The Prayer in the Wilderness: Suggested by a Picture of Correggio’s
In the deep wilderness unseen she pray’d,The daughter of Jerusalem; aloneWith all the still, small whispers of the night,And with the searching glances of the stars,And with her God, alone: she lifted upHer sweet, sad voice, and, trembling o’er her head,The dark leaves thrill’d with prayer--the tearful prayerOf woman’s quenchless, yet repentant love.
Father of Spirits, hear!Look on the inmost heart to thee reveal’d,Look on the fountain of the burning tear,Before thy sight in solitude unseal’d!
Hear, Father! hear, and aid!If I have loved too well, if I have shed,In my vain fondness, o’er a mortal head,Gifts on thy shrine, my God! more fitly laid;
If I have sought to liveBut in one light, and made a human eyeThe lonely star of mine idolatry,Thou that art Love! oh, pity and forgive!
Chasten’d and school’d at last,No more, no more my struggling spirit burns,But, fix’d on thee, from that wild worship turns--What have I said?--the deep dream is not past!
Yet hear!--if still I love,Oh! still too fondly--if, for ever seen,An earthly image comes my heart betweenAnd thy calm glory, Father! throned above;
If still a voice is near,(E’en while I strive these wanderings to control,)An earthly voice disquieting my soulWith its deep music, too intensely dear;
O Father! draw to theeMy lost affections back!--the dreaming eyesClear from their mist--sustain the heart that dies,Give the worn soul once more its pinions free!
I must love on, O God!This bosom must love on!--but let thy breathTouch and make pure the flame that knows not death,Bearing it up to heaven--love’s own abode!
Ages and ages past, the wilderness,With its dark cedars, and the thrilling night,With her clear stars, and the mysterious winds,That waft all sound, were conscious of those prayers.How many such hath woman’s bursting heartSince then, in silence and in darkness breathed,Like the dim night-flower’s odour, up to God!
Words in this poem
- unseen a.
- Not seen or discovered.
- tearful a.
- Abounding with tears; weeping; shedding tears; as, tearful eyes.
- quenchless a.
- Incapable of being quenched; inextinguishable; as, quenchless fire or fury.
- repentant a.
- Penitent; sorry for sin. [F. repentant.]
- inmost a.
- Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
- unseal v. t.
- To break or remove the seal of; to open, as what is sealed; as, to unseal a letter. [1st pref. un- + seal.]
- fondness n.
- The quality or state of being fond; foolishness.
- fondly adv.
- Foolishly. Verstegan (1673).
- intensely adv.
- Intently. J. Spencer.
- abode n.
- Act of waiting; delay. [OE. abad, abood, fr. abiden to abide. See Abide. For the change of vowel, cf. abode, imp. of abide.]
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
- waft v. t.
- To give notice to by waving something; to wave the hand to; to beckon. [Prob. originally imp. & p. p. of wave, v. t. See Wave to waver.]
- odour n.
- Any smell, whether fragrant or offensive; scent; perfume. [OE. odor, odour, OF. odor, odour, F. odeur, fr. L. odor; akin to olere to smell, Gr. Olfactory, Osmium, Ozone, Redolent.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Prayer in the Wilderness: Suggested by a Picture of Correggio’s is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, The Prayer in the Wilderness: Suggested by a Picture of Correggio’s, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/the-prayer-in-the-wilderness-suggested-by-a-picture-of-corre.html, id L19726.
Form and metre
The Prayer in the Wilderness: Suggested by a Picture of Correggio’s is 47 lines in 10 stanzas. The rhyme scheme is ABBA, complete in 5 of its 10 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 ABAB hearA · reveal'dB · tearA · unseal'dB
- 3 ABBA aidA · shedB · headB · laidA
- 4 A--A liveA · eye · idolatry · forgiveA
- 5 ABBA lastA · burnsB · turnsB · pastA
- 6 ABBA loveA · seenB · betweenB · aboveA
- 7 ABBA nearA · controlB · soulB · dearA
- 8 ABBA theeA · eyesB · diesB · freeA
- 9 -AA- god · breathA · deathA · abode
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In the deep wilderness unseen she pray’d, | 10 | ···/˘˘˘/·· |
| The daughter of Jerusalem; alone | 10 | ·/˘·˘/˘˘˘/ |
| With all the still, small whispers of the night, | 10 | ·····/˘··· |
| And with the searching glances of the stars, | 10 | ···/˘/˘··· |
| And with her God, alone: she lifted up | 10 | ····˘/·/˘· |
| Her sweet, sad voice, and, trembling o’er her head, | 10 | ·····/˘··· |
| The dark leaves thrill’d with prayer--the tearful prayer | 10 | ·······/˘· |
| Of woman’s quenchless, yet repentant love. | 10 | ·/˘/˘·˘/˘· |
| Father of Spirits, hear! | 6 | /˘·/˘· |
| Look on the inmost heart to thee reveal’d, | 10 | ···/˘···˘/ |
| Look on the fountain of the burning tear, | 10 | ···/˘··/˘· |
| Before thy sight in solitude unseal’d! | 10 | ·····/˘·˘/ |
| Hear, Father! hear, and aid! | 6 | ·/˘··· |
| If I have loved too well, if I have shed, | 10 | ·········· |
| In my vain fondness, o’er a mortal head, | 10 | ···/˘··/˘· |
| Gifts on thy shrine, my God! more fitly laid; | 10 | ·······/˘· |
| If I have sought to live | 6 | ······ |
| But in one light, and made a human eye | 10 | ·······/˘· |
| The lonely star of mine idolatry, | 10 | ·/˘···˘/˘˘ |
| Thou that art Love! oh, pity and forgive! | 10 | ·····/˘·˘/ |
| Chasten’d and school’d at last, | 6 | /˘···· |
| No more, no more my struggling spirit burns, | 10 | ·····/˘˘/· |
| But, fix’d on thee, from that wild worship turns-- | 10 | ·······/˘· |
| What have I said?--the deep dream is not past! | 10 | ·········· |
| Yet hear!--if still I love, | 6 | ······ |
| Oh! still too fondly--if, for ever seen, | 10 | ···/˘··/˘· |
| An earthly image comes my heart between | 10 | ·/˘/˘····· |
| And thy calm glory, Father! throned above; | 10 | ···/˘/˘··· |
| If still a voice is near, | 6 | ······ |
| (E’en while I strive these wanderings to control,) | 10 | ·····/˘·˘/ |
| An earthly voice disquieting my soul | 10 | ·/˘·˘/˘˘·· |
| With its deep music, too intensely dear; | 10 | ···/˘·˘/˘· |
| O Father! draw to thee | 6 | ·/˘··· |
| My lost affections back!--the dreaming eyes | 10 | ··˘/˘··/˘· |
| Clear from their mist--sustain the heart that dies, | 10 | ····˘/···· |
| Give the worn soul once more its pinions free! | 10 | ·······/˘· |
| I must love on, O God! | 6 | ······ |
| This bosom must love on!--but let thy breath | 10 | ·/˘······· |
| Touch and make pure the flame that knows not death, | 10 | ·········· |
| Bearing it up to heaven--love’s own abode! | 10 | /˘···/··˘/ |
| Ages and ages past, the wilderness, | 10 | /˘·/˘··/˘˘ |
| With its dark cedars, and the thrilling night, | 10 | ···/˘··/˘· |
| With her clear stars, and the mysterious winds, | 10 | ······˘/˘· |
| That waft all sound, were conscious of those prayers. | 10 | ·····/˘··· |
| How many such hath woman’s bursting heart | 10 | ·/˘··/˘/˘· |
| Since then, in silence and in darkness breathed, | 10 | ···/˘··/˘· |
| Like the dim night-flower’s odour, up to God! | 10 | ····//˘··· |
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