘· |
| For her pale arms a babe had press’d | 8 | ········ |
| With such a wreathing grasp, | 6 | ···/˘· |
| Billows had dash’d o’er that fond breast, | 8 | /˘······ |
| Yet not undone the clasp. | 6 | ··˘/·· |
| Her very tresses had been flung | 8 | ·/˘/˘··· |
| To wrap the fair child’s form, | 6 | ······ |
| Where still their wet long streamers hung | 8 | ·····/˘· |
| All tangled by the storm. | 6 | ·/˘··· |
| And beautiful, midst that wild scene, | 8 | ·/˘˘···· |
| Gleam’d up the boy’s dead face, | 6 | ······ |
| Like slumber’s, trustingly serene, | 8 | ·/˘···˘/ |
| In melancholy grace. | 6 | ·/˘·˘· |
| Deep in her bosom lay his head, | 8 | ···/˘··· |
| With half-shut violet-eye-- | 7 | ···/˘˘· |
| He had known little of her dread, | 8 | ···/˘··· |
| Naught of her agony! | 6 | ···/˘˘ |
| O human love! whose yearning heart, | 8 | ·/˘··/˘· |
| Through all things vainly true, | 6 | ···/˘· |
| So stamps upon thy mortal part | 8 | ·····/˘· |
| Its passionate adieu-- | 6 | ·/˘˘˘/ |
| Surely thou hast another lot: | 8 | /˘··˘/˘· |
| There is some home for thee, | 6 | ······ |
| Where thou shalt rest, remembering not | 9 | ····˘/˘˘· |
| The moaning of the sea! | 6 | ·/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.