The View from Castri: From a Painting by Williams

Felicia Hemans (1793–1835) · 1808–1835

iambic pentameter · spenserian stanza · 36 lines · from Poems

There have been bright and glorious pageants here,Where now gray stones and moss-grown columns lie;There have been words, which earth grew pale to hear,Breathed from the cavern’s misty chambers nigh:There have been voices through the sunny sky,And the pine-woods, their choral hymn-notes sending,And reeds and lyres, their Dorian melodyWith incense-clouds around the temple blending,And throngs with laurel-boughs before the altar bending.

There have been treasures of the seas and islesBrought to the Day-god’s now-forsaken throne;Thunders have peal’d along the rock-defiles,When the far-echoing battle-horn made knownThat foes were on their way! The deep wind’s moanHath chill’d th’ invader’s heart with secret fear;And from the Sibyl-grottoes, wild and lone,Storms have gone forth, which, in their fierce career,From his bold hand have struck the banner and the spear.

The shrine hath sunk!--but thou unchanged art there!Mount of the voice and vision, robed with dreams!Unchanged--and rising through the radiant air,With thy dark waving pines, and flashing streams,And all thy founts of song! Their bright course teemsWith inspiration yet; and each dim haze,Or golden cloud which floats around thee, seemsAs with its mantle veiling from our gazeThe mysteries of the past, the gods of elder days!

Away, vain fantasies!--doth less of powerDwell round thy summit, or thy cliffs invest,Though, in deep stillness, now the ruin’s flowerWave o’er the pillars mouldering on thy breast?--Lift through the free blue heavens thine arrowy crest!Let the great rocks their solitude regain!No Delphian lyres now break thy noontide restWith their full chords:--but silent be the strain!Thou hast a mightier voice to speak th’ Eternal’s reign!

Words in this poem 16
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
choral a.
Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
dorian a.
Of or pertaining to the ancient Greeks of Doris; Doric; as, a Dorian fashion.
blending n.
The act of mingling.
peal v. i.
To appeal. Spencer.
invader n.
One who invades; an assailant; an encroacher; an intruder.
sibyl n.
A woman supposed to be endowed with a spirit of prophecy.
lone n.
A lane. See Loanin.
career n.
A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]
veiling n.
A veil; a thin covering; also, material for making veils.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
stillness n.
The quality or state of being still; quietness; silence; calmness; inactivity.
arrowy a.
Consisting of arrows.
noontide n.
The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The View from Castri: From a Painting by Williams is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, The View from Castri: From a Painting by Williams, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/the-view-from-castri-from-a-painting-by-williams.html, id L19304.

Form and metre

The View from Castri: From a Painting by Williams is 36 lines in 4 stanzas of 9 lines each. The rhyme scheme is ABABBCBCC, complete in 3 of its 4 stanzas; the stanza is the Spenserian stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).

See other poems in the Spenserian stanza, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBC-CC hereA · lieB · hearA · nighB · skyB · sendingC · melody · blendingC · bendingC
  2. 2 ABABBCBCC islesA · throneB · defilesA · knownB · moanB · fearC · loneB · careerC · spearC
  3. 3 ABABBCBCC thereA · dreamsB · airA · streamsB · teemsB · hazeC · seemsB · gazeC · daysC
  4. 4 ABABBCBCC powerA · investB · flowerA · breastB · crestB · regainC · restB · strainC · reignC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
There have been bright and glorious pageants here,10·····/˘/˘·
Where now gray stones and moss-grown columns lie;10·······/˘·
There have been words, which earth grew pale to hear,10··········
Breathed from the cavern’s misty chambers nigh:10···/˘/˘/˘·
There have been voices through the sunny sky,10···/˘··/˘·
And the pine-woods, their choral hymn-notes sending,11·····/˘··/˘
And reeds and lyres, their Dorian melody11·····/˘˘/˘˘
With incense-clouds around the temple blending,11·/·····/˘/˘
And throngs with laurel-boughs before the altar bending.13···/˘····/˘/˘
There have been treasures of the seas and isles10···/˘·····
Brought to the Day-god’s now-forsaken throne;10······˘/˘·
Thunders have peal’d along the rock-defiles,10/˘··˘/····
When the far-echoing battle-horn made known10···/˘/˘···
That foes were on their way! The deep wind’s moan10··········
Hath chill’d th’ invader’s heart with secret fear;10··˘/˘··/˘·
And from the Sibyl-grottoes, wild and lone,10···/˘/····
Storms have gone forth, which, in their fierce career,10········˘/
From his bold hand have struck the banner and the spear.12·······/˘···
The shrine hath sunk!--but thou unchanged art there!10······˘/··
Mount of the voice and vision, robed with dreams!10·····/˘···
Unchanged--and rising through the radiant air,10˘/·/˘··/˘·
With thy dark waving pines, and flashing streams,10···/˘··/˘·
And all thy founts of song! Their bright course teems10··········
With inspiration yet; and each dim haze,10··˘/˘·····
Or golden cloud which floats around thee, seems10·/˘·······
As with its mantle veiling from our gaze10···/˘/˘·/·
The mysteries of the past, the gods of elder days!12·/˘······/˘·
Away, vain fantasies!--doth less of power11˘/·/˘˘···/˘
Dwell round thy summit, or thy cliffs invest,10···/˘···˘/
Though, in deep stillness, now the ruin’s flower11···/˘··/˘/˘
Wave o’er the pillars mouldering on thy breast?10···/˘/˘···
--Lift through the free blue heavens thine arrowy crest!12·····/˘·/˘˘·
Let the great rocks their solitude regain!10·····/˘·˘/
No Delphian lyres now break thy noontide rest10·/˘····/˘·
With their full chords:--but silent be the strain!10·····/˘···
Thou hast a mightier voice to speak th’ Eternal’s reign!12···/˘···˘/˘·
Notes from the edition 1

Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.

  1. Stanza 4, line 9 This, with the preceding, and several of the following pieces, first appeared in the Edinburgh Magazine.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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