A Thought of Paradise
“We receive but what we give,And in our life alone does nature live;Ours is her wedding-garment, ours her shroud;And, would we aught behold of higher worthThan that inanimate, cold world allow’dTo the poor, loveless, ever-anxious crowd,Ah! from the soul itself must issue forthA light, a glory, a fair luminous cloud,Enveloping the earth;And from the soul itself must there be sentA sweet and potent voice of its own birth,Of all sweet sounds the life and element.”--Coleridge.
Green spot of holy ground!If thou couldst yet be found,Far in deep woods, with all thy starry flowers;If not one sullying breathOf time, or change, or death,Had touch’d the vernal glory of thy bowers;
Might our tired pilgrim-feet,Worn by the desert’s heat,On the bright freshness of thy turf repose?Might our eyes wander thereThrough heaven’s transparent air,And rest on colours of the immortal rose?
Say, would thy balmy skiesAnd fountain-melodiesOur heritage of lost delight restore?Could thy soft honey-dewsThrough all our veins diffuseThe early, child-like, trustful sleep once more?
And might we, in the shadeBy thy tall cedars made,With angel-voices high communion hold?Would their sweet, solemn toneGive back the music gone,Our Being’s harmony, so jarr’d of old?
Oh no!--thy sunny hoursMight come with blossom-showers,All thy young leaves to spirit-lyres might thrill;But we--should we not bringInto thy realms of springThe shadows of our souls to haunt us still?
What could thy flowers and airsDo for our earth-born cares?Would the world’s chain melt off and leave us free?No!--past each living stream,Still would some fever-dreamTrack the lorn wanderers, meet no more for thee!
Should we not shrink with fearIf angel-steps were near,Feeling our burden’d souls within us die?How might our passions brookThe still and searching look,The star-like glance of seraph purity?
Thy golden-fruited groveWas not for pining love;Vain sadness would but dim thy crystal skies!Oh! thou wert but a partOf what man’s exiled heartHath lost--the dower of inborn Paradise!
Words in this poem
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- loveless a.
- Void of love; void of tenderness or kindness. Milton. Shelton.
- starry a.
- Abounding with stars; adorned with stars.
- balmy a.
- Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
- heritage a.
- That which is inherited, or passes from heir to heir; inheritance. [OE. heritage, eritage, OF. heritage, eritage, F. héritage, fr. hériter to inherit, LL. heriditare. See Hereditable.]
- trustful a.
- Full of trust; trusting.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- lorn a.
- Lost; undone; ruined. [Strong p. p. of Lose. See Lose, Forlorn.]
- sadness n.
- Heaviness; firmness.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Thought of Paradise is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, A Thought of Paradise, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/a-thought-of-paradise.html, id L19776.
Form and metre
A Thought of Paradise is 60 lines in 9 stanzas. The rhyme scheme is AABCCB, complete in 5 of its 9 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABCBB-BC-C- giveA · liveA · shroudB · worthC · allow'dB · crowdB · forth · cloudB · earthC · sent · birthC · coleridge
- 2 AABCCB groundA · foundA · flowersB · breathC · deathC · bowersB
- 3 AABCCB feetA · heatA · reposeB · thereC · airC · roseB
- 4 AABCCB skiesA · melodiesA · restoreB · dewsC · diffuseC · moreB
- 5 AAB--B shadeA · madeA · holdB · tone · gone · oldB
- 6 AABCCB hoursA · showersA · thrillB · bringC · springC · stillB
- 7 AABCCB airsA · caresA · freeB · streamC · dreamC · theeB
- 8 AA-BB- fearA · nearA · die · brookB · lookB · purity
- 9 ---AA- grove · love · skies · partA · heartA · paradise
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “We receive but what we give, | 7 | ·˘/···· |
| And in our life alone does nature live; | 10 | ··/·˘/·/˘· |
| Ours is her wedding-garment, ours her shroud; | 10 | /··/˘/˘/·· |
| And, would we aught behold of higher worth | 10 | ····˘/·/˘· |
| Than that inanimate, cold world allow’d | 10 | ··˘/˘˘··˘/ |
| To the poor, loveless, ever-anxious crowd, | 10 | ···/˘/˘/˘· |
| Ah! from the soul itself must issue forth | 10 | ····˘/·/˘· |
| A light, a glory, a fair luminous cloud, | 10 | ···/˘··/˘· |
| Enveloping the earth; | 6 | ˘/˘˘·· |
| And from the soul itself must there be sent | 10 | ····˘/···· |
| A sweet and potent voice of its own birth, | 10 | ···/˘····· |
| Of all sweet sounds the life and element.”--Coleridge. | 11 | ·······/˘/˘ |
| Green spot of holy ground! | 6 | ···/˘· |
| If thou couldst yet be found, | 6 | ······ |
| Far in deep woods, with all thy starry flowers; | 11 | ·······/˘/˘ |
| If not one sullying breath | 7 | ···/˘˘· |
| Of time, or change, or death, | 6 | ······ |
| Had touch’d the vernal glory of thy bowers; | 11 | ···/˘/˘··/˘ |
| Might our tired pilgrim-feet, | 9 | ·/˘/˘˘/˘· |
| Worn by the desert’s heat, | 6 | ···/˘· |
| On the bright freshness of thy turf repose? | 10 | ···/˘···˘/ |
| Might our eyes wander there | 7 | ·/˘·/˘· |
| Through heaven’s transparent air, | 7 | ·/˘˘/˘· |
| And rest on colours of the immortal rose? | 11 | ···/˘··˘/˘· |
| Say, would thy balmy skies | 6 | ···/˘· |
| And fountain-melodies | 6 | ·/˘/˘˘ |
| Our heritage of lost delight restore? | 10 | //˘˘··˘/˘/ |
| Could thy soft honey-dews | 6 | ···/˘· |
| Through all our veins diffuse | 7 | ··/˘·˘/ |
| The early, child-like, trustful sleep once more? | 10 | ·/˘··/˘··· |
| And might we, in the shade | 6 | ······ |
| By thy tall cedars made, | 6 | ···/˘· |
| With angel-voices high communion hold? | 10 | ·/˘/˘·˘/˘· |
| Would their sweet, solemn tone | 6 | ···/˘· |
| Give back the music gone, | 6 | ···/˘· |
| Our Being’s harmony, so jarr’d of old? | 10 | //˘/˘˘···· |
| Oh no!--thy sunny hours | 7 | ···/˘/˘ |
| Might come with blossom-showers, | 7 | ···/˘/˘ |
| All thy young leaves to spirit-lyres might thrill; | 10 | ·····/˘··· |
| But we--should we not bring | 6 | ······ |
| Into thy realms of spring | 6 | ······ |
| The shadows of our souls to haunt us still? | 10 | ·/··/····· |
| What could thy flowers and airs | 7 | ···/˘·· |
| Do for our earth-born cares? | 7 | ··/˘··· |
| Would the world’s chain melt off and leave us free? | 10 | ·········· |
| No!--past each living stream, | 6 | ···/˘· |
| Still would some fever-dream | 6 | ···/˘· |
| Track the lorn wanderers, meet no more for thee! | 10 | ···/˘····· |
| Should we not shrink with fear | 6 | ······ |
| If angel-steps were near, | 6 | ·/˘··· |
| Feeling our burden’d souls within us die? | 10 | /˘//˘····· |
| How might our passions brook | 7 | ··/˘/˘· |
| The still and searching look, | 6 | ···/˘· |
| The star-like glance of seraph purity? | 10 | ·····/˘/˘˘ |
| Thy golden-fruited grove | 6 | ·/˘/˘· |
| Was not for pining love; | 6 | ···/˘· |
| Vain sadness would but dim thy crystal skies! | 10 | ·/˘····/˘· |
| Oh! thou wert but a part | 6 | ······ |
| Of what man’s exiled heart | 6 | ···/·· |
| Hath lost--the dower of inborn Paradise! | 10 | ·····/·/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.