Let Us Depart!

Felicia Hemans (1793–1835) · 1808–1835

common measure · 51 lines · from Poems

Night hung on Salem’s towers,And a brooding hush profoundLay where the Roman eagle shoneHigh o’er the tents around--

The tents that rose by thousands,In the moonlight glimmering pale;Like white waves of a frozen seaFilling an Alpine vale.

And the Temple’s massy shadowFell broad, and dark, and still,In peace--as if the Holy OneYet watch’d his chosen hill.

But a fearful sound was heardIn that old fane’s deepest heart,As if mighty wings rush’d by,And a dread voice raised the cry,“Let us depart!”

Within the fated cityE’en then fierce discord raved,Though o’er night’s heaven the comet-swordIts vengeful token waved.

There were shouts of kindred warfareThrough the dark streets ringing high,Though every sign was full which toldOf the bloody vintage nigh;

Though the wild red spears and arrowsOf many a meteor hostWent flashing o’er the holy stars,In the sky now seen, now lost.

And that fearful sound was heardIn the Temple’s deepest heart,As if mighty wings rush’d by,And a voice cried mournfully,“Let us depart!”

But within the fated cityThere was revelry that night--The wine-cup and the timbrel note,And the blaze of banquet-light.

The footsteps of the dancerWent bounding through the hall,And the music of the dulcimerSummon’d to festival:

While the clash of brother-weaponsMade lightning in the air,And the dying at the palace gatesLay down in their despair;

And that fearful sound was heardAt the Temple’s thrilling heart,As if mighty wings rush’d by,And a dread voice raised the cry,“Let us depart!”

Words in this poem

vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
massy a.
Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
fane n.
A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
vengeful a.
Vindictive; retributive; revengeful.
went n.
Course; way; path; journey; direction.
timbrel n.
A kind of drum, tabor, or tabret, in use from the highest antiquity. [Dim. of OE. timbre, OF. timbre; probably fr. L. typmanum, Gr. tabl a drum; cf. Per. tambal a drum. See Tympanum, and cf. 2d Timbre, Tymbal.]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Let Us Depart! is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, Let Us Depart!, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/let-us-depart.html, id L19777.

Form and metre

Let Us Depart! is 51 lines in 12 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 87%).

See other poems in common measure.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A towers · profoundA · shone · aroundA
  2. 2 -A-A thousands · paleA · sea · valeA
  3. 3 -A-A shadow · stillA · one · hillA
  4. 4 -ABBA heard · heartA · byB · cryB · departA
  5. 5 -A-A city · ravedA · sword · wavedA
  6. 6 -A-A warfare · highA · told · nighA
  7. 8 -A--A heard · heartA · by · mournfully · departA
  8. 9 -A-A city · nightA · note · lightA
  9. 10 -A-A dancer · hallA · dulcimer · festivalA
  10. 11 -A-A weapons · airA · gates · despairA
  11. 12 -ABBA heard · heartA · byB · cryB · departA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.

LineSyl.Stress
Night hung on Salem’s towers,7···/˘/˘
And a brooding hush profound7··/˘·˘/
Lay where the Roman eagle shone8···/˘/˘·
High o’er the tents around--6······
The tents that rose by thousands,7·····/˘
In the moonlight glimmering pale;7··/·/˘·
Like white waves of a frozen sea8·····/˘·
Filling an Alpine vale.6/˘·/··
And the Temple’s massy shadow8··/˘/˘/·
Fell broad, and dark, and still,6······
In peace--as if the Holy One8·····/˘·
Yet watch’d his chosen hill.6···/˘·
But a fearful sound was heard7··/˘···
In that old fane’s deepest heart,7····/˘·
As if mighty wings rush’d by,7··/˘···
And a dread voice raised the cry,7·······
“Let us depart!”4··˘/
Within the fated city7···/˘/˘
E’en then fierce discord raved,7···/˘·˘
Though o’er night’s heaven the comet-sword8···/·/˘·
Its vengeful token waved.7·/˘/˘·˘
There were shouts of kindred warfare8····/˘/·
Through the dark streets ringing high,7····/˘·
Though every sign was full which told8·/˘·····
Of the bloody vintage nigh;7··/˘/˘·
Though the wild red spears and arrows8······/˘
Of many a meteor host7·/·/˘˘·
Went flashing o’er the holy stars,8·/˘··/˘·
In the sky now seen, now lost.7·······
And that fearful sound was heard7··/˘···
In the Temple’s deepest heart,7··/˘/˘·
As if mighty wings rush’d by,7··/˘···
And a voice cried mournfully,7·······
“Let us depart!”4··˘/
But within the fated city8····/˘/˘
There was revelry that night--7··/˘˘··
The wine-cup and the timbrel note,8·····/˘·
And the blaze of banquet-light.7····/˘·
The footsteps of the dancer7·/···/˘
Went bounding through the hall,6·/˘···
And the music of the dulcimer8··/˘··/˘
Summon’d to festival:6/˘·/˘˘
While the clash of brother-weapons8····/˘/˘
Made lightning in the air,6·/˘···
And the dying at the palace gates9··/˘··/˘·
Lay down in their despair;6····˘/
And that fearful sound was heard7··/˘···
At the Temple’s thrilling heart,7··/˘/˘·
As if mighty wings rush’d by,7··/˘···
And a dread voice raised the cry,7·······
“Let us depart!”4··˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Felicia Hemans