Marguerite of France

Felicia Hemans (1793–1835) · 1808–1835

iambic tetrameter · 120 lines · from Poems

The Moslem spears were gleamingRound Damietta’s towers,Though a Christian banner from her wallWaved free its lily-flowers.Ay, proudly did the banner wave,As queen of earth and air;But faint hearts throb’d beneath its foldsIn anguish and despair.

Deep, deep in Paynim dungeonTheir kingly chieftain lay,And low on many an Eastern fieldTheir knighthood’s best array.’Twas mournful, when at feasts they met,The wine-cup round to send;For each that touch’d it silentlyThen miss’d a gallant friend!

And mournful was their vigilOn the beleaguer’d wall,And dark their slumber, dark with dreamsOf slow defeat and fall.Yet a few hearts of chivalryRose high to breast the storm,And one--of all the loftiest there--Thrill’d in a woman’s form.

A woman, meekly bendingO’er the slumber of her child,With her soft, sad eyes of weeping love,As the Virgin Mother’s mild.Oh! roughly cradled was thy babe,Midst the clash of spear and lance,And a strange, wild bower was thine, young queen!Fair Marguerite of France!

A dark and vaulted chamber,Like a scene for wizard-spell,Deep in the Saracenic gloomOf the warrior citadel;And there midst arms the couch was spread,And with banners curtain’d o’er,For the daughter of the minstrel-land,The gay Provençal shore!

For the bright queen of St Louis,The star of court and hall!But the deep strength of the gentle heartWakes to the tempest’s call!Her lord was in the Paynim’s hold,His soul with grief oppress’d,Yet calmly lay the desolate,With her young babe on her breast!

There were voices in the city,Voices of wrath and fear--“The walls grow weak, the strife is vain--We will not perish here!Yield! yield! and let the Crescent gleamO’er tower and bastion high!Our distant homes are beautiful--We stay not here to die!”

They bore those fearful tidingsTo the sad queen where she lay--They told a tale of wavering hearts,Of treason and dismay:The blood rush’d through her pearly cheek,The sparkle to her eye--“Now call me hither those recreant knightsFrom the bands of Italy!”

Then through the vaulted chambersStern iron footsteps rang;And heavily the sounding floorGave back the sabre’s clang.They stood around her--steel-clad men,Moulded for storm and fight,But they quail’d before the loftier soulIn that pale aspect bright.

Yes! as before the falcon shrinksThe bird of meaner wing,So shrank they from th’ imperial glanceOf her--that fragile thing!And her flute-like voice rose clear and highThrough the din of arms around--Sweet, and yet stirring to the soul,As a silver clarion’s sound.

“The honour of the LilyIs in your hands to keep,And the banner of the Cross, for HimWho died on Calvary’s steep;And the city which for Christian prayerHath heard the holy bell--And is it these your hearts would yieldTo the godless infidel?

“Then bring me here a breastplateAnd a helm, before ye fly,And I will gird my woman’s form,And on the ramparts die!And the boy whom I have borne for woe,But never for disgrace,Shall go within mine arms to deathMeet for his royal race.

“Look on him as he slumbersIn the shadow of the lance!Then go, and with the Cross forsakeThe princely babe of France!But tell your homes ye left one heartTo perish undefiled;A woman, and a queen, to guardHer honour and her child!”

Before her words they thrill’d, like leavesWhen winds are in the wood;And a deepening murmur told of menRoused to a loftier mood.And her babe awoke to flashing swords,Unsheath’d in many a hand,As they gather’d round the helpless One,Again a noble band!

“We are thy warriors, lady!True to the Cross and thee;The spirit of thy kindling wordsOn every sword shall be!Rest, with thy fair child on thy breast!Rest--we will guard thee well!St Denis for the Lily-flowerAnd the Christian citadel!”

Words in this poem 17
throb v. i.
To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
dungeon n.
A close, dark prison, commondonjon or keep of a castle, these being used as prisons. [OE. donjoun highest tower of a castle, tower, prison, F. donjon tower or platform in the midst of a castle, turret, or closet on the top of a house, a keep of a]
vigil n.
Abstinence from sleep, whether at a time when sleep is customary or not; the act of keeping awake, or the state of being awake, or the state of being awake; sleeplessness; wakefulness; watch. [OE. vigile, L. vigilia, from vigil awake, watchful, probably akin to E. wake: cf. F. vigile. See Wake, v. i., and cf. Reveille, Surveillance, Vedette, Vegetable]
defeat v. t.
To undo; to disfigure; to destroy. [From F. défait, OF. desfait, p. p. ofe défaire, OF. desfaire, to undo; L. dis- + facere to do. See Feat, Fact, and cf. Disfashion.]
meekly adv.
In a meek manner.
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
marguerite n.
The daisy (Bellis perennis). The name is often applied also to the ox-eye daisy and to the China aster. [F., a pearl, a daisy. See Margarite.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
sabre n.
A sword with a broad and heavy blade, thick at the back, and usually more or less curved like a scimiter; a cavalry sword. Saber fish, or Sabre fish (Zoöl.), the cutlass fish.
clang v. t.
To strike together so as to produce a ringing metallic sound. [L. clangere; akin to Gr. clank.]
clad v.
To clothe. Holland.
clarion n.
A kind of trumpet, whose note is clear and shrill. [OE. clarioun, OF. clarion, F. clairon, LL. clario, claro; so called from its clear tone, fr. L. clarus clear. See Clear.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
calvary n.
The place where Christ was crucified, on a small hill outside of Jerusalem. Luke xxiii. 33. [L. calvaria a bare skull, fr. calva the scalp without hair. fr. calvus bald; cf. F. calvaire.]
godless a.
Having, or acknowledging, no God; without reverence for God; impious; wicked.
infidel a.
Not holding the faith; -- applied esp. to one who does not believe in the inspiration of the Scriptures, and the supernatural origin of Christianity. [L. infidelis; pref. in- not + fidelis faithful, fr. fides faith: cf. F. infidèle. See Fidelity.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Marguerite of France is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, Marguerite of France, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/marguerite-of-france.html, id L19602.

Form and metre

Marguerite of France is 120 lines in 15 stanzas of 8 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A-B-B gleaming · towersA · wall · flowersA · wave · airB · folds · despairB
  2. 2 -A-A-B-B dungeon · layA · field · arrayA · met · sendB · silently · friendB
  3. 3 AA-A-B-B vigilA · wallA · dreams · fallA · chivalry · stormB · there · formB
  4. 4 -A-A-B-B bending · childA · love · mildA · babe · lanceB · queen · franceB
  5. 5 -A-A---- chamber · spellA · gloom · citadelA · spread · o'er · land · shore
  6. 6 -A-A-B-B louis · hallA · heart · callA · hold · oppress'dB · desolate · breastB
  7. 7 -A-A-B-B city · fearA · vain · hereA · gleam · highB · beautiful · dieB
  8. 8 -A-A---- tidings · layA · hearts · dismayA · cheek · eye · knights · italy
  9. 9 -A-A-B-B chambers · rangA · floor · clangA · men · fightB · soul · brightB
  10. 10 -A-A-B-B shrinks · wingA · glance · thingA · high · aroundB · soul · soundB
  11. 11 -A-A-B-B lily · keepA · him · steepA · prayer · bellB · yield · infidelB
  12. 12 -A-A-B-B breastplate · flyA · form · dieA · woe · disgraceB · death · raceB
  13. 13 -A-A-B-B slumbers · lanceA · forsake · franceA · heart · undefiledB · guard · childB
  14. 14 -----A-A leaves · wood · men · mood · swords · handA · one · bandA
  15. 15 -A-A-B-B lady · theeA · words · beA · breast · wellB · flower · citadelB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The Moslem spears were gleaming7·/˘··/˘
Round Damietta’s towers,7··˘/˘/˘
Though a Christian banner from her wall9··/˘/˘···
Waved free its lily-flowers.7···/˘/˘
Ay, proudly did the banner wave,8·/˘··/˘·
As queen of earth and air;6······
But faint hearts throb’d beneath its folds8········
In anguish and despair.6·/˘·˘/
Deep, deep in Paynim dungeon7···/˘/˘
Their kingly chieftain lay,6·/˘/˘·
And low on many an Eastern field9···/˘·/˘·
Their knighthood’s best array.6·/··˘/
’Twas mournful, when at feasts they met,8·/˘·····
The wine-cup round to send;6······
For each that touch’d it silently8·····/˘˘
Then miss’d a gallant friend!6···/˘·
And mournful was their vigil7·/˘··/˘
On the beleaguer’d wall,6··˘/˘·
And dark their slumber, dark with dreams8···/˘···
Of slow defeat and fall.6··˘/··
Yet a few hearts of chivalry8·····/˘˘
Rose high to breast the storm,6······
And one--of all the loftiest there--8········
Thrill’d in a woman’s form.6···/˘·
A woman, meekly bending7·/˘/˘/˘
O’er the slumber of her child,7··/˘···
With her soft, sad eyes of weeping love,9······/˘·
As the Virgin Mother’s mild.7··/˘/˘·
Oh! roughly cradled was thy babe,8·/˘/˘···
Midst the clash of spear and lance,7·······
And a strange, wild bower was thine, young queen!10····/˘····
Fair Marguerite of France!6··˘/··
A dark and vaulted chamber,7···/˘/˘
Like a scene for wizard-spell,7····/˘·
Deep in the Saracenic gloom8········
Of the warrior citadel;8··/˘˘/˘·
And there midst arms the couch was spread,8········
And with banners curtain’d o’er,7··/˘···
For the daughter of the minstrel-land,9··/˘··/˘·
The gay Provençal shore!6······
For the bright queen of St Louis,8······/˘
The star of court and hall!6······
But the deep strength of the gentle heart9······/˘·
Wakes to the tempest’s call!6···/˘·
Her lord was in the Paynim’s hold,8········
His soul with grief oppress’d,6····˘/
Yet calmly lay the desolate,8·/˘··/˘·
With her young babe on her breast!7·······
There were voices in the city,8··/˘··/˘
Voices of wrath and fear--6/˘····
“The walls grow weak, the strife is vain--8········
We will not perish here!6···/˘·
Yield! yield! and let the Crescent gleam8·····/˘·
O’er tower and bastion high!7·/˘·/˘·
Our distant homes are beautiful--9/˘/˘··/˘˘
We stay not here to die!”6······
They bore those fearful tidings7···/˘/˘
To the sad queen where she lay--7·······
They told a tale of wavering hearts,9·····/˘˘·
Of treason and dismay:6·/˘·˘/
The blood rush’d through her pearly cheek,8·····/˘·
The sparkle to her eye--6·/˘···
“Now call me hither those recreant knights10···/˘·/˘˘·
From the bands of Italy!”7····/˘˘
Then through the vaulted chambers7···/˘/˘
Stern iron footsteps rang;6·/˘/··
And heavily the sounding floor8·/˘˘·/˘·
Gave back the sabre’s clang.6···/˘·
They stood around her--steel-clad men,8········
Moulded for storm and fight,6/˘····
But they quail’d before the loftier soul10······/˘˘·
In that pale aspect bright.6···/··
Yes! as before the falcon shrinks8·····/˘·
The bird of meaner wing,6···/˘·
So shrank they from th’ imperial glance9····˘/˘˘·
Of her--that fragile thing!6···/˘·
And her flute-like voice rose clear and high9·········
Through the din of arms around--7·······
Sweet, and yet stirring to the soul,8···/˘···
As a silver clarion’s sound.8··/˘/˘˘·
“The honour of the Lily7·/˘··/˘
Is in your hands to keep,6······
And the banner of the Cross, for Him9··/˘·····
Who died on Calvary’s steep;7···/˘˘·
And the city which for Christian prayer9··/˘··/˘·
Hath heard the holy bell--6···/˘·
And is it these your hearts would yield8········
To the godless infidel?7··/˘/˘·
“Then bring me here a breastplate7·····/·
And a helm, before ye fly,7·······
And I will gird my woman’s form,8·····/˘·
And on the ramparts die!6···/··
And the boy whom I have borne for woe,9·········
But never for disgrace,6·/˘·˘/
Shall go within mine arms to death8········
Meet for his royal race.6···/˘·
“Look on him as he slumbers7·····/˘
In the shadow of the lance!7··/····
Then go, and with the Cross forsake8······˘/
The princely babe of France!6·/˘···
But tell your homes ye left one heart8········
To perish undefiled;6·/˘···
A woman, and a queen, to guard8·/˘·····
Her honour and her child!”6·/˘···
Before her words they thrill’d, like leaves8········
When winds are in the wood;6······
And a deepening murmur told of men10··/˘˘/˘···
Roused to a loftier mood.7···/˘˘·
And her babe awoke to flashing swords,9···˘/·/˘·
Unsheath’d in many a hand,7···/˘··
As they gather’d round the helpless One,9··/˘··/˘·
Again a noble band!6˘/·/˘·
“We are thy warriors, lady!8···/˘˘/˘
True to the Cross and thee;6······
The spirit of thy kindling words8·/˘··/˘·
On every sword shall be!7·/˘˘···
Rest, with thy fair child on thy breast!8········
Rest--we will guard thee well!6······
St Denis for the Lily-flower9·/˘··/˘/˘
And the Christian citadel!”7··/˘/˘·
Notes from the edition 1

Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.

  1. Stanza 8, line 8 The proposal to capitulate is attributed by the French historian to the Knights of Pisa.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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